There is a legend of an old Hartz tower
That tells of one, a noble, who had sold
His soul unto the Fiend; who grew not old
On this condition: That the demon's power
Cease every midnight for a single hour,
And in that hour his body should be cold,
His limbs grow shriveled, and his face, behold!
Become a death's-head in the taper's glower.
So unto Sin Life gives his best. Her arts
Make all his outward seeming beautiful
Before the world; but in his heart of hearts
Abides an hour when her strength is null;
When he shall feel the death through all his parts
Strike, and his countenance become a skull.

What of our life when this frail flesh lies low
A withered clod, and the free soul has burst
Through the world-fetters? Not of souls accursed
With cherished lusts that mar them, those who sow
Evil and reap the harvest, and who bow
At Mammon's golden shrine, but those who thirst
For Truth, and see not, - spirits deep immersed
In doubt and trouble, - hearts that fain would know?

The soul is satisfied. The spirit trained
For the divine, because the beautiful,
Now with the body gone, free and unstained,
Doubts swept away like clouds of scattering wool
Before a blast, - e'er Heaven's pure paths are trod
Is perfected to understand its God.

There late was One within whose subtle being,
As light and wind within some delicate cloud
That fades amid the blue noon's burning sky,
Genius and death contended. None may know
The sweetness of the joy which made his breath
Fail, like the trances of the summer air,
When, with the Lady of his love, who then
First knew the unreserve of mingled being,
He walked along the pathway of a field
Which to the east a hoar wood shadowed o'er,
But to the west was open to the sky.
There now the sun had sunk, but lines of gold
Hung on the ashen clouds, and on the points
Of the far level grass and nodding flowers
And the old dandelion's hoary beard,
And, mingled with the shades of twilight, lay
On the brown massy woods - and in the east
The broad and burning moon linger...

Lonely and silent and calm it lies
'Neath rosy dawn or midnight skies;
So densely peopled, yet so still,
The murmuring voice of mountain rill,
The plaint the wind 'mid branches wakes,
Alone the solemn silence breaks.

Whatever changes the seasons bring, -
The birds, the buds of joyous spring,
The glories that come with the falling year
The snows and storms of winter drear, -
Are all unmarked in this lone spot,
Its shrouded inmates feel them not.

Thoughts full of import, earnest and deep,
Must the feeling heart in their spirit steep,
Here, where Death's footprints meet the sight:
The long chill rows of tombstones white,
The graves so thickly, widely spread,
Within this city of the Dead.

Say, who could tell what aching sighs,
What...

I nearly died, I almost touched the door
That swings between forever and no more;
I think I heard the awful hinges grate,
Hour after hour, while I did weary wait
Death's coming; but alas! 'twas all in vain:
The door half-opened and then closed again.

What were my thoughts? I had but one regret --
That I was doomed to live and linger yet
In this dark valley where the stream of tears
Flows, and, in flowing, deepens thro' the years.
My lips spake not -- my eyes were dull and dim,
But thro' my heart there moved a soundless hymn --
A triumph song of many chords and keys,
Transcending language -- as the summer breeze,
Which, through the forest mystically floats,
Transcends the reach of mortal music's notes.
A song of victory -- a chant of bliss:
Wedded to...

Death rides black-masked to-night; and through the land
Madness beside him brandishes a torch.
The peaceful farmhouse with its vine-wreathed porch
Lies in their way. Death lifts a bony hand
And knocks, and Madness makes a wild demand
Of fierce Defiance: then the night's deep arch
Reverberates, and under beech and latch
A dead face stares; shot where one took his stand.
Then down the night wild hoofs; the darkness beats;
And like a torrent through the startled town
Destruction sweeps; high overhead a flame;
And Violence that shoots amid the streets.
A piercing whistle: one who gallops down:
And Death and Madness go the way they came.

    1

    "Death is but a sleep"
    quaint rationalization
    even to Revolutionaries.
    Think of Robespierre
    holding his bleeding jaw
    or Marat outside -
    eyeing the inscription,
    scofula no longer distracting while
    tepidly emptying bath water.

    2
    Dreams, poetry of painting,
    deathly pastel shades alongside
    granite canyons
    entwined with rosebuds and leaves -
    bone horseshoes clanking in the dark.

    3
    Catch basin, drainage ditch
    upon which the raspberry
    parts its tendrils and
    human remains, the loathing
    of the living ("not dead yet...."
    ...appropriate obscenity:)
    scrawled on one Victorian
    mortuary, windows knocked out,
    ...

The knell was tolled--the requiem sung,
    The solemn burial-service read;
And tributes from the heart and tongue
    Were rendered to the dead.

The dead?--Religion answers, "No!
    She is not dead--She can not die!
A mortal left this vale of wo!--
    An angel lives on high!"

The earth upon her coffin-lid
    Sounded a hollow, harsh adieu!
The mound arose, and she was hid
    For ever from the view!

For ever?--Drearily the thought
    Passed, like an ice-bolt, through the brain;
When Faith the recollection brought
    That we shall meet again.

The mourners wound their silent way
    Adown the mountain's gentle slope,
Which, basking in the smile of May,
    Looked cheerfully as hope.

As hope?--What hope?--Tha...

His eyes in eclipse,
Pale-cold his lips,
The light of his hopes unfed,
Mute his tongue,
His bow unstrung
With the tears he hath shed,
Backward drooping his graceful head,
Love is dead:
His last arrow is sped;
He hath not another dart;
Go–carry him to his dark deathbed;
Bury him in the cold, cold heart–
Love is dead.
O truest love! art thou forlorn,
And unrevenged? thy pleasant wiles
Forgotten, and thine innocent joy?
Shall hollow-hearted apathy,
The cruellest form of perfect scorn,
With languor of most hateful smiles,
For ever write,
In the withered light
Of the tearless eye,
And epitaph that all may spy?
No! sooner she herself shall die.

For her the showers shall not fall,
Nor the round sun shine that shineth...

TO AN AGREEABLE YOUNG LADY, BUT EXTREMELY LEAN. 1730

Lord Orrery gives us the following curious anecdote respecting this poem:

"I have just now cast my eye over a poem called 'Death and Daphne,’ which makes me recollect an odd incident, relating to that nymph. Swift, soon after our acquaintance, introduced me to her as to one of his female favourites. I had scarce been half an hour in her company, before she asked me if I had seen the Dean's poem upon 'Death and Daphne.' As I told her I had not, she immediately unlocked a cabinet, and, bringing out the manuscript, read it to me with a seeming satisfaction, of which, at that time, I doubted the sincerity. While she was reading, the Dean was perpetually correcting her for bad pronunciation, and for placing a wrong emphasis upon particular words. As soon as she had gone...

In a life where the clocks
Are slow or fast,
It is a pleasant thing
To die together
As we are dying.

From the Japanese of the Wife of Bes-syo Ko-saburo Naga-haru, (sixteenth century).

I bowed my head in anguish sore
When Life made Death his bride;
“Soul, we are lost forever more!”
Unto my soul I cried.

“Nay, waste in wailing not thy breath,”
My soul replied to me,
“Behold! The child of Life and Death
Is Immortality!”

Oh ye! who all life's energies combine
The fadeless laurel round your brows to twine,
Pause but one moment in your brief career,
Nor seek for glory in a mortal sphere.
Can figures traced upon the shifting sand
Washed by the mighty tide, its force withstand?
Time's stern resistless torrent onward flows,
The restless waves above your labours close,
And He who bids the bounding billows roll
Sweeps out the feeble record from the soul.

    The glorious hues that flush the evening sky
Melt into night, and on her bosom die;
Through the wide fields of heaven's immensity
The gold-tipped billows of that crimson sea
Flash on the awe-struck gazer's dazzled sight,
The rich out-gushings from the fount of light;
Yet oft, concealed beneath that splendid form,
We ha...

This little vault, this narrow room,
Of Love and Beauty is the tomb;
The dawning beam, that ‘gan to clear
Our clouded sky, lies darken’d here,
For ever set to us: by Death
Sent to enflame the World Beneath.
’Twas but a bud, yet did contain
More sweetness than shall spring again;
A budding Star, that might have grown
Into a Sun when it had blown.
This hopeful Beauty did create
New life in Love’s declining state;
But now his empire ends, and we
From fire and wounding darts are free;
His brand, his bow, let no man fear:
The flames, the arrows, all lie here.

PLATE I
Rixa super mero

They sat by their wine in the tavern that night,
But not in good fellowship true:
The Rhenish was strong and the Burgundy bright,
And hotter the argument grew.

'I asked your consent when I first sought her hand,
Nor did you refuse to agree,
Tho' her father declared that the half of his land
Her dower at our wedding should be.'

'No dower shall be given (the brother replied)
With a maiden of beauty so rare,
Nor yet shall my father my birthright divide,
Our lands with a foeman to share.'

The knight stood erect in the midst of the hall,
And sterner his visage became,
'Now, shame and dishonour my 'scutcheon befall
If thus I relinquish my claim."

The brother then drained a tall goblet of wine,
And ...

A gentleman of wit and charm,
A kindly heart, a cleanly mind,
One who was quick with hand or purse,
To lift the burden of his kind.
A brain well balanced and mature,
A soul that shrank from all things base,
So rode he forth that winter day,
Complete in every mortal grace.

And then the blunder of a horse,
The crash upon the frozen clods,
And Death? Ah! no such dignity,
But Life, all twisted and at odds!
At odds in body and in soul,
Degraded to some brutish state,
A being loathsome and malign,
Debased, obscene, degenerate.

Pathology? The case is clear,
The diagnosis is exact;
A bone depressed, a haemorrhage,
The pressure on a nervous tract.
Theology? Ah, there's the rub!
Since brain and soul together fade,
Then when the ...

I

The voice ended, they saw his pale visage
Emerge from the darkness; his hand
On the rock of eternity unclasping
The Book of brass. Rage siez'd the strong

II

Rage, fury, intense indignation
In cataracts of fire blood & gall
In whirlwinds of sulphurous smoke:
And enormous forms of energy;
All the seven deadly sins of the soul
In living creations appear'd
In the flames of eternal fury.

III

Sund'ring, dark'ning, thund'ring!
Rent away with a terrible crash
Eternity roll'd wide apart
Wide asunder rolling
Mountainous all around
Departing; departing; departing:
Leaving ruinous fragments of life
Hanging frowning cliffs & all between
An ocean of voidness unfathomable.

IV

The roar...

    Turn round, O Life, and know with eyes aghast
    The breast that fed thee - Death, disguiseless, stern;
    Even now, within thy mouth, from tomb and urn,
    The dust is sweet. All nurture that thou hast
    Was once as thou, and fed with lips made fast
    On Death, whose sateless mouth it fed in turn.
    Kingdoms debased, and thrones that starward yearn,
    All are but ghouls that batten on the past.

    Monstrous and dread, must it fore'er abide,
    This unescapable alternity?
        Must loveliness find root within decay,
        And night devour its flaming hues alway?
    Sickening, will Life not turn eventually,
    Or ravenous Death at last be satisfied?