Winter is come again. The sweet south west
Is a forgotten wind, and the strong earth
Has laid aside its mantle to be bound
By the frost fetter. There is not a sound
Save of the skaiter's heel, and there is laid
An icy finger on the lip of streams,
And the clear icicle hangs cold and still,
And the snow-fall is noiseless as a thought.
Spring has a rushing sound, and Summer sends
Many sweet voices with its odors out,
And Autumn rustleth its decaying robe
With a complaining whisper. Winter's dumb!
God made his ministry a silent one,
And he has given him a foot of steel
And an unlovely aspect, and a breath
Sharp to the senses - and we know that He
Tempereth well, and hath a meaning hid
Under the shadow of his hand. Look up!
And it shall be interpreted - ...

O do not praise my beauty more,
In such word-wild degree,
And say I am one all eyes adore;
For these things harass me!

But do for ever softly say:
"From now unto the end
Come weal, come wanzing, come what may,
Dear, I will be your friend."

I hate my beauty in the glass:
My beauty is not I:
I wear it: none cares whether, alas,
Its wearer live or die!

The inner I O care for, then,
Yea, me and what I am,
And shall be at the gray hour when
My cheek begins to clam.

In the Valley of the Vire
    Still is seen an ancient mill,
With its gables quaint and queer,
    And beneath the window-sill,
            On the stone,
            These words alone:
"Oliver Basselin lived here."

Far above it, on the steep,
    Ruined stands the old Chateau;
Nothing but the donjon-keep
    Left for shelter or for show.
            Its vacant eyes
            Stare at the skies,
Stare at the valley green and deep.

Once a convent, old and brown,
    Looked, but ah! it looks no more,
From the neighboring hillside down
    On the rushing and the roar
            Of the stream
            Whose sunny gleam
Cheers the little Norman town.

In that darksome mill of stone,
    To the water's dash and din...

Call me no more,
As heretofore,
The music of a feast;
Since now, alas!
The mirth that was
In me is dead or ceas'd.

Before I went,
To banishment,
Into the loathed west,
I could rehearse
A lyric verse,
And speak it with the best.

But time, ay me!
Has laid, I see,
My organ fast asleep,
And turn'd my voice
Into the noise
Of those that sit and weep.

    Farewell, too little, and too lately known,
    Whom I began to think, and call my own:
    For sure our souls were near allied, and thine
    Cast in the same poetic mould with mine!
    One common note on either lyre did strike,
    And knaves and fools we both abhorr'd alike.
    To the same goal did both our studies drive;
    The last set out, the soonest did arrive.
    Thus Nisus fell upon the slippery place,
    Whilst his young friend performed, and won the race.
    O early ripe! to thy abundant store
    What could advancing age have added more?
    It might (what nature never gives the young)
    Have taught the smoothness of thy native tongue.
    But satire needs not those, and wit will shine
    Through the harsh cadence of a rugged line.
  ...

        After the fierce midsummer all ablaze
    Has burned itself to ashes, and expires
    In the intensity of its own fires,
        There come the mellow, mild, St. Martin days,
        Crowned with the calm of peace, but sad with haze.
    So after Love has led us, till he tires
    Of his own throes and torments and desires,
        Comes large-eyed friendship: with a restful gaze
        He beckons us to follow, and across
    Cool, verdant vales we wander free from care.
    Is it a touch of frost lies in the air?
        Why are we haunted with a sense of loss?
    We do not wish the pain back, or the heat;
    And yet, and yet, these days are incomplete.

Impetuously I sprang from bed,
Long before lunch was up,
That I might drain the dizzy dew
From day's first golden cup.



In swift devouring ecstacy
Each toil in turn was done;
I had done lying on the lawn
Three minutes after one.

For me, as Mr. Wordsworth says,
The duties shine like stars;
I formed my uncle's character,
Decreasing his cigars.

But could my kind engross me? No!
Stern Art--what sons escape her?
Soon I was drawing Gladstone's nose
On scraps of blotting paper.



Then on--to play one-fingered tunes
Upon my aunt's piano.
In short, I have a headlong soul,
I much resemble Hanno.

(Forgive the entrance of the not
Too cogent Carthaginian.
It may have been to make a rhyme;

You were here at his young beginning,
You are not here at his aged end;
Off he coaxed you from Life's mad spinning,
Lest you should see his form extend
Shivering, sighing,
Slowly dying,
And a tear on him expend.

So it comes that we stand lonely
In the star-lit avenue,
Dropping broken lipwords only,
For we hear no songs from you,
Such as flew here
For the new year
Once, while six bells swung thereto.

In Somerset they guide the plough
From early dawn till twilight now.
The good red earth smells sweeter yet,
Behind the plough, in Somerset.
The celandines round last year's mow
Blaze out . . . and with his old-time vow
The South Wind woos the Violet,
In Somerset.

Then, every brimming dyke and trough
Is laughing wide with ripples now,
And oh, 'tis easy to forget
That wintry winds can sigh and sough,
When thrushes chant on every bough
In Somerset!

When Age comes on! -
"The deepening dusk is where the dawn
    Once glittered splendid, and the dew
In honey-drips, from red rose-lips
    Was kissed away by me and you. -
And now across the frosty lawn
Black foot-prints trail, and Age comes on -
        And Age comes on!
    And biting wild-winds whistle through
Our tattered hopes - and Age comes on!

When Age comes on! -
O tide of raptures, long withdrawn,
    Flow back in summer-floods, and fling
Here at our feet our childhood sweet,
    And all the songs we used to sing! . . .
Old loves, old friends - all dead and gone -
Our old faith lost - and Age comes on -
        And Age comes on!
    Poor hearts! have we not anything
But longings left when Age comes on?

I see you, Maister Bawsy-brown,
Through yonder lattice creepin';
You come for cream and to gar me dream,
But you dinna find me sleepin'.
The moonbeam, that upon the floor
Wi' crickets ben a-jinkin',
Now steals away fra' her bonnie play--
Wi' a rosier blie, I'm thinkin'.

I saw you, Maister Bawsy-brown,
When the blue bells went a-ringin'
For the merrie fays o' the banks an' braes,
And I kenned your bonnie singin';
The gowans gave you honey sweets,
And the posies on the heather
Dript draughts o' dew for the faery crew
That danct and sang together.

But posie-bloom an' simmer-dew
And ither sweets o' faery
C'u'd na gae down wi' Bawsy-brown,
Sae nigh to Maggie's dairy!
My pantry shelves, sae clean and white,
Are set wi' cream and ...

    Ho! green fields and running brooks!
    Knotted strings and fishing-hooks
    Of the truant, stealing down
    Weedy backways of the town.

    Where the sunshine overlooks,
    By green fields and running brooks,
    All intruding guests of chance
    With a golden tolerance,

    Cooing doves, or pensive pair
    Of picnickers, straying there -
    By green fields and running brooks,
    Sylvan shades and mossy nooks!

    And - O Dreamer of the Days,
    Murmurer of roundelays
    All unsung of words or books,
    Sing green fields and running brooks!

One asketh:
"Tell me, Myrson, tell me true:
What's the season pleaseth you?
Is it summer suits you best,
When from harvest toil we rest?
Is it autumn with its glory
Of all surfeited desires?
Is it winter, when with story
And with song we hug our fires?
Or is spring most fair to you--
Come, good Myrson, tell me true!"

Another answereth:
"What the gods in wisdom send
We should question not, my friend;
Yet, since you entreat of me,
I will answer reverently:
Me the summertime displeases,
For its sun is scorching hot;
Autumn brings such dire diseases
That perforce I like it not;
As for biting winter, oh!
How I hate its ice and snow!

"But, thrice welcome, kindly spring,
With the myriad gifts you bring!
Not too hot ...

I.

Small twilight singer
Of dew and mist: thou ghost-gray, gossamer winger
Of dusk's dim glimmer,
How cool thy note sounds; how thy wings of shimmer
Vibrate, soft-sighing,
Meseems, for Summer that is dead or dying.

I stand and listen,
And at thy song the garden-beds, that glisten
With rose and lily,
Seem touched with sadness; and the tuberose chilly,
Breathing around its cold and colorless breath,
Fills the pale evening with wan hints of death.

II.

I see thee quaintly
Beneath the leaf; thy shell-shaped winglets faintly
As thin as spangle
Of cobwebbed rain held up at airy angle;
I hear thy tinkle,
Thy fairy notes, the silvery stillness sprinkle;

Investing wholly
The moonlight with divinest melancholy:
...

I am older than Nature and her Time
By all the timeless age of Consciousness,
And my adult oblivion of the clime
Where I was born makes me not countryless.
Ay, and dim through my daylight thoughts escape
Yearnings for that land where my childhood dreamed,
Which I cannot recall in colour or shape
But haunts my hours like something that hath gleamed
And yet is not as light remembered,
Nor to the left or to the right conceived;
And all round me tastes as if life were dead
And the world made but to be disbelieved.
    Thus I my hope on unknown truth lay; yet
    How but by hope do I the unknown truth get?

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares...

Sweet Emma Moreland of yonder town
Met me walking on yonder way;
‘And have you lost your heart?’ she said;
‘And are you married yet, Edward Gray?’

Sweet Emma Moreland spoke to me;
Bitterly weeping I turn’d away:
‘Sweet Emma Moreland, love no more
Can touch the heart of Edward Gray.

‘Ellen Adair she loved me well,
Against her father’s and mother’s will;
To-day I sat for an hour and wept
By Ellen’s grave, on the windy hill.

‘Shy she was, and I thought her cold,
Thought her proud, and fled over the sea;
Fill’d I was with folly and spite,
When Ellen Adair was dying for me.

‘Cruel, cruel the words I said!
Cruelly came they back to-day:
“You’re too slight and fickle,” I said,
“To trouble the heart of Edward Gray.”

‘T...

    There's not a soul on the square,
    And the snow blows up like a sail,
    Or dizzily drifts like a drunken man
    Falling, before the gale.

    And when the wind eddies it rifts
    The snow that lies in drifts;
    And it skims along the walk and sifts
    In stairways, doorways all about
    The steps of the church in an angry rout.
    And one would think that a hungry hound
    Was out in the cold for the sound.

    But I do not seem to mind
    The snow that makes one blind,
    Nor the crying voice of the wind,
    I hate to hear the creak of the sign
    Of Harmon Whitney, attorney at law:
    With its rhythmic monotone of awe.
    And neither a moan nor yet a whine,
    Nor a cry of pain, one can't define
    The soun...