Betrayal

Because we love bare hills and stunted trees
And were the last to choose the settled ground,
Its boredom of the desk or of the spade, because
So many years companioned by a hound,
Our voices carry; and though slumber-bound,
Some few half wake and half renew their choice,
Give tongue, proclaim their hidden name -- "Hound Voice."

The women that I picked spoke sweet and low
And yet gave tongue. "Hound Voices' were they all.
We picked each other from afar and knew
What hour of terror comes to test the soul,
And in that terror's name obeyed the call,
And understood, what none have understood,
Those images that waken in the blood.
Some day we shall get up before the dawn
And find our ancient hounds before the door,
And wide awake know that the hunt is on;

I saw pale Dian, sitting by the brink
Of silver falls, the overflow of fountains
From cloudy steeps; and I grew sad to think
Endymion's foot was silent on those mountains.
And he but a hush'd name, that Silence keeps
In dear remembrance, - lonely, and forlorn,
Singing it to herself until she weeps
Tears, that perchance still glisten in the morn: -
And as I mused, in dull imaginings,
There came a flash of garments, and I knew
The awful Muse by her harmonious wings
Charming the air to music as she flew -
Anon there rose an echo through the vale
Gave back Enydmion in a dreamlike tale.

Maud Muller on a summer’s day,
Raked the meadow sweet with hay.

Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.

Singing, she wrought, and her merry glee
The mock-bird echoed from his tree.

But when she glanced to the far-off town,
White from its hill-slope looking down,

The sweet song died, and a vague unrest
And a nameless longing filled her breast,

A wish, that she hardly dared to own,
For something better than she had known.

The Judge rode slowly down the lane,
Smoothing his horse’s chestnut mane.

He drew his bridle in the shade
Of the apple-trees, to greet the maid,

And asked a draught from the spring that flowed
Through the meadow across the road.

She stooped where ...

Out of the mid-wood's twilight
Into the meadow's dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!

He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!

O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!

O Angel, the most brilliant and most wise,
A God betrayed by fate, deprived of praise,

Satan, take pity on my misery!

O Prince of exile, you who have been wronged,
Who, even conquered, rises yet more strong,

Satan, take pity on my misery!

Great king who knows the lore the earth imparts,
Intimate healer of our anguished hearts,

Satan, take pity on my misery!

Who, even to the leprous, the despised,
Can teach by love the taste for Paradise,

Satan, take pity on my misery!

Who with your old and hardy mistress, Death,
Breeds Hope, a charming lunatic at best,

Satan, take pity on my misery!

Who gives the prisoner his calm disdain,
Who damns the crowds around the guillotine,

Satan, take pity on my m...

I gave my life to another lover,
I gave my love, and all, and all
But over a dream the past will hover,
Out of a dream the past will call.

I tear myself from sleep with a shiver
But on my breast a kiss is hot,
And by my bed the ghostly giver
Is waiting tho' I see him not.

O pouring westering streams
Shouting that I have leapt the mountain bar,
Down curve on curve my journey's white way gleams -
My road along the river of return.

I know the countries where the white moons burn,
And heavy star on star
Dips on the pale and crystal desert hills.
I know the river of the sun that fills
With founts of gold the lakes of Orient sky.

        *        *        *        *        *

And I have heard a voice of broken seas
And from the cliffs a cry.
Ah still they learn, those cave-eared Cyclades,
The Triton's friendly or his fearful horn,
And why the deep sea-bells but seldom chime,
And how those waves and with what spell-swept rhyme
In years of morning, on a summer's morn
Whispering round his castle on the coast,
...

This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns,
O, any number, it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.

This is her room. On one side there is music,
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.

Here is the room, with ghostly walls dissolving,
The twilight room in which she called you ‘lover’;
And the floorless room in wh...

I.

The last rose falls, wrecked of the wind and rain;
Where once it bloomed the thorns alone remain:
Dead in the wet the slow rain strews the rose.
The day was dim; now eve comes on again,
Grave as a life weighed down by many woes, -
So is the joy dead, and alive the pain.

The brown leaf flutters where the green leaf died;
Bare are the boughs, and bleak the forest side:
The wind is whirling with the last wild leaf.
The eve was strange; now dusk comes weird and wide,
Gaunt as a life that lives alone with grief, -
So doth the hope go and despair abide.

An empty nest hangs where the wood-bird pled;
Along the west the dusk dies, stormy red:
The frost is subtle as a serpent's breath.
The dusk was sad; now night is overhead,
Grim as a soul bro...

The Text is from Motherwell's Minstrelsy (1827). It is based on a stall-copy, presumably similar to one preserved by Sir Walter Scott at Abbotsford, combined with a version from recitation, which Child none the less calls 'well remembered from print.'


The Story has no historical foundation, as far as can be discovered; and for once we have a traditional tale inculcating a moral, though we do not understand why the 'nourice' betrays Sir James to his enemies.

Michael Bruce wrote a version of the story of this ballad, which seems to have become more popular than the ballad itself. It may be seen in A. B. Grosart's edition of his works (1865), p. 197.


SIR JAMES THE ROSE

    1.
    O heard ye of Sir James the Rose,
        The young heir of Buleighan?
    For he has ...

Fear not, dear love, that I'll reveal
Those hours of pleasure we two steal;
No eye shall see, nor yet the sun
Descry, what thou and I have done.
No ear shall hear our love, but we
Silent as the night will be;
The god of love himself (whose dart
Did first wound mine and then thy heart),
Shall never know that we can tell
What sweets in stol'n embraces dwell.
This only means may find it out;
If, when I die, physicians doubt
What caused my death, and there to view
Of all their judgements which was true,
Rip up my heart, oh! then, I fear,
The world will see thy picture there.

    Elenor Murray asked to go in training
    And came to see me, but the school was full,
    We could not take her. Then she asked to stand
    Upon a list and wait, I put her off.
    She came back, and she came back, till at last
    I took her application; then she came
    And pushed herself and asked when she could come,
    And start to train. At last I laughed and said:
    "Well, come to-morrow." I had never seen
    Such eagerness, persistence. So she came.
    She tried to make a friend of me, perhaps
    Since it was best, I being in command.
    But anyway she wooed me, tried to please me.
    And spite of everything I grew to love her,
    Though I distrusted her. But yet again
    I had belief in her best self, though doubting
    The girl some...

I seek her in the shady grove,
And by the silent stream;
I seek her where my fancies rove,
In many a happy dream;
I seek her where I find her not,
In Spring and Summer weather:
My thoughts paint many a happy spot,
But we ne'er meet together.

The trees and bushes speak my choice,
And in the Summer shower
I often hear her pleasant voice,
In many a silent hour:
I see her in the Summer brook,
In blossoms sweet and fair;
In every pleasant place I look
My fancy paints her there.

The wind blows through the forest trees,
And cheers the pleasant day;
There her sweet voice is sure to be
To lull my cares away.
The very hedges find a voice,
So does the gurgling rill;
But still the object of my choice
Is lost and absent still.

And you are the poet, and so you want
Something what is it? a theme, a fancy?
Something or other the Muse won’t grant
To your old poetical necromancy;
Why, one half you poets you can’t deny
Don’t know the Muse when you chance to meet her,
But sit in your attics and mope and sigh
For a faineant goddess to drop from the sky,
When flesh and blood may be standing by
Quite at your service, should you but greet her.

What if I told you my own romance?
Women are poets, if you so take them,
One third poet, the rest what chance
Of man and marriage may choose to make them.
Give me ten minutes before you go,
Here at the window we’ll sit together,
Watching the currents that ebb and flow;
Watching the world as it drifts below
Up the hot Avenue’s dusty glow:<...

Half of my life is gone, and I have let
    The years slip from me and have not fulfilled
    The aspiration of my youth, to build
    Some tower of song with lofty parapet.
Not indolence, nor pleasure, nor the fret
    Of restless passions chat would not be stilled,
    But sorrow, and a care that almost killed,
    Kept me from what I may accomplish yet;
Though, half way up the hill, I see the Past
    Lying beneath me with its sounds and sights,--
    A city in the twilight dim and vast,
With smoking roofs, soft bells, and gleaming lights.--
    And hear above me on the autumnal blast
    The cataract of Death far thundering from the heights.

Yet are they here the same unbroken knot
Of human Beings, in the self-same spot!
Men, women, children, yea the frame
Of the whole spectacle the same!
Only their fire seems bolder, yielding light,
Now deep and red, the colouring of night;
That on their Gipsy-faces falls,
Their bed of straw and blanket-walls.
Twelve hours, twelve bounteous hours are gone, while I
Have been a traveller under open sky,
Much witnessing of change and cheer,
Yet as I left I find them here!
The weary Sun betook himself to rest;
Then issued Vesper from the fulgent west,
Outshining like a visible God
The glorious path in which he trod.
And now, ascending, after one dark hour
And one night's diminution of her power,
Behold the mighty Moon! this way
She looks as if at them ...

Love is a breach in the walls, a broken gate,
Where that comes in that shall not go again;
Love sells the proud heart's citadel to Fate.
They have known shame, who love unloved. Even then,
When two mouths, thirsty each for each, find slaking,
And agony's forgot, and hushed the crying
Of credulous hearts, in heaven, such are but taking
Their own poor dreams within their arms, and lying
Each in his lonely night, each with a ghost.
Some share that night. But they know love grows colder,
Grows false and dull, that was sweet lies at most.
Astonishment is no more in hand or shoulder,
But darkens, and dies out from kiss to kiss.
All this is love; and all love is but this.

    Thou from the top of yonder antique tower,
    O lonely sparrow, wandering, hast gone,
    Thy song repeating till the day is done,
    And through this valley strays the harmony.
    How Spring rejoices in the fields around,
    And fills the air with light,
    So that the heart is melted at the sight!
    Hark to the bleating flocks, the lowing herds!
    In sweet content, the other birds
    Through the free sky in emulous circles wheel,
    In pure enjoyment of their happy time:
    Thou, pensive, gazest on the scene apart,
    Nor wilt thou join them in the merry round;
    Shy playmate, thou for mirth hast little heart;
    And with thy plaintive music, dost consume
    Both of the year, and of thy life, the bloom.

    Alas, how much my ways