Motions and Means, on land and sea at war
With old poetic feeling, not for this,
Shall ye, by Poets even, be judged amiss!
Nor shall your presence, howsoe'er it mar
The loveliness of Nature, prove a bar
To the Mind's gaining that prophetic sense
Of future change, that point of vision, whence
May be discovered what in soul ye are.
In spite of all that beauty may disown
In your harsh features, Nature doth embrace
Her lawful offspring in Man's art; and Time,
Pleased with your triumphs o'er his brother Space,
Accepts from your bold hands the proffered crown
Of hope, and smiles on you with cheer sublime.

"Why are you so bent down before your time,
Old mason? Many have not left their prime
So far behind at your age, and can still
Stand full upright at will."

He pointed to the mansion-front hard by,
And to the stones of the quoin against the sky;
"Those upper blocks," he said, "that there you see,
It was that ruined me."

There stood in the air up to the parapet
Crowning the corner height, the stones as set
By him ashlar whereon the gales might drum
For centuries to come.

"I carried them up," he said, "by a ladder there;
The last was as big a load as I could bear;
But on I heaved; and something in my back
Moved, as 'twere with a crack.

"So I got crookt. I never lost that sprain;
And those who live there, walled from wind and rain

    "Alas! how oft does goodness wound itself!
    And sweet affection prove the spring of woe."

Home.


I.

    O thou pale orb, that silent shines,
        While care-untroubled mortals sleep!
    Thou seest a wretch who inly pines,
        And wanders here to wail and weep!
    With woe I nightly vigils keep,
        Beneath thy wan, unwarming beam,
    And mourn, in lamentation deep,
        How life and love are all a dream.

II.

    A joyless view thy rays adorn
        The faintly marked distant hill:
    I joyless view thy trembling horn,
        Reflected in the gurgling rill:
    My fondly-fluttering heart, be still:
        Thou busy pow'r, Remembrance, cease!
    Ah! must the agonizing thrill
    ...

Rais’d are the dripping oars
Silent the boat: the lake,
Lovely and soft as a dream,
Swims in the sheen of the moon.
The mountains stand at its head
Clear in the pure June night,
But the valleys are flooded with haze.
Rydal and Fairfield are there;
In the shadow Wordsworth lies dead.
So it is, so it will be for aye.
Nature is fresh as of old,
Is lovely: a mortal is dead.

The spots which recall him survive,
For he lent a new life to these hills.
The Pillar still broods o’er the fields
Which border Ennerdale Lake,
And Egremont sleeps by the sea.
The gleam of The Evening Star
Twinkles on Grasmere no more,
But ruin’d and solemn and grey
The sheepfold of Michael survives,
And far to the south, the heath
Still blows in the Quantock...

All seemed delighted, though the elders more,
Of course, than were the children. - Thus, before
Much interchange of mirthful compliment,
The story-teller said his stories "went"
(Like a bad candle) best when they went out, -
And that some sprightly music, dashed about,
Would wholly quench his "glimmer," and inspire
Far brighter lights.

    And, answering this desire,
The flutist opened, in a rapturous strain
Of rippling notes - a perfect April-rain
Of melody that drenched the senses through; -
Then - gentler - gentler - as the dusk sheds dew,
It fell, by velvety, staccatoed halts,
Swooning away in old "Von Weber's Waltz."
Then the young ladies sang "Isle of the Sea" -
In ebb and flow and wave so billowy, -
Only with quave...

Yet, when I muse on what life is, I seem
Rather to patience prompted, than that prowl
Prospect of hope which France proclaims so loud,
France, fam’d in all great arts, in none supreme.
Seeing this Vale, this Earth, whereon we dream,
Is on all sides o’ershadow’d by the high
Uno’erleap’d Mountains of Necessity,
Sparing us narrower margin than we deem.
Nor will that day dawn at a human nod,
When, bursting through the network superpos’d
By selfish occupation, plot and plan,
Lust, avarice, envy liberated man,
All difference with his fellow man compos’d,
Shall be left standing face to face with God

    O far is fled the winter wind,
    And far is fled the frost and snow,
    But the cold scorn on my love's brow
    Hath never yet prepared to go.

    More lasting than ten winters' wind,
    More cutting than ten weeks of frost,
    Is the chill frowning of thy mind,
    Where my poor heart was pledged and lost.

    I see thee taunting down the street,
    And by the frowning that I see
    I might have known it long ere now,
    Thy love was never meant for me.

    And had I known ere I began
    That love had been so hard to win,
    I would have filled my heart with pride,
    Nor left one hope to let love in.

    I would have wrapped it in my breast,
    And pinned it with a silver pin,
    Safe as a bird within its n...

Was there a wind?
Tap... tap...
Night pads upon the snow
with moccasined feet...
and it is still... so still...
an eagle's feather
might fall like a stone.
Could there have been a storm...
mad-tossing golden mane on the neck of the wind...
tearing up the sky...
loose-flapping like a tent
about the ice-capped stars?

Cool, sheer and motionless
the frosted pines
are jeweled with a million flaming points
that fling their beauty up in long white sheaves
till they catch hands with stars.
Could there have been a wind
that haled them by the hair....
and blinding
blue-forked
flowers of the lightning
in their leaves?
Tap... tap...
slow-ticking centuries...
Soft as bare feet upon the snow...
faint... lulling as hear...

Subtly conscious, all awake,
Let us clear our eyes, and break
Through the cloudy chrysalis,
See the wonder as it is.
Down a narrow alley, blind,
Touch and vision, heart and mind;
Turned sharply inward, still we plod,
Till the calmly smiling god
Leaves us, and our spirits grow
More thin, more acrid, as we go.
Creeping by the sullen wall,
We forego the power to see,
The threads that bind us to the All,
God or the Immensity;
Whereof on the eternal road
Man is but a passing mode.

Too blind we are, too little see
Of the magic pageantry,
Every minute, every hour,
From the cloudflake to the flower,
Forever old, forever strange,
Issuing in perpetual change
From the rainbow gates of Time.

But he who through this common air...

Valle che d' lamenti miei se' piena.

ON HIS RETURN TO VAUCLUSE AFTER LAURA'S DEATH.


    Valley, which long hast echoed with my cries;
Stream, which my flowing tears have often fed;
Beasts, fluttering birds, and ye who in the bed
Of Cabrieres' wave display your speckled dyes;
Air, hush'd to rest and soften'd by my sighs;
Dear path, whose mazes lone and sad I tread;
Hill of delight--though now delight is fled--
To rove whose haunts Love still my foot decoys;
Well I retain your old unchanging face!
Myself how changed! in whom, for joy's light throng,
Infinite woes their constant mansion find!
Here bloom'd my bliss: and I your tracks retrace,
To mark whence upward to her heaven she sprung,
Leaving her beauteous spoil, her robe of flesh behind!<...

"To Be Filed For Reference", Plain Tales From the Hills



By the Hoof of the Wild Goat uptossed
From the cliff where she lay in the Sun
Fell the Stone
To the Tarn where the daylight is lost,
So she fell from the light of the Sun
And alone!

Now the fall was ordained from the first
With the Goat and the Cliff and the Tarn,
But the Stone
Knows only her life is accursed
As she sinks from the light of the Sun
And alone!

Oh Thou Who hast builded the World,
Oh Thou Who hast lighted the Sun,
Oh Thou Who hast darkened the Tarn,
Judge Thou
The sin of the Stone that was hurled
By the goat from the light of the Sun,
As she sinks in the mire of the Tarn,
Even now, even now, even now!

Such were the notes thy once-loved Poet sung,
Till Death untimely stopp'd his tuneful tongue.
Oh just beheld and lost! admired and mourn'd!
With softest manners, gentlest arts adorn'd!
Blest in each science, blest in every strain!
Dear to the Muse! to Harley dear--in vain!

For him, thou oft hast bid the world attend,
Fond to forget the statesman in the friend;
For Swift and him, despised the farce of state,
The sober follies of the wise and great;
Dext'rous, the craving, fawning crowd to quit,
And pleased to 'scape from Flattery to Wit.

Absent or dead, still let a friend be dear,
(A sigh the absent claims, the dead a tear,)
Recall those nights that closed thy toilsome days,
Still hear thy Parnell in his living lays,
Who, careless now of interest, f...

An empty bench, a sky of grayest etching,
A bare, bleak shed in blackest silhouette,
Twelve years of platform, and before them stretching
Twelve miles of prairie glimmering through the wet.

North, south, east, west, the same dull gray persistence,
The tattered vapors of a vanished train,
The narrowing rails that meet to pierce the distance,
Or break the columns of the far-off rain.

Naught but myself; nor form nor figure breaking
The long hushed level and stark shining waste;
Nothing that moves to fill the vision aching,
When the last shadow fled in sullen haste.

Nothing beyond. Ah yes! From out the station
A stiff, gaunt figure thrown against the sky,
Beckoning me with some wooden salutation
Caught from his signals as the train flashed by;

Gulp down your wine, old friends of mine,
Roar through the darkness, stamp and sing
And lay ghost hands on everything,
But leave the noonday's warm sunshine
To living lads for mirth and wine.

I met you suddenly down the street,
Strangers assume your phantom faces,
You grin at me from daylight places,
Dead, long dead, I'm ashamed to greet
Dead men down the morning street.

Sweet Singer that I loe the maist
O' ony, sin' wi' eager haste
I smacket bairn-lips ower the taste
O' hinnied sang,
I hail thee, though a blessed ghaist
In Heaven lang!

For weel I ken, nae cantie phrase,
Nor courtly airs, nor lairdly ways,
Could gar me freer blame, or praise,
Or proffer hand,
Where "Rantin' Robbie" and his lays
Thegither stand.

And sae these hamely lines I send,
Wi' jinglin' words at ilka end,
In echo o' the sangs that wend
Frae thee to me
Like simmer-brooks, wi mony a bend
O' wimplin' glee.

In fancy, as wi' dewy een,
I part the clouds aboon the scene
Where thou wast born, and peer atween,
I see nae spot
In a' the Hielands half sae green
And unforgot?

I see nae storied castle-hall...

Since to the country first I came,
I have lost my former flame;
And, methinks, I not inherit,
As I did, my ravish'd spirit.
If I write a verse or two,
'Tis with very much ado;
In regard I want that wine
Which should conjure up a line.
Yet, though now of Muse bereft,
I have still the manners left
For to thank you, noble sir,
For those gifts you do confer
Upon him, who only can
Be in prose a grateful man.

    What of earls with whom you have supt,
        And of dukes that you dined with yestreen?
    Lord! a louse, Sir, is still but a louse,
        Though it crawl on the curl of a queen.

(For Sara Teasdale)



The lonely farm, the crowded street,
    The palace and the slum,
Give welcome to my silent feet
    As, bearing gifts, I come.

Last night a beggar crouched alone,
    A ragged helpless thing;
I set him on a moonbeam throne --
    Today he is a king.

Last night a king in orb and crown
    Held court with splendid cheer;
Today he tears his purple gown
    And moans and shrieks in fear.

Not iron bars, nor flashing spears,
    Not land, nor sky, nor sea,
Nor love's artillery of tears
    Can keep mine own from me.

Serene, unchanging, ever fair,
    I smile with secret mirth
And in a net of mine own hair
    I swing the captive earth.