When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim Soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

The sun descending in the west,
The evening star does shine;
The birds are silent in their nest,
And I must seek for mine.
The moon, like a flower
In heaven's high bower,
With silent delight,
Sits and smiles on the night.

Farewell, green fields and happy grove,
Where flocks have ta'en delight.
Where lambs have nibbled, silent move
The feet of angels bright;
Unseen they pour blessing,
And joy without ceasing,
On each bud and blossom,
And each sleeping bosom.

They look in every thoughtless nest
Where birds are covered warm;
They visit caves of every beast,
To keep them all from harm:
If they see any weeping
That should have been sleeping,
They pour sleep on their head,
And sit down by their bed.

When wolv...

    I began to see old lanterns, books
    opening/folding within your eyes;
    a pale light running as silver
    to the sea.

    Then crestfallen leaves dangling
    as from fishhooks or the autumn moon's
    skeletal lightness tossing a path
    between waves over this sidewalk, that,
    with the back streets passing occasional
    hisses at the main culprit, night.

    The prim measurement of your smile,
    not the wan neglect of cool skin tones
    or fabric always more suggestive
    of summer colours, sideway movement
    of shadow into tickings of a clock.

    Rather mist and clamminess,
    lipstick in a smear as a
    thumbprint before the
    coughing of a motorcar
    as its elliptical wedge
    tears darkne...

    After the blast of lightning from the east,
    The flourish of loud clouds, the Chariot throne,
    After the drums of time have rolled and ceased
    And from the bronze west long retreat is blown,

    Shall Life renew these bodies? Of a truth
    All death will he annul, all tears assuage?
    Or fill these void veins full again with youth
    And wash with an immortal water age?

    When I do ask white Age, he saith not so,--
    "My head hangs weighed with snow."
    And when I hearken to the Earth she saith
    My fiery heart sinks aching. It is death.
    Mine ancient scars shall not be glorified
    Nor my titanic tears the seas be dried."

Some die too late and some too soon,
At early morning, heat of noon,
Or the chill evening twilight. Thou,
Whom the rich heavens did so endow
With eyes of power and Jove's own brow,
With all the massive strength that fills
Thy home-horizon's granite hills,
With rarest gifts of heart and head
From manliest stock inherited,
New England's stateliest type of man,
In port and speech Olympian;

Whom no one met, at first, but took
A second awed and wondering look
(As turned, perchance, the eyes of Greece
On Phidias' unveiled masterpiece);
Whose words in simplest homespun clad,
The Saxon strength of Caedmon's had,
With power reserved at need to reach
The Roman forum's loftiest speech,
Sweet with persuasion, eloquent
In passion, cool in argument...

My thoughts impelled me to the resting-place
Where sleep my parents, many a friend and brother.
I asked them (no one heard and none replied):
"Do ye forsake me, too, oh father, mother?"
Then from the grave, without a tongue, these cried,
And showed my own place waiting by their side.

Moses Ben Esra (About 1100).

Through still, bare streets, and cold moonshine
    His homeward way he bent;
The clocks gave out the midnight sign
    As lost in thought he went
Along the rampart's ocean-line,
Where, high above the tossing brine,
    Seaward his lattice leant.

He knew not why he left the throng,
    Why there he could not rest,
What something pained him in the song
    And mocked him in the jest,
Or why, the flitting crowd among,
A moveless moonbeam lay so long
    Athwart one lady's breast!

He watched, but saw her speak to none,
    Saw no one speak to her;
Like one decried, she stood alone,
    From the window did not stir;
Her hair by a haunting gust was blown,
Her eyes in the shadow strangely shown,
    She looked a wanderer.

H...

    Along the branches of the laden tree
        The ripe fruit smiling hang.    The afternoon
    Is emptied of all things done and things to be.
        Low in the sky the inconspicuous moon
    Stares enviously upon the mellow earth,
    That mocks her barren girth.

    Ripe blackberries and long green trailing grass
        Are motionless beneath the heavy light:
    The happy birds and creeping things that pass
        Go fitfully and stir as if in fright,
    That they have broken on some mystery
    In bramble or in tree.

    This is no hour for beings that are maiden;
        The spring is virgin, lightly afraid and cold,
    But now the whole round earth is ripe and laden
        And stirs beneath her coverlet of gold
    And in her agony ...

They've torn the old house down, that stood,
Like some kind mother, in this place,
Hugged by its orchard and its wood,
Two sturdy children, strong of race.

This formal place makes no appeal.
I miss the old time happiness
And peace, which often here did heal
The cares of life, the heart's distress.

The shrubs, which snowed their blossoms on
The walks, wide-stretching from the doors
Like friendly arms, are dead and gone,
And over all a grand house soars.

Within its front no welcome lies,
But pride's aloofness; wealth, that stares
From windows, cold as haughty eyes,
The arrogance of new-made heirs.

Its very flowers breathe of cast;
And even the Springtide seems estranged,
In that stiff garden, caught, held fast,
All her wild...

My lover died a century ago,
Her dear heart stricken by my sland'rous breath,
Wherefore the Gods forbade that I should know
The peace of death.

Men pass my grave, and say, "'Twere well to sleep,
Like such an one, amid the uncaring dead!"
How should they know the vigils that I keep,
The tears I shed?

Upon the grave, I count with lifeless breath,
Each night, each year, the flowers that bloom and die,
Deeming the leaves, that fall to dreamless death,
More blest than I.

'Twas just last year, I heard two lovers pass
So near, I caught the tender words he said:
To-night the rain-drenched breezes sway the grass
Above his head.

That night full envious of his life was I,
That youth and love should stand at his behest;
To-night, I envy h...

That I were Keats! And with a golden pen
Could for all time preserve these golden days
In rich and glowing verse, for poorer men,
Who felt their wonder, but could only gaze
With silent joy upon sweet Autumn's face,
And not record in any wise its grace!
Alas! But I am even dumb as they -
I cannot bid the fleeting hours stay,
Nor chain one moment on a page's space.

That I were Grieg! Then, with a haunting air
Of murmurs soft, and swelling, grand refrains
Would I express my love of Autumn fair
With all its wealth of harvest, and warm rains:
And with fantastic melodies inspire
A memory of each mad sunset's fire
In which the day goes slowly to its death
As through the fragrant woods dim Evening's breath
Doth soothe to sleep the drowsy songbirds' choir.

"A noteless stream, the Birchbrook runs
Beneath its leaning trees;
That low, soft ripple is its own,
That dull roar is the sea's.

Of human signs it sees alone
The distant church spire's tip,
And, ghost-like, on a blank of gray,
The white sail of a ship.

No more a toiler at the wheel,
It wanders at its will;
Nor dam nor pond is left to tell
Where once was Birchbrook mill.

The timbers of that mill have fed
Long since a farmer's fires;
His doorsteps are the stones that ground
The harvest of his sires.

Man trespassed here; but Nature lost
No right of her domain;
She waited, and she brought the old
Wild beauty back again.

By day the sunlight through the leaves
Falls on its moist, green sod,
And wakes the v...

    Agatha, tell me, does thy heart not ache,
        Plunged in this squalid city's filthy sea,
    For another ocean where the splendours break
        Blue, clear, and deep as is virginity.
    Agatha, tell me, does thy heart not ache?

    The sea, the sea unending, comforts us!
        What demon gave the hoarse old sea who sings
    To her mumbling hurricanes' organ thunderous
        The god-like power to cradle sorrowful things?
    The sea, the sea unending, comforts us.

    Carry me, wagon, bear me, barque, away!
        Far! Far! For here the mud is made of tears!
    Does Agatha's sad heart not sometimes say:
        "O far from shudderings and crimes and fears,
    Carry me, wagon; bear me barque, away?"

    How far thou art, O scented...

That song again! - its sounds my bosom thrill,
    Breathe of past years, to all their joys allied;
    And, as the notes thro' my sooth'd spirits glide,
    Dear Recollection's choicest sweets distill,
Soft as the Morn's calm dew on yonder hill,
    When slants the Sun upon its grassy side,
    Tinging the brooks that many a mead divide
    With lines of gilded light; and blue, and still,
The distant lake stands gleaming in the vale.
    Sing, yet once more, that well-remember'd strain,
    Which oft made vocal every passing gale
In days long fled, in Pleasure's golden reign,
    The youth of chang'd HONORA! - now it wears
    Her air - her smile - spells of the vanish'd years!

(Written for THE PORTFOLIO SOCIETY, January, 1862.

Subject given - "Light and Shade.")


She stepped upon Sicilian grass,
Demeter's daughter fresh and fair,
A child of light, a radiant lass,
And gamesome as the morning air.
The daffodils were fair to see,
They nodded lightly on the lea,
Persephone - Persephone!

Lo! one she marked of rarer growth
Than orchis or anemone;
For it the maiden left them both,
And parted from her company.
Drawn nigh she deemed it fairer still,
And stooped to gather by the rill
The daffodil, the daffodil.

What ailed the meadow that it shook?
What ailed the air of Sicily?
She wondered by the brattling brook,
And trembled with the trembling lea.
"The coal-black horses rise - they rise:

I.

Goodnight and goodbye to the life whose signs denote us
As mourners clothed with regret for the life gone by;
To the waters of gloom whence winds of the dayspring float us
Goodnight and goodbye.

A time is for mourning, a season for grief to sigh;
But were we not fools and blind, by day to devote us
As thralls to the darkness, unseen of the sundawn's eye?

We have drunken of Lethe at length, we have eaten of lotus;
What hurts it us here that sorrows are born and die?
We have said to the dream that caressed and the dread that smote us
Goodnight and goodbye.

II.

Outside of the port ye are moored in, lying
Close from the wind and at ease from the tide,
What sounds come swelling, what notes fall dying
Outside?

They will no...

He saw her from the bottom of the stairs
Before she saw him. She was starting down,
Looking back over her shoulder at some fear.
She took a doubtful step and then undid it
To raise herself and look again. He spoke
Advancing toward her: 'What is it you see
From up there always for I want to know.'
She turned and sank upon her skirts at that,
And her face changed from terrified to dull.
He said to gain time: 'What is it you see,'
Mounting until she cowered under him.
'I will find out now you must tell me, dear.'
She, in her place, refused him any help
With the least stiffening of her neck and silence.
She let him look, sure that he wouldn't see,
Blind creature; and awhile he didn't see.
But at last he murmured, 'Oh,' and again, 'Oh.'

'What is it what?...

Evening has thrown her hushing garment round
This little world; no harsh or jarring sound
Disturbs my reverie. The room is dark,
And kneeling at the window I can mark
Each light and shadow of the scene below.
The placid glistening pools, the streams that flow
Through the red earth, left by the hurrying tide;
The ridge of mountain on the farther side
Shewing more black for many twinkling lights
That come and go about the gathering heights.
Below me lie great wharves, dreary and dim,
And lumber houses crowding close and grim
Like giant shadowed guardians of the port,
With towering chimneys outlined tall and swart
Against the silver pools. Two figures pace
The wharf in ghostly silence, face from face.
O'er the black line of mountain, silver-clear
In faint ro...