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Chopin.
I.A dream of interlinking hands, of feetTireless to spin the unseen, fairy woof,Of the entangling waltz. Bright eyebeams meet,Gay laughter echoes from the vaulted roof.Warm perfumes rise; the soft unflickering glowOf branching lights sets off the changeful charmsOf glancing gems, rich stuffs, dazzling snowOf necks unkerchieft, and bare, clinging arms.Hark to the music! How beneath the strainOf reckless revelry, vibrates and sobsOne fundamental chord of constant pain,The pulse-beat of the poet's heart that throbs.So yearns, though all the dancing waves rejoice,The troubled sea's disconsolate, deep voice. II.Who shall proclaim the golden fable falseOf Orpheus' miracles? This subtl...
Emma Lazarus
Thou Lovest No More.
Too plain, alas, my doom is spoken Nor canst thou veil the sad truth o'er;Thy heart is changed, thy vow is broken, Thou lovest no more--thou lovest no more.Tho' kindly still those eyes behold me, The smile is gone, which once they wore;Tho' fondly still those arms enfold me, 'Tis not the same--thou lovest no more.Too long my dream of bliss believing, I've thought thee all thou wert before;But now--alas! there's no deceiving, 'Tis all too plain, thou lovest no more.Oh, thou as soon the dead couldst waken, As lost affection's life restore,Give peace to her that is forsaken, Or bring back him who loves no more.
Thomas Moore
Raymond And Ida
Raymond.Dearest, that sit'st in dreams,Through the window look, this way.How changed and desolate seemsThe world, Ida, to-day!Heavy and low the sky is glooming:Winter is coming!Ida.My dreaming heart is stirr'd:Sadly the winter comes!The wind is loud: how weird,Heard in these darken'd rooms!Speak to me, Raymond; ease this dread:I am afraid, afraid.Raymond.Love, what is this? Like snowThy cheeks feel, snow they wear.What ails my darling so?What is it thou dost hear?Close, close, thy soft arms cling to mine:Tears on thy lashes shine.Ida.Hark! love, the wind wails byThe wet October trees,Swaying them mournfully:The wet leaves ...
Manmohan Ghose
Cupid Caught Napping
Cupid on a summer day,Wearied by unceasing play,In a rose heart sleeping lay,While, to guard the tricksy fellow,Close above the fragrant bedBack and forth a gruff bee sped,And, to lull the sleepy head,Played Zoom! Zoom! upon his cello.Little did the god surmiseThat sweet Annas cerule eyesGazed on him with glad surprise,Or that he was in such danger;But the watchman bee, in haste,Left his post that he might tasteof the honey nature placedOn the lips of that fair stranger.Thus unwatched, from Cupids sideAnna stole the boy gods pride,All his love darts, and then hiedFar away from captures chancesAnd today she wields the prize;For Loves quiver still suppliesDarts that speed from Annas eyes
Ellis Parker Butler
To J. R.
Last Sunday night I read the saddening story Of the unanswered love of fair Elaine,The 'faith unfaithful' and the joyless glory Of Lancelot, 'groaning in remorseful pain.'I thought of all those nights in wintry weather, Those Sunday nights that seem not long ago,When we two read our Poet's words together, Till summer warmth within our hearts did glow.Ah, when shall we renew that bygone pleasure, Sit down together at our Merlin's feet,Drink from one cup the overflowing measure, And find, in sharing it, the draught more sweet?That time perchance is far, beyond divining. Till then we drain the 'magic cup' apart;Yet not apart, for hope and memory twining Smile upon each, uniting heart to heart.
Robert Fuller Murray
Far Away
"Far Away!" what does it mean?A change of heart with a change of place?When footsteps pass from scene to scene,Fades soul from soul with face from face?Are hearts the slaves or lords of space?"Far Away!" what does it mean?Does distance sever there from here?Can leagues of land part hearts? -- I weenThey cannot; for the trickling tearSays "Far Away" means "Far More Near"."Far Away!" -- the mournful milesAre but the mystery of spaceThat blends our sighs, but parts our smiles,For love will find a meeting placeWhen face is farthest off from face."Far Away!" we meet in dreams,As 'round the altar of the nightFar-parted stars send down their gleamsTo meet in one embrace of lightAnd make the brow of darkness bright.<...
Abram Joseph Ryan
Reverie ["We laugh when our souls are the saddest,"]
We laugh when our souls are the saddest,We shroud all our griefs in a smile;Our voices may warble their gladdest,And our souls mourn in anguish the while.And our eyes wear a summer's bright glory,When winter is wailing beneath;And we tell not the world the sad storyOf the thorn hidden back of the wreath.Ah! fast flow the moments of laughter,And bright as the brook to the seaBut ah! the dark hours that come afterOf moaning for you and for me.Yea, swift as the sunshine, and fleetingAs birds, fly the moments of glee!And we smile, and mayhap grief is sleetingIts ice upon you and on me.And the clouds of the tempest are shiftingO'er the heart, tho' the face may be bright;And the snows of woe's winter are drifting
A Father To A Mother
When God's own child came down to earth, High heaven was very glad; The angels sang for holy mirth; Not God himself was sad! Shall we, when ours goes homeward, fret? Come, Hope, and wait on Sorrow! The little one will not forget; It's only till to-morrow!
George MacDonald
Pity
They never saw my lovers face,They only know our love was brief,Wearing awhile a windy graceAnd passing like an autumn leaf.They wonder why I do not weep,They think it strange that I can sing,They say, Her love was scarcely deepSince it has left so slight a sting.They never saw my love, nor knewThat in my hearts most secret placeI pity them as angels doMen who have never seen Gods face.
Sara Teasdale
Translations. - Lyrisches Intermezzo. Xli. (From Heine.)
I dreamt of the daughter of a king,With white cheeks tear-bewetted;We sat 'neath the lime tree's leavy ring,In love's embraces netted."I would not have thy father's throne,His crown or his golden sceptre;I want my lovely princess alone--From Fate that so long hath kept her.""That cannot be," she said to me:"I lie in the grave uncheerly;And only at night I come to thee,Because I love thee so dearly."
A Paraphrase Of Heine
(LYRIC INTERMEZZO)There fell a star from realms above--A glittering, glorious star to see!Methought it was the star of love,So sweetly it illumined me.And from the apple branches fellBlossoms and leaves that time in June;The wanton breezes wooed them wellWith soft caress and amorous tune.The white swan proudly sailed alongAnd vied her beauty with her note--The river, jealous of her song,Threw up its arms to clasp her throat.But now--oh, now the dream is past--The blossoms and the leaves are dead,The swan's sweet song is hushed at last,And not a star burns overhead.
Eugene Field
Seven Years Old
I.Seven white roses on one tree,Seven white loaves of blameless leaven,Seven white sails on one soft sea,Seven white swans on one lakes lee,Seven white flowerlike stars in heaven,All are types unmeet to beFor a birthdays crown of seven.II.Not the radiance of the roses,Not the blessing of the bread,Not the breeze that ere day grows isFresh for sails and swans, and closesWings above the suns grave spread,When the starshine on the snows isSweet as sleep on sorrow shed,III.Nothing sweetest, nothing best,Holds so good and sweet a treasureAs the love wherewith once blestJoy grows holy, grief takes rest,Life, half tired with hours to measure,Fills his eyes and lips and breastWi...
Algernon Charles Swinburne
The Heliotrope.
There is a flower, whose modest eyeIs turn'd with looks of light and love,Who breathes her softest, sweetest sigh.Whene'er the sun is bright above.Let clouds obscure, or darkness veil,Her fond idolatry is fled,Her sighs no more their sweets exhale.The loving eye is cold--and dead.Canst thou not trace a moral here,False flatterer of the prosperous hour?Let but an adverse cloud appear,And Thou art faithless, as the Flower!
Thomas Gent
Sonnet CCXX.
Vive faville uscian de' duo bei lumi.A SMILING WELCOME, WHICH LAURA GAVE HIM UNEXPECTEDLY, ALMOST KILLS HIM WITH JOY. Live sparks were glistening from her twin bright eyes,So sweet on me whose lightning flashes beam'd,And softly from a feeling heart and wise,Of lofty eloquence a rich flood stream'd:Even the memory serves to wake my sighsWhen I recall that day so glad esteem'd,And in my heart its sinking spirit diesAs some late grace her colder wont redeem'd.My soul in pain and grief that most has been(How great the power of constant habit is!)Seems weakly 'neath its double joy to lean:For at the sole taste of unusual bliss,Trembling with fear, or thrill'd by idle hope,Oft on the point I've been life's door to ope.
Francesco Petrarca
More Than Sweet
The noisy fire,The drumming wind,The creaking trees,And all that humOf summer airAnd all the long inquietudeOf breaking seas----Sweet and delightful areIn loneliness.But more than theseThe quiet lightFrom the morn's sunAnd night's astonished moon,Falling gently upon breaking seas.Such quietnessAnother beauty is--Ah, and those starsSo gravely stillMore than light, than beauty pourUpon the strangenessOf the heart's breaking seas.
John Frederick Freeman
Barcaroles.
I.Over the lapsing lagune all the dayUrging my gondola with oar-strokes light,Always beside one shadowy waterwayI pause and peer, with eager, jealous sight,Toward the Piazza where Pepita stands,Wooing the hungry pigeons from their flight.Dark the canal; but she shines like the sun,With yellow hair and dreaming, wine-brown eyes.Thick crowd the doves for food. She gives ME none.She sees and will not see. Vain are my sighs.One slow, reluctant stroke. Aha! she turns,Gestures and smiles, with coy and feigned surprise.Shifting and baffling is our Lido track,Blind and bewildering all the currents flow.Me they perplex not. In the midnight blackI hold my way secure and fearless row,But ah! what chart have I to her, my Sea,W...
Susan Coolidge
Nine Stages Towards Knowing
Why do we lieWhy do we lie, she questioned, her warm eyeson the grey Autumn wind and its coursing,all afternoon wasted in bed like this?Because we cannot lie all night together.Yes, she said, satisfied at my reasoning,but going on to search her cruel mindfor better excuses to leave my narrow bed.Too many flesh suppersAbstracted in art,in architecture,in scholars detail;absorbed by music,by minutiae,by sad trivia;all to efface her,whom I can forgetno more than breathing.TheatregoerSomewhere some nights she seescurtains rise on those riteswe also knew and feltI sit here desolatein spite of companyLove is between peopleAnd sho...
Ben Jonson
A London Idyll
On grass, on gravel, in the sun,Or now beneath the shade,They went, in pleasant Kensington,A prentice and a maid.That Sunday mornings April glow,How should it not impartA stir about the veins that flowTo feed the youthful heart.Ah! years may come, and years may bringThe truth that is not bliss,But will they bring another thingThat can compare with this?I read it in that arm she laysSo soft on his; her mien,Her step, her very gown betrays(What in her eyes were seen)That not in vain the young buds round,The cawing birds above,The air, the incense of the ground,Are whispering, breathing love.Ah I years may come, &c.To inclination, young and blind,So perfect, as they lent,...
Arthur Hugh Clough