I touched the heart that loved me as a player
    Touches a lyre; content with my poor skill
    No touch save mine knew my beloved (and still
I thought at times: Is there no sweet lost air
Old loves could wake in him, I cannot share?).
    Oh, he alone, alone could so fulfil
    My thoughts in sound to the measure of my will.
He is gone, and silence takes me unaware.

The songs I knew not he resumes, set free
From my constraining love, alas for me!
    His part in our tune goes with him; my part
Is locked in me for ever; I stand as mute
    As one with full strong music in his heart
Whose fingers stray upon a shattered lute.

THE DIVINE VOICE
Go seek thine earth-born sisters, - thus the Voice
That all obey, - the sad and silent three;
These only, while the hosts of Heaven rejoice,
Smile never; ask them what their sorrows be;

And when the secret of their griefs they tell,
Look on them with thy mild, half-human eyes;
Say what thou wast on earth; thou knowest well;
So shall they cease from unavailing sighs.


THE ANGEL
Why thus, apart, - the swift-winged herald spake, -
Sit ye with silent lips and unstrung lyres
While the trisagion's blending chords awake
In shouts of joy from all the heavenly choirs?

FIRST SPIRIT
Chide not thy sisters, - thus the answer came; -
Children of earth, our half-weaned nature clings
To earth's fond memories, and her whispered name...

I
I wonder do you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?

II
For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.

III
Help me to hold it! First it left
The yellowing fennel, run to seed
There, branching from the brickwork’s cleft,
Some old tomb’s ruin: yonder weed
Took up the floating weft,

IV
Where one small orange cup amassed
Five beetles, blind and green they grope
Among the honey-meal: and last,
Everywhere on the grassy slope
I traced it. Hold it fast!

V
The champaign with ...

Qual più diversa e nova.

HE COMPARES HIMSELF TO ALL THAT IS MOST STRANGE IN CREATION.


    Whate'er most wild and new
Was ever found in any foreign land,
If viewed and valued true,
Most likens me 'neath Love's transforming hand.
Whence the bright day breaks through,
Alone and consortless, a bird there flies,
Who voluntary dies,
To live again regenerate and entire:
So ever my desire,
Alone, itself repairs, and on the crest
Of its own lofty thoughts turns to our sun,
There melts and is undone,
And sinking to its first state of unrest,
So burns and dies, yet still its strength resumes,
And, Phoenix-like, afresh in force and beauty blooms.

Where Indian billows sweep,
A wondrous stone there is, before whose strength
Stou...

All through the night time, and all through the day time,
    Dreading the morning and dreading the night,
Nearer and nearer we drift to the May time
    Season of beauty and season of blight,
Leaves on the linden, and sun on the meadow,
    Green in the garden, and bloom everywhere,
Gloom in my heart, and a terrible shadow,
    Walks by me, sits by me, stands by my chair.

Oh, but the birds by the brooklet are cheery,
    Oh, but the woods show such delicate greens,
Strange how you droop and how soon you are weary -
    Too well I know what that weariness means.
But how could I know in the crisp winter weather
    (Though sometimes I noticed a catch in your breath),
Riding and singing and dancing together,
    How could I know you were racing with death?

Posthumous Fragments Of Margaret Mcholson.

Being Poems found amongst the Papers of that noted Female who attempted the life of the King in 1786. Edited by John Fitzvictor.

[The "Posthumous Fragments", published at Oxford by Shelley, appeared in November, 1810.]



Despair.

And canst thou mock mine agony, thus calm
In cloudless radiance, Queen of silver night?
Can you, ye flow'rets, spread your perfumed balm
Mid pearly gems of dew that shine so bright?
And you wild winds, thus can you sleep so still
Whilst throbs the tempest of my breast so high?
Can the fierce night-fiends rest on yonder hill,
And, in the eternal mansions of the sky,
Can the directors of the storm in powerless silence lie?

Hark! I hear music on the zephyr's wing,
L...

Last night, my darling, as you slept,
I thought I heard you sigh,
And to your little crib I crept,
And watched a space thereby;
And then I stooped and kissed your brow,
For oh! I love you so--
You are too young to know it now,
But some time you shall know!

Some time when, in a darkened place
Where others come to weep,
Your eyes shall look upon a face
Calm in eternal sleep,
The voiceless lips, the wrinkled brow,
The patient smile shall show--
You are too young to know it now,
But some time you may know!

Look backward, then, into the years,
And see me here to-night--
See, O my darling! how my tears
Are falling as I write;
And feel once more upon your brow
The kiss of long ago--
You are too young to know it now,
But ...

When love has changed to kindliness,
Oh, love, our hungry lips, that press
So tight that Time's an old god's dream
Nodding in heaven, and whisper stuff
Seven million years were not enough
To think on after, make it seem
Less than the breath of children playing,
A blasphemy scarce worth the saying,
A sorry jest, "When love has grown
To kindliness, to kindliness!" . . .
And yet, the best that either's known
Will change, and wither, and be less,
At last, than comfort, or its own
Remembrance. And when some caress
Tendered in habit (once a flame
All heaven sang out to) wakes the shame
Unworded, in the steady eyes
We'll have, THAT day, what shall we do?
Being so noble, kill the two
Who've reached their second-best? Being wise,
Break cleanly off, ...

Each on his own strict line we move,
And some find death ere they find love.
So far apart their lives are thrown
From the twin soul that halves their own.

And sometimes, by still harder fate,
The lovers meet, but meet too late.
Thy heart is mine! True, true! ah, true!
Then, love, thy hand! Ah, no! adieu!

This is the heart's own day:
With dreaming eyes
Life seems to look away
Beyond the skies
Into some long-gone May.

A May that can not die;
Across whose hills
Youth's heart goes singing by,
'Mid daffodils,
With Love the young and shy.

Love of the slender form
And elvish face;
Who with uplifted arm
Points to one place
A place of oldtime charm.

Where once the lilies grew
For Love to twine,
With violets, white and blue,
And columbine,
Of gold and crimson hue.

Gone is the long-ago;
Gone like the wind;
And Love we used to know
Sits dumb and blind,
With locks of winter snow.

And by him Memory
Sits sketching back
Into the used-to-be,
In white and black,
One flower on his knee...

'T was a long parting, but the time
For interview had come;
Before the judgment-seat of God,
The last and second time

These fleshless lovers met,
A heaven in a gaze,
A heaven of heavens, the privilege
Of one another's eyes.

No lifetime set on them,
Apparelled as the new
Unborn, except they had beheld,
Born everlasting now.

Was bridal e'er like this?
A paradise, the host,
And cherubim and seraphim
The most familiar guest.

        "He healeth the broken in heart and bindeth up their wounds,"
        --Psalm. cxlvii. 3.


Oh Thou who dry'st the mourner's tear,
    How dark this world would be,
If, when deceived and wounded here,
    We could not fly to Thee.
The friends who in our sunshine live,
    When winter comes, are flown;
And he who has but tears to give,
    Must weep those tears alone.
But Thou wilt heal that broken heart,
    Which, like the plants that throw
Their fragrance from the wounded part,
    Breathes sweetness out of woe.

When joy no longer soothes or cheers,
    And even the hope that threw
A moment's sparkle o'er our tears
    Is dimmed and vanished too,
Oh, who would bear life's stormy doom,
    Did not thy Wing of Love...

And Credhe came to where her man was, and she keened him and cried over him, and she made this complaint: The Harbour roars, O the harbour roars over the rushing race of the Headland of the Two Storms, the drowning of the hero of the Lake of the Two Dogs, that is what the waves are keening on the strand.

Sweet-voiced is the crane, O sweet-voiced is the crane in the marshes of the Ridge of the Two Strong Men; it is she cannot save her nestlings, the wild dog of two colours is taking her little ones.

Pitiful the cry, pitiful the cry the thrush is making in the Pleasant Ridge; sorrowful is the cry of the blackbird in Leiter Laeig.

Sorrowful the call, O sorrowful the call of the deer in the Ridge of Two Lights; the doe is lying dead in Druim Silenn, the mighty stag cries after her.

Sorrowful to me, ...

They built his mound of the rough, red ground,
By the dip of a desert dell,
Where all things sweet are killed by the heat,
And scattered o’er flat and fell;
In a burning zone they left him alone,
Past the uttermost western plain,
And the nightfall dim heard his funeral hymn
In the voices of wind and rain.

The songs austere of the forests drear,
And the echoes of clift and cave,
When the dark is keen where the storm hath been,
Fleet over the far-away grave.
And through the days when the torrid rays
Strike down on a coppery gloom,
Some spirit grieves in the perished leaves,
Whose theme is that desolate tomb.

No human foot or paw of brute
Halts now where the stranger sleeps;
But cloud and star his fellows are,
And the rain that sobs and...

        I

    Our brains ache, in the merciless iced east winds that knife us . . .
    Wearied we keep awake because the night is silent . . .
    Low drooping flares confuse our memory of the salient . . .
    Worried by silence, sentries whisper, curious, nervous,
            But nothing happens.

    Watching, we hear the mad gusts tugging on the wire.
    Like twitching agonies of men among its brambles.
    Northward incessantly, the flickering gunnery rumbles,
    Far off, like a dull rumour of some other war.
            What are we doing here?

    The poignant misery of dawn begins to grow . . .
    We only know war lasts, rain soaks, and clouds sag stormy.
    Dawn massing in the east her melancholy army
    Attacks once more in ranks on shive...

("Charle! ô mon fils!")

[March, 1871.]


Charles, Charles, my son! hast thou, then, quitted me?
Must all fade, naught endure?
Hast vanished in that radiance, clear for thee,
But still for us obscure?

My sunset lingers, boy, thy morn declines!
Sweet mutual love we've known;
For man, alas! plans, dreams, and smiling twines
With others' souls his own.

He cries, "This has no end!" pursues his way:
He soon is downward bound:
He lives, he suffers; in his grasp one day
Mere dust and ashes found.

I've wandered twenty years, in distant lands,
With sore heart forced to stay:
Why fell the blow Fate only understands!
God took my home away.

To-day one daughter and one son remain
Of all my goodly show:
Welln...

Love, art thou lonely to-day?
Lost love that I never see,
Love that, come noon or come night,
Comes never to me;
Love that I used to meet
In the hidden past, in the land
Of forbidden sweet.

Love! do you never miss
The old light in the days?
Does a hand
Come and touch thee at whiles
Like the wand of old smiles,
Like the breath of old bliss?
Or hast thou forgot,
And is all as if not?

What was it we swore?
'Evermore!
I and Thou,'
Ah, but Fate held the pen
And wrote N
Just before:
So that now,
See, it stands,
Our seals and our hands,
'I and Thou,
Nevermore!'

We said 'It is best!'
And then, dear, I went
And returned not again.
Forgive that I stir,
Like a breath in thy hair,

There is a mountain and a wood between us,
Where the lone shepherd and late bird have seen us
Morning and noon and eventide repass.
Between us now the mountain and the wood
Seem standing darker than last year they stood,
And say we must not cross, alas! alas!