Loneliness

We laugh when our souls are the saddest,
We shroud all our griefs in a smile;
Our voices may warble their gladdest,
And our souls mourn in anguish the while.

And our eyes wear a summer's bright glory,
When winter is wailing beneath;
And we tell not the world the sad story
Of the thorn hidden back of the wreath.

Ah! fast flow the moments of laughter,
And bright as the brook to the sea
But ah! the dark hours that come after
Of moaning for you and for me.

Yea, swift as the sunshine, and fleeting
As birds, fly the moments of glee!
And we smile, and mayhap grief is sleeting
Its ice upon you and on me.

And the clouds of the tempest are shifting
O'er the heart, tho' the face may be bright;
And the snows of woe's winter are drifting

I meditate upon a swallow's flight,
Upon a aged woman and her house,
A sycamore and lime-tree lost in night
Although that western cloud is luminous,
Great works constructed there in nature's spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.

There Hyde before he had beaten into prose
That noble blade the Muses buckled on,
There one that ruffled in a manly pose
For all his timid heart, there that slow man,
That meditative man, John Synge, and those
Impetuous men, Shawe-Taylor and Hugh Lane,
Found pride established in humility,
A scene well Set and excellent company.

They came like swallows and like swallows went,
And yet a woman's powerful character
Could keep ...

Soft and silken and silvery brown,
In shoes of lichen and leafy gown,
Little blue butterflies fluttering around her,
Deep in the forest, afar from town,
There where a stream came trickling down,
I met with Silence, who wove a crown
Of sleep whose mystery bound her.

I gazed in her eyes, that were mossy green
As the rain that pools in a hollow between
The twisted roots of a tree that towers:
And I saw the things that none has seen,
That mean far more than facts may mean,
The dreams, that are true, of an age that has been,
That God has thought into flowers.

I gazed on her lips, that were dewy gray
As the mist that clings, at the close of day,
To the wet hillside when the winds cease blowing;
And I heard the things that none may say,
That are...

Now is the rhymer's honest trade
A thing for scornful laughter made.

The merchant's sneer, the clerk's disdain,
These are the burden of our pain.

Because of you did this befall,
You brought this shame upon us all.

You little poets mincing there
With women's hearts and women's hair!

How sick Dan Chaucer's ghost must be
To hear you lisp of "Poesie"!

A heavy-handed blow, I think,
Would make your veins drip scented ink.

You strut and smirk your little while
So mildly, delicately vile!

Your tiny voices mock God's wrath,
You snails that crawl along His path!

Why, what has God or man to do
With wet, amorphous things like you?

This thing alone you have achieved:
Because of you, it is believed

Tis sweet in boyhood's visionary mood,
When glowing Fancy, innocently gay,
Flings forth, like motes, her bright aërial brood,
To dance and shine in Hope's prolific ray;
'Tis sweet, unweeting how the flight of years
May darkling roll in trials and in tears,
To dress the future in what garb we list,
And shape the thousand joys that never may exist.
But he, sad wight! of all that feverish train,
Fool'd by those phantoms of the wizard brain,
Most wildly dotes, whom young ambition stings
To trust his weight upon poetic wings;
He, downward looking in his airy ride,
Beholds Elysium bloom on every side;
Unearthly bliss each thrilling nerve attunes,
And thus the dreamer with himself communes.
Yes! Earth shall witness, 'ere my star be set,
That partial nature mark'...

Singers all along the street,
Singing every kind of song -
One man's song is honey-sweet,
One man's song is hammer-strong;
Yet, however sweet the singing,
However strong the hammer-swinging, -
All the bees are round that honey
Which the vulgar world calls money.

Singers all along the street -
One sings Love and one sings Death,
Roses sings one and little feet,
And one sings wine with fevered breath;
Yet all the bees are round that honey
Which the vulgar world calls money.

Singers singing down the street,
I believe there is a song,
Could you sing it, that would beat
All the sweet and all the strong;
Just a simple song of pity,
'Mid the iron of the city.

Singers all the street along,
There is still another song
All...

What hast thou done to this dear friend of mine,
Thou cold, white, silent Stranger?    From my hand
Her clasped hand slips to meet the grasp of thine;
Here eyes that flamed with love, at thy command
Stare stone-blank on blank air; her frozen heart
Forgets my presence.    Teach me who thou art,
Vague shadow sliding 'twixt my friend and me.
    I never saw thee till this sudden hour.
What secret door gave entrance unto thee?
    What power in thine, o'ermastering Love's own power?

Like boys that run behind the loaded wain
For the mere joy of riding back again,
When summer from the meadow carts the hay
And school hours leave them half a day to play;
So I with leisure on three sides a sheet
Of foolscap dance with poesy's measured feet,
Just to ride post upon the wings of time
And kill a care, to friendship turned in rhyme.
The muse's gallop hurries me in sport
With much to read and little to divert,
And I, amused, with less of wit than will,
Run till I tire.--And so to cheat her still.
Like children running races who shall be
First in to touch the orchard wall or tree,
The last half way behind, by distance vext,
Turns short, determined to be first the next;
So now the muse has run me hard and long--
I'll leave at once her races and h...

Poichè per mio destino.

IN PRAISE OF LAURA'S EYES: IN THEM HE FINDS EVERY GOOD, AND HE CAN NEVER CEASE TO PRAISE THEM.


    Since then by destiny
I am compell'd to sing the strong desire,
Which here condemns me ceaselessly to sigh,
May Love, whose quenchless fire
Excites me, be my guide and point the way,
And in the sweet task modulate my lay:
But gently be it, lest th' o'erpowering theme
Inflame and sting me, lest my fond heart may
Dissolve in too much softness, which I deem,
From its sad state, may be:
For in me--hence my terror and distress!
Not now as erst I see
Judgment to keep my mind's great passion less:
Nay, rather from mine own thoughts melt I so,
As melts before the summer sun the snow.

At first I fondly thought

The river hemmed with leaning trees
Wound through its meadows green;
A low, blue line of mountains showed
The open pines between.

One sharp, tall peak above them all
Clear into sunlight sprang
I saw the river of my dreams,
The mountains that I sang!

No clue of memory led me on,
But well the ways I knew;
A feeling of familiar things
With every footstep grew.

Not otherwise above its crag
Could lean the blasted pine;
Not otherwise the maple hold
Aloft its red ensign.

So up the long and shorn foot-hills
The mountain road should creep;
So, green and low, the meadow fold
Its red-haired kine asleep.

The river wound as it should wind;
Their place the mountains took;
The white torn fringes of their clouds

When to the region of the tuneful Nine,
Rapt in poetic vision, I retire,
Listening intent to catch the strain divine
What a dead silence hangs upon the lyre!

Lo! with disorder'd locks, and streaming eyes,
Stray the fair daughters of immortal song;
Aonia's realm resounds their plaintive cries,
And all her murmuring rills the grief prolong.

O say! celestial maids, what cause of wo?
Why cease the rapture-breathing strains to soar?
A solemn pause ensues: then falters low
The voice of sorrow: 'Chatterton's no more!'

'Child of our fondest hopes! whose natal hour
Saw each poetic star indulgent shine;
E'en Phoebus' self o'erruled with kindliest power,
And cried: "ye Nine rejoice! the Birth is mine."

'Soon did he drink of this inspiring spring;<...

I.

To—

As when with downcast eyes we muse and brood,
And ebb into a former life, or seem
To lapse far back in some confused dream
To states of mystical similitude,
If one but speaks or hems or stirs his chair,
Ever the wonder waxeth more and more,
So that we say, ‘All this hath been before,
All this hath been, I know not when or where;’
So, friend, when first I look’d upon your face,
Our thought gave answer each to each, so true–
Opposed mirrors each reflecting each–
That, tho’ I knew not in what time or place,
Methought that I had often met with you,
And either lived in either’s heart and speech.



II.

To J.M.K.

My hope and heart is with thee–thou wilt be
A latter Luther, and a soldier-priest
To scar...

I go beyond the commandment.' So be it. Then mine be the blame,
The loss, the lack, the yearning, till life's last sand be run, -
I go beyond the commandment, yet honour stands fast with her claim,
And what I have rued I shall rue; for what I have done - I have done.

Hush, hush! for what of the future; you cannot the base exalt,
There is no bridging a chasm over, that yawns with so sheer incline;
I will not any sweet daughter's cheek should pale for this mother's fault,
Nor son take leave to lower his life a-thinking on mine.

' Will I tell you all?' So! this, e'en this, will I do for your great love's sake;
Think what it costs. 'Then let there be silence - silence you'll count consent.'
No, and no, and for ever no: rather to cross and to break,
And to ...

I.

How well I know what I mean to do
When the long dark autumn-evenings come:
And where, my soul, is thy pleasant hue?
With the music of all thy voices, dumb
In life’s November too!

II.

I shall be found by the fire, suppose,
O’er a great wise book as beseemeth age,
While the shutters flap as the cross-wind blows
And I turn the page, and I turn the page,
Not verse now, only prose!

III.

Till the young ones whisper, finger on lip,
“There he is at it, deep in Greek:
“Now then, or never, out we slip
“To cut from the hazels by the creek
“A mainmast for our ship!”

IV.

I shall be at it indeed, my friends:
Greek puts already on either side
Such a branch-work forth as soon extends
To a vista opening...

In the forenoon's restful quiet,
When the boys are off at school,
When the window lights are shaded
And the chimney-corner cool,
Then the old man seeks his armchair,
Lights his pipe and settles back;
Falls a-dreaming as he draws it
Till the smoke-wreaths gather black.

And the tear-drops come a-trickling
Down his cheeks, a silver flow--
Smoke or memories you wonder,
But you never ask him,--no;
For there 's something almost sacred
To the other family folks
In those moods of silent dreaming
When the old man smokes.

Ah, perhaps he sits there dreaming
Of the love of other days
And of how he used to lead her
Through the merry dance's maze;
How he called her "little princess,"
And, to please her, used to twine
Tender wreaths ...

We sit together and talk, or smoke in silence.
You say (but use no words) ‘this night is passing
As other nights when we are dead will pass . . .’
Perhaps I misconstrue you: you mean only,
‘How deathly pale my face looks in that glass . . .’

You say: ‘We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee,
Or stare at mirrors, and do not talk at all? . . .

‘This is the moment’ (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish . . . For all the days hereafter
What have we saved, what news, what tune, what play?

‘We see each othe...

Even as one in city pent,
Dazed with the stir and din of town,
Drums on the pane in discontent,
And sees the dreary rain come down,
Yet, through the dimmed and dripping glass,
Beholds, in fancy, visions pass,
Of Spring that breaks with all her leaves,
Of birds that build in thatch and eaves,
Of woodlands where the throstle calls,
Of girls that gather cowslip balls,
Of kine that low, and lambs that cry,
Of wains that jolt and rumble by,
Of brooks that sing by brambly ways,
Of sunburned folk that stand at gaze,
Of all the dreams with which men cheat
The stony sermons of the street,
So, in its hour, the artist brain
Weary of human ills and woes,
Weary of passion, and of pain,
And vaguely craving for repose,
Deserts awhile the stage of strife

A wild spring upland all this charmed page,
Where, in the early dawn, the maenads rage,
Mad, chaste, and lovely! This, a darker spot
Where lone Antigone bewails her lot.
Death for her spouse, her bridal-bed the tomb.
And this, again, is some rich palace-room.
Where Phsedra pines: "0 woodlands! 0, the sea!"
Or some sweet walk of Sappho, beauteously
Built o'er with rose, with bloom of purple grapes!
They are all here, the ancient Attic shapes
Of passion, beauty, terror, love, and shame;
Proud shadows, you do summon them by name:
Achaean princes, Helen, the young god.
Fair Dionysus, CEdipus, who trod
Such ways of doom! Aye, these and more than these
You call across the ages and the seas!
And each one, answering, doth dream he lists
To the great voices of old...