The knell of WHITEHEAD tolls! - his cares are past,
    The hapless tribute of his purchas'd lays,
    His servile, his Egyptian tasks of praise! -
    If not sublime his strains, Fame justly plac'd
Their power above their work. - Now, with wide gaze
Of much indignant wonder, she surveys
    To the life-labouring oar assiduous haste
    A glowing Bard, by every Muse embrac'd. -
O, WARTON! chosen Priest of Phoebus' choir!
    Shall thy rapt song be venal? hymn the THRONE,
    Whether its edicts just applause inspire,
Or PATRIOT VIRTUE view them with a frown?
    What needs for this the golden-stringed Lyre,
    The snowy Tunic, and the Sun-bright Zone[1]!

1: Ensigns of Apollo's Priesthood.

She rose up in the early dawn,
    And white and silently she moved
About the house.    Four men had gone
    To battle for the land they loved,
And she, the mother and the wife,
Waited for tidings from the strife.
How still the house seemed! and her tread
Was like the footsteps of the dead.

The long day passed, the dark night came;
    She had not seen a human face.
Some voice spoke suddenly her name.
    How loud it echoed in that place
Where, day by day, no sound was heard
But her own footsteps!    "Bring you word,"
She cried to whom she could not see,
"Word from the battle-plain to me?"

A soldier entered at the door,
    And stood within the dim firelight:
"I bring you tidings of the four,"
    He said, "who left you for the figh...

In the old age black was not counted fair,
Or if it were, it bore not beauty’s name;
But now is black beauty’s successive heir,
And beauty slander’d with a bastard shame:
For since each hand hath put on Nature’s power,
Fairing the foul with Art’s false borrowed face,
Sweet beauty hath no name, no holy bower,
But is profan’d, if not lives in disgrace.
Therefore my mistress’ eyes are raven black,
Her eyes so suited, and they mourners seem
At such who, not born fair, no beauty lack,
Sland’ring creation with a false esteem:
Yet so they mourn becoming of their woe,
That every tongue says beauty should look so.

I

Love is the light of the world, my dear,
Heigho, but the world is gloomy;
The light has failed and the lamp down hurled,
Leaves only darkness to me.

Love is the light of the world, my dear,
Ah me, but the world is dreary;
The night is down, and my curtain furled
But I cannot sleep, though weary.

Love is the light of the world, my dear,
Alas for a hopeless hoping,
When the flame went out in the breeze that swirled,
And a soul went blindly groping.


II

The light was on the golden sands,
A glimmer on the sea;
My soul spoke clearly to thy soul,
Thy spirit answered me.

Since then the light that gilds the sands,
And glimmers on the sea,
But vainly struggles to reflect
The radiant soul of thee.
...

“Gillian’s dead, God rest her bier,
How I loved her many years syne;
Marion’s married, but I sit here,
Alive and merry at three-score year,
Dipping my nose in Gascoigne wine.”
- Wamba’s Song, Thackeray.


A mellower light doth Sol afford,
His meridian glare has pass’d,
And the trees on the broad and sloping sward
Their length’ning shadows cast.
“Time flies.” The current will be no joke,
If swollen by recent rain,
To cross in the dark, so I’ll have a smoke,
And then I’ll be off again.

What’s up, old horse? Your ears you prick,
And your eager eyeballs glisten;
’Tis the wild dog’s note in the tea-tree thick,
By the river, to which you listen.
With head erect and tail flung out,
For a gallop you seem to beg,
But I feel th...

They called him Mr. What's-his-name:
From where he was, or why he came,
Or when, or what he found to do,
Nobody in the city knew.

He lived, it seemed, shut up alone
In a low hovel of his own;
There cooked his meals and made his bed,
Careless of all his neighbors said.

His neighbors, too, said many things
Expressive of grave wonderings,
Since none of them had ever been
Within his doors, or peered therein.

In fact, grown watchful, they became
Assured that Mr. What's-his-name
Was up to something wrong - indeed,
Small doubt of it, we all agreed.

At night were heard strange noises there,
When honest people everywhere
Had long retired; and his light
Was often seen to burn all night.

He left his house but seldom - the...

Let brutish hearts, as hard as stones,
Mock The weak Muse's tender moans,
As now she wails o'er Titty's bones
With anguish deep;
Doubtless o'er parent's dying groans
They'd little weep.

Ah, Pity! thine's a tender heart,
Thy sigh soon heaves, thy tears soon start;
And thou hast given the muse her part
Salt tears to shed,
To mourn and sigh with sorrow's smart;
For pussy's dead.

Ah, mourning Memory! 'neath thy pall
Thou utterest many a piercing call,
Pickling in vinegar's sour gall
Ways that are fled--
The way, the feats, the tricks, and all,
Of pussy dead.

Thou tell'st of all the gamesome plays
That mark'd her happy kitten-days:
-Ah, I did love her funny way
On the sand floor;
But now sad sorrow damps my lays:

I know where lurk
The eyes of Fear;
I, I alone,
Where shadowy-clear,
Watching for me,
Lurks Fear.

'Tis ever still
And dark, despite
All singing and
All candlelight,
'Tis ever cold,
And night.

He touches me;
Says quietly,
"Stir not, nor whisper,
I am nigh;
Walk noiseless on,
I am by!"

He drives me
As a dog a sheep;
Like a cold stone
I cannot weep.
He lifts me
Hot from sleep

In marble hands
To where on high
The jewelled horror
Of his eye
Dares me to struggle
Or cry.

No breast wherein
To chase away
That watchful shape!
Vain, vain to say
"Haunt not with night
The Day!"

And art thou he, now "fall'n on evil days,"
And changed indeed! Yet what do this sunk cheek,
These thinner locks, and that calm forehead speak!
A spirit reckless of man's blame or praise,
A spirit, when thine eyes to the noon's blaze
Their dark orbs roll in vain, in suffering meek,
As in the sight of God intent to seek,
'Mid solitude or age, or through the ways
Of hard adversity, the approving look
Of its great Master; whilst the conscious pride
Of wisdom, patient and content to brook
All ills to that sole Master's task applied,
Shall show before high heaven the unaltered mind,
Milton, though thou art poor, and old, and blind!

I shall come no more to the Cedar Hall,
    The fairies' palace beside the stream;
Where the yellow sun-rays at morning fall
    Through their tresses dark, with a mellow gleam.

I shall tread no more the thick dewy lawn,
    When the young moon hangs on the brow of night,
Nor see the morning, at early dawn,
    Shake the fading stars from her robes of light.

I shall fly no more on my fiery steed,
    O'er the springing sward, - through the twilight wood;
Nor reign my courser, and check my speed,
    By the lonely grange, and the haunted flood.

At fragrant noon, I shall lie no more
    'Neath the oak's broad shade, in the leafy dell:
The sun is set, - the day is o'er, -
    The summer is past; - farewell! - farewell!

O, a beautiful thing is the flower that fadeth,
    And perishing, smiles on the chill autumn wind;
A sweet desolation its ruin pervadeth,
    A fragrant remembrance still lingers behind.

O, a beautiful thing is the glad consummation
    Of a life that is upright, untarnished and pure;
That spirit, when freed from this earth's animation,
    Shall live, as the heavens eternal endure!

I

To barren heath, bleak moor, and quaking fen,
Or depth of labyrinthine glen;
Or into trackless forest set
With trees, whose lofty umbrage met;
World-wearied Men withdrew of yore;
(Penance their trust, and prayer their store
And in the wilderness were bound
To such apartments as they found,
Or with a new ambition raised;
That God might suitably be praised.

II

High lodged the 'Warrior', like a bird of prey;
Or where broad waters round him lay:
But this wild Ruin is no ghost
Of his devices buried, lost!
Within this little lonely isle
There stood a consecrated Pile;
Where tapers burned, and mass was sung,
For them whose timid Spirits clung
To mortal succour, though the tomb
Had fixed, for ever fixed, their doom!

He that ascended in a cloud, shall come
In clouds descending to the public doom.

"O thou afflicted, tossed with tempest, and not comforted, behold, I will lay thy atones with fair colours, and lay thy foundations with sapphires. And I will make thy windows of agates, and thy gates of carbuncles, and all thy borders of pleasant stones. And all thy children shall be taught of the Lord; and great shall be the peace of thy children." Isaiah, liv. 11-13.


As the sand of the desert is smitten
    By hoof-beats that strike out a light,
A flash by which dumb things are litten,
    The children of night;
So Thou who of old did'st create us,
    Among the high gods the Most High,
Strike us with Thy brightness, and let us
    Behold Thee, and die.

Grown old in blind anguish and travail,
    Thy world thou mad'st sinless and free
Gropes on, with no power to u...

From this bizarre and livid sky
Tormented by your destiny,
Into your vacant spirit fly
What tho~ghts? respond, you libertine.

Voracious in my appetite
For the uncertain and unknown,
I do not whine for paradise
As Ovid did, expelled from Rome.

Skies tom apart like wind-swept sands,
You are the mirrors of my pride;
Your mourning clouds, so black and wide,

Are hearses that my dreams command,
And you reflect in flashing light
The Hell in which my heart delights.

When Lilacs Last in the Door-yard Bloom'd

When lilacs last in the door-yard bloom'd,
And the great star early droop'd in the western sky in the night,
I mourn'd and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear'd! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

In the door-yard fronting an old farm-house, near the white-wash'd palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,