Salve magna parens frugum Saturnia tellus,
Magna virûm! tibi res antiquæ laudis et artis
Aggredior, sanctos ausus recludere fontes.
Virg. Geor. 2.

1 While you, my Lord, the rural shades admire,
2 And from Britannia's public posts retire,
3 Nor longer, her ungrateful sons to please,
4 For their advantage sacrifice your ease;

5 Me into foreign realms my fate conveys,
6 Through nations fruitful of immortal lays,
7 Where the soft season and inviting clime
8 Conspire to trouble your repose with rhyme.

9 For wheresoe'er I turn my ravish'd eyes,
10 Gay gilded scenes and shining prospects rise,
11 Poetic fields encompass me around,
12 And still I seem to tread on classic ground;
13 For here the Muse so oft her harp has strung
14 That not a mount...

I

Has she forgotten? On this very May
We were to meet here, with the birds and bees,
As on that Sabbath, underneath the trees
We strayed among the tombs, and stripped away
The vines from these old granites, cold and gray -
And yet indeed not grim enough were they
To stay our kisses, smiles and ecstasies,
Or closer voice-lost vows and rhapsodies.
Has she forgotten - that the May has won
Its promise? - that the bird-songs from the tree
Are sprayed above the grasses as the sun
Might jar the dazzling dew down showeringly?
Has she forgotten life - love - everyone -
Has she forgotten me - forgotten me?


II

Low, low down in the violets I press
My lips and whisper to her. Does she hear,
And yet hold silence, though I call her dear,

What is it to grow old?
Is it to lose the glory of the form,
The lustre of the eye?
Is it for beauty to forego her wreath?
Yes, but not for this alone.

Is it to feel our strength,
Not our bloom only, but our strength, decay?
Is it to feel each limb
Grow stiffer, every function less exact,
Each nerve more weakly strung?

Yes, this, and more! but not,
Ah, 'tis not what in youth we dreamed 'twould be!
'Tis not to have our life
Mellowed and softened as with sunset-glow,
A golden day's decline!

'Tis not to see the world
As from a height, with rapt prophetic eyes,
And heart profoundly stirred;
And weep, and feel the fulness of the past,
The years that are no more!

It is to spend long days
And not once feel that we were...

Relinquunt Ommia Servare Rem Publicam.

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.
Once my nose crawled like a snail on the glass;
my hand tingled to burst the bubbles
drifting from the noses of the crowded, compliant fish.

My hand draws back. I often sign still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,
I pressed against the new barbed and galvanized

fence on the Boston Common. Behind their cage,
yellow dinosaur steamshovels were grunting
as they cropped up tons of mush and grass
to gouge their underworld garage.

Parking spaces luxuriate like civic
sandpil...

I know not why I yearn for thee again,
To sail once more upon thy fickle flood;
I'll hear thy waves wash under my death-bed,
Thy salt is lodged forever in my blood.

Yet I have seen thee lash the vessel's sides
In fury, with thy many tailed whip;
And I have seen thee, too, like Galilee,
When Jesus walked in peace to Simon's ship

And I have seen thy gentle breeze as soft
As summer's, when it makes the cornfields run;
And I have seen thy rude and lusty gale
Make ships show half their bellies to the sun.

Thou knowest the way to tame the wildest life,
Thou knowest the way to bend the great and proud:
I think of that Armada whose puffed sails,
Greedy and large, came swallowing every cloud.

But I have seen the sea-boy, young and drowned,
...

The sun is banished,
The daylight vanished,
No rosy traces
    Are left behind.
Here in the meadow
I watch the shadow
Of forms and faces
    Upon your blind.

Through swift transitions,
In new positions,
My eyes still follow
    One shape most fair.
My heart delaying
Awhile, is playing
With pleasures hollow,
    Which mock despair.

I feel so lonely,
I long once only
To pass an hour
    With you, O sweet!
To touch your fingers,
Where fragrance lingers
From some rare flower,
    And kiss your feet.

But not this even
To me is given.
Of all sad mortals
    Most sad am I,
Never to meet you,
Never to greet you,
Nor pass your portals
    Before I die.

All men scorn ...

You flung your taunt across the wave
We bore it as became us,
Well knowing that the fettered slave
Left friendly lips no option save
To pity or to blame us.

You scoffed our plea. “Mere lack of will,
Not lack of power,” you told us
We showed our free-state records; still
You mocked, confounding good and ill,
Slave-haters and slaveholders.

We struck at Slavery; to the verge
Of power and means we checked it;
Lo!—presto, change! its claims you urge,
Send greetings to it o’er the surge,
And comfort and protect it.

But yesterday you scarce could shake,
In slave-abhorring rigor,
Our Northern palms for conscience’ sake
To-day you clasp the hands that ache
With “walloping the nigger!”*

O Englishmen!—in hope and creed,
In...

Good speed, for I this day
Betimes my matins say:
Because I do
Begin to woo,
Sweet-singing lark,
Be thou the clerk,
And know thy when
To say, Amen.
And if I prove
Bless'd in my love,
Then thou shalt be
High-priest to me,
At my return,
To incense burn;
And so to solemnise
Love's and my sacrifice.

All day the primroses have thought of thee,
Their golden heads close-haremed from the heat;
All day the mystic moonflowers silkenly
Veiled snowy faces, that no bee might greet
Or butterfly that, weighed with pollen, passed;
Keeping Sultana-charms for thee, at last,
Their lord, who comest to salute each sweet.

Cool-throated flowers that avoid the day's
Too fervid kisses; every bud that drinks
The tipsy dew and to the starlight plays
Nocturns of fragrance, thy wing'd shadow links
In bonds of secret brotherhood and faith;
O bearer of their order's shibboleth,
Like some pale symbol fluttering o'er these pinks.

What dost thou whisper in the balsam's ear
That sets it blushing, or the hollyhock's,
A syllabled silence that no man may hear,
As dreamily...

In a flowered dell the Lady Venus stood,
Amazed with sorrow. Down the morning one
Far golden horn in the gold of trees and sun
Rang out; and held; and died. . . . She thought the wood
Grew quieter. Wing, and leaf, and pool of light
Forgot to dance. Dumb lay the unfalling stream;
Life one eternal instant rose in dream
Clear out of time, poised on a golden height. . . .

Till a swift terror broke the abrupt hour.
The gold waves purled amidst the green above her;
And a bird sang. With one sharp-taken breath,
By sunlit branches and unshaken flower,
The immortal limbs flashed to the human lover,
And the immortal eyes to look on death.

For ever, since my childish looks
Could rest on Nature's pictured books;
For ever, since my childish tongue
Could name the themes our bards have sung;
So long, the sweetness of their singing
Hath been to me a rapture bringing!
Yet ask me not the reason why
I have delight in minstrelsy.

I know that much whereof I sing,
Is shapen but for vanishing;
I know that summer's flower and leaf
And shine and shade are very brief,
And that the heart they brighten, may,
Before them all, be sheathed in clay!
I do not know the reason why
I have delight in minstrelsy.

A few there are, whose smile and praise
My minstrel hope, would kindly raise:
But, of those few, Death may impress
The lips of some with silentness;
While some may friendship's fai...

    Gray goose and gander,
        Waft your wings together,
    And carry the good king's daughter
        Over the one strand river.

1.

Ah, what can ail thee, wretched wight,
Alone and palely loitering?
The sedge is withered from the lake,
And no birds sing.

2.

Ah, what can ail thee, wretched wight,
So haggard and so woe-begone
The squirrel's granary is full,
And the harvest's done.

3.

I see a lily on thy brow
With anguish moist and fever dew,
And on thy cheek a fading rose
Fast withereth too.

4.

I met a lady in the meads,
Full beautiful, a faery's child:
Her hair was long, her foot was ligh,
And her eyes were wild.

5.

I set her on my pacing steed,
And nothing else saw all day long;
For sideways would she lean, and sing
A faery's song.

6.

I made a garland for her head,
An...

When Art goes bounding, lean,
Up hill-tops fired green
To pluck a rose for life.

Life like a broody hen
Cluck-clucks him back again.

But when Art, imbecile,
Sits old and chill
On sidings shaven clean,
And counts his clustering
Dead daisies on a string
With witless laughter....

Then like a new Jill
Toiling up a hill
Life scrambles after.

Still as a mountain with dark pines and sun
He stood between the armies, and his shout
Rolled from the empyrean above the host:
"Bid any little flea ye have come forth,
And wince at death upon my finger-nail!"
He turned his large-boned face; and all his steel
Tossed into beams the lustre of the noon;
And all the shaggy horror of his locks
Rustled like locusts in a field of corn.
The meagre pupil of his shameless eye
Moved like a cormorant over a glassy sea.
He stretched his limbs, and laughed into the air,
To feel the groaning sinews of his breast,
And the long gush of his swollen arteries pause:
And, nodding, wheeled, towering in all his height.
Then, like a wind that hushes, gazed and saw
Down, down, far down upon the untroubled green
A shepherd-boy tha...

There's no menagerie, I vow,

Excels my Lily's at this minute;

She keeps the strangest creatures in it,
And catches them, she knows not how.

Oh, how they hop, and run, and rave,
And their clipp'd pinions wildly wave,
Poor princes, who must all endure
The pangs of love that nought can cure.

What is the fairy's name? Is't Lily? Ask not me!
Give thanks to Heaven if she's unknown to thee.

Oh what a cackling, what a shrieking,

When near the door she takes her stand,

With her food-basket in her hand!
Oh what a croaking, what a squeaking!
Alive all the trees and the bushes appear,
While to her feet whole troops draw near;
The very fish within, the water clear
Splash with impatience and their heads protrude;
And then ...

I will bring fire to thee.

Euripides. ’Androm’.

‘Eiros’.

Why do you call me Eiros?

‘Charmion’.

So henceforward will you always be called. You must forget, too, my earthly name, and speak to me as Charmion.

‘Eiros’.

This is indeed no dream!

‘Charmion’.

Dreams are with us no more; but of these mysteries anon. I rejoice to see you looking life-like and rational.
The film of the shadow has already passed from off your eyes. Be of heart, and fear nothing. Your allotted days of stupor have expired, and to-morrow I will myself induct you into the full joys and wonders of your novel existence.

‘Eiros’.

True I feel no stupor none at all. The wild sickness and the terrible darkness have left me, and I hear no longer that mad...

Let me cradle myself back
Into the darkness
Of the half shapes...
Of the cauled beginnings...
Let me stir the attar of unused air,
Elusive... ironically fragrant
As a dead queen's kerchief...
Let me blow the dust from off you...
Resurrect your breath
Lying limp as a fan
In a dead queen's hand.