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Page 143 of 1217

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Page 143 of 1217

Sappho To Phaon (Ovid Heroid XV)

Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of m...

Alexander Pope

The Complaint

Ah! this wild desolated spot,
Calls forth the plaintive tear;
Remembrance paints my little cot,
Which once did flourish here.

No more the early lark and thrush
Shall hail the rising day,
Nor warble on their native bush,
Nor charm me with their lay.

No more the foliage of the oak
Shall spread its wonted shade;
Now fell'd beneath the hostile stroke
Of red destruction's blade.

Beneath its bloom when summer smil'd,
How oft the rural train
The lingering hours with tales beguil'd,
Or danc'd to Colin's strain.

And, when Aurora with the dawn
Dispell'd the midnight shade,
Her flocks to the accustom'd lawn
Would lovely Phillis lead.

Delusive grandeur never wreath'd
Around Contentment's head,
'Till war its flami...

Thomas Gent

"So Bashful When I Spied Her,"

So bashful when I spied her,
So pretty, so ashamed!
So hidden in her leaflets,
Lest anybody find;

So breathless till I passed her,
So helpless when I turned
And bore her, struggling, blushing,
Her simple haunts beyond!

For whom I robbed the dingle,
For whom betrayed the dell,
Many will doubtless ask me,
But I shall never tell!

Emily Elizabeth Dickinson

Life Is Bitter

Life is bitter. All the faces of the years,
Young and old, are grey with travail and with tears.
Must we only wake to toil, to tire, to weep?
In the sun, among the leaves, upon the flowers,
Slumber stills to dreamy death the heavy hours . . .
Let me sleep.

Riches won but mock the old, unable years;
Fame's a pearl that hides beneath a sea of tears;
Love must wither, or must live alone and weep.
In the sunshine, through the leaves, across the flowers,
While we slumber, death approaches though the hours! . . .
Let me sleep.

1872

William Ernest Henley

Sonnet. In The Manner Of The Moderns.

Meek Maid! that sitting on yon lofty tower,
View'st the calm floods that wildly beat below,
Be off! yon sunbeam veils a heavy shower,
Which sets my heart with joy a aching, oh!
For why, O maid, with locks of jetty flax,
Should grief convulse my heart with joyful knocks?
It is but reasonable you should ax,
Because it soundeth like a paradox.
Hear, then, bright virgin! if the rain comes down,
'Twill wet the roads, and spoil my morning ride;
But it will also spoil thy bran-new gown,
And therefore cure thee of thy cursed pride.
Moral this sonnet, if well understood,
Shows the same thing may bring both harm and good.

Thomas Gent

Love's Landmarks

The woods we used to walk, my love,
Are woods no more,
But' villas' now with sounding names -
All name and door.

The pond, where, early on in March,
The yellow cup
Of water-lilies made us glad,
Is now filled up.

But ah! what if they fill or fell
Each pond, each tree,
What matters it to-day, my love,
To me - to thee?

The jerry-builder may consume,
A greedy moth,
God's mantle of the living green,
I feel no wrath;

Eat up the beauty of the world,
And gorge his fill
On mead and winding country lane,
And grassy hill.

I only laugh, for now of these
I have no care,
Now that to me the fair is foul,
And foul as fair.

Richard Le Gallienne

Prologue: In Darkness

    With my sleeping beloved huddled tranquil beside me, why do I lie awake,
Listening to the loud clock's hurry in the darkness, and feeling my heart's fierce ache
That beats one response to the brain's many questionings, and in solitude bears the weight
Of all the world's evil and misery and frustration, and the senseless pressure of fate?

Is it season of ploughing and sowing, this long vigil, that so certainly it recurs?
In this unsought return of a pain that was ended, is it here that a song first stirs?
Can it be that from this, when to-night's gone from memory, there will spring of a sudden, some time,
Like a silver lily breaking from black deadly waters, the thin-blown shape of a rhyme?

John Collings Squire, Sir

Heine’s Grave

‘Henri Heine’, , ’tis here!
The black tombstone, the name
Carved there, no more! and the smooth,
Swarded alleys, the limes
Touch’d with yellow by hot
Summer, but under them still
In September’s bright afternoon
Shadow, and verdure, and cool!
Trim Montmartre! the faint
Murmur of Paris outside;
Crisp everlasting-flowers,
Yellow and black, on the graves.

Half blind, palsied, in pain,
Hither to come, from the streets’
Uproar, surely not loath
Wast thou, Heine!, to lie
Quiet! to ask for closed
Shutters, and darken’d room,
And cool drinks, and an eased
Posture, and opium, no more!
Hither to come, and to sleep
Under the wings of Renown.

Ah! not little, when pain
Is most quelling, and man
Easily quell’d, and the fine...

Matthew Arnold

Sonet 55

Truce gentle loue, a parly now I craue,
Me thinks, 'tis long since first these wars begun,
Nor thou nor I, the better yet can haue:
Bad is the match where neither party wone.
I offer free conditions of faire peace,
My hart for hostage, that it shall remaine,
Discharge our forces heere, let malice cease,
So for my pledge, thou giue me pledge againe.
Or if nothing but death will serue thy turne,
Still thirsting for subuersion of my state;
Doe what thou canst, raze, massacre, and burne,
Let the world see the vtmost of thy hate:
I send defiance, since if ouerthrowne,
Thou vanquishing, the conquest is mine owne.

Michael Drayton

To ----

What recks the sun, how weep the heavy flowers
All the sad night, when he is far away?
What recks he, how they mourn, through those dark hours,
Till back again he leads the smiling day?

As lifts each watery bloom its tearful eye,
And blesses from its lowly seat, the god,
In his great glory he goes through the sky,
And recks not of the blessing from the sod.

And what is it to thee, oh, thou, my fate!
That all my hope, and joy, remains with thee?
That thy departing, leaves me desolate,
That thy returning, brings back life to me?

I blame not thee, for all the strife, and woe,
That for thy sake daily disturbs my life;
I blame not thee, that Heaven has made me so,
That all the love I can, is woe, and strife.

I...

Frances Anne Kemble

My Life Is Full Of Weary Days

I.

My life is full of weary days,
But good things have not kept aloof,
Nor wander’d into other ways:
I have not lack’d thy mild reproof,
Nor golden largess of thy praise.

And now shake hands across the brink
Of that deep grave to which I go:
Shake hands once more: I cannot sink
So far–far down, but I shall know
Thy voice, and answer from below.


II.

When in the darkness over me
The four-handed mole shall scrape,
Plant thou no dusky cypress-tree,
Nor wreathe thy cap with doleful crape,
But pledge me in the flowing grape.

And when the sappy field and wood
Grow green beneath the showery gray,
And rugged barks begin to bud,
And thro’ damp holts new-flush’d with may,
Ring sudden scritches of the jay,
...

Alfred Lord Tennyson

De Lunatico.

        The squadrons of the sun still hold
The western hills, their armor glances,
Their crimson banners wide unfold,
Low-levelled lie their golden lances.
The shadows lurk along the shore,
Where, as our row-boat lightly passes,
The ripples startled by our oar,
Hide murmuring 'neath the hanging grasses.

Your eyes are downcast, for the light
Is lingering on your lids forgetting
How late it is for one last sight
Of you the sun delays his setting.
One hand droops idly from the boat,
And round the white and swaying fingers,
Like half-blown lilies gone afloat,
The amorous water, toying, lingers.

...

George Augustus Baker, Jr.

The Divine Comedy by Dante: The Vision Of Purgatory: Canto XVII

Call to remembrance, reader, if thou e'er
Hast, on a mountain top, been ta'en by cloud,
Through which thou saw'st no better, than the mole
Doth through opacous membrane; then, whene'er
The wat'ry vapours dense began to melt
Into thin air, how faintly the sun's sphere
Seem'd wading through them; so thy nimble thought
May image, how at first I re-beheld
The sun, that bedward now his couch o'erhung.

Thus with my leader's feet still equaling pace
From forth that cloud I came, when now expir'd
The parting beams from off the nether shores.

O quick and forgetive power! that sometimes dost
So rob us of ourselves, we take no mark
Though round about us thousand trumpets clang!
What moves thee, if the senses stir not? Light
Kindled in heav'n, spontaneous, sel...

Dante Alighieri

The Wounded

Stupidity and Selfishness and Fear,
Who hold enslaved the intellect of Man,
Have found their victims here.

We saw them go, alert to seek the van
Where phantom Glory showered her withering leaves;
Now they return who can.

Slowly, full-fraught with pain, the vessel heaves
From labouring seas, and creeps along the bay
To where the city grieves.

Happy are those who limp the dusty way;
And those whose eyes can meet the loving glance,
Happy indeed are they.

But mock them not with babble of romance:
They have glared at death across the orient rocks
Or in the mire of France.

O welcome to your land of herds and flocks
And fields that pray toward a fairy sky
That promises and mocks.

Welcome! our eyes are strained and sorrow-...

John Le Gay Brereton

Ode On A Grecian Urn

Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the g...

John Keats

To A Friend

On her return from Europe.


How smiled the land of France
Under thy blue eye's glance,
Light-hearted rover
Old walls of chateaux gray,
Towers of an early day,
Which the Three Colors play
Flauntingly over.

Now midst the brilliant train
Thronging the banks of Seine
Now midst the splendor
Of the wild Alpine range,
Waking with change on change
Thoughts in thy young heart strange,
Lovely, and tender.

Vales, soft Elysian,
Like those in the vision
Of Mirza, when, dreaming,
He saw the long hollow dell,
Touched by the prophet's spell,
Into an ocean swell
With its isles teeming.

Cliffs wrapped in snows of years,
Splintering with icy spears
Autumn's blue heaven
Loose rock and frozen slide,

John Greenleaf Whittier

Blinded!

You that still have your sight,
Remember me!--
I risked my life, I lost my eyes,
That you might see.

Now in the dark I go,
That you have light.
Yours, all the joy of day,
I have but night.

Yours still, the faces dear,
The fields, the sky.
For me--ah me!--there's nought
But this black misery!

In this unending night,
I can but see
What once I saw, and fain
Would see again.
O, midnight of black pain!
Come, Comrade Death,
Come quick, and set me free,
And give me back my eyes again!

* * * * *

Nay then, Christ's vicar,
You who bear our pain,
Ours be it now to see
Your dark days lighted,
And your way made plain.

William Arthur Dunkerley (John Oxenham)

Daybreak.

Turn thy fair face to the breaking dawn,
Lily so white, that through all the dark,
Hast kept lone watch on the dewy lawn,
Deeming thy comrades grown cold and stark;
Soon shall the sunbeam, joyous and strong,
Dry the tears in thy stamens of gold--
Glinteth the day up merry and long,
And the night grows old.

Turn thy fair face to Faith's rosy sky,
Soul so white that lone night hath kept
Sighing for spirits sin-bound that lie;
Wrong has ruled right, and the truth has slept;
The dawn shall show thee a host ere long,
Planting sweet roses abqve the mould;
The sun of righteousness beameth strong,
And sin's night grows old.

Turn thine eyes to the burnished zone
From out of thy nest neath darkened eaves,
Oh bird, who hast mingled thy plain...

Harriet Annie Wilkins

Page 143 of 1217

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