Sadness

I think I never passed so sad an hour,
    Dear friend, as that one at the church to-night.
The edifice from basement to the tower
    Was one resplendent blaze of colored light.
Up through broad aisles the stylish crowd was thronging,
    Each richly robed like some king's bidden guest.
"Here will I bring my sorrow and my longing,"
    I said, "and here find rest."

I heard the heavenly organ's voice of thunder,
    It seemed to give me infinite relief.
I wept. Strange eyes looked on in well-bred wonder.
    I dried my tears: their gaze profaned my grief.
Wrapt in the costly furs, and silks and laces
    Beat alien hearts, that had no part with me.
I could not read, in all those proud cold faces,
    One thought of sympathy.

I watched them bowing a...

1.
'Do you not hear the Aziola cry?
Methinks she must be nigh,'
Said Mary, as we sate
In dusk, ere stars were lit, or candles brought;
And I, who thought
This Aziola was some tedious woman,
Asked, 'Who is Aziola?' How elate
I felt to know that it was nothing human,
No mockery of myself to fear or hate:
And Mary saw my soul,
And laughed, and said, 'Disquiet yourself not;
'Tis nothing but a little downy owl.'

2.
Sad Aziola! many an eventide
Thy music I had heard
By wood and stream, meadow and mountain-side,
And fields and marshes wide, -
Such as nor voice, nor lute, nor wind, nor bird,
The soul ever stirred;
Unlike and far sweeter than them all.
Sad Aziola! from that moment I
Loved thee and thy sad cry.

I.

Nature, so far as in her lies,
Imitates God, and turns her face
To every land beneath the skies,
Counts nothing that she meets with base,
But lives and loves in every place;



II.

Fills out the homely quickset-screens,
And makes the purple lilac ripe,
Steps from her airy hill, and greens
The swamp, where humm’d the dropping snipe,
With moss and braided marish-pipe;



III.

And on thy heart a finger lays,
Saying, ‘Beat quicker, for the time
Is pleasant, and the woods and ways
Are pleasant, and the beech and lime
Put forth and feel a gladder clime.’



IV.

And murmurs of a deeper voice,
Going before to some far shrine,
Teach that sick heart the stronger choice,

        Boys and girls that held her dear,
            Do your weeping now;
        All you loved of her lies here.

        Brought to earth the arrogant brow,
            And the withering tongue
        Chastened; do your weeping now.

        Sing whatever songs are sung,
            Wind whatever wreath,
        For a playmate perished young,

        For a spirit spent in death.
        Boys and girls that held her dear,
        All you loved of her lies here.

Departing summer hath assumed
An aspect tenderly illumed,
The gentlest look of spring;
That calls from yonder leafy shade
Unfaded, yet prepared to fade,
A timely caroling.

No faint and hesitating trill,
Such tribute as to winter chill
The lonely redbreast pays!
Clear, loud, and lively is the din,
From social warblers gathering in
Their harvest of sweet lays.

Nor doth the example fail to cheer
Me, conscious that my leaf is sere,
And yellow on the bough:
Fall, rosy garlands, from my head!
Ye myrtle wreaths, your fragrance shed
Around a younger brow!

Yet will I temperately rejoice;
Wide is the range, and free the choice
Of undiscordant themes;
Which, haply, kindred souls may prize
Not less than vernal ecstasies,

As often-times the too resplendent sun
Hurries the pallid and reluctant moon
Back to her sombre cave, ere she hath won
A single ballad from the nightingale,
So doth thy Beauty make my lips to fail,
And all my sweetest singing out of tune.

And as at dawn across the level mead
On wings impetuous some wind will come,
And with its too harsh kisses break the reed
Which was its only instrument of song,
So my too stormy passions work me wrong,
And for excess of Love my Love is dumb.

But surely unto Thee mine eyes did show
Why I am silent, and my lute unstrung;
Else it were better we should part, and go,
Thou to some lips of sweeter melody,
And I to nurse the barren memory
Of unkissed kisses, and songs never sung.

On a blank leaf of "poems printed, not published.


Well thought! who would not rather hear
The songs to Love and Friendship sung
Than those which move the stranger's tongue,
And feed his unselected ear?

Our social joys are more than fame;
Life withers in the public look.
Why mount the pillory of a book,
Or barter comfort for a name?

Who in a house of glass would dwell,
With curious eyes at every pane?
To ring him in and out again,
Who wants the public crier's bell?

To see the angel in one's way,
Who wants to play the ass's part,
Bear on his back the wizard Art,
And in his service speak or bray?

And who his manly locks would shave,
And quench the eyes of common sense,
To share the noisy recompense
Th...

Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of lov...

Beautiful, tender, wasting away for sorrow;
Thus to-day; and how shall it be with thee to-morrow?
Beautiful, tender - what else?
A hope tells.

Beautiful, tender, keeping the jubilee
In the land of home together, past death and sea;
No more change or death, no more
Salt sea-shore.

1.
The warm sun is failing, the bleak wind is wailing,
The bare boughs are sighing, the pale flowers are dying,
And the Year
On the earth her death-bed, in a shroud of leaves dead,
Is lying.
Come, Months, come away,
From November to May,
In your saddest array;
Follow the bier
Of the dead cold Year,
And like dim shadows watch by her sepulchre.

2.
The chill rain is falling, the nipped worm is crawling,
The rivers are swelling, the thunder is knelling
For the Year;
The blithe swallows are flown, and the lizards each gone
To his dwelling;
Come, Months, come away;
Put on white, black, and gray;
Let your light sisters play -
Ye, follow the bier
Of the dead cold Year,
And make her grave green with tear on tear.

When you have tidied all things for the night,
And while your thoughts are fading to their sleep,
You'll pause a moment in the late firelight,
Too sorrowful to weep.

The large and gentle furniture has stood
In sympathetic silence all the day
With that old kindness of domestic wood;
Nevertheless the haunted room will say:
'Some one must be away.'

The little dog rolls over half awake,
Stretches his paws, yawns, looking up at you,
Wags his tail very slightly for your sake,
That you may feel he is unhappy too.

A distant engine whistles, or the floor
Creaks, or the wandering night-wind bangs a door.

Silence is scattered like a broken glass.
The minutes prick their ears and run about,
Then one by one subside again and pass
Sedately ...

Nevermore at doorways that are barken
Shall the madcap wind knock and the moonlight;
Nor the circle which thou once didst darken,
Shine with footsteps of the neighbouring moonlight,
Visitors for whom thou oft didst hearken.

Nevermore, gallooned with cloudy laces,
Shall the morning, like a fair freebooter,
Make thy leaves his richest treasure-places;
Nor the sunset, like a royal suitor,
Clothe thy limbs with his imperial graces.

And no more, between the savage wonder
Of the sunset and the moon's up-coming,
Shall the storm, with boisterous hoof-beats, under
Thy dark roof dance, Faun-like, to the humming
Of the Pan-pipes of the rain and thunder.

Oft the Satyr-spirit, beauty-drunken,
Of the Spring called; and the music measure
Of thy sap mad...

Art thou a Statist in the van
Of public conflicts trained and bred?
First learn to love one living man;
'Then' may'st thou think upon the dead.

A Lawyer art thou? draw not nigh!
Go, carry to some fitter place
The keenness of that practised eye,
The hardness of that sallow face.

Art thou a Man of purple cheer?
A rosy Man, right plump to see?
Approach; yet, Doctor, not too near,
This grave no cushion is for thee.

Or art thou one of gallant pride,
A Soldier and no man of chaff?
Welcome! but lay thy sword aside,
And lean upon a peasant's staff.

Physician art thou? one, all eyes,
Philosopher! a fingering slave,
One that would peep and botanise
Upon his mother's grave?

Wrapt closely in thy sensual fleece,
O turn...

Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on -
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel's track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,
Riving sail, and cord, and plank,
Till the ship has almost drank
Death from the o'er-brimming deep;
And sinks down, down, like that sleep
When the dreamer seems to be
Weltering through eternity;
And the dim low line before
Of a dark and distant shore
Still recedes, as ever still
Longing with divided will,
But no power to seek or shun,
He is ever drifted on

Low-flying breezes are roaming the broad valley dimm’d in the gloaming;
Thro’ the black-stemm’d pines only the far river shines.
Creeping thro’ blossomy rushes and bowers of rose-blowing bushes,
Down by the poplar tall rivulets babble and fall.
Barketh the shepherd-dog cheerly; the grasshopper carolleth clearly;
Deeply the wood-dove coos; shrilly the owlet halloos;
Winds creep; dews fall chilly: in her first sleep earth breathes stilly:
Over the pools in the burn water-gnats murmur and mourn.
Sadly the far kine loweth; the glimmering water outfloweth;
Twin peaks shadow’d with pine slope to the dark hyaline.
Low-throned Hesper is stayed between the two peaks; but the Naiad
Throbbing in mild unrest holds him beneath in her breast.
The ancient poetess singeth that Hesperus all thing...

I meditate upon a swallow's flight,
Upon a aged woman and her house,
A sycamore and lime-tree lost in night
Although that western cloud is luminous,
Great works constructed there in nature's spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.
There Hyde before he had beaten into prose
That noble blade the Muses buckled on,
There one that ruffled in a manly pose
For all his timid heart, there that slow man,
That meditative man, John Synge, and those
Impetuous men, Shawe-Taylor and Hugh Lane,
Found pride established in humility,
A scene well Set and excellent company.
They came like swallows and like swallows went,
And yet a woman's powerful character
Could keep a Swallow to...

I have been dreaming all a summer day
Of rare and dainty poems I would write;
Love-lyrics delicate as lilac-scent,
Soft idylls woven of wind, and flower, and stream,
And songs and sonnets carven in fine gold.

The day is fading and the dusk is cold;
Out of the skies has gone the opal gleam,
Out of my heart has passed the high intent
Into the shadow of the falling night,
Must all my dreams in darkness pass away?

I have been dreaming all a summer day:
Shall I go dreaming so until Life’s light
Fades in Death’s dusk, and all my days are spent?
Ah, what am I the dreamer but a dream!
The day is fading and the dusk is cold.

My songs and sonnets carven in fine gold
Have faded from me with the last day -beam
That purple lustre to the sea-line lent...

(My Soul) I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

(My Self). The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn

(My Soul.) Why should the imagination of a man
Long past his prime remember things that are
Emblematica...