Sadness

Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the g...

Posthumous Fragments Of Margaret Mcholson.

Being Poems found amongst the Papers of that noted Female who attempted the life of the King in 1786. Edited by John Fitzvictor.

[The "Posthumous Fragments", published at Oxford by Shelley, appeared in November, 1810.]



Despair.

And canst thou mock mine agony, thus calm
In cloudless radiance, Queen of silver night?
Can you, ye flow'rets, spread your perfumed balm
Mid pearly gems of dew that shine so bright?
And you wild winds, thus can you sleep so still
Whilst throbs the tempest of my breast so high?
Can the fierce night-fiends rest on yonder hill,
And, in the eternal mansions of the sky,
Can the directors of the storm in powerless silence lie?

Hark! I hear music on the zephyr's wing,
L...

Where are you going with eyes so dull,
You whose eyes were beautiful,
You whose hair with the light was gay,
And now is thin and harsh and gray?
Is it age alone or age and tears
That has slowly rubbed your beauty away?

Where were you going when your swift eyes
Were like merry birds under May skies?--
In your cheeks the colours fluttering brave
As you danced with the wind and ran with the wave.
From what bright star was your brightness caught?
What to your music the music gave?

Now is your beauty a thing of old,
The fire is sunken, the ashes cold.
But if sweet singing on your ear stray,
Or the praise is uttered of yesterday,
Or of courage and nobleness one word said--
Like a cloud Time's ravage is brushed away.

Dearest, best and brightest,
Come away,
To the woods and to the fields!
Dearer than this fairest day
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle in the brake.
The eldest of the Hours of Spring,
Into the Winter wandering,
Looks upon the leafless wood,
And the banks all bare and rude;
Found, it seems, this halcyon Morn
In February's bosom born,
Bending from Heaven, in azure mirth,
Kissed the cold forehead of the Earth,
And smiled upon the silent sea,
And bade the frozen streams be free;
And waked to music all the fountains,
And breathed upon the rigid mountains,
And made the wintry world appear
Like one on whom thou smilest, Dear.

Radiant Sister of the Day,

    Life with the sun in it -
        Shaded by gloom!
    Life with the fun in it -
        Shadowed by Doom!

Life with its Love ever haunted by Hate!
Life's laughing morrows frowned over by Fate!
Young Life's wild gladness still waylaid by Age!
All its sweet badness still mocking the sage!
What can e'er measure the joy of its strife?

    What boundless leisure
    Count the heaped treasure
    Of woe, that's the pleasure
    And beauty of Life?

In the dull, dim dawn of day I heard
The twitter and thrill of a brown-backed bird,
As he sat and sang in the leafless tree,
A herald of beautiful days to be.

But the minor running under the strain
Went to my heart with a sudden pain,
For never so sad a sound I heard
As the troubled thrill of the brown-backed bird.

Not in the wearisome wash of waves,
With moaning murmur of wrecks and graves,
Not in the weird winds' wildest wail,
Not in the roar of the rushing gale.

Not in the sob of dying years
Are sounds so solemn and full of tears.
O herald of days that are green and glad,
Why was your morning song so sad?

Have you a secret hidden away,
Of sorrow to come with a coming day?
Folded under a folded leaf,
Lies there trouble ...

1.
The awful shadow of some unseen Power
Floats though unseen among us, - visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower, -
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening, -
Like clouds in starlight widely spread, -
Like memory of music fled, -
Like aught that for its grace may be
Dear, and yet dearer for its mystery.

2.
Spirit of BEAUTY, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form, - where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever

"Your eyes that once were never weary of mine
Are bowed in sotrow under pendulous lids,
Because our love is waning."
And then She:
"Although our love is waning, let us stand
By the lone border of the lake once more,
Together in that hour of gentleness
When the poor tired child, passion, falls asleep.
How far away the stars seem, and how far
Is our first kiss, and ah, how old my heart!"
Pensive they paced along the faded leaves,
While slowly he whose hand held hers replied:
"Passion has often worn our wandering hearts."
The woods were round them, and the yellow leaves
Fell like faint meteors in the gloom, and once
A rabbit old and lame limped down the path;
Autumn was over him: and now they stood
On the lone border of the lake once more:
Turning, he s...

Best and brightest, come away!
Fairer far than this fair Day,
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle on the brake.
The brightest hour of unborn Spring,
Through the winter wandering,
Found, it seems, the halcyon Morn
To hoar February born,
Bending from Heaven, in azure mirth,
It kissed the forehead of the Earth,
And smiled upon the silent sea,
And bade the frozen streams be free,
And waked to music all their fountains,
And breathed upon the frozen mountains,
And like a prophetess of May
Strewed flowers upon the barren way,
Making the wintry world appear
Like one on whom thou smilest, dear.

Away, away, from men and towns,
To the wild wood and the downs -

A Suggestion From Hogarth.


One knows the scene so well,--a touch,
A word, brings back again
That room, not garnished overmuch,
In gusty Drury Lane;

The empty safe, the child that cries,
The kittens on the coat,
The good-wife with her patient eyes,
The milkmaid's tuneless throat;

And last, in that mute woe sublime,
The luckless verseman's air:
The "Bysshe," the foolscap and the rhyme,--
The Rhyme ... that is not there!

Poor Bard! to dream the verse inspired--
With dews Castalian wet--
Is built from cold abstractions squired
By "Bysshe," his epithet!

Ah! when she comes, the glad-eyed Muse,
No step upon the stair
Betrays the guest that none refuse,--
She takes us unaware;

And tips with fire our ly...

The sparrows wake beneath the convent eaves;
I think I have not slept the whole night through.
But I am old; the aged scarcely know
The times they wake and sleep, for life burns down;
They breathe the calm of death before they die.
The long night ends, the day comes creeping in,
Showing the sorrows that the darkness hid,
The bended head of Christ, the blood, the thorns,
The wall's gray stains of damp, the pallet bed
Where little Sister Marta dreams of saints,
Waking with arms outstretched imploringly
That seek to stay a vision's vanishing.
I never had a vision, yet for me
Our Lady smiled while all the convent slept
One winter midnight hushed around with snow,
I thought she might be kinder than the rest,
And so I came to kneel before her feet,
Sick with lo...

Or che 'l ciel e la terra e 'l vento tace.

NIGHT BRINGS PEACE TO ALL SAVE HIM.


    O'er earth and sky her lone watch silence keeps,
And bird and beast in stirless slumber lie,
Her starry chariot Night conducts on high,
And in its bed the waveless ocean sleeps.
I wake, muse, burn, and weep; of all my pain
The one sweet cause appears before me still;
War is my lot, which grief and anger fill,
And thinking but of her some rest I gain.
Thus from one bright and living fountain flows
The bitter and the sweet on which I feed;
One hand alone can harm me or can heal:
And thus my martyrdom no limit knows,
A thousand deaths and lives each day I feel,
So distant are the paths to peace which lead.

MACGREGOR.


    'Tis now the ...

Take the harp, but very softly for our brother touch the strings:
Wind and wood shall help to wail him, waves and mournful mountain-springs.
Take the harp, but very softly, for the friend who grew so old
Through the hours we would not hear of nights we would not fain behold!
Other voices, sweeter voices, shall lament him year by year,
Though the morning finds us lonely, though we sit and marvel here:
Marvel much while Summer cometh, trammelled with November wheat,
Gold about her forehead gleaming, green and gold about her feet;
Yea, and while the land is dark with plover, gull, and gloomy glede,
Where the cold, swift songs of Winter fill the interlucent reed.

Yet, my harp and oh, my fathers! never look for Sorrow’s lay,
Making life a mighty darkness in the patient noon of day;

    Such days as break the wild bird's heart;
        Such days as kill it and its songs;
    A death which knows a sweeter part
        Of days to which such death belongs.

    And now old eyes are filled with tears,
        As with the rain the frozen flowers;
    Time moves so slowly one but fears
        The burthen on his wasted powers.

    And so he stopped;--and thou art dead!
        And that is found which once was feared:--
    A farewell to thy gray, gray head,
        A goodnight to thy goodly beard!

Painted Upon a Porte Livre.


How strange to greet, this frosty morn,
In graceful counterfeit of flowers,
These children of the meadows, born
Of sunshine and of showers!

How well the conscious wood retains
The pictures of its flower-sown home,
The lights and shades, the purple stains,
And golden hues of bloom!

It was a happy thought to bring
To the dark season’s frost and rime
This painted memory of spring,
This dream of summer-time.

Our hearts are lighter for its sake,
Our fancy’s age renews its youth,
And dim-remembered fictions take
The guise of, present truth.

A wizard of the Merrimac,
So old ancestral legends say,
Could call green leaf and blossom back
To frosted stem and spray.

The d...

"Thou solitary!" the Blackbird cried,
"I, from the happy Wren,
Linnet and Blackcap, Woodlark, Thrush,
Perched all upon a sweetbrier bush,
Have come at cold of midnight-tide
To ask thee, Why and when
Grief smote thy heart so thou dost sing
In solemn hush of evening,
So sorrowfully, lovelorn Thing -
Nay, nay, not sing, but rave, but wail,
Most melancholic Nightingale?
Do not the dews of darkness steep
All pinings of the day in sleep?
Why, then, when rocked in starry nest
We mutely couch, secure, at rest,
Doth thy lone heart delight to make
Music for sorrow's sake?"
A Moon was there. So still her beam,
It seemed the whole world lay in dream,
Lulled by the watery sea.
And from her leafy night-hung nook
Upon this stranger soft did look

        There is a haunting phantom called Regret,
    A shadowy creature robed somewhat like Woe,
    But fairer in the face, whom all men know
        By her sad mien and eyes forever wet.
        No heart would seek her; but once having met,
    All take her by the hand, and to and fro
    They wander through those paths of long ago -
        Those hallowed ways 'twere wiser to forget.

        One day she led me to that lost land's gate
    And bade me enter; but I answered "No!
        I will pass on with my bold comrade, Fate;
    I have no tears to waste on thee - no time;
    My strength I hoard for heights I hope to climb:
        No friend art thou for souls that would be great."

    This wearisome and this distressing sleep
    That we call life, O how dost thou support,
    My Pepoli? With what hopes feedest thou
    Thy heart? Say in what thoughts, and in what deeds,
    Agreeable or sad, dost thou invest
    The idleness thy ancestors bequeathed
    To thee, a dull and heavy heritage?
    All life, indeed, in every walk of life,
    Is idleness, if we may give that name
    To every work achieved, or effort made,
    That has no worthy aim in view, or fails
    That aim to reach. And if you idle call
    The busy crew, that daily we behold,
    From tranquil morn unto the dewy eve,
    Behind the plough, or tending plants and flocks,
    Because they live simply to keep alive,
    And life is worthless for itself alone,
    Th...