Massachusetts Bay, 1760.


The robins sang in the orchard, the buds into blossoms grew;
Little of human sorrow the buds and the robins knew!
Sick, in an alien household, the poor French neutral lay;
Into her lonesome garret fell the light of the April day,
Through the dusty window, curtained by the spider's warp and woof,
On the loose-laid floor of hemlock, on oaken ribs of roof,
The bedquilt's faded patchwork, the teacups on the stand,
The wheel with flaxen tangle, as it dropped from her sick hand.

What to her was the song of the robin, or warm morning light,
As she lay in the trance of the dying, heedless of sound or sight?

Done was the work of her bands, she had eaten her bitter bread;
The world of the alien people lay behind her dim and dead.

Where had her sweetness gone?
What fanatics invent
In this blind bitter town,
Fantasy or incident
Not worth thinking of,
put her in a rage.
I had forgiven enough
That had forgiven old age.
All lives that has lived;
So much is certain;
Old sages were not deceived:
Somewhere beyond the curtain
Of distorting days
Lives that lonely thing
That shone before these eyes
Targeted, trod like Spring.

Lucy done gone back on me,
Dat's de way wif life.
Evaht'ing was movin' free,
T'ought I had my wife.
Den some dahky comes along,
Sings my gal a little song,
Since den, evaht'ing's gone wrong,
Evah day dey 's strife.

Did n't answeh me to-day,
Wen I called huh name,
Would you t'ink she 'd ac' dat way
Wen I ain't to blame?
Dat 's de way dese women do,
Wen dey fin's a fellow true,
Den dey 'buse him thoo an' thoo;
Well, hit 's all de same.

Somep'n's wrong erbout my lung,
An' I 's glad hit 's so.
Doctah says 'at I 'll die young,
Well, I wants to go!
Whut 's de use o' livin' hyeah,
Wen de gal you loves so deah,
Goes back on you clean an' cleah--
I sh'd like to know?

Go, let me weep--there's bliss in tears,
When he who sheds them inly feels
Some lingering stain of early years
    Effaced by every drop that steals.
The fruitless showers of worldly woe
Fall dark to earth and never rise;
While tears that from repentance flow,
    In bright exhalement reach the skies.
        Go, let me weep.

Leave me to sigh o'er hours that flew
More idly than the summer's wind,
And, while they past, a fragrance threw,
But left no trace of sweets behind.--
The warmest sigh that pleasure heaves
Is cold, is faint to those that swell
The heart where pure repentance grieves
    O'er hours of pleasure, loved too well.
        Leave me to sigh.

FEBRUARY 6, 1881


Come not again! I dwell with you
Above the realm of frost and dew,
Of pain and fire, and growth to death.
I dwell with you where never breath
Is drawn, but fragrance vital flows
From life to life, even as a rose
Unseen pours sweetness through each vein
And from the air distills again.
You are my rose unseen; we live
Where each to other joy may give
In ways untold, by means unknown
And secret as the magnet-stone.

For which of us, indeed, is dead?
No more I lean to kiss your head -
The gold-red hair so thick upon it;
Joy feels no more the touch that won it
When o'er my brow your pearl-cool palm
In tenderness so childish, calm,
Crept softly, once. Yet, see, my arm
Is strong, and still my blood runs warm.

Tacer non posso, e temo non adopre.

HE RECALLS HER MANY GRACES.


    Fain would I speak--too long has silence seal'd
Lips that would gladly with my full heart move
With one consent, and yield
Homage to her who listens from above;
Yet how can I, without thy prompting, Love,
With mortal words e'er equal things divine,
And picture faithfully
The high humility whose chosen shrine
Was that fair prison whence she now is free?
Which held, erewhile, her gentle spirit, when
So in my conscious heart her power began.
That, instantly, I ran,
--Alike o' th' year and me 'twas April then--
From these gay meadows round sweet flowers to bind,
Hoping rich pleasure at her eyes to find.

The walls were alabaster, the roof gold,
Ivory the doo...

The fires that burn on all the hills
    Light up the landscape grey,
The arid desert land distills
    The fervours of the day.

The clear white moon sails through the skies
    And silvers all the night,
I see the brilliance of your eyes
    And need no other light.

The death sighs of a thousand flowers
    The fervent day has slain
Are wafted through the twilight hours,
    And perfume all the plain.

My senses strain, and try to clasp
    Their sweetness in the air,
In vain, in vain; they only grasp
    The fragrance of your hair.

The plain is endless space expressed;
    Vast is the sky above,
I only feel, against your breast,
    Infinities of love.

Come, brothers, let us sing a dirge, -
A dirge for myriad chances dead;
In grief your mournful accents merge:
Sing, sing the girls we might have wed!

Sweet lips were those we never pressed
In love that never lost the dew
In sunlight of a love confessed, -
Kind were the girls we never knew!

Sing low, sing low, while in the glow
Of fancy's hour those forms we trace,
Hovering around the years that go;
Those years our lives can ne'er replace!

Sweet lips are those that never turn
A cruel word; dear eyes that lead
The heart on in a blithe concern;
White hand of her we did not wed;

Fair hair or dark, that falls along
A form that never shrinks with time;
Bright image of a realm of song,
Standing beside our years of prime; -
...

(France -- Ancient Regime.)



I.

Go away!

Go away; I will not confess to you!

His black biretta clings like a hangman's cap; under his twitching fingers
the beads shiver and click,
As he mumbles in his corner, the shadow deepens upon him;
I will not confess!...

Is he there or is it intenser shadow?
Dark huddled coilings from the obscene depths,
Black, formless shadow,
Shadow.
Doors creak; from secret parts of the chateau come the scuffle and worry
of rats.

Orange light drips from the guttering candles,
Eddying over the vast embroideries of the bed
Stirring the monstrous tapestries,
Retreating before the sable impending gloom of the canopy
With a swift thrust and sparkle of gold,
Lipping my hands,

Too plain, alas, my doom is spoken
    Nor canst thou veil the sad truth o'er;
Thy heart is changed, thy vow is broken,
    Thou lovest no more--thou lovest no more.

Tho' kindly still those eyes behold me,
    The smile is gone, which once they wore;
Tho' fondly still those arms enfold me,
    'Tis not the same--thou lovest no more.

Too long my dream of bliss believing,
    I've thought thee all thou wert before;
But now--alas! there's no deceiving,
    'Tis all too plain, thou lovest no more.

Oh, thou as soon the dead couldst waken,
    As lost affection's life restore,
Give peace to her that is forsaken,
    Or bring back him who loves no more.

We sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, "A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.'
And thereupon
That beautiful mild woman for whose sake
There's many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, "To be born woman is to know --

"The evening passes fast away.
'Tis almost time to rest;
What thoughts has left the vanished day,
What feelings in thy breast?

"The vanished day? It leaves a sense
Of labour hardly done;
Of little gained with vast expense,
A sense of grief alone?

"Time stands before the door of Death,
Upbraiding bitterly
And Conscience, with exhaustless breath,
Pours black reproach on me:

"And though I've said that Conscience lies
And Time should Fate condemn;
Still, sad Repentance clouds my eyes,
And makes me yield to them!

"Then art thou glad to seek repose?
Art glad to leave the sea,
And anchor all thy weary woes
In calm Eternity?

"Nothing regrets to see thee go,
Not one voice sobs' farewell;'
And where thy heart h...

I.
What am I doing, you say to me, ‘wasting the sweet summer hours’?
Haven’t you eyes? I am dressing the grave of a woman with flowers.

II.
For a woman ruin’d the world, as God’s own scriptures tell,
And a man ruin’d mine, but a woman, God bless her, kept me from Hell.

III.
Love me? O yes, no doubt—how long—till you threw me aside!
Dresses and laces and jewels and never a ring for the bride.

IV.
All very well just now to be calling me darling and sweet,
And after a while would it matter so much if I came on the street?

V.
You when I met you first—when he brought you!—I turn’d away
And the hard blue eyes have it still, that stare of a beast of prey.

VI.
You were his friend—you—you—when he promised to make me his bride,
And you...

I wander by the edge
Of this desolate lake
Where wind cries in the sedge:
i(Until the axle break
That keeps the stars in their round,
And hands hurl in the deep
The banners of East and West,
And the girdle of light is unhound,
Your breast will not lie by the breast
Of your beloved in sleep.)

A month or twain to live on honeycomb
Is pleasant; but one tires of scented time,
Cold sweet recurrence of accepted rhyme,
And that strong purple under juice and foam
Where the wine’s heart has burst;
Nor feel the latter kisses like the first.

Once yet, this poor one time; I will not pray
Even to change the bitterness of it,
The bitter taste ensuing on the sweet,
To make your tears fall where your soft hair lay
All blurred and heavy in some perfumed wise
Over my face and eyes.

And yet who knows what end the scythèd wheat
Makes of its foolish poppies’ mouths of red?
These were not sown, these are not harvested,
They grow a month and are cast under feet
And none has care thereof,
As none has care of a divided love.

I know each shadow ...

    These kettle bells.
    Is it the axe-murderer,
    with green garbage bag
    in the shadows?

    No. Green trees so thick
    their tops are folded hands
    or knotted knuckles
    to make perilous shrubbery
    by the garden wall.

    Yet this is a state of mind
    and shards of multi-coloured
    glass dot the top of stones.
    Interesting. Should a sociopath put
    out his shingle, come calling,
    a much under-estimated, rude uttering
    would take place.

    Still bees are active in the night air,
    not swarms, but a hum. Pleasant odours waft
    thru stiller air. There is no charged electricity
    to things, no tautness or leathery tightness to
    individual seconds. Still and stricken still.

It was deep night, and over Jerusalem's low roofs
The moon floated, drifting through high vaporous woofs.
The moonlight crept and glistened silent, solemn, sweet,
Over dome and column, up empty, endless street;
In the closed, scented gardens the rose loosed from the stem
Her white showery petals; none regarded them;
The starry thicket breathed odours to the sentinel palm;
Silence possessed the city like a soul possessed by calm.

Not a spark in the warren under the giant night,
Save where in a turret's lantern beamed a grave, still light:
There in the topmost chamber a gold-eyed lamp was lit -
Marvellous lamp in darkness, informing, redeeming it!
For, set in that tiny chamber, Jesus, the blessed and doomed,
Spoke to the lone apostles as light to men en-tombed;
And ...

There were not many at that lonely place,
Where two scourged hills met in a little plain.
The wind cried loud in gusts, then low again.
Three pines strained darkly, runners in a race
Unseen by any. Toward the further woods
A dim harsh noise of voices rose and ceased.
-- We were most silent in those solitudes --
Then, sudden as a flame, the black-robed priest,

The clotted earth piled roughly up about
The hacked red oblong of the new-made thing,
Short words in swordlike Latin -- and a rout
Of dreams most impotent, unwearying.
Then, like a blind door shut on a carouse,
The terrible bareness of the soul's last house.