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Sonnet V
If I should learn, in some quite casual way, That you were gone, not to return again-- Read from the back-page of a paper, say, Held by a neighbor in a subway train, How at the corner of this avenue And such a street (so are the papers filled) A hurrying man--who happened to be you-- At noon to-day had happened to be killed, I should not cry aloud--I could not cry Aloud, or wring my hands in such a place-- I should but watch the station lights rush by With a more careful interest on my face, Or raise my eyes and read with greater care Where to store furs and how to treat the hair.
Edna St. Vincent Millay
Morning Midday and Evening Sacrifice
The dappled die-awayCheek and wimpled lip,The gold-wisp, the airy-greyEye, all in fellowship -This, all this beauty blooming,This, all this freshness fuming,Give God while worth consuming.Both thought and thew now bolderAnd told by Nature: Tower;Head, heart, hand, heel, and shoulderThat beat and breathe in power -This pride of prime's enjoymentTake as for tool, not toy meantAnd hold at Christ's employment.The vault and scope and schoolingAnd mastery in the mind,In silk-ash kept from cooling,And ripest under rind -What life half lifts the latch of,What hell stalks towards the snatch of,Your offering, with despatch, of!
Gerard Manley Hopkins
The Ballad Of Morbid Mothers
Why do you sit in the churchyard weeping?Why do you cling to the dear old graves,When the dim, drear mists of the dusk are creepingOut of the marshes in wan, white waves?Darling, I know you're a slave to sorrow;Dearie, I know that the world is cruel;But you'll be in bed with a cold to-morrow,I shall be running upstairs with gruel.Why do you weep on a tombstone, Mammy,Sobbing alone in the drizzling sleet,When the chill mists rise, and the wind strikes clammy?Think of your bones, and your poor old feet!Darling, I know that you feel lugubrious;Dearie, I know you must work this off;But graveyards are not, as a rule, salubrious,Whence the expression, a 'churchyard cough.'[The Old Lady explains her eccentric...
John Kendall (Dum-Dum)
The Brownie
"How disappeared he?" Ask the newt and toad;Ask of his fellow-men, and they will tellHow he was found, cold as an icicle,Under an arch of that forlorn abode;Where he, unpropped, and by the gathering floodOf years hemmed round, had dwelt, prepared to tryPrivation's worst extremities, and dieWith no one near save the omnipresent God.Verily so to live was an awful choiceA choice that wears the aspect of a doom;But in the mould of mercy all is castFor Souls familiar with the eternal Voice;And this forgotten Taper to the lastDrove from itself, we trust, all frightful gloom.
William Wordsworth
Ode On A Grecian Urn
Thou still unravishd bride of quietness,Thou foster-child of silence and slow time,Sylvan historian, who canst thus expressA flowery tale more sweetly than our rhyme:What leaf-fringd legend haunts about thy shapeOf deities or mortals, or of both,In Tempe or the dales of Arcady?What men or gods are these? What maidens loth?What mad pursuit? What struggle to escape?What pipes and timbrels? What wild ecstasy?Heard melodies are sweet, but those unheardAre sweeter; therefore, ye soft pipes, play on;Not to the sensual ear, but, more endeard,Pipe to the spirit ditties of no tone:Fair youth, beneath the trees, thou canst not leaveThy song, nor ever can those trees be bare;Bold Lover, never, never canst thou kiss,Though winning near the g...
John Keats
The Close Of Summer
The wild-plum tree, whose leaves grow thin,Has strewn the way with half its fruit:The grasshopper's and cricket's dinGrows hushed and mute;The veery seems a far-off fluteWhere Summer listens, hand on chin,And taps an idle foot.A silvery haze veils half the hills,That crown themselves with clouds like cream;The crow its clamor almost stills,The hawk its scream;The aster stars begin to gleam;And 'mid them, by the sleepy rills,The Summer dreams her dream.The butterfly upon its weedDroops as if weary of its wings;The bee, 'mid blooms that turn to seed,Half-hearted clings,Sick of the only song it sings,While Summer tunes a drowsy reedAnd dreams of far-off things.Passion, of which unrest is part,T...
Madison Julius Cawein
The Divine Comedy by Dante: The Vision of Hell, Or The Inferno: Canto XXII
It hath been heretofore my chance to seeHorsemen with martial order shifting camp,To onset sallying, or in muster rang'd,Or in retreat sometimes outstretch'd for flight;Light-armed squadrons and fleet foragersScouring thy plains, Arezzo! have I seen,And clashing tournaments, and tilting jousts,Now with the sound of trumpets, now of bells,Tabors, or signals made from castled heights,And with inventions multiform, our own,Or introduc'd from foreign land; but ne'erTo such a strange recorder I beheld,In evolution moving, horse nor foot,Nor ship, that tack'd by sign from land or star.With the ten demons on our way we went;Ah fearful company! but in the churchWith saints, with gluttons at the tavern's mess.Still earnest on the pitch...
Dante Alighieri
The River Of Ruin
Along by the river of ruinThey dally--the thoughtless ones,They dance and they dreamBy the side of the stream,As long as the river runs.It seems all so pleasant and cheery--No thought of the morrow is theirs,And their faces are brightWith the sun of delight,And they dream of no night-brooding cares.The women wear garlanded tresses,The men have rings on their hands,And they sing in their glee,For they think they are free--They that know not the treacherous sands.Ah, but this be a venturesome journey,Forever those sands are ashift,And a step to one sideMeans a grasp of the tide,And the current is fearful and swift.For once in the river of ruin,What boots it, to do or to dare,For down we ...
Paul Laurence Dunbar
Why Sad To-Day?
Why is the nameless sorrowing lookSo often thought a whim?God-willed, the willow shades the brook,The gray owl sings a hymn;Sadly the winds change, and the rainComes where the sunlight fell:Sad is our story, told again,Which past years told so well!Why not love sorrow and the glanceThat ends in silent tears?If we count up the world's mischance,Grieving is in arrears.Why should I know why I could weep?The old urns cannot readThe names they wear of kings they keepIn ashes; both are dead.And like an urn the heart must holdAims of an age gone by:What the aims were we are not told;We hold them, who knows why?
Rose Hawthorne Lathrop
The Phantom Bride. - Indian Legends.
During the Revolutionary war, a young American lady was murdered, while dressed in her bridal robe, by a party of Indians, sent by her betrothed to conduct her to the village where he was encamped. After the deed was done, they carried her long hair to her lover, who, urged by a frantic despair, hurried to the spot to assure himself of the truth of the tale, and shortly after threw himself, in battle, on the swords of his countrymen. After this event, the Indians were never successful in their warfare, the spectre of their victim presenting itself continually between them and the enemy.The worn bird of Freedom had furled o'er our landThe shattered wings, pierced by the despot's rude hand,And stout hearts were vowing, 'mid havoc and strife,To Liberty, fortune, fame, honor, and life.The red li...
Mary Gardiner Horsford
Fame
Ah Fate, cannot a manBe wise without a beard?East, West, from Beer to Dan,Say, was it never heardThat wisdom might in youth be gotten,Or wit be ripe before 't was rotten?He pays too high a priceFor knowledge and for fameWho sells his sinews to be wise,His teeth and bones to buy a name,And crawls through life a paralyticTo earn the praise of bard and critic.Were it not better done,To dine and sleep through forty years;Be loved by few; be feared by none;Laugh life away; have wine for tears;And take the mortal leap undaunted,Content that all we asked was granted?But Fate will not permitThe seed of gods to die,Nor suffer sense to win from witIts guerdon in the sky,Nor let us hide, whate'er our p...
Ralph Waldo Emerson
To The Beloved Dead--A Lament
Beloved, thou art like a tune that idle fingers Play on a window-pane.The time is there, the form of music lingers; But O thou sweetest strain,Where is thy soul? Thou liest i' the wind and rain.Even as to him who plays that idle air, It seems a melody,For his own soul is full of it, so, my Fair, Dead, thou dost live in me,And all this lonely soul is full of thee.Thou song of songs!--not music as before Unto the outward ear;My spirit sings thee inly evermore, Thy falls with tear on tear.I fail for thee, thou art too sweet, too dear.Thou silent song, thou ever voiceless rhyme, Is there no pulse to move thee,At windy dawn, with a wild heart beating time, And falling tears above thee,O ...
Alice Christiana Thompson Meynell
The Supreme Sacrifice.
Well-nigh two thousand years hath IsraelSuffered the scorn of man for love of God;Endured the outlaw's ban, the yoke, the rod,With perfect patience. Empires rose and fell,Around him Nebo was adored and Bel;Edom was drunk with victory, and trodOn his high places, while the sacred sodWas desecrated by the infidel.His faith proved steadfast, without breach or flaw,But now the last renouncement is required.His truth prevails, his God is God, his LawIs found the wisdom most to be desired.Not his the glory! He, maligned, misknown,Bows his meek head, and says, "Thy will be done!"
Emma Lazarus
The Lady Of Rathmore Hall.
Throughout the country for many a mileThere is not a nobler, statelier pile Than ivy crowned Rathmore Hall;And the giant oaks that shadow the wold,Though hollowed by time, are not as old As its Norman turrets tall.Let us follow that stream of sunset red,Crimsoning the portal overhead, Stealing through curtaining lace,Where sits in a spacious and lofty roomFull of gems of art - exotics in bloom - The Lady of the place.If Rathmore Hall is with praises named,Not less is its queen-like mistress famed For wondrous beauty and grace;And as she reclines there, calmly now,The sunset flush on her ivory brow, We marvel at form and face.Wondrously perfect, peerlessly fair,Are the mouth and the eyes and ...
Rosanna Eleanor Leprohon
The Paradox
I am the mother of sorrows,I am the ender of grief;I am the bud and the blossom,I am the late-falling leaf.I am thy priest and thy poet,I am thy serf and thy king;I cure the tears of the heartsick,When I come near they shall sing.White are my hands as the snowdrop;Swart are my fingers as clay;Dark is my frown as the midnight,Fair is my brow as the day.Battle and war are my minions,Doing my will as divine;I am the calmer of passions,Peace is a nursling of mine.Speak to me gently or curse me,Seek me or fly from my sight;I am thy fool in the morning,Thou art my slave in the night.Down to the grave will I take thee,Out from the noise of the strife;Then shalt thou see me and know me--...
Ponte Dell Angelo, Venice
Stop rowing! This one of our bye-canalsOer a certain bridge you have to crossThats named, Of the Angel: listen why!The name Of the Devil too much appallsVenetian acquaintance, so, his the loss,While the gain goes . . . look on high!An angel visibly guards yon house:Above each scutcheon, a pair, stands he,Enfolds them with droop of either wing:The familys fortune were perilousDid he thence depart, you will soon agree,If I hitch into verse the thing.For, once on a time, this house belongedTo a lawyer of note, with law and to spare,But also with overmuch lust of gain:In the matter of law you were nowise wronged,But alas for the lucre! He picked you bareTo the bone. Did folk complain?I exact, growled he, work...
Robert Browning
The Warning.
When sounds the trumpet at the Judgment Day,And when forever all things earthly die,We must a full and true account supplyOf ev'ry useless word we dropp'd in play.But what effect will all the words conveyWherein with eager zeal and lovingly,That I might win thy favour, labour'd I,If on thine ear alone they die away?Therefore, sweet love, thy conscience bear in mind,Remember well how long thou hast delay'd,So that the world such sufferings may not know.If I must reckon, and excuses findFor all things useless I to thee have said,To a full year the Judgment Day will grow
Johann Wolfgang von Goethe
The Fudge Family In Paris Letter VII. From Phelim Connor To--.
Before we sketch the Present--let us castA few, short, rapid glances to the Past.When he, who had defied all Europe's strength,Beneath his own weak rashness sunk at length;--When, loosed as if by magic from a chainThat seemed like Fate's the world was free again,And Europe saw, rejoicing in the sight,The cause of Kings, for once, the cause of Right;--Then was, indeed, an hour of joy to thoseWho sighed for justice--liberty--repose,And hoped the fall of one great vulture's nestWould ring its warning round, and scare the rest.All then was bright with promise;--Kings beganTo own a sympathy with suffering Man,And man was grateful; Patriots of the SouthCaught wisdom from a Cossack Emperor's mouth,And heard, like accents thawed in ...
Thomas Moore