A transient day,
        A troubled night,
        The swift decay,
        The certain blight,
And death and dust; -

        And are these all? -
        Nay: those are past;
        And she who sleeps
        Shall wake at last
Among the just!

(VICTOR HUGO TO GARIBALDI.)

("Ces jeunes gens, combien étaient-ils.")

[LA VOIX DE GUERNESEY, December, 1868.]


I.

Young soldiers of the noble Latin blood,
How many are ye - Boys? Four thousand odd.
How many are there dead? Six hundred: count!
Their limbs lie strewn about the fatal mount,
Blackened and torn, eyes gummed with blood, hearts rolled
Out from their ribs, to give the wolves of the wold
A red feast; nothing of them left but these
Pierced relics, underneath the olive trees,
Show where the gin was sprung - the scoundrel-trap
Which brought those hero-lads their foul mishap.
See how they fell in swathes - like barley-ears!
Their crime? to claim Rome and her glories theirs;
To fight for Right and Honor; - foolish names!<...

In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein very distateful to the palate. In this are spectres often seen, which foreshew either the death of the Governor, or some prime officer belonging to the place; and most commonly it appeareth in the shape of an harper, sweetly singing and dallying and playing under the water.

It is reported of one Donica, that after she was dead, the Devil walked in her body for the space of two years, so that none suspected but that she was still alive; for she did both speak and eat, though very sparingly; only she had a deep paleness on her countenance, which was the only sign of death. At length a Magician coming by where she was then in the company of many other virgins, as soon as he beheld her he sai...

In the village churchyard she lies,
Dust is in her beautiful eyes,
    No more she breathes, nor feels, nor stirs;
At her feet and at her head
Lies a slave to attend the dead,
    But their dust is white as hers.

Was she a lady of high degree,
So much in love with the vanity
    And foolish pomp of this world of ours?
Or was it Christian charity,
And lowliness and humility,
    The richest and rarest of all dowers?

Who shall tell us?    No one speaks;
No color shoots into those cheeks,
    Either of anger or of pride,
At the rude question we have asked;
Nor will the mystery be unmasked
    By those who are sleeping at her side.

Hereafter?--And do you think to look
On the terrible pages of that Book
    To find her failings...

Scarcely a breath about the rocky stair
Moved, but the growing tide from verge to verge,
Heaving salt fragrance on the midnight air,
Climbed with a murmurous and fitful surge.
A hoary mist rose up and slowly sheathed
The dripping walls and portal granite-stepped,
And sank into the inner court, and crept
From column unto column thickly wreathed.

In that dead hour of darkness before dawn,
When hearts beat fainter, and the hands of death
Are strengthened, - with lips white and drawn
And feverish lids and scarcely moving breath,
The hapless mother, tender Chione,
Beside the earth-cold figure of her child,
After long bursts of weeping sharp and wild
Lay broken, silent in her agony.
At first in waking horror racked and bound
She lay, and then a gradual st...

Why fear to die
And let thy body lie
Under the flowers of June,
Thy body food
For the ground-worms' brood
And thy grave smiled on by the visiting moon.

Amid great Nature's halls
Girt in by mountain walls
And washed with waterfalls
It would please me to die,
Where every wind that swept my tomb
Goes loaded with a free perfume
Dealt out with a God's charity.

I should like to die in sweets,
A hill's leaves for winding-sheets,
And the searching sun to see
That I am laid with decency.
And the commissioned wind to sing
His mighty psalm from fall to spring
And annual tunes commemorate
Of Nature's child the common fate.

WILLIAMSTOWN, VERMONT, 1 June, 1831.

    The skull in the box is that of Cornelius A. Burleigh, the first man to be hanged in London, Ontario, August 19, 1830. The public hanging attracted an audience of over 3,000 when the village of London numbered only a few hundred. Because the rope broke, he was hanged twice! The top of the skull was taken on a world tour by Dr. O.S. Fowler, a phrenologist.
    This part of the skull was presented to the Harris family.
    (Eldon House brochure)

    Off memory
    & a dare,
    the grave man
    coming to a bitter end.
    Burleigh, top of his
    skull reminiscent of a laundry cup
    (or toothpaste cap) separated from
    its yellowing, rightful owner.
    No jaws of life here -
    rather vengeance beyond death,
    shellac & varnish twist shoved
    ...

Vidi fra mille donne una già tale.

BEAUTY SHOWED ITSELF IN, AND DISAPPEARED WITH, LAURA.


    'Mid many fair one such by me was seen
That amorous fears my heart did instant seize,
Beholding her--nor false the images--
Equal to angels in her heavenly mien.
Nothing in her was mortal or terrene,
As one whom nothing short of heaven can please;
My soul well train'd for her to burn and freeze
Sought in her wake to mount the blue serene.
But ah! too high for earthly wings to rise
Her pitch, and soon she wholly pass'd from sight:
The very thought still makes me cold and numb;
O beautiful and high and lustrous eyes,
Where Death, who fills the world with grief and fright,
Found entrance in so fair a form to come.

MACGREGOR.

Until we meet again!    That is the meaning
Of the familiar words, that men repeat
    At parting in the street.
Ah yes, till then! but when death intervening
Rends us asunder, with what ceaseless pain
    We wait for the Again!

The friends who leave us do not feel the sorrow
Of parting, as we feel it, who must stay
    Lamenting day by day,
And knowing, when we wake upon the morrow,
We shall not find in its accustomed place
    The one beloved face.

It were a double grief, if the departed,
Being released from earth, should still retain
    A sense of earthly pain;
It were a double grief, if the true-hearted,
Who loved us here, should on the farther shore
    Remember us no more.

Believing, in the midst of our afflictions,
That...

Hush, mourning mother, wan and pale!
    No sobs - no grieving now:
No burning tears must thou let fall
    Upon that cold still brow;
No look of anguish cast above,
    Nor smite thine aching breast,
But clasp thy hands and thank thy God -
    Thy darling is at rest.

Close down those dark-fringed, snowy lids
    Over the violet eyes,
Whose liquid light was once as clear
    As that of summer skies.
Is it not bliss to know what e'er
    Thy future griefs and fears,
They will be never dimmed like thine
    By sorrow's scalding tears?

Enfold the tiny fingers fair,
    From which life's warmth has fled,
For ever freed from wearing toil -
    The toil for daily bread:
Compose the softly moulded limbs,
    The little waxen feet,...

The living come with grassy tread
To read the gravestones on the hill;
The graveyard draws the living still,
But never anymore the dead.
The verses in it say and say:
"The ones who living come today
To read the stones and go away
Tomorrow dead will come to stay."
So sure of death the marbles rhyme,
Yet can't help marking all the time
How no one dead will seem to come.
What is it men are shrinking from?
It would be easy to be clever
And tell the stones: Men hate to die
And have stopped dying now forever.
I think they would believe the lie.

We drop our dead in the sea,
The bottomless, bottomless sea;
Each bubble a hollow sigh,
As it sinks forever and aye.

We drop our dead in the sea,--
The dead reek not of aught;
We drop our dead in the sea,--
The sea ne'er gives it a thought.

Sink, sink, oh corpse, still sink,
Far down in the bottomless sea,
Where the unknown forms do prowl,
Down, down in the bottomless sea.

'Tis night above, and night all round,
And night will it be with thee;
As thou sinkest, and sinkest for aye,
Deeper down in the bottomless sea.

'Twas a wild and stormy sunset, changing tints of lurid red
Flooded mountain top and valley and the low clouds overhead;
And the rays streamed through the windows of a building stately, high,
Whose wealthy, high-born master had lain him down to die.

Many friends were thronging round him, breathing aching, heavy sighs -
Men with pale and awe-struck faces, women, too, with weeping eyes,
Watching breathless, silent, grieving him whose sands were nearly run,
When, with sudden start, he muttered: "God! how much I've left undone!"

Then out spoke an aged listener, with broad brow and locks of snow,
"Patriot, faithful to thy country and her welfare, say not so,
For the long years thou hast served her thou hast only honor won."
But, from side to side still tossing, still he muttere...

"Hospes comesque corporis,
Quae nunc abitis in loca?"

Cease, Wind, to blow
And drive the peopled snow,
And move the haunted arras to and fro,
And moan of things I fear to know
Yet would rend from thee, Wind, before I go
On the blind pilgrimage.
Cease, Wind, to blow.

Thy brother too,
I leave no print of shoe
In all these vasty rooms I rummage through,
No word at threshold, and no clue
Of whence I come and whither I pursue
The search of treasures lost
When time was new.

Thou janitor
Of the dim curtained door,
Stir thy old bones along the dusty floor
Of this unlighted corridor.
Open! I have been this dark way before;
Thy hollow face shall peer
In mine no more. . . . .

Sky, the dear sky!
Ah, ghostly h...

I said, “I will take my life
And throw it away;
I who was fire and song
Will turn to clay.”

“I will lie no more in the night
With shaken breath,
I will toss my heart in the air
To be caught by Death.”

But out of the night I heard,
Like the inland sound of the sea,
The hushed and terrible sob
Of all humanity.

Then I said, “Oh who am I
To scorn God to his face?
I will bow my head and stay
And suffer with my race.”

Che debb' io far? che mi consigli, Amore?

HE ASKS COUNSEL OF LOVE, WHETHER HE SHOULD FOLLOW LAURA, OR STILL ENDURE EXISTENCE.


    What should I do? what, Love, dost thou advise?
Full time it is to die:
And longer than I wish have I delay'd.
My mistress is no more, and with her gone my heart;
To follow her, I must need
Break short the course of my afflictive years:
To view her here below
I ne'er can hope; and irksome 'tis to wait.
Since that my every joy
By her departure unto tears is turn'd,
Of all its sweets my life has been deprived.

Thou, Love, dost feel, therefore to thee I plain,
How grievous is my loss;
I know my sorrows grieve and weigh thee down,
E'en as our common cause: for on one rock
We both have wreck'd our bark...

A chamber that is like a reverie; a chamber truly spiritual, where the stagnant atmosphere is lightly touched with rose and blue.
There the soul bathes itself in indolence made odorous with regret and desire. There is some sense of the twilight, of things tinged with blue and rose: a dream of delight during an eclipse. The shape of the furniture is elongated, low, languishing; one would think it endowed with the somnambulistic vitality of plants and minerals.
The tapestries speak an inarticulate language, like the flowers, the skies, the dropping suns.
There are no artistic abominations upon the walls.
Compared with the pure dream, with an impression unanalysed, definite art, positive art, is a blasphemy.
Here all has the sufficing lucidity and the delicious obscurity of music.
An infinitesimal odour of the m...

If dead, we cease to be; if total gloom
Swallow up life's brief flash for aye, we fare
As summer-gusts, of sudden birth and doom,
Whose sound and motion not alone declare,
But are their whole of being! If the breath
Be Life itself, and not its task and tent,
If even a soul like Milton's can know death;
O Man! thou vessel purposeless, unmeant,
Yet drone-hive strange of phantom purposes!
Surplus of Nature's dread activity,
Which, as she gazed on some nigh-finished vase,
Retreating slow, with meditative pause,
She formed with restless hands unconsciously.
Blank accident! nothing's anomaly!
If rootless thus, thus substanceless thy state,
Go, weigh thy dreams, and be thy hopes, thy fears,
The counter-weights! Thy laughter and thy tears
Mean but themselves, eac...