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Thomas Moore

Thomas Moore was an Irish poet, singer, and songwriter, celebrated for his Irish Melodies, which are now considered a staple of Irish cultural heritage. Born on May 28, 1779, in Dublin, Ireland, Moore gained fame for his lyrical songs, many of which were set to traditional Irish tunes. Not only a poet, but he was also a staunch advocate of Irish nationalism, often incorporating themes of national identity and resistance into his work. Moore's influential collection 'Irish Melodies' became popular in both Ireland and Britain and helped to define the literary output of the era. He passed away on February 25, 1852, but his legacy in Irish literature and music endures.

May 28, 1779

February 25, 1852

English

Thomas Moore

Page 25 of 47

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Page 25 of 47

Remonstrance.

After a Conversation with Lord John Russell, in which he had intimated some Idea of giving up all political Pursuits. 


What! thou, with thy genius, thy youth, and thy name--
Thou, born of a Russell--whose instinct to run
The accustomed career of thy sires, is the same
As the eaglet's, to soar with his eyes on the sun!

Whose nobility comes to thee, stampt with a seal,
Far, far more ennobling than monarch e'er set;
With the blood of thy race, offered up for the weal
Of a nation that swears by that martyrdom yet!

Shalt thou be faint-hearted and turn from the strife,
From the mighty arena, where all that is grand
And devoted and pure and adorning in life,
'Tis for high-thoughted spirits like thine to command?
<...

Thomas Moore

Resolutions Passed At A Late Meeting Of Reverends And Right Reverends.

Resolved--to stick to every particle
Of every Creed and every Article;
Reforming naught, or great or little,
We'll stanchly stand by every tittle,
And scorn the swallow of that soul
Which cannot boldly bolt the whole.[1]
Resolved that tho' St. Athanasius
In damning souls is rather spacious--
Tho' wide and far his curses fall,
Our Church "hath stomach for them all;"
And those who're not content with such,
May e'en be damned ten times as much.

Resolved--such liberal souls are we--
Tho' hating Nonconformity,
We yet believe the cash no worse is
That comes from Nonconformist purses.
Indifferent whence the money reaches
The pockets of our reverend breeches,
To us the Jumper's jingling penny
Chinks with a tone as sweet as any;

Thomas Moore

Reuben And Rose. A Tale Of Romance.

The darkness that hung upon Willumberg's walls
Had long been remembered with awe and dismay;
For years not a sunbeam had played in its halls,
And it seemed as shut out from the regions of day.

Though the valleys were brightened by many a beam,
Yet none could the woods of that castle illume;
And the lightning which flashed on the neighboring stream
Flew back, as if fearing to enter the gloom!

"Oh! when shall this horrible darkness disperse!"
Said Willumberg's lord to the Seer of the Cave;--
"It can never dispel," said the wizard of verse,
"Till the bright star of chivalry sinks in the wave!"

And who was the bright star of chivalry then?
Who could be but Reuben, the flower of the age?
For Reuben was first in the combat ...

Thomas Moore

Rhymes On The Road. Extract I. Geneva.

View of the Lake of Geneva from the Jura.[1]--Anxious to reach it before the Sun went down.--Obliged to proceed on Foot.--Alps.--Mont Blanc.--Effect of the Scene.


'Twas late--the sun had almost shone
His last and best when I ran on
Anxious to reach that splendid view
Before the daybeams quite withdrew
And feeling as all feel on first
Approaching scenes where, they are told,
Such glories on their eyes will burst
As youthful bards in dreams behold.

'Twas distant yet and as I ran
Full often was my wistful gaze
Turned to the sun who now began
To call in all his out-posts rays,
And form a denser march of light,
Such as beseems a hero's flight.
Oh, how I wisht for JOSHUA'S power,
To stay the brightness of that hour...

Thomas Moore

Rhymes On The Road. Extract II. Geneva.

FATE OF GENEVA IN THE YEAR 1782.

A FRAGMENT.


Yes--if there yet live some of those,
Who, when this small Republic rose,
Quick as a startled hive of bees,
Against her leaguering enemies--[1]
When, as the Royal Satrap shook
His well-known fetters at her gates,
Even wives and mothers armed and took
Their stations by their sons and mates;
And on these walls there stood--yet, no,
Shame to the traitors--would have stood
As firm a band as e'er let flow
At Freedom's base their sacred blood;
If those yet live, who on that night
When all were watching, girt for fight,
Stole like the creeping of a pest
From rank to rank, from breast to breast,
Filling the weak, the old with fears,
Turning the heroine's zea...

Thomas Moore

Rhymes On The Road. Extract III. Geneva.

Fancy and Truth--Hippomenes and Atalanta. Mont Blanc.--Clouds.


Even here in this region of wonders I find
That light-footed Fancy leaves Truth far behind;
Or at least like Hippomenes turns her astray
By the golden illusions he flings in her way.

What a glory it seemed the first evening I gazed!
MONT BLANC like a vision then suddenly raised
On the wreck of the sunset--and all his array
Of high-towering Alps, touched still with a light
Far holier, purer than that of the Day,
As if nearness to Heaven had made them so bright!
Then the dying at last of these splendors away
From peak after peak, till they left but a ray,
One roseate ray, that, too precious to fly,
O'er the Mighty of Mountains still glowingly hung,
Like the last sunny ...

Thomas Moore

Rhymes On The Road. Extract IV. Milan.

The Picture Gallery.--Albano's Rape of Proserpine.--Reflections.-- Universal Salvation.--Abraham sending away Agar, by Guercino.--Genius.


Went to the Brera--saw a Dance of Loves
By smooth ALBANO! him whose pencil teems
With Cupids numerous as in summer groves
The leaflets are or motes in summer beams.

'Tis for the theft of Enna's flower from earth,
These urchins celebrate their dance of mirth
Round the green tree, like fays upon a heath--
Those that are nearest linkt in order bright,
Cheek after cheek, like rose-buds in a wreath;
And those more distant showing from beneath
The others' wings their little eyes of light.
While see! among the clouds, their eldest brother
But just flown up tells with a smile of bliss
This p...

Thomas Moore

Rhymes On The Road. Extract IX. Venice.

The English to be met with everywhere.--Alps and Threadneedle Street.--The Simplon and the Stocks.--Rage for travelling.--Blue Stockings among the Wahabees.--Parasols and Pyramids.--Mrs. Hopkins and the Wall of China.


And is there then no earthly place,
Where we can rest in dream Elysian,
Without some curst, round English face,
Popping up near to break the vision?
Mid northern lakes, mid southern vines,
Unholy cits we're doomed to meet;
Nor highest Alps nor Apennines
Are sacred from Threadneedle Street!

If up the Simplon's path we wind,
Fancying we leave this world behind,
Such pleasant sounds salute one's ear
As--"Baddish news from 'Change, my dear--
"The funds--(phew I curse this ugly hill)--
"Are lowering fast--(what, higher s...

Thomas Moore

Rhymes On The Road. Extract VIII. Venice.

Female Beauty at Venice.--No longer what it was in the time of Titian.-- His mistress.--Various Forms in which he has painted her.--Venus.--Divine and profane Love.--La Fragilita d'Amore--Paul Veronese.--His Women.-- Marriage of Cana.--Character of Italian Beauty.--Raphael's Fornarina.-- Modesty.


Thy brave, thy learned have passed away:
Thy beautiful!--ah, where are they?
The forms, the faces that once shone,
Models of grace, in Titian's eye,
Where are they now, while flowers live on
In ruined places, why, oh! why
Must Beauty thus with Glory die?
That maid whose lips would still have moved,
Could art have breathed a spirit through them;
Whose varying charms her artist loved
More fondly every time he drew them,
(So oft beneath his touch they ...

Thomas Moore

Rhymes On The Road. Extract VII. Venice.

Lord Byron's Memoirs, written by himself.--Reflections, when about to read them.


Let me a moment--ere with fear and hope
Of gloomy, glorious things, these leaves I ope--
As one in fairy tale to whom the key
Of some enchanter's secret halls is given,
Doubts while he enters slowly, tremblingly,
If he shall meet with shapes from hell or heaven--
Let me a moment think what thousands live
O'er the wide earth this instant who would give,
Gladly, whole sleepless nights to bend the brow
Over these precious leaves, as I do now.

How all who know--and where is he unknown?
To what far region have his songs not flown,
Like PSAPHON'S birds[1] speaking their master's name,
In every language syllabled by Fame?--
How all who've felt the v...

Thomas Moore

Rhymes On The Road. Extract VI. Venice.

The Fall of Venice not to be lamented--Former Glory.--Expedition against Constantinople.--Giustinianis.--Republic.--Characteristics of the old Government.--Golden Book.--Brazen Mouths.--Spies.--Dungeons.--Present Desolation.


Mourn not for VENICE--let her rest
In ruin, 'mong those States unblest,
Beneath whose gilded hoofs of pride,
Where'er they trampled, Freedom died.
No--let us keep our tears for them,
Where'er they pine, whose fall hath been
Not from a blood-stained diadem,
Like that which deckt this ocean-queen,
But from high daring in the cause
Of human Rights--the only good
And blessed strife, in which man draws
His mighty sword on land or flood.

Mourn not for VENICE; tho' her fall
Be awful, as if Ocean's wave
Swep...

Thomas Moore

Rhymes On The Road. Extract V. Padua.

Fancy and Reality.--Rain-drops and Lakes.--Plan of a Story.--Where to place the Scene of it.--In some unknown Region.--Psalmanazar's Imposture with respect to the Island of Formosa.


The more I've viewed this world the more I've found,
That, filled as 'tis with scenes and creatures rare.
Fancy commands within her own bright round
A world of scenes and creatures far more fair.
Nor is it that her power can call up there
A single charm, that's not from Nature won,
No more than rainbows in their pride can wear
A single hue unborrowed from the sun--
But 'tis the mental medium it shines thro'
That lends to Beauty all its charm and hue;
As the same light that o'er the level lake
One dull monotony of lustre flings,
Will, entering in the rounded ...

Thomas Moore

Rhymes On The Road. Extract XI. Florence.

No--'tis not the region where Love's to be found--
They have bosoms that sigh, they have glances that rove,
They have language a Sappho's own lip might resound,
When she warbled her best--but they've nothing like Love.

Nor is't that pure sentiment only they want,
Which Heaven for the mild and the tranquil hath made--
Calm, wedded affection, that home-rooted plant
Which sweetens seclusion and smiles in the shade;

That feeling which, after long years have gone by,
Remains like a portrait we've sat for in youth,
Where, even tho' the flush of the colors may fly,
The features still live in their first smiling truth;

That union where all that in Woman is kind,
With all that in Man most ennoblingly towers,
Grow wreathed into...

Thomas Moore

Rhymes On The Road. Extract XII. Florence.

Music in Italy.--Disappointed by it.--Recollections or other Times and Friends.--Dalton.--Sir John Stevenson.--His Daughter.--Musical Evenings together.


If it be true that Music reigns,
Supreme, in ITALY'S soft shades,
'Tis like that Harmony so famous,
Among the spheres, which He of SAMOS
Declared had such transcendent merit
That not a soul on earth could hear it;
For, far as I have come--from Lakes,
Whose sleep the Tramontana breaks,
Thro' MILAN and that land which gave
The Hero of the rainbow vest[1]--
By MINCIO'S banks, and by that wave,
Which made VERONA'S bard so blest--
Places that (like the Attic shore,
Which rung back music when the sea
Struck on its marge) should be all o'er
Thrilling alive with melody--
I've hea...

Thomas Moore

Rhymes On The Road. Extract XIII. Rome.

Reflections on reading Du Cerceau's Account of the Conspiracy of Rienzi, in 1347.--The Meeting of the Conspirators on the Night of the 19th of May.--Their Procession in the Morning to the Capitol.--Rienzi's Speech.


'Twas a proud moment--even to hear the words
Of Truth and Freedom mid these temples breathed,
And see once more the Forum shine with swords
In the Republic's sacred name unsheathed--
That glimpse, that vision of a brighter day
For his dear ROME, must to a Roman be,
Short as it was, worth ages past away
In the dull lapse of hopeless slavery.

'Twas on a night of May, beneath that moon
Which had thro' many an age seen Time untune
The strings of this Great Empire, till it fell
From his rude hands, a broken, silent shell--
The s...

Thomas Moore

Rhymes On The Road. Extract XIV. Rome.

Fragment of a Dream.--The great Painters supposed to be Magicians.--The Beginnings of the Art.--Gildings on the Glories and Draperies.-- Improvements under Giotto, etc.--The first Dawn of the true Style in Masaccio.--Studied by all the great Artists who followed him.--Leonardo da Vinci, with whom commenced the Golden Age of Painting.--His Knowledge of Mathematics and of Music.--His female heads all like each other.-- Triangular Faces.--Portraits of Mona Lisa, etc.--Picture of Vanity and Modesty.--His chef-d'oeuvre, the Last Supper.--Faded and almost effaced.


Filled with the wonders I had seen
In Rome's stupendous shrines and halls,
I felt the veil of sleep serene
Come o'er the memory of each scene,
As twilight o'er the landscape falls.
Nor was it slumber, sound and deep,

Thomas Moore

Rhymes On The Road. Extract X. Mantua.

Verses of Hippolyta to her Husband.


They tell me thou'rt the favored guest
Of every fair and brilliant throng;
No wit like thine to wake the jest,
No voice like thine to breathe the song.
And none could guess, so gay thou art,
That thou and I are far apart.
Alas, alas! how different flows,
With thee and me the time away!
Not that I wish thee sad, heaven knows--
Still if thou canst, be light and gay;
I only know that without thee
The sun himself is dark for me.

Do I put on the jewels rare
Thou'st always loved to see me wear?
Do I perfume the locks that thou
So oft hast braided o'er my brow,
Thus deckt thro' festive crowds to run,
And all the assembled world to see,--
All but the one, the absent one,

Thomas Moore

Rhymes On The Road. Extract XVI. Les Charmettes.

A Visit to the house where Rousseau lived with Madame de Warrens.-- Their Menage.--Its Grossness.--Claude Anet.--Reverence with which the spot is now visited.--Absurdity of this blind Devotion to Fame.--Feelings excited by the Beauty and Seclusion of the Scene. Disturbed by its Associations with Rousseau's History.--Impostures of Men of Genius.--Their Power of mimicking all the best Feelings, Love, Independence, etc.


Strange power of Genius, that can throw
Round all that's vicious, weak, and low,
Such magic lights, such rainbows dyes
As dazzle even the steadiest eyes.

* * * * *

'Tis worse than weak--'tis wrong, 'tis shame,
This mean prostration before Fame;
This casting down beneath the car
Of Idols, whatsoe'...

Thomas Moore

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