Nature

(To J. A. C.)


Fresh from his fastnesses
Wholesome and spacious,
The north wind, the mad huntsman,
Halloos on his white hounds
Over the grey, roaring
Reaches and ridges,
The forest of ocean,
The chace of the world.
Hark to the peal
Of the pack in full cry,
As he thongs them before him
Swarming voluminous,
Weltering, wide-wallowing,
Till in a ruining
Chaos of energy,
Hurled on their quarry,
They crash into foam!

Old Indefatigable,
Time's right-hand man, the sea
Laughs as in joy
From his millions of wrinkles:
Laughs that his destiny,
Great with the greatness
Of triumphing order,
Shows as a dwarf
By the strength of his heart
And the might of his hands.

Master of masters,
O mak...

Let's strive to be the best; the gods, we know it,
Pillars and men, hate an indifferent poet.

Love on a day, wise poets tell,
Some time in wrangling spent,
Whether the violets should excel,
Or she, in sweetest scent.

But Venus having lost the day,
Poor girls, she fell on you:
And beat ye so, as some dare say,
Her blows did make ye blue.

    She is the sky of the sun,
        She is the dart
            Of love,
    She is the love of my heart,
    She is a rune,
            She is above
    The women of the race of Eve
    As the sun is above the moon.

    Lovely and airy the view from the hill
        That looks down Ballylea;
    But no good sight is good until
        By great good luck you see
    The Blossom of the Branches walking towards you
        Airily.

        Minstrel, what have you to do
        With this man that, after you,
        Sharing not your happy fate,
        Sat as England's Laureate?
        Vainly, in these iron days,
        Strives the poet in your praise,
        Minstrel, by whose singing side
        Beauty walked, until you died.

        Still, though none should hark again,
        Drones the blue-fly in the pane,
        Thickly crusts the blackest moss,
        Blows the rose its musk across,
        Floats the boat that is forgot
        None the less to Camelot.

        Many a bard's untimely death
        Lends unto his verses breath;
        Here's a song was never sung:
        Growing old is dying young.
        Minstrel, what is this to you:
        ...

The Noon-Sun prayed a prairie rose
To blanch for him her blossom's hue,
But to the Plain all love she owes;
Beneath that mother's grass she grew.

And sheltered by her verdant blades,
Their tints of green she made her own;
But still the Sun sought out her shades
And said, "Be my white bride alone!"

Then, sorrowing for his grievous pain,
Her sister loved the amorous god,
And blushed, ashamed, as o'er the plain
His parting beams illumed the sod.

So one sweet rose yet wears the green,
And one in sunset's crimson glows;
Still one untouched by love is seen,
And one in conscious beauty blows.

Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace;
That they may render back
Artful thunder, which conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts;
With the voice of orators;
With the din of city arts;
With the cannonade of wars;
With the mar...

I hear them say to me, your crystal eyes,
'Strange love, what merit do you find in me?'
Be charming and be still! My heart, disturbed
By all except the candour of the flesh

Prefers to hide the secret of its hell
From you whose hand would rock me into sleep,
Nor will it show the legend writ with flame.
Passion I hate, and spirit plays me false!

Let us love gently. Eros in his den,
Hiding in sombre ambush, bends his bow.
I know his arsenal, his worn-out bolts,

Crime, madness, horror-oh pale marguerite,
Are we not both like the autumnal sun,
My o so cool, my fading Marguerite?

I dreamed of Sappho on a summer night.
Her nightingales were singing in the trees
Beside the castled river; and the wind
Fell like a woman's fingers on my cheek.
And then I slept and dreamed and marked no change;
The night went on with me into my dream.
This only I remember, that I cried:
"O Sappho! ere I leave this paradise,
Sing me one song of those lost books of yours
For which we poets still go sorrowing;
That when I meet my fellows on the earth
I may rejoice them more than many pearls;"
And she, the sweetly smiling, answered me,
As one who dreams, "I have forgotten them."

Sweet Flower! belike one day to have
A place upon thy Poet's grave,
I welcome thee once more:
But He, who was on land, at sea,
My Brother, too, in loving thee,
Although he loved more silently,
Sleeps by his native shore.

Ah! hopeful, hopeful was the day
When to that Ship he bent his way,
To govern and to guide:
His wish was gained: a little time
Would bring him back in manhood's prime
And free for life, these hills to climb;
With all his wants supplied.

And full of hope day followed day
While that stout Ship at anchor lay
Beside the shores of Wight;
The May had then made all things green;
And, floating there, in pomp serene,
That Ship was goodly to be seen,
His pride and his delight!

Yet then, when called ashore, he s...

Celia and I the other Day
Walk'd o'er the Sand-Hills to the Sea:
The setting Sun adorn'd the Coast,
His Beams entire, his Fierceness lost:
And, on the Surface of the Deep,
The Winds lay only not asleep:
The Nymph did like the Scene appear,
Serenely pleasant, calmly fair:
Soft fell her words, as flew the Air.
With secret Joy I heard Her say,
That She would never miss one Day
A Walk so fine, a Sight so gay.

But, oh the Change! the Winds grow high:
Impending Tempests charge the Sky:
The Lightning flies: the Thunder roars:
And big Waves lash the frighten'd Shoars.
Struck with the Horror of the Sight,
She turns her Head, and wings her Flight;
And trembling vows, She'll ne'er again
Approach the Shoar, or view the Main.

Once more at le...

    Far, far away, over land and sea,
When Winter comes with his cold, cold breath,
And chills the flowers to the sleep of death,
    Far, far away over land and sea,
Like a band of spirits the Passage-birds flee.

Round the old grey spire in the evening calm,
    No more they circle in sportive glee,
Hearing the hum of the vesper psalm,
And the swell of the organ so far below;
    But far, far away, over land and sea,
In the still mid-air the swift Passage-birds go.

    Over the earth that is scarcely seen
    Through the curtain of vapour that waves between,
O'er city and hamlet, o'er hill and plain,
    O'er forest green, and o'er mountain hoar,
    They flit like shadows, and pass the shore,
And wing their way o'er the pathless main.

...

We went a day's excursion to the stream,
Basked by the bank, and bent to the ripple-gleam,
And I did not know
That life would show,
However it might flower, no finer glow.

I walked in the Sunday sunshine by the road
That wound towards the wicket of your abode,
And I did not think
That life would shrink
To nothing ere it shed a rosier pink.

Unlooked for I arrived on a rainy night,
And you hailed me at the door by the swaying light,
And I full forgot
That life might not
Again be touching that ecstatic height.

And that calm eve when you walked up the stair,
After a gaiety prolonged and rare,
No thought soever
That you might never
Walk down again, struck me as I stood there.

My garden blazes brightly with the rose-bush and the peach,
And the koil sings above it, in the siris by the well,
From the creeper-covered trellis comes the squirrel's chattering speech,
And the blue jay screams and flutters where the cheery sat-bhai dwell.
But the rose has lost its fragrance, and the koil's note is strange;
I am sick of endless sunshine, sick of blossom-burdened bough.
Give me back the leafless woodlands where the winds of Springtime range,
Give me back one day in England, for it's Spring in England now!

Through the pines the gusts are booming, o'er the brown fields blowing chill,
From the furrow of the plough share streams the fragrance of the loam,
And the hawk nests on the cliff side and the jackdaw in the hill,
And my heart is back in England 'mid the sigh...

In a flowered dell the Lady Venus stood,
Amazed with sorrow. Down the morning one
Far golden horn in the gold of trees and sun
Rang out; and held; and died. . . . She thought the wood
Grew quieter. Wing, and leaf, and pool of light
Forgot to dance. Dumb lay the unfalling stream;
Life one eternal instant rose in dream
Clear out of time, poised on a golden height. . . .

Till a swift terror broke the abrupt hour.
The gold waves purled amidst the green above her;
And a bird sang. With one sharp-taken breath,
By sunlit branches and unshaken flower,
The immortal limbs flashed to the human lover,
And the immortal eyes to look on death.

It was a day of sombre heat:
The still, dense air was void of sound
And life; no wing of bird did beat
A little breeze through it, the ground
Was like live ashes to the feet.
From the black hills that loomed around
The valley many a sudden spire
Of flame shot up, and writhed, and curled,
And sank again for heaviness:
And heavy seemed to men that day
The burden of the weary world.
For evermore the sky did press
Closer upon the earth that lay
Fainting beneath, as one in dire
Dreams of the night, upon whose breast
Sits a black phantom of unrest
That holds him down. The earth and sky
Appeared unto the troubled eye
A roof of smoke, a floor of fire.

There was no water in the land.
Deep in the night of each ravine
Men, vainly searching ...

A slumber did my spirit seal;
I had no human fears:
She seem’d a thing that could not feel
The touch of earthly years.

No motion has she now, no force;
She neither hears nor sees;
Roll’d round in earth’s diurnal course,
With rocks, and stones, and trees.

Care is a Poet fine:
He works in shade or shine,
And leaves, you know his sign!
No day without its line.

He writes with iron pen
Upon the brows of men;
Faint lines at first, and then
He scores them in again.

His touch at first is light
On Beauty’s brow of white;
The old churl loves to write
On foreheads broad and bright.

A line for young love crossed,
A line for fair hopes lost
In an untimely frost,
A line that means Thou Wast.

Then deeper script appears:
The furrows of dim fears,
The traces of old tears,
The tide-marks of the years.

To him with sight made strong
By suffering and wrong,
The brows of all the throng
Are eloquent with song.