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Page 314 of 1301

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Page 314 of 1301

A Mother Showing The Portrait Of Her Child.

(F.M.L.)


Living child or pictured cherub,
Ne'er o'ermatched its baby grace;
And the mother, moving nearer,
Looked it calmly in the face;
Then with slight and quiet gesture,
And with lips that scarcely smiled,
Said - "A Portrait of my daughter
When she was a child."

Easy thought was hers to fathom,
Nothing hard her glance to read,
For it seemed to say, "No praises
For this little child I need:
If you see, I see far better,
And I will not feign to care
For a stranger's prompt assurance
That the face is fair."

Softly clasped and half extended,
She her dimpled hands doth lay:
So they doubtless placed them, saying -
"Little one, you must not play."
And while yet his work was growing,
This the painter's hand hath...

Jean Ingelow

The Double Chamber

A chamber that is like a reverie; a chamber truly spiritual, where the stagnant atmosphere is lightly touched with rose and blue.
There the soul bathes itself in indolence made odorous with regret and desire. There is some sense of the twilight, of things tinged with blue and rose: a dream of delight during an eclipse. The shape of the furniture is elongated, low, languishing; one would think it endowed with the somnambulistic vitality of plants and minerals.
The tapestries speak an inarticulate language, like the flowers, the skies, the dropping suns.
There are no artistic abominations upon the walls.
Compared with the pure dream, with an impression unanalysed, definite art, positive art, is a blasphemy.
Here all has the sufficing lucidity and the delicious obscurity of music.
An infinitesimal odour of the m...

Charles Baudelaire

From The Old To The New. Lines For The New Year

        I hear the beat of the unresting tide
On either shore as swiftly on I glide
With eager haste the narrow channel o'er,
Which links the floods behind with those before.
I hear behind me as I onward glide,
Faint, farewell voices blending with the tide,
While from beyond, now near, now far away,
Come stronger voices chiding each delay;
And drowning, oft, with wild, discordant burst,
The melancholy minor of the first

"Farewell! farewell! - ye leave us far behind you!" -
Tis thus the bright-winged Hours sigh from the Past -
"Ye leave us, and the coming ones will find you
Still vainly dreaming they will ever last, -
Still trifling with the gifts all fresh and glowing,
Each in its turn will scatter in your way, ...

Pamela S. Vining (J. C. Yule)

An Acre Of Grass

Picture and book remain,
An acre of green grass
For air and exercise,
Now strength of body goes;
Midnight, an old house
Where nothing stirs but a mouse.

My temptation is quiet.
Here at life's end
Neither loose imagination,
Nor the mill of the mind
Consuming its rag and bonc,
Can make the truth known.

Grant me an old man's frenzy,
Myself must I remake
Till I am Timon and Lear
Or that William Blake
Who beat upon the wall
Till Truth obeyed his call;

A mind Michael Angelo knew
That can pierce the clouds,
Or inspired by frenzy
Shake the dead in their shrouds;
Forgotten else by mankind,
An old man's eagle mind.

William Butler Yeats

Unpaginated

    Orchestrating violins thru whisky sky
clouds slide like billiard balls
a Jackie Gleason-Fats Domino
ricochet off greener velvet;
my pheasant escaping snow.

Jack Ketch the hangman
in brilliant plumage,
a touch of Borgia in
long, murderous hands.

The light of Capone in
steeple-dark eyes
running like a
haunted ship
around the white, facial disc.

Offset. Bold type.
I see you through pages
of my history book
only you're unpaginated.

Unclench the fist,
watch for effervescent islets,
erotic mounds of Venus or
protuberances called Marquesas
off my left hand.

Omens are the cloth
of dreams, scissors

Paul Cameron Brown

Proem. To Myth And Romance

There is no rhyme that is half so sweet
As the song of the wind in the rippling wheat;
There is no metre that's half so fine
As the lilt of the brook under rock and vine;
And the loveliest lyric I ever heard
Was the wildwood strain of a forest bird.--
If the wind and the brook and the bird would teach
My heart their beautiful parts of speech.
And the natural art that they say these with,
My soul would sing of beauty and myth
In a rhyme and a metre that none before
Have sung in their love, or dreamed in their lore,
And the world would be richer one poet the more.

Madison Julius Cawein

Then And Now

A little time agone, a few brief years,
And there was peace within our beauteous borders;
Peace, and a prosperous people, and no fears
Of war and its disorders.
Pleasure was ruling goddess of our land; with her attendant Mirth
She led a jubilant, joy-seeking band about the riant earth.

Do you recall those laughing days, my Brothers,
And those long nights that trespassed on the dawn?
Those throngs of idle dancing maids and mothers
Who lilted on and on -
Card mad, wine flushed, bejewelled and half stripped,
Yet women whose sweet mouth had never sipped
From sin's black chalice - women good at heart
Who, in the winding maze of pleasure's mart,
Had lost the sun-kissed way to wholesome pleasures of an earlier day.

Oh! You remember them! You filled their...

Ella Wheeler Wilcox

A Canticle: Significant of the national exaltation of enthusiasm at the close of the War.

O the precipice Titanic
Of the congregated Fall,
And the angle oceanic
Where the deepening thunders call -
And the Gorge so grim,
And the firmamental rim!
Multitudinously thronging
The waters all converge,
Then they sweep adown in sloping
Solidity of surge.

The Nation, in her impulse
Mysterious as the Tide,
In emotion like an ocean
Moves in power, not in pride;
And is deep in her devotion
As Humanity is wide.

Thou Lord of hosts victorious,
The confluence Thou hast twined;
By a wondrous way and glorious
A passage Thou dost find -
A passage Thou dost find:
Hosanna to the Lord of hosts,
The hosts of human kind.

Stable in its baselessness
When calm is in the air,
The Iris half in tracelessness
Hov...

Herman Melville

Bertrand De Born

Knight and Troubadour, to his Lady the Beautiful Maenz of Martagnac

The burden of the sometime years,
That once my soul did overweigh,
Falls from me, with its griefs and fears,
When gazing in thine eyes of gray;
Wherein, behold, like some bright ray
Of dawn, thy heart's fond love appears,
To cheer my life upon its way.

Thine eyes! the daybreak of my heart!
That give me strength to do and dare;
Whose beauty is a radiant part
Of all my songs; the music there;
The morning, that makes dim each care,
And glorifies my mind's dull mart,
And helps my soul to do and dare.

God, when He made thy fresh fair face,
And thy young body, took the morn
And made thee like a rose, whose race
Is not of Earth; without a thorn,
And dewed thee with th...

Madison Julius Cawein

The House Of Dust: Part 01: 01: The Sun Goes Down In A Cold Pale Flare Of Light

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

‘I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .’
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,

Conrad Aiken

Inscribed To The Rev. W. Howley.[1]

    The morning wakes in shadowy mantle gray,
The darksome woods their glimmering skirts unfold,
Prone from the cliff the falcon wheels her way,
And long and loud the bell's slow chime is tolled.

The reddening light gains fast upon the skies,
And far away the glistening vapours sail,
Down the rough steep the accustomed hedger hies,
And the stream winds in brightness through the vale.

Mark how those riven rocks on either shore
Uplift their bleak and furrowed fronts on high;
How proudly desolate their foreheads hoar,
That meet the earliest sunbeams of the sky!

Bound for yon dusky mart,[2] with pennants gay,
The tall bark, on the winding water's line,
Between the riven cliffs slow plies he...

William Lisle Bowles

The Midden's Song

"Bubble, Bubble,
Swim to see
Oh, how beautiful
I be.

"Fishes, Fishes,
Finned and fine,
What's your gold
Compared with mine?

"Why, then, has
Wise Tishnar made
One so lovely,
Yet so sad?

"Lone am I,
And can but make
A little song,
For singing's sake."

Walter De La Mare

Beauty And Song.

Down in yon summer vale,
Where the rill flows.
Thus said a Nightingale
To his loved Rose:--
"Tho' rich the pleasures
"Of song's sweet measures,
"Vain were its melody,
"Rose, without thee."

Then from the green recess
Of her night-bower,
Beaming with bashfulness,
Spoke the bright flower:--
"Tho' morn should lend her
"Its sunniest splendor,
"What would the Rose be,
"Unsung by thee?"

Thus still let Song attend
Woman's bright way;
Thus still let woman lend
Light to the lay.
Like stars thro' heaven's sea
Floating in harmony
Beauty should glide along
Circled by Song.

Thomas Moore

Richmond Hill

Murmur of living!
Stir of existence!
Soul of the world!
Make, oh make yourselves felt
To the dying spirit of Youth.
Come, like the breath of the spring.
Leave not a human soul
To grow old in darkness and pain.
Only the living can feel you
But leave us not while we live

Matthew Arnold

Spirit Of Sadness

She loved the Autumn, I the Spring,
Sad all the songs she loved to sing;
And in her face was strangely set
Some great inherited regret.

Some look in all things made her sigh,
Yea! sad to her the morning sky:
'So sad! so sad its beauty seems' -
I hear her say it still in dreams.

But when the day grew grey and old,
And rising stars shone strange and cold,
Then only in her face I saw
A mystic glee, a joyous awe.

Spirit of Sadness, in the spheres
Is there an end of mortal tears?
Or is there still in those great eyes
That look of lonely hills and skies?

Richard Le Gallienne

The Hired Man And Floretty

The Hired Man's supper, which he sat before,
In near reach of the wood-box, the stove-door
And one leaf of the kitchen-table, was
Somewhat belated, and in lifted pause
His dextrous knife was balancing a bit
Of fried mush near the port awaiting it.

At the glad children's advent - gladder still
To find him there - "Jest tickled fit to kill
To see ye all!" he said, with unctious cheer. -
"I'm tryin'-like to he'p Floretty here
To git things cleared away and give ye room
Accordin' to yer stren'th. But I p'sume
It's a pore boarder, as the poet says,
That quarrels with his victuals, so I guess
I'll take another wedge o' that-air cake,
Florett', that you're a-learnin' how to bake."
He winked and feigned to swallow painfully. -

"Jest 'for...

James Whitcomb Riley

After Sunset - Sonnets

‘Si quis piorum Manibus locus.’


I.

Straight from the sun’s grave in the deep clear west
A sweet strong wind blows, glad of life: and I,
Under the soft keen stardawn whence the sky
Takes life renewed, and all night’s godlike breast
Palpitates, gradually revealed at rest
By growth and change of ardours felt on high,
Make onward, till the last flame fall and die
And all the world by night’s broad hand lie blest.
Haply, meseems, as from that edge of death,
Whereon the day lies dark, a brightening breath
Blows more of benediction than the morn,
So from the graves whereon grief gazing saith
That half our heart of life there lies forlorn
May light or breath at least of hope be born.



II.

The wind was soft before th...

Algernon Charles Swinburne

The Faded Face

How was this I did not see
Such a look as here was shown
Ere its womanhood had blown
Past its first felicity? -
That I did not know you young,
Faded Face,
Know you young!

Why did Time so ill bestead
That I heard no voice of yours
Hail from out the curved contours
Of those lips when rosy red;
Weeted not the songs they sung,
Faded Face,
Songs they sung!

By these blanchings, blooms of old,
And the relics of your voice -
Leavings rare of rich and choice
From your early tone and mould -
Let me mourn, - aye, sorrow-wrung,
Faded Face,
Sorrow-wrung!

Thomas Hardy

Page 314 of 1301

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Page 314 of 1301