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The Palace Of Art
I built my soul a lordly pleasure-house,Wherein at ease for aye to dwell.I said, O Soul, make merry and carouse,Dear soul, for all is well.A huge crag-platform, smooth as burnishd brassI chose. The ranged ramparts brightFrom level meadow-bases of deep grassSuddenly scaled the light.Thereon I built it firm. Of ledge or shelfThe rock rose clear, or winding stair.My soul would live alone unto herselfIn her high palace there.And while the world runs round and round, I said,Reign thou apart, a quiet king,Still as, while Saturn whirls, his steadfast shadeSleeps on his luminous ring.To which my soul made answer readily:Trust me, in bliss I shall abideIn this great mansion, that is built for me,So royal...
Alfred Lord Tennyson
Huggins And Duggins. - Pastoral, After Pope.
Two swains or clowns - but call them swains -Whilst keeping flocks on Salisbury plains,For all that tend on sheep as droversAre turned to songsters or to lovers,Each of the lass he call'd his dear,Began to carol loud and clear.First Huggins sang, and Duggins then,In the way of ancient shepherd men;Who thus alternate hitched in song,"All things by turns, and nothing long."HUGGINS.Of all the girls about our place,There's one beats all in form and face;Search through all Great and Little Bumpstead,You'll only find one Peggy Plumstead.DUGGINS.To groves and streams I tell my flame,I make the cliffs repeat her name;When I'm inspired by gills and noggins,The rocks re-echo Sally Hoggins!...
Thomas Hood
A Dialogue Of Self And Soul
(My Soul) I summon to the winding ancient stair;Set all your mind upon the steep ascent,Upon the broken, crumbling battlement,Upon the breathless starlit air,"Upon the star that marks the hidden pole;Fix every wandering thought uponThat quarter where all thought is done:Who can distinguish darkness from the soul(My Self). The consecretes blade upon my kneesIs Sato's ancient blade, still as it was,Still razor-keen, still like a looking-glassUnspotted by the centuries;That flowering, silken, old embroidery, tornFrom some court-lady's dress and roundThe wodden scabbard bound and woundCan, tattered, still protect, faded adorn(My Soul.) Why should the imagination of a manLong past his prime remember things that areEmblematica...
William Butler Yeats
On Fanny Godwin.
Her voice did quiver as we parted,Yet knew I not that heart was brokenFrom which it came, and I departedHeeding not the words then spoken.Misery - O Misery,This world is all too wide for thee.
Percy Bysshe Shelley
The End Of The Chapter
Ah, yes, the chapter ends to-day;We even lay the book away;But oh, how sweet the moments spedBefore the final page was read!We tried to read between the linesThe Author's deep-concealed designs;But scant reward such search secures;You saw my heart and I saw yours.The Master,--He who penned the pageAnd bade us read it,--He is sage:And what he orders, you and ICan but obey, nor question why.We read together and forgotThe world about us. Time was not.Unheeded and unfelt, it fled.We read and hardly knew we read.Until beneath a sadder sun,We came to know the book was done.Then, as our minds were but new lit,It dawned upon us what was writ;And we were startled. In our eyes,Looked forth the l...
Paul Laurence Dunbar
When Love Was A Child (Swedish Air.)
When Love was a child, and went idling round, 'Mong flowers the whole summer's day,One morn in the valley a bower he found, So sweet, it allured him to stay.O'erhead, from the trees, hung a garland fair, A fountain ran darkly beneath;--'Twas Pleasure had hung up the flowerets there; Love knew it, and jumped at the wreath.But Love didn't know--and, at his weak years, What urchin was likely to know?--That Sorrow had made of her own salt tears The fountain that murmured below.He caught at the wreath--but with too much haste, As boys when impatient will do--It fell in those waters of briny taste, And the flowers were all wet through.This garland he now wears night and day; And, tho' it...
Thomas Moore
The New Commandment
'Let go the Cross' - GERTRUDE RUNSHON.I heard a strange voice in the distance callingAs from a star an echo might be falling.It spoke four syllables, concise and brief,Charged with a God-sent message of relief:Let go the cross! Oh, you who cling to sorrow,Hark to the new command and comfort borrow.Even as the Master left His cross belowAnd rose to Paradise, let go, let go.Forget your wrongs, your troubles and your losses,For with the tools of thought we build our crosses.Forget your griefs, all grudges and all fearAnd enter Paradise - its gates are near.Heaven is a realm by loving souls created,And hell was fashioned by the hearts that hated.Love, hope and trust; believe all joys are yours,Life...
Ella Wheeler Wilcox
A Botticelli Madonna III The Loving Christ
The little hands returning wistfully From birdlike wand'rings, ever come to rest, On fostering hand on tender cheek or breast; The upturned eyes, with loving certainty Seek ever the grave face where broodingly, The mother-soul by yearning love opprest, With wings down-drooped, seems folded o'er the nest Where lies the Hope of all humanity. And she His World, and He her Calvary,-- He wraps her round with all the mystery Of love predestined for earth's needy ones; "Be comforted," it seems He fain would say, "O mother mine, there dawns an Easter day, And thou in me hast mothered many sons."Ethel Allen Murphy
Ethel Allen Murphy
Song
She's somewhere in the sunlight strong, Her tears are in the falling rain,She calls me in the wind's soft song, And with the flowers she comes again.Yon bird is but her messenger, The moon is but her silver car;Yea! sun and moon are sent by her, And every wistful waiting star.
Richard Le Gallienne
Sonnets. IX
Lady that in the prime of earliest youth,Wisely hath shun'd the broad way and the green,And with those few art eminently seen,That labour up the Hill of heav'nly Truth,The better part with Mary and with Ruth,Chosen thou hast, and they that overween,And at thy growing vertues fret their spleen,No anger find in thee, but pity and ruth.Thy care is fixt and zealously attendsTo fill thy odorous Lamp with deeds of light,And Hope that reaps not shame. Therefore be sureThou, when the Bridegroom with his feastfull friendsPasses to bliss at the mid hour of night,Hast gain'd thy entrance, Virgin wise and pure.
John Milton
Art
Give to barrows, trays and pansGrace and glimmer of romance;Bring the moonlight into noonHid in gleaming piles of stone;On the city's paved streetPlant gardens lined with lilacs sweet;Let spouting fountains cool the air,Singing in the sun-baked square;Let statue, picture, park and hall,Ballad, flag and festival,The past restore, the day adorn,And make to-morrow a new morn.So shall the drudge in dusty frockSpy behind the city clockRetinues of airy kings,Skirts of angels, starry wings,His fathers shining in bright fables,His children fed at heavenly tables.'T is the privilege of ArtThus to play its cheerful part,Man on earth to acclimateAnd bend the exile to his fate,And, moulded of one elementWith the da...
Ralph Waldo Emerson
Love's Loadstone. Second Reading.
Non so se s' é l' immaginata luce.I know not if it be the fancied light Which every man or more or less doth feel; Or if the mind and memory reveal Some other beauty for the heart's delight;Or if within the soul the vision bright Of her celestial home once more doth steal, Drawing our better thoughts with pure appeal To the true Good above all mortal sight:This light I long for and unguided seek; This fire that burns my heart, I cannot find; Nor know the way, though some one seems to lead.This, since I saw thee, lady, makes me weak: A bitter-sweet sways here and there my mind; And sure I am thine eyes this mischief breed.
Michelangelo di Lodovico Buonarroti Simoni
Roundel
If he could know my songs are all for him,At silver dawn or in the evening glow,Would he not smile and think it but a whim,If he could know?Or would his heart rejoice and overflow,As happy brooks that break their icy rimWhen April's horns along the hillsides blow?I may not speak till Eros' torch is dim,The god is bitter and will have it so;And yet to-night our fate would seem less grimIf he could know.
Sara Teasdale
Symbols
I watched a rosebud very long Brought on by dew and sun and shower, Waiting to see the perfect flower:Then, when I thought it should be strong, It opened at the matin hourAnd fell at evensong.I watched a nest from day to day, A green nest full of pleasant shade, Wherein three speckled eggs were laid:But when they should have hatched in May, The two old birds had grown afraidOr tired, and flew away.Then in my wrath I broke the bough That I had tended so with care, Hoping its scent should fill the air;I crushed the eggs, not heeding how Their ancient promise had been fair:I would have vengeance now.But the dead branch spoke from the sod, And the eggs answered me again: Bec...
Christina Georgina Rossetti
Telemachus versus Mentor
Dont mind me, I beg you, old fellow, Ill do very well here alone;You must not be kept from your German because Ive dropped in like a stone.Leave all ceremony behind you, leave all thought of aught but yourself;And leave, if you like, the Madeira, and a dozen cigars on the shelf.As for me, you will say to your hostess well, I scarcely need give you a cue.Chant my praise! All will list to Apollo, though Mercury pipe to a few.Say just what you please, my dear boy; theres more eloquence lies in youths rashOutspoken heart-impulse than ever growled under this grizzling mustache.Go, don the dress coat of our tyrant, youths panoplied armor for fight,And tie the white neckcloth that rumples, like pleasure, and lasts but a night;And pray the Nine Gods to avert you what ...
Bret Harte
The Goldsmith's Apprentice.
My neighbour, none can e'er deny,Is a most beauteous maid;Her shop is ever in mine eye,When working at my trade.To ring and chain I hammer thenThe wire of gold assay'd,And think the while: "For Kate, oh whenWill such a ring be made?"And when she takes her shutters down,Her shop at once invade,To buy and haggle, all the town,For all that's there displayd.I file, and maybe overfileThe wire of gold assay'd;My master grumbles all the while,Her shop the mischief made.To ply her wheel she straight begins,When not engaged in trade;I know full well for what she spins,'Tis hope guides that dear maid.Her leg, while her small foot treads on,
Johann Wolfgang von Goethe
Sonnet XXXII.
S' amore o morte non dà qualche stroppio.HE ASKS FROM A FRIEND THE LOAN OF THE WORKS OF ST. AUGUSTIN. If Love or Death no obstacle entwineWith the new web which here my fingers fold,And if I 'scape from beauty's tyrant holdWhile natural truth with truth reveal'd I join,Perchance a work so double will be mineBetween our modern style and language old,That (timidly I speak, with hope though bold)Even to Rome its growing fame may shine:But, since, our labour to perfèct at lastSome of the blessed threads are absent yetWhich our dear father plentifully met,Wherefore to me thy hands so close and fastAgainst their use? Be prompt of aid and free,And rich our harvest of fair things shall be.MACGREGOR.
Francesco Petrarca
The Death Of Love
So Love is dead, the Love we knew of old!And in the sorrow of our hearts' hushed hallsA lute lies broken and a flower falls;Love's house stands empty and his hearth lies cold.Lone in dim places, where sweet vows were told,In walks grown desolate, by ruined wallsBeauty decays; and on their pedestalsDreams crumble and th' immortal gods are mold.Music is slain or sleeps; one voice alone,One voice awakes, and like a wandering ghostHaunts all the echoing chambers of the PastThe voice of Memory, that stills to stoneThe soul that hears; the mind, that, utterly lost,Before its beautiful presence stands aghast.
Madison Julius Cawein