Identity

Where, through the myriad leaves of forest trees,
The daylight falls, beryl and chrysoprase,
The glamour and the glimmer of its rays
Seem visible music, tangible melodies:
Light that is music; music that one sees -
Wagnerian music - where forever sways
The spirit of romance, and gods and fays
Take form, clad on with dreams and mysteries.
And now the wind's transmuting necromance
Touches the light and makes it fall and rise,
Vocal, a harp of multitudinous waves
That speaks as ocean speaks - an utterance
Of far-off whispers, mermaid-murmuring sighs -
Pelagian, vast, deep down in coral caves.

In Memory of Mrs. Thellusson.


Forth of our ways and woes,
Forth of the winds and snows,
A white soul soaring goes,
Winged like a dove:
So sweet, so pure, so clear,
So heavenly tempered here,
Love need not hope or fear her changed above:

Ere dawned her day to die,
So heavenly, that on high
Change could not glorify
Nor death refine her:
Pure gold of perfect love,
On earth like heaven’s own dove,
She cannot wear, above, a smile diviner.

Her voice in heaven’s own quire
Can sound no heavenlier lyre
Than here no purer fire
Her soul can soar:
No sweeter stars her eyes
In unimagined skies
Beyond our sight can rise than here before,

Hardly long years had shed
Their shadows on her head:
Hardly ...

[1]

To Madame De La Sablière.[2]

A temple I reserved you in my rhyme:
It might not be completed but with time.
Already its endurance I had grounded
Upon this charming art, divinely founded;
And on the name of that divinity
For whom its adoration was to be.
These words I should have written o'er its gate -
TO IRIS IS THIS PALACE CONSECRATE;
Not her who served the queen divine;
For Juno's self, and he who crown'd her bliss,
Had thought it for their dignity, I wis,
To bear the messages of mine.
Within the dome the apotheosis
Should greet th' enraptured sight -
All heaven, in pomp and order meet,
Conducting Iris to her seat
Beneath a canopy of light!
The walls would amply serve to paint her life, -
A matter swe...

    A false knight wooed a maiden poor,
    And his high halls left he
    To stoop in at her cottage door,
    When night left none to see.

    And, well-a-day, it is a tale
    For pity too severe--
    A tale would melt the sternest eye,
    And wake the deafest ear.

    He stole her heart, he stole her love,
    'T was all the wealth she had;
    Her truth and fame likewise stole he,

    *    *    *    *

    And they rode on, and they rode on;
    Far on this pair did ride,
    Till the maiden's heart with fear and love
    Beat quick against her side.

    And on they rode till rocks grew high.
    "Sir Knight, what have we here?"
    "Unsaddle, maid, for here we stop:"
    And death's tongue smote her ear.

When I went to look at what had long been hidden,
A jewel laid long ago in a secret place,
I trembled, for I thought to see its dark deep fire,
But only a pinch of dust blew up in my face.

I almost gave my life long ago for a thing
That has gone to dust now, stinging my eyes,
It is strange how often a heart must be broken,
Before the years can make it wise.

A public parlour in the slums,
The haunt of vice and villainy,
Where things are said unfit to hear,
And things are done unfit to see;
’Mid ribald jest and reckless song,
That mock at all that’s pure and right,
The drunkard drinks the whole day long,
And raves through half the dreadful night.

And in the morning now he sits,
With staring eyes and trembling limb;
The harbour in the sunlight laughs,
But morning is as night to him.
And, staring blankly at the wall,
He sees the tragedy complete,
He sees the man he used to be
Go striding proudly up the street.

He turns the corner with a swing,
And, at the vine-framed cottage gate,
The father sees, with laughing eyes,
His little son and daughter wait:
They race to meet him as he comes,<...

                    to a brook near the village of Corston.

    As thus I bend me o'er thy babbling stream
        And watch thy current, Memory's hand pourtrays
        The faint form'd scenes of the departed days,
    Like the far forest by the moon's pale beam
    Dimly descried yet lovely. I have worn
        Upon thy banks the live-long hour away,
        When sportive Childhood wantoned thro' the day,
    Joy'd at the opening splendour of the morn,
    Or as the twilight darken'd, heaved the sigh
        Thinking of distant home; as down my cheek
        At the fond thought slow stealing on, would speak
    The silent eloquence of the full eye.
    Dim are the long past days, yet still they please
As thy soft sounds half heard, borne on the inconstant breeze...

Though here fair blooms the rose and the woodbine waves on high,
And oak and elm and bracken frond enrich the rolling lea,
And winds as if from Arcady breathe joy as they go by,
Yet I yearn and I pine for my North Countrie.

I leave the drowsing south and in dreams I northward fly,
And walk the stretching moors that fringe the ever-calling sea;
And am gladdened as the gales that are so bitter-sweet go by,
While grey clouds sweetly darken o'er my North Countrie.

For there's music in the storms, and there's colour in the shades,
And there's joy e'en in the sorrow widely brooding o'er the sea;
And larger thoughts have birth among the moors and lowly glades
And reedy mounds and sands of my North Countrie.

Dodici donne onestamente lasse.

HAPPY WHO STEERED THE BOAT, OR DROVE THE CAR, WHEREIN SHE SAT AND SANG.


    Twelve ladies, their rare toil who lightly bore,
Rather twelve stars encircling a bright sun,
I saw, gay-seated a small bark upon,
Whose like the waters never cleaved before:
Not such took Jason to the fleece of yore,
Whose fatal gold has ev'ry heart now won,
Nor such the shepherd boy's, by whom undone
Troy mourns, whose fame has pass'd the wide world o'er.
I saw them next on a triumphal car,
Where, known by her chaste cherub ways, aside
My Laura sate and to them sweetly sung.
Things not of earth to man such visions are!
Blest Tiphys! blest Automedon! to guide
The bark, or car of band so bright and young.

MACGREGOR.

When the spring comes round, and a certain day
Looks out from the brume by the eastern copsetrees
    And says, Remember,
    I begin again, as if it were new,
    A day of like date I once lived through,
    Whiling it hour by hour away;
    So shall I do till my December,
    When spring comes round.

I take my holiday then and my rest
Away from the dun life here about me,
    Old hours re-greeting
    With the quiet sense that bring they must
    Such throbs as at first, till I house with dust,
    And in the numbness my heartsome zest
    For things that were, be past repeating
    When spring comes round.

Think not that the heart is devoid of emotion,
    Because of a countenance rugged and stern,
The bosom may hide the most fervent devotion,
    As shadowy forests hide floweret and fern;
As the pearls which are down in the depths of the ocean,
    The heart may have treasures which few can discern.

Think not the heart barren, because no reflection
    Is flashed from the depths of its secret embrace;
External appearance may baffle detection,
    And yet the heart beat with an ethical grace:
The breast may be charged with the truest affection
    And never betray it by action or face.

By the Isar, in the twilight
We were wandering and singing,
By the Isar, in the evening
We climbed the huntsman's ladder and sat swinging
In the fir-tree overlooking the marshes,
While river met with river, and the ringing
Of their pale-green glacier water filled the evening.

By the Isar, in the twilight
We found the dark wild roses
Hanging red at the river; and simmering
Frogs were singing, and over the river closes
Was savour of ice and of roses; and glimmering
Fear was abroad. We whispered: "No one knows us.
Let it be as the snake disposes
Here in this simmering marsh."

KLOSTER SCHAEFTLARN

Those hours, that with gentle work did frame
The lovely gaze where every eye doth dwell,
Will play the tyrants to the very same
And that unfair which fairly doth excel;
For never-resting time leads summer on
To hideous winter, and confounds him there;
Sap checked with frost, and lusty leaves quite gone,
Beauty o’er-snowed and bareness every where:
Then were not summer’s distillation left,
A liquid prisoner pent in walls of glass,
Beauty’s effect with beauty were bereft,
Nor it, nor no remembrance what it was:
But flowers distill’d, though they with winter meet,
Leese but their show; their substance still lives sweet.

INSCRIBED TO ROBERT C. WATERSTON, OF BOSTON


I give thee joy! I know to thee
The dearest spot on earth must be
Where sleeps thy loved one by the summer sea;

Where, near her sweetest poet’s tomb,
The land of Virgil gave thee room
To lay thy flower with her perpetual bloom.

I know that when the sky shut down
Behind thee on the gleaming town,
On Baiae’s baths and Posilippo’s crown;

And, through thy tears, the mocking day
Burned Ischia’s mountain lines away,
And Capri melted in its sunny bay;

Through thy great farewell sorrow shot
The sharp pang of a bitter thought
That slaves must tread around that holy spot.

Thou knewest not the land was blest
In giving thy beloved rest,
Holding the fond hope closer to he...

I have been thinking of the victims bound
In Naples, dying for the lack of air
And sunshine, in their close, damp cells of pain,
Where hope is not, and innocence in vain
Appeals against the torture and the chain!
Unfortunates! whose crime it was to share
Our common love of freedom, and to dare,
In its behalf, Rome's harlot triple-crowned,
And her base pander, the most hateful thing
Who upon Christian or on Pagan ground
Makes vile the old heroic name of king.
O God most merciful! Father just and kind!
Whom man hath bound let thy right hand unbind.
Or, if thy purposes of good behind
Their ills lie hidden, let the sufferers find
Strong consolations; leave them not to doubt
Thy providential care, nor yet without
The hope which all thy attributes inspire,

Though I follow a trail to north or south,
Though I travel east or west,
There's a little house on a quiet road
That my hidden heart loves best;
And when my journeys are over and done,
'Tis there I will go to rest.

The snows have bleached it this many a year;
The sun has painted it grey;
The vines hold it close in their clinging arms;
The shadows creep there to stay;
And the wind goes calling through empty rooms
For those who have gone away.

But the roses against the window-pane
Are the roses I used to know;
And the rain on the roof still sings the song
It sang in the long ago,
When I lay me down to sleep in a bed
Little and white and low.

It is long since I bid it all good-bye,
With young light-hearted disdain;
I remember...

    Garlands upon his grave,
    And flowers upon his hearse,
And to the tender heart and brave
    The tribute of this verse.

    His was the troubled life,
    The conflict and the pain,
The grief, the bitterness of strife,
    The honor without stain.

    Like Winkelried, he took
    Into his manly breast
The sheaf of hostile spears, and broke
    A path for the oppressed.

    Then from the fatal field
    Upon a nation's heart
Borne like a warrior on his shield!--
    So should the brave depart.

    Death takes us by surprise,
    And stays our hurrying feet;
The great design unfinished lies,
    Our lives are incomplete.

    But in the dark unknown
    Perfect their circles seem,
Even as a bridge...

O simple Nature, how I do delight
To pause upon thy trifles--foolish things,
As some would call them.--On the summer night,
Tracing the lane-path where the dog-rose hings
With dew-drops seeth'd, while chick'ring cricket sings;
My eye can't help but glance upon its leaves,
Where love's warm beauty steals her sweetest blush,
When, soft the while, the Even silent heaves
Her pausing breath just trembling thro' the bush,
And then again dies calm, and all is hush.
O how I feel, just as I pluck the flower
And stick it to my breast--words can't reveal;
But there are souls that in this lovely hour
Know all I mean, and feel whate'er I feel.