Identity

I.

"I belt the morn with ribboned mist;
With baldricked blue I gird the noon,
And dusk with purple, crimson-kissed,
White-buckled with the hunter's moon.

"These follow me," the season says:
"Mine is the frost-pale hand that packs
Their scrips, and speeds them on their ways,
With gipsy gold that weighs their backs."


II.

A daybreak horn the Autumn blows,
As with a sun-tanned band he parts
Wet boughs whereon the berry glows;
And at his feet the red-fox starts.

The leafy leash that holds his hounds
Is loosed; and all the noonday hush
Is startled; and the hillside sounds
Behind the fox's bounding brush.

When red dusk makes the western sky
A fire-lit window through the firs,
He stoops to see the red-fox d...

Tobacco smoke drifts up to the dim ceiling
From half a dozen pipes and cigarettes,
Curling in endless shapes, in blue rings wheeling,
As formless as our talk. Phil, drawling, bets
Cornell will win the relay in a walk,
While Bob and Mac discuss the Giants' chances;
Deep in a morris-chair, Bill scowls at "Falk",
John gives large views about the last few dances.

And so it goes -- an idle speech and aimless,
A few chance phrases; yet I see behind
The empty words the gleam of a beauty tameless,
Friendship and peace and fire to strike men blind,
Till the whole world seems small and bright to hold --
Of all our youth this hour is pure gold.

    I will be the gladdest thing
        Under the sun!
    I will touch a hundred flowers
        And not pick one.

    I will look at cliffs and clouds
        With quiet eyes,
    Watch the wind bow down the grass,
        And the grass rise.

    And when lights begin to show
        Up from the town,
    I will mark which must be mine,
        And then start down!

I.

In ev'ry Town, where Thamis rolls his Tyde,
A narrow pass there is, with Houses low;
Where ever and anon, the Stream is ey'd,
And many a Boat soft sliding to and fro.
There oft are heard the notes of Infant Woe,
The short thick Sob, loud Scream, and shriller Squall:
How can ye, Mothers, vex your Children so?
Some play, some eat, some cack against the wall,
And as they crouchen low, for bread and butter call.

II.

And on the broken pavement, here and there,
Doth many a stinking sprat and herring lie;
A brandy and tobacco shop is near,
And hens, and dogs, and hogs are feeding by;
And here a sailor's jacket hangs to dry.
At ev'ry door are sun-burnt matrons seen,
Mending old nets to catch the scaly fry;
Now singing shrill, and scoldin...

I.

She walks with the wind on the windy height
When the rocks are loud and the waves are white,
And all night long she calls through the night,
"O my children, come home!"
Her bleak gown, torn as a tattered cloud,
Tosses around her like a shroud,
While over the deep her voice rings loud,
"O my children, come home, come home!
O my children, come home!"

II.

Who is she who wanders alone,
When the wind drives sheer and the rain is blown?
Who walks all night and makes her moan,
"O my children, come home!"
Whose face is raised to the blinding gale;
Whose hair blows black and whose eyes are pale,
While over the world goes by her wail,
"O my children, come home, come home!
O my children, come home!"

III.

She walks...

Down on your luck
or, as they say, "financially embarrassed" ...
with little in the way of hope,
less palaver    -
drifting in & out of theme parks not unlike
El Paso, Prairie Junction
between jobs, causes and wives...

letting "it all hang out", in the jumble of the moranese
letting despair and the pig iron law of economics
have their say    -
shouting "moral support" in the face of the rocky
"well-wisher".

I read all the plots and each ends up as a grave...
once in a single afternoon I even gave up on
golddiggers
who, though just passing through meant dress rehearsal
for the bigger jive, "longterm"
and since when should "patching up and catching up"
make starry-eyed even that slip of a girl, commitment.

While I was fearing it, it came,
But came with less of fear,
Because that fearing it so long
Had almost made it dear.
There is a fitting a dismay,
A fitting a despair.
'Tis harder knowing it is due,
Than knowing it is here.
The trying on the utmost,
The morning it is new,
Is terribler than wearing it
A whole existence through.

I.

    Adown winding Nith I did wander,
        To mark the sweet flowers as they spring;
    Adown winding Nith I did wander,
        Of Phillis to muse and to sing.
    Awa wi' your belles and your beauties,
        They never wi' her can compare:
    Whaever has met wi' my Phillis,
        Has met wi' the queen o' the fair.

II.

    The daisy amus'd my fond fancy,
        So artless, so simple, so wild;
    Thou emblem, said I, o' my Phillis,
        For she is simplicity's child.

III.

    The rose-bud's the blush o' my charmer,
        Her sweet balmy lip when 'tis prest:
    How fair and how pure is the lily,
        But fairer and purer her breast.

IV.

    Yon knot of gay flowers in the arbour,...

    Upon her breast her hands and hair
    Were tangled all together.
    The moon of June forbade me not -
    The golden night time weather
    In balmy sighs commanded me
    To kiss them like a feather.

    Her looming hair, her burning hands,
    Were tangled black and white.
    My face I buried there.    I pray -
    So far from her to-night -
    For grace, to dream I kiss her soul
    Amid the black and white.

I see the ghost of a perished day;
I know his face, and the feel of his dawn:
'Twas he who took me far away
To a spot strange and gray:
Look at me, Day, and then pass on,
But come again: yes, come anon!

Enters another into view;
His features are not cold or white,
But rosy as a vein seen through:
Too soon he smiles adieu.
Adieu, O ghost-day of delight;
But come and grace my dying sight.

Enters the day that brought the kiss:
He brought it in his foggy hand
To where the mumbling river is,
And the high clematis;
It lent new colour to the land,
And all the boy within me manned.

Ah, this one. Yes, I know his name,
He is the day that wrought a shine
Even on a precinct common and tame,
As 'twere of purposed aim.
He show...

Golden-locked Erato, and thou, sweet lute,
The comfort of the sad and destitute,
Calm thou my sorrow, lest I too become
A marble pillar shedding through the dumb
But living stone my almost bloody tears,
A monument of grief for coming years.
For when we think of mankind's evil chance
Does not our private grief gain temperance?
Unhappy mother (if 'tis evil hap
We blame when caught in our own folly's trap)
Where are thy sons and daughters, seven each,
The joyful cause of thy too boastful speech?
I see their fourteen stones, and thou, alas,
Who from thy misery wouldst gladly pass
To death, dost kiss the tombs, O wretched one,
Where lies thy fruit so cruelly undone.
Thus blossoms fall where some keen sickle passes
And so, when rain doth level them, green grass...

The hornets build in plaster-dropping rooms,
And on its mossy porch the lizard lies;
Around its chimneys slow the swallow flies,
And on its roof the locusts snow their blooms.
Like some sad thought that broods here, old perfumes
Haunt its dim stairs; the cautious zephyr tries
Each gusty door, like some dead hand, then sighs
With ghostly lips among the attic glooms.
And now a heron, now a kingfisher,
Flits in the willows where the riffle seems
At each faint fall to hesitate to leap,
Fluttering the silence with a little stir.
Here Summer seems a placid face asleep,
And the near world a figment of her dreams.

The hornets build in plaster-dropping rooms,
And on its mossy porch the lizard lies;
Around its chimneys slow the swallow flies,
And on its roof the locusts snow their blooms.
Like some sad thought that broods here, old perfumes
Haunt its dim stairs; the cautious zephyr tries
Each gusty door, like some dead hand, then sighs
With ghostly lips among the attic glooms.
And now a heron, now a kingfisher,
Flits in the willows where the riffle seems
At each faint fall to hesitate to leap,
Fluttering the silence with a little stir.
Here Summer seems a placid face asleep,
And the near world a figment of her dreams.

An Argument for the Maintenance of Peace and Goodwill with the Japanese People



Glossary for the uninstructed and the hasty:    Jimmu Tenno, ancestor of all the Japanese Emperors; Nikko, Japan's loveliest shrine; Iyeyasu, her greatest statesman; Bushido, her code of knighthood; The Forty-seven Ronins, her classic heroes; Nogi, her latest hero; Fuji, her most beautiful mountain.


                    # The minstrel speaks. #
    "Now do you know of Avalon
        That sailors call Japan?
    She holds as rare a chivalry
        As ever bled for man.
    King Arthur sleeps at Nikko hill
        Where Iyeyasu lies,
    And there the broad Pendragon flag
        In deathless splendor flies."

                    # The jingo answers. #
    "Nay, mins...