Life

[The reader has been made acquainted with the circumstances under which this poem was written. It was included by Mr. J. H. Dixon in his "Ballads and Songs of the Peasantry of England" (edited by Robert Bell), with the following prefatory note:--

"The poem was, probably, as Clare supposes, written about the commencement of the 18th century, and the unknown author appears to have been deeply imbued with the spirit of the popular devotional writers of the preceding century, as Herbert, Quarles, &c., but seems to have modelled his smoother and more elegant versification after that of the poetic school of his own times."

Montgomery's criticism on publishing it in the "Sheffield Iris" was as follows:--

"Long as the poem appears to the eye, it will abundantly repay the trouble of perusal, being full of conde...

        God will not let His bright gifts die
If I may not sing my songs just now
        I shall sing them by and by


A young man with a Poet's soul,
    And a Poet's kindling eye -
Dark, dreamy, full of unvoiced thought -
    And forehead calm and high,
Toiled wearily at his heavy task
    Till his soul grew sick with pain,
And the pent up fires that burned within
    Seemed withering heart and brain

"Work, work, work!" he murmured low,
    Glancing up at the golden west -
Work, with the sunset heavens aglow
    By the hands of angels dressed,
Work for this perishing, human clay,
    While the soul, like a prisoned bird,
Flutters its helpless wings always
    By passionate longings stirred

"I hear in the wandering...

Poet, a truce to your song!
Have you heard the heart sing?
Like a brook among trees,
Like the humming of bees,
Like the ripple of wine:
Had you heard, would you stay
Blowing bubbles so long?
You have ears for the spheres -
Have you heard the heart sing?

*            *            *            *            *

Have you loved the good books of the world, -
And written none?
Have you loved the great poet, -
And burnt your little rhyme?
'O be my friend, and teach me to be thine.'

*            *            *            *            *

By many hands the work of God is done,
Swart toil, pale thought, flushed dream, he spurneth none:
Yea! and the weaver of a little rhyme
Is seen his worker in his own full time.

Now how could I, with gold to spare,
Who know the harlot's arms, and wine,
Sit in this green field all alone,
If Nature was not truly mine?

That Pleasure life wakes stale at morn,
From heavy sleep that no rest brings:
This life of quiet joy wakes fresh,
And claps its wings at morn, and sings.

So here sit I, alone till noon,
In one long dream of quiet bliss;
I hear the lark and share his joy,
With no more winedrops than were his.

Such, Nature, is thy charm and power,
Since I have made the Muse my wife,
To keep me from the harlot's arms,
And save me from a drunkard's life.

An uphill path, sun-gleams between the showers,
Where every beam that broke the leaden sky
Lit other hills with fairer ways than ours;
Some clustered graves where half our memories lie;
And one grim Shadow creeping ever nigh:
And this was Life.

Wherein we did another's burden seek,
The tired feet we helped upon the road,
The hand we gave the weary and the weak,
The miles we lightened one another's load,
When, faint to falling, onward yet we strode:
This too was Life.

Till, at the upland, as we turned to go
Amid fair meadows, dusky in the night,
The mists fell back upon the road below;
Broke on our tired eyes the western light;
The very graves were for a moment bright:
And this was Death.

MUSE.
Give me a kiss, my poet, take thy lyre;
The buds are bursting on the wild sweet-briar.
To-night the Spring is born - the breeze takes fire.
Expectant of the dawn behold the thrush,
Perched on the fresh branch of the first green bush;
Give me a kiss, my poet, take thy lyre.


POET.
How black it looks within the vale!
I thought a muffled form did sail
Above the tree-tops, through the air.
It seemed from yonder field to pass,
Its foot just grazed the tender grass;
A vision strange and fair it was.
It melts and is no longer there.


MUSE.
My poet, take thy lyre; upon the lawn
Night rocks the zephyr on her veiled, soft breast.
The rose, still virgin, holds herself withdrawn
From the winged, irised wasp with love possessed.

How good some years of life may be!
Ah, once it was not guessed by me,
Past years would shine, like some bright sea,
In golden dusks of memory.

Ere then the music of the dawn
From me had long since surged away;
And in the disillusioned day
Of chill mid-life I plodded on.

Anon a fuller music thrilled
My world with meaning undertones,
That elegized our vanished ones,
And told how Lethe's banks are filled

With wordless calm, and wistful rest,
And sweet large silence, solemn sleep,
And brooding shadows cool and deep,
And grand oblivions, undistressed.

No more 'twas "Lethe rolling doom,"
But Lethe calling, "Come to me,
And wash away all memory
And taint of what precedes the tomb;

And know the changeless afterthought...

Heart, my heart, thou hast found thy home!
From gloom and sorrow thou hast come forth,
Thou who wast foolish, and sought to roam
'Neath the cruel stars of the frozen North.

Thou hast returned to thy dear delights;
The golden glow of the quivering days,
The silver silence of tropical nights,
No more to wander in alien ways.

Here, each star is a well-loved friend;
To me and my heart at the journey's end.

These are my people, and this my land,
I hear the pulse of her secret soul.
This is the life that I understand,
Savage and simple and sane and whole.

Washed in the light of a clear fierce sun, -
Heart, my heart, the journey is done.

See! the painted piece of the skies,
Where the rose-hued opal of sunset lies.
Hear the pass...

If I could put my woods in song
And tell what's there enjoyed,
All men would to my gardens throng,
And leave the cities void.

In my plot no tulips blow,--
Snow-loving pines and oaks instead;
And rank the savage maples grow
From Spring's faint flush to Autumn red.

My garden is a forest ledge
Which older forests bound;
The banks slope down to the blue lake-edge,
Then plunge to depths profound.

Here once the Deluge ploughed,
Laid the terraces, one by one;
Ebbing later whence it flowed,
They bleach and dry in the sun.

The sowers made haste to depart,--
The wind and the birds which sowed it;
Not for fame, nor by rules of art,
Planted these, and tempests flowed it.

Waters that wash my garden-side
Play not in Nat...

Last salvo in "The Bush Controversy".

The later poem "A Voice From the Town" (Banjo Patterson) continues the theme.


The world has had enough of bards who wish that they were dead,
Tis time, the people passed a law to knock 'em on the head,
For 'twould be lovely if their friends could grant the rest they crave,
Those bards Of "tears" and "vanished hopes," those poets of the grave.
They say that life's an awful thing and full of care and gloom,
They talk of peace and restfulness connected with the tomb.

They say that man is made of dirt, and die, of course, he must;
But, all the same, a man is made of pretty solid dust,
There is a thing that they forget, so let it here be writ,
That some are made of common mud, and some are made of grit;
Some try to help the...

A poet! He hath put his heart to school,
Nor dares to move unpropped upon the staff
Which art hath lodged within his hand—must laugh
By precept only, and shed tears by rule.
Thy Art be Nature; the live current quaff,
And let the groveller sip his stagnant pool,
In fear that else, when Critics grave and cool
Have killed him, Scorn should write his epitaph.
How does the Meadow-flower its bloom unfold?
Because the lovely little flower is free
Down to its root, and, in that freedom, bold;
And so the grandeur of the Forest-tree
Comes not by casting in a formal mould,
But from its own divine vitality.

YOUTH.

Pilgrim of life! thy hoary head
    Is bent with age, thine eye
Looks downward to the silent dead,
    Wreck of mortality!--
The friends who flourished in thy day
    Have sought their narrow home;
Their spirits whisper, "Come away!"--


AGE.

    My soul replies, I come.--
I tread the path I trod a child,
    The fields I loved of yore;
The flowers that 'neath my footsteps smiled
    Now meet my gaze no more.
I stand beneath this giant oak!
    It was an aged tree,
Hollowed by time's resistless stroke,
    When life was green with me.
Its lofty head it proudly rears
    To greet the summer sky,
Whilst, bending with the weight of years,
    I feebly totter by.
And hushed are all the thousand songs
...

How cheering are thy prospects, airy hill,
To him who, pale and languid, on thy brow
Pauses, respiring, and bids hail again
The upland breeze, the comfortable sun,
And all the landscape's hues! Upon the point
Of the descending steep I stand.
    How rich,
How mantling in the gay and gorgeous tints
Of summer! far beneath me, sweeping on,
From field to field, from vale to cultured vale,
The prospect spreads its crowded beauties wide!
Long lines of sunshine, and of shadow, streak
The farthest distance; where the passing light
Alternate falls, 'mid undistinguished trees,
White dots of gleamy domes, and peeping towers,
As from the painter's instant touch, appear.
As thus the eye ranges from hill to hill,
Here white with passing sunshine, there with trees
...

    Dust of my dust,
    And dust with my dust,
    O, child who died as you entered the world,
    Dead with my death!
    Not knowing
    Breath, though you tried so hard,
    With a heart that beat when you lived with me,
    And stopped when you left me for Life.
    It is well, my child.
    For you never traveled
    The long, long way that begins with school days,
    When little fingers blur under the tears
    That fall on the crooked letters.
    And the earliest wound, when a little mate
    Leaves you alone for another;
    And sickness, and the face of
    Fear by the bed;
    The death of a father or mother;
    Or shame for them, or poverty;
    The maiden sorrow of school days ended;
    And eyeless Nature that makes you dri...

Far from our home by Grasmere's quiet Lake,
From the Vale's peace which all her fields partake,
Here on the bleakest point of Cumbria's shore
We sojourn stunned by Ocean's ceaseless roar;
While, day by day, grim neighbour! huge Black Comb
Frowns deepening visibly his native gloom,
Unless, perchance rejecting in despite
What on the Plain 'we' have of warmth and light,
In his own storms he hides himself from sight.
Rough is the time; and thoughts, that would be free
From heaviness, oft fly, dear Friend, to thee;
Turn from a spot where neither sheltered road
Nor hedge-row screen invites my steps abroad;
Where one poor Plane-tree, having as it might
Attained a stature twice a tall man's height,
Hopeless of further growth, and brown and sere
Through half the summer...

I.

    Oppress'd with grief, oppress'd with care,
    A burden more than I can bear,
        I set me down and sigh:
    O life! thou art a galling load,
    Along a rough, a weary road,
        To wretches such as I!
    Dim-backward as I cast my view,
        What sick'ning scenes appear!
    What sorrows yet may pierce me thro'
        Too justly I may fear!
            Still caring, despairing,
                Must be my bitter doom;
            My woes here shall close ne'er
                But with the closing tomb!

II.

    Happy, ye sons of busy life,
    Who, equal to the bustling strife,
        No other view regard!
    Ev'n when the wished end's deny'd,
    Yet while the busy means are ply'd,
        They b...

What is a poet's love? -
To write a girl a sonnet,
To get a ring, or some such thing,
And fustianize upon it.

What is a poet's fame? -
Sad hints about his reason,
And sadder praise from garreteers,
To be returned in season.

Where go the poet's lines? -
Answer, ye evening tapers!
Ye auburn locks, ye golden curls,
Speak from your folded papers!

Child of the ploughshare, smile;
Boy of the counter, grieve not,
Though muses round thy trundle-bed
Their broidered tissue weave not.

The poet's future holds
No civic wreath above him;
Nor slated roof, nor varnished chaise,
Nor wife nor child to love him.

Maid of the village inn,
Who workest woe on satin,
(The grass in black, the graves in green,
The epitaph...

It should not be doubted that at least one-third of the affection with which we regard the elder poets of Great Britain should be attributed to what is, in itself, a thing apart from poetry we mean to the simple love of the antique and that, again, a third of even the proper poetic sentiment inspired by their writings should be ascribed to a fact which, while it has strict connection with poetry in the abstract, and with the old British poems themselves, should not be looked upon as a merit appertaining to the authors of the poems.

Almost every devout admirer of the old bards, if demanded his opinion of their productions,would mention vaguely, yet with perfect sincerity, a sense of dreamy,wild, indefinite, and he would perhaps say, indefinable delight; on being required to point out the source of this so shadowy pleasure, he wo...