The stormy March is come at last,
With wind, and cloud, and changing skies,
I hear the rushing of the blast,
That through the snowy valley flies.

Ah, passing few are they who speak,
Wild stormy month! in praise of thee;
Yet, though thy winds are loud and bleak,
Thou art a welcome month to me.

For thou, to northern lands, again
The glad and glorious sun dost bring,
And thou hast joined the gentle train
And wear'st the gentle name of Spring.

And, in thy reign of blast and storm,
Smiles many a long, bright, sunny day,
When the changed winds are soft and warm,
And heaven puts on the blue of May.

Then sing aloud the gushing rills
And the full springs, from frost set free,
That, brightly leaping down the hills,
Are just set out...

Old homes among the hills! I love their gardens,
Their old rock-fences, that our day inherits;
Their doors, 'round which the great trees stand like wardens;
Their paths, down which the shadows march like spirits;
Broad doors and paths that reach bird-haunted gardens.

I see them gray among their ancient acres,
Severe of front, their gables lichen-sprinkled,--
Like gentle-hearted, solitary Quakers,
Grave and religious, with kind faces wrinkled,--
Serene among their memory-hallowed acres.

Their gardens, banked with roses and with lilies--
Those sweet aristocrats of all the flowers--
Where Springtime mints her gold in daffodillies,
And Autumn coins her marigolds in showers,
And all the hours are toilless as the lilies.

I love their orchards where the ...

Why, why repine, my pensive friend,
At pleasures slipp'd away?
Some the stern Fates will never lend,
And all refuse to stay.

I see the rainbow in the sky,
The dew upon the grass,
I see them, and I ask not why
They glimmer or they pass.

With folded arms I linger not
To call them back; 'twere vain;
In this, or in some other spot,
I know they'll shine again.

The squatter saw his pastures wide
Decrease, as one by one
The farmers moving to the west
Selected on his run;
Selectors took the water up
And all the black soil round;
The best grass-land the squatter had
Was spoilt by Ross's Ground.

Now many schemes to shift old Ross
Had racked the squatter's brains,
But Sandy had the stubborn blood
Of Scotland in his veins;
He held the land and fenced it in,
He cleared and ploughed the soil,
And year by year a richer crop
Repaid him for his toil.

Between the homes for many years
The devil left his tracks:
The squatter pounded Ross's stock,
And Sandy pounded Black's.
A well upon the lower run
Was filled with earth and logs,
And Black laid baits about the farm
To poison Ross's do...

There blooms no bud in May
Can for its white compare
With snow at break of day,
On fields forlorn and bare.

For shadow it hath rose,
Azure, and amethyst;
And every air that blows
Dies out in beauteous mist.

It hangs the frozen bough
With flowers on which the night
Wheeling her darkness through
Scatters a starry light.

Fearful of its pale glare
In flocks the starlings rise;
Slide through the frosty air,
And perch with plaintive cries.

Only the inky rook,
Hunched cold in ruffled wings,
Its snowy nest forsook,
Caws of unnumbered Springs.

    SCENE: A moonlit glade on a summer midnight


    THE POET

    What consummation of the toiling moon
    O'ercomes the midnight blue with violet,
    Wherein the stars turn grey! The summer's green,
    Edgèd and strong by day, is dull and faint
    Beneath the moon's all-dominating mood,
    That in this absence of the impassioned sun,
    Sways to a sleep of sound and calm of color
    The live and vivid aspect of the world -
    Subdued as with the great expectancy
    Which blurs beginning features of a dream,
    Things and events lost 'neath an omening
    Of central and oppressive bulk to come.
    Here were the theatre of a miracle,
    If such, within a world long alienate
    From its first dreams, and shut with skeptic yea...

I.

    Ca' the yowes to the knowes,
    Ca' them whare the heather growes,
    Ca' them whare the burnie rowes -
        My bonnie dearie!
    Hark the mavis' evening sang
    Sounding Cluden's woods amang!
    Then a faulding let us gang,
        My bonnie dearie.

II.

    We'll gae down by Cluden side,
    Thro' the hazels spreading wide,
    O'er the waves that sweetly glide
        To the moon sae clearly.

III.

    Yonder Cluden's silent towers,
    Where at moonshine midnight hours,
    O'er the dewy bending flowers,
        Fairies dance so cheery.

IV.

    Ghaist nor bogle shalt thou fear;
    Thou'rt to love and heaven sae dear,
    Nocht of ill may come thee near,
        My bo...

THE POET SINGS TO HIS POET

From dawn to dusk, and from dusk to dawn,
    We two are sundered always, sweet.
A few stars shake o'er the rocky lawn
    And the cold sea-shore when we meet.
    The twilight comes with thy shadowy feet.

We are not day and night, my Fair,
    But one.    It is an hour of hours.
And thoughts that are not otherwhere
    Are thought here 'mid the blown sea-flowers,
    This meeting and this dusk of ours.

Delight has taken Pain to her heart,
    And there is dusk and stars for these.
Oh, linger, linger!    They would not part;
    And the wild wind comes from over-seas
    With a new song to the olive trees.

And when we meet by the sounding pine
    Sleep draws near to his dreamless brother.
And when t...

(CHARLES BLOOMFIELD.)




I.

    As I roamed t'other day,
    Neighbour Hop, in my way
    I discovered a nice rotten plum,
    Which you know is a treat;
    And, to taste of the sweet,
    A swarm of relations had come.


II.

    So we all settled round,
    As it lay on the ground,
    And were feasting ourselves with delight;
        But, for want of more thought
        To have watched, as we ought,
    We were suddenly seized - and held tight.

    III.

        In a human clenched hand,
        Where, unable to stand,
    We were twisted and tumbled about;
        But, perceiving a chink,
        You will readily think
    I exerted myself - I got out.

    IV.
<...

"Where art thou wandering, little child?"
I said to one I met to-day.--
She pushed her bonnet up and smiled,
"I'm going upon the green to play:
Folks tell me that the May's in flower,
That cowslip-peeps are fit to pull,
And I've got leave to spend an hour
To get this little basket full."

--And thou'st got leave to spend an hour!
My heart repeated.--She was gone;
--And thou hast heard the thorn's in flower,
And childhood's bliss is urging on:
Ah, happy child! thou mak'st me sigh,
This once as happy heart of mine,
Would nature with the boon comply,
How gladly would I change for thine.

Would you know what joy is hid
In our green Musketaquid,
And for travelled eyes what charms
Draw us to these meadow farms,
Come and I will show you all
Makes each day a festival.
Stand upon this pasture hill,
Face the eastern star until
The slow eye of heaven shall show
The world above, the world below.

Behold the miracle!
Thou saw'st but now the twilight sad
And stood beneath the firmament,
A watchman in a dark gray tent,
Waiting till God create the earth,--
Behold the new majestic birth!
The mottled clouds, like scraps of wool,
Steeped in the light are beautiful.
What majestic stillness broods
Over these colored solitudes.
Sleeps the vast East in pleasèd peace,
Up the far mountain walls the streams increase
Inundating the ...

Some louers speake, when they their Muses entertaine,
Of hopes begot by feare, of wot not what desires,
Of force of heau'nly beames infusing hellish paine,
Of liuing deaths, dere wounds, faire storms, and freesing fires:
Some one his song in Ioue and Ioues strange tales attires,
Bordred with buls and swans, powdred with golden raine:
Another, humbler wit, to shepherds pipe retires,
Yet hiding royall bloud full oft in rurall vaine.
To some a sweetest plaint a sweetest stile affords:
While teares poure out his inke, and sighes breathe out his words,
His paper pale despaire, and pain his pen doth moue.
I can speake what I feele, and feele as much as they,
But thinke that all the map of my state I display
When trembling voyce brings forth, that I do Stella loue.

    You are over there, Father Malloy,
    Where holy ground is, and the cross marks every grave,
    Not here with us on the hill -
    Us of wavering faith, and clouded vision
    And drifting hope, and unforgiven sins.
    You were so human, Father Malloy,
    Taking a friendly glass sometimes with us,
    Siding with us who would rescue Spoon River
    From the coldness and the dreariness of village morality.
    You were like a traveler who brings a little box of sand
    From the wastes about the pyramids
    And makes them real and Egypt real.
    You were a part of and related to a great past,
    And yet you were so close to many of us.
    You believed in the joy of life.
    You did not seem to be ashamed of the flesh.
    You faced life as it is,

Rain will fall on the fading flowers,
Winds will blow through the dripping tree,
When Fall leads in her tattered Hours
With Death to keep them company.
All night long in the weeping weather,
All night long in the garden grey,
A ghost and a dream will talk together
And sad are the things they will have to say:
Old sad things of the bough that's broken;
Heartbreak things of the leaf that's dead;
Old sad things no tongue hath spoken;
Sorrowful things no man hath said.

    Over the downs in sunlight clear
    Forth we went in the spring of the year:
    Plunder of April's gold we sought,
    Little of April's anger thought.

    Caught in a copse without defence
    Low we crouched to the rain-squall dense:
    Sure, if misery man can vex,
    There it beat on our bended necks.

    Yet when again we wander on
    Suddenly all that gloom is gone:
    Under and over through the wood,
    Life is astir, and life is good.

    Violets purple, violets white,
    Delicate windflowers dancing light,
    Primrose, mercury, moscatel,
    Shimmer in diamonds round the dell.

    Squirrel is climbing swift and lithe,
    Chiff-chaff whetting his airy scythe,
    Woodpecker whirrs his rattling rap,
  ...

I am back from up the country, very sorry that I went,
Seeking for the Southern poets' land whereon to pitch my tent;
I have lost a lot of idols, which were broken on the track,
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast,
But I think the country's rather more inviting round the coast.
Anyway, I'll stay at present at a boarding-house in town,
Drinking beer and lemon-squashes, taking baths and cooling down.

`Sunny plains'! Great Scott!, those burning wastes of barren soil and sand
With their everlasting fences stretching out across the land!
Desolation where the crow is! Desert where the eagle flies,
Paddocks where the luny bullock starts and stares with reddened eyes;
Where, in clouds of dust enve...

I.

The hills are full of prophecies
And ancient voices of the dead;
Of hidden shapes that no man sees,
Pale, visionary presences,
That speak the things no tongue hath said,
No mind hath thought, no eye hath read.
The streams are full of oracles,
And momentary whisperings;
An immaterial beauty swells
Its breezy silver o'er the shells
With wordless speech that sings and sings
The message of diviner things.
No indeterminable thought is theirs,
The stars', the sunsets' and the flowers';
Whose inexpressible speech declares
Th' immortal Beautiful, who shares
This mortal riddle which is ours,
Beyond the forward-flying hours.

II.

It holds and beckons in the streams;
It lures and touches us in all
The flowers of the golde...

Under a daisied bank
There stands a rich red ruminating cow,
And hard against her flank
A cotton-hooded milkmaid bends her brow.

The flowery river-ooze
Upheaves and falls; the milk purrs in the pail;
Few pilgrims but would choose
The peace of such a life in such a vale.

The maid breathes words - to vent,
It seems, her sense of Nature's scenery,
Of whose life, sentiment,
And essence, very part itself is she.

She bends a glance of pain,
And, at a moment, lets escape a tear;
Is it that passing train,
Whose alien whirr offends her country ear? -

Nay! Phyllis does not dwell
On visual and familiar things like these;
What moves her is the spell
Of inner themes and inner poetries:

Could but by Sunday morn
Her gay ...