Identity

Beauty and love let no one separate,
Whom exact Nature did to each other fit,
Giving to Beauty love as finishing fate
And to Love beauty as true colour of it.
Let he but friend be who the soul finds fair,
But let none love outside the body's thought,
So the seen couple's togetherness shall bear
Truth to the beauty each in the other sought.
I could but love thee out of mockery
Of love and thee and mine own ugliness;
Therefore thy beauty I sing and wish not thee,
Thanking the Gods I long not out of place,
    Lest, like a slave that for kings' robes doth long,
    Obtained, shall with mere wearing do them wrong.

Name not his deed: in shuddering and in haste
We dragged him darkly o'er the windy fell:
That night there was a gibbet in the waste,
And a new sin in hell.

Be his deed hid from commonwealths and kings,
By all men born be one true tale forgot;
But three things, braver than all earthly things,
Faced him and feared him not.

Above his head and sunken secret face
Nested the sparrow's young and dropped not dead.
From the red blood and slime of that lost place
Grew daisies white, not red.

And from high heaven looking upon him,
Slowly upon the face of God did come
A smile the cherubim and seraphim
Hid all their faces from.

The falling of a leaf upon thy way,
The flutter of a bird along thy sky,
Thou God, to whom the ages are a day,
Ev'n such, alas! oh, ev'n such am I!

So long the time, O Lord, when I was not.
And ah, so long the time I shall not be,
So strange and small, so passing small my lot,
I cry aloud at thine immensity!

Will not thy garment brush the leaf aside?
Wilt thou, eternal, look upon the fall
Of one poor bird? Or canst thou, stooping wide
From thy great orbit, hearken to my call?

0, little child— 0, little child and fool!
My planets are my gardens, where I go.
At morn and eve, at dawning and at cool.
To see my living green and mark it grow.

I know the leaves that fall from every tree,
I know the birds that nest those gardens through,

History has to live with what was here,
clutching and close to fumbling all we had,
it is so dull and gruesome how we die,
unlike writing, life never finishes.
Abel was finished; death is not remote,
a flash-in-the-pan electrifies the skeptic,
his cows crowding like skulls against high-voltage wire,
his baby crying all night like a new machine.
As in our Bibles, white-faced, predatory,
the beautiful, mist-drunken hunter's moon ascends,
a child could give it a face: two holes, two holes,
my eyes, my mouth, between them a skull's no-nose,
O there's a terrifying innocence in my face
drenched with the silver salvage of the mornfrost.

Thou scarest me with dreams.
    -JOB.

When Night's last hours, like haunting spirits, creep
With listening terrors round the couch of sleep,
And Midnight, brooding in its deepest dye,
Seizes on Fear with dismal sympathy,
"I dreamed a dream" something akin to fate,
Which Superstition's blackest thoughts create--
Something half natural to the grave that seems,
Which Death's long trance of slumber haply dreams;
A dream of staggering horrors and of dread,
Whose shadows fled not when the vision fled,
But clung to Memory with their gloomy view,
Till Doubt and Fancy half believed it true.

That time was come, or seem'd as it was come,
When Death no longer makes the grave his home;
When waking spirits leave their earthly rest
To mix for ever with the ...

With my beloved I lingered late one night.
At last the hour when I must leave her came:
But, as I turned, a fear I could not name
Possessed me that the long sweet evening might
Prelude some sudden storm, whereby delight
Should perish. What if death, ere dawn, should claim
One of us? What, though living, not the same
Each should appear to each in morning-light?

Changed did I find her, truly, the next day:
Ne'er could I see her as of old again.
That strange mood seemed to draw a cloud away,
And let her beauty pour through every vein
Sunlight and life, part of me. Thus the lover
With each new morn a new world may discover.

Where the violet shadows brood
Under cottonwoods and beeches,
Through whose leaves the restless reaches
Of the river glance, I've stood,
While the red-bird and the thrush
Set to song the morning hush.

There, when woodland hills encroach
On the shadowy winding waters,
And the bluets, April's daughters,
At the darling Spring's approach,
Star their myriads through the trees,
All the land is one with peace.

Under some imposing cliff,
That, with bush and tree and boulder,
Thrusts a gray, gigantic shoulder
O'er the stream, I've oared a skiff,
While great clouds of berg-white hue
Lounged along the noonday blue.

There, when harvest heights impend
Over shores of rippling summer,
And to greet the fair new-comer,
June, the wildr...

Admire, exult, despise, laugh, weep, for here
There is such matter for all feeling.
- Childe Harold.


I
Unwelcome shroud of the forgotten dead,
Oblivion’s dreary fountain, where art thou:
Why speed’st thou not thy deathlike wave to shed
O’er humbled pride, and self-reproaching woe:
Or time’s stern hand, why blots it not away
The saddening tale that tells of sorrow and decay?

II
There are, whose glory passeth not away—
Even in the grave their fragrance cannot fade:
Others there are as deathless full as they,
Who for themselves a monument have made
By their own cringes—a lesson to all eyes—
Of wonder to the fool—of warning to the wise.

III
Yes, there are stories registered on high,
Yes, there are stains time’s fingers...

Thus have I pictured her: In Arden old
A white-browed maiden with a falcon eye,
Rose-flushed of face, with locks of wind-blown gold,
Teaching her hawks to fly.

Or, 'mid her boar-hounds, panting with the heat,
In huntsman green, sounding the hunt's wild prize,
Plumed, dagger-belted, while beneath her feet
The spear-pierced monster dies.

Or in Brécéliand, on some high tower,
Clad white in samite, last of her lost race,
My soul beholds her, lovelier than a flower,
Gazing with pensive face.

Or, robed in raiment of romantic lore,
Like Oriana, dark of eye and hair,
Riding through realms of legend evermore,
And ever young and fair.

Or now like Bradamant, as brave as just,
In complete steel, her pure face lit with scorn,
At giant cast...

Farewell has long been said; I have forgone thee;
    I never name thee even.
But how shall I learn virtues and yet shun thee?
    For thou art so near Heaven
That heavenward meditations pause upon thee.

Thou dost beset the path to every shrine;
    My trembling thoughts discern
Thy goodness in the good for which I pine;
    And if I turn from but one sin, I turn
Unto a smile of thine.

How shall I thrust thee apart
    Since all my growth tends to thee night and day-
To thee faith, hope, and art?
    Swift are the currents setting all one way;
They draw my life, my life, out of my heart.

Come up from the fields, father, here's a letter from our Pete;
And come to the front door, mother--here's a letter from thy dear son.

Lo, 'tis autumn;
Lo, where the trees, deeper green, yellower and redder,
Cool and sweeten Ohio's villages, with leaves fluttering in the moderate wind;
Where apples ripe in the orchards hang, and grapes on the trellis'd vines;
(Smell you the smell of the grapes on the vines?
Smell you the buckwheat, where the bees were lately buzzing?)

Above all, lo, the sky, so calm, so transparent after the rain, and with wondrous clouds;
Below, too, all calm, all vital and beautiful--and the farm prospers well.


Down in the fields all prospers well;
But now from the fields come, father--come at the daughter's call;
And come to the entry, ...

    High on the hill, with moss o'ergrown,
    A hermit chapel stood;
    It spoke the tale of seasons gone,
    And half-revealed its ivied stone.
    Amid the beechen wood.

    Here often, when the mountain trees
    A leafy murmur made,
    Now still, now swaying to the breeze,
    (Sounds that the musing fancy please),
    The widowed mourner strayed.

    And many a morn she climbed the steep,
    From whence she might behold,
    Where, 'neath the clouds, in shining sweep,
    And mingling with the mighty deep,
    The sea-broad Severn rolled.

    Her little boy beside her played,
    With sea-shells in his hand;
    And sometimes, 'mid the bents delayed,
    And sometimes running onward, said,
    Oh, where is Holy Land!<...

Clouds rosy-tinted in the setting sun,
Depths of the azure eastern sky between,
Plains where the poplar-bordered highways run,
Patched with a hundred tints of brown and green, -
Beauty of Earth, when in thy harmonies
The cannon's note has ceased to be a part,
I shall return once more and bring to these
The worship of an undivided heart.
Of those sweet potentialities that wait
For my heart's deep desire to fecundate
I shall resume the search, if Fortune grants;
And the great cities of the world shall yet
Be golden frames for me in which to set
New masterpieces of more rare romance.

She was born in the season of fire,
When a mantle of murkiness lay
On the front of the crimson Destroyer:
And none knew the name of her sire
But the woman; and she, ashen grey,
In the fierce pangs of motherhood lay.

The skies were aflame at her coming
With a marvellous message of ill;
And fear-stricken pinions were drumming
The hot, heavy air, whence the humming
Of insects rose, sudden and shrill,
As they fled from that hell-begirt hill.

Then the smoke-serpent writhed in her tresses:
The flame kissed her hard on the lips:
She smiled at their ardent caresses
As the wanton who smiles, but represses
A lover's hot haste, and so slips
From the arm that would girdle her hips.

Such the time of her coming and fashion:
How long ere her ...

Oh, what so subtle as the spell
    The silvery moonlight weaves?
Oh, what so sad and what so glad,
    And what so soon deceives.

A vision of the long ago--
    Long years of pain between;
A mocking dream of happier days--
    A veil of silver sheen.

A passing gleam of falling stars--
    An idle summer's dream;
The sudden waking of a heart--
    Things are not as they seem.

Oh, silver moon, indeed you hold
    The secrets of the heart;
And none can know and none can guess
    The mystery of thy art.

A silver length of rippling waves,
    A glance from happy eyes;
A strain of music low and sweet--
    The heart in rapture lies.

Yet, ah, how faithless are the vows
    Made 'neath the summer moon;
As c...

How can a heart play any more with life,
    After it has found a woman and known tears?

In vain I shut my windows against the moonlight;
    I have estranged sleep.

The flower of her face is growing in the shadow
    Among warm and rustling leaves....

I see the sunlight on her house,
    I see her curtains of vermilion silk....

Here is the almond-coloured dawn;
    And there is dew on the petals of my night flower.

Lyric of Korea.

(1860-1.)


I

O the clammy cold November,
And the winter white and dead,
And the terror dumb with stupor,
And the sky a sheet of lead;
And events that came resounding
With the cry that All was lost,
Like the thunder-cracks of massy ice
In intensity of frost -
Bursting one upon another
Through the horror of the calm.
The paralysis of arm
In the anguish of the heart;
And the hollowness and dearth.
The appealings of the mother
To brother and to brother
Not in hatred so to part -
And the fissure in the hearth
Growing momently more wide.
Then the glances 'tween the Fates,
And the doubt on every side,
And the patience under gloom
In the stoniness that waits
The finality of doom.


II
...

'The soul is its own witness and its own refuge'


Unto the deep the deep heart goes,
It lays its sadness nigh the breast:
Only the Mighty Mother knows
The wounds that quiver unconfessed.

It seeks a deeper silence still;
It folds itself around with peace,
Where thoughts alike of good or ill
In quietness unfostered cease.

It feels in the unwounding vast
For comfort for its hopes and fears:
The Mighty Mother bows at last;
She listens to her children's tears.

Where the last anguish deepens--there
The fire of beauty smites through pain:
A glory moves amid despair,
The Mother takes her child again.