Identity

I

Fair Lady, whose harmonious name the Rheno
    Through all his grassy vale delights to hear,
    Base were, indeed, the wretch, who could forbear
    To love a spirit elegant as thine,
That manifests a sweetness all divine,
    Nor knows a thousand winning acts to spare,
    And graces, which Love's bow and arrows are,
    Temp'ring thy virtues to a softer shine.
When gracefully thou speak'st, or singest gay
    Such strains as might the senseless forest move,
    Ah then--turn each his eyes and ears away,
Who feels himself unworthy of thy love!
    Grace can alone preserve him, e'er the dart
    Of fond desire yet reach his inmost heart.

II

As on a hill-top rude, when closing day
    Imbrowns the scene, some past'ral maiden fair
...

Down the world with Marna!
That's the life for me!
Wandering with the wandering wind,
Vagabond and unconfined!
Roving with the roving rain
Its unboundaried domain!
Kith and kin of wander-kind,
Children of the sea!

Petrels of the sea-drift!
Swallows of the lea!
Arabs of the whole wide girth
Of the wind-encircled earth!
In all climes we pitch our tents,
Cronies of the elements,
With the secret lords of birth
Intimate and free.

All the seaboard knows us
From Fundy to the Keys;
Every bend and every creek
Of abundant Chesapeake;
Ardise hills and Newport coves
And the far-off orange groves,
Where Floridian oceans break,
Tropic tiger seas.

Down the world with Marna,
Tarrying there and here!
Just as m...

Lo! steadfast and serene,
In patient pause between
The seen and the unseen,
    What gentle zephyrs fan
Your silken silver hair, -
And what diviner air
Breathes round you like a prayer,
    Old Man?

Can you, in nearer view
Of Glory, pierce the blue
Of happy Heaven through;
    And, listening mutely, can
Your senses, dull to us,
Hear Angel-voices thus,
In chorus glorious -
    Old Man?

In your reposeful gaze
The dusk of Autumn days
Is blent with April haze,
    As when of old began
The bursting of the bud
Of rosy babyhood -
When all the world was good,
    Old Man.

And yet I find a sly
Little twinkle in your eye;
And your whisperingly shy
    Little laugh is simply an
Internal shout o...

How's a man to write a sonnet, can you tell,--
How's he going to weave the dim, poetic spell,--
When a-toddling on the floor
Is the muse he must adore,
And this muse he loves, not wisely, but too well?

Now, to write a sonnet, every one allows,
One must always be as quiet as a mouse;
But to write one seems to me
Quite superfluous to be,
When you 've got a little sonnet in the house.

Just a dainty little poem, true and fine,
That is full of love and life in every line,
Earnest, delicate, and sweet,
Altogether so complete
That I wonder what's the use of writing mine.

    Margaret! my Cousin!--nay, you must not smile;
    I love the homely and familiar phrase;
    And I will call thee Cousin Margaret,
    However quaint amid the measured line
    The good old term appears. Oh! it looks ill
    When delicate tongues disclaim old terms of kin,
    Sirring and Madaming as civilly
    As if the road between the heart and lips
    Were such a weary and Laplandish way
    That the poor travellers came to the red gates
    Half frozen. Trust me Cousin Margaret,
    For many a day my Memory has played
    The creditor with me on your account,
    And made me shame to think that I should owe
    So long the debt of kindness. But in truth,
    Like Christian on his pilgrimage, I bear
    So heavy a pack of business, that albeit
...

Thou, by whom, freed from rules constrained and wrong,
On truth and nature once again we're placed,
Who, in the cradle e'en a hero strong,
Stiffest the serpents round our genius laced,
Thou whom the godlike science has so long
With her unsullied sacred fillet graced,
Dost thou on ruined altars sacrifice
To that false muse whom we no longer prize?

This theatre belongs to native art,
No foreign idols worshipped here are seen;
A laurel we can show, with joyous heart,
That on the German Pindus has grown green
The sciences' most holy, hidden part
The German genius dares to enter e'en,
And, following the Briton and the Greek,
A nobler glory now attempts to seek.

For yonder, where slaves kneel, and despots hold
The reins, where spurious greatness lif...

To-night retired, the queen of heaven
With young Endymion stays;
And now to Hesper it is given
Awhile to rule the vacant sky,
Till she shall to her lamp supply
A stream of brighter rays.

Propitious send thy golden ray,
Thou purest light above!
Let no false flame seduce to stray
Where gulf or steep lie hid for harm;
But lead where music's healing charm
May soothe afflicted love.

To them, by many a grateful song
In happier seasons vow'd,
These lawns, Olympia's haunts, belong:
Oft by yon silver stream we walk'd,
Or fix'd, while Philomela talk'd,
Beneath yon copses stood.

Nor seldom, where the beechen boughs
That roofless tower invade,
We came, while her enchanting Muse
The radiant moon above us held:
Till, by a clam...

When my old heart was young, my dear,
The Earth and Heaven were so near
That in my dreams I oft could hear
    The steps of unseen races;
In woodlands, where bright waters ran,
On hills, GOD'S rainbows used to span,
I followed voices not of man,
    And smiled in spirit faces.

Now my old heart is old, my sweet,
No longer Earth and Heaven meet;
All Life is grown to one long street
    Where fact with fancy clashes;
The voices now that speak to me
Are prose instead of poetry:
And in the faces now I see
    Is less of flame than ashes.

    This evening the Moon dreams more languidly,
        Like a beauty who on mounded cushions rests,
    And with her light hand fondles lingeringly,
        Before she sleeps, the slope of her sweet breasts.

    On her soft satined avalanches' height
        Dying, she laps herself for hours and hours
    In long, long swoons, and gazes at the white
        Visions which rise athwart the blue like flowers.

    When sometimes in her perfect indolence
    She lets a furtive tear steal gently thence,
        Some pious poet, a lone, sleepless one,

    Takes in his hollowed hand this gem, shot through,
    Like an opal stone, with gleams of every hue,
        And in his heart's depths hides it from the sun.

I 've journeyed 'roun' consid'able, a-seein' men an' things,
An' I 've learned a little of the sense that meetin' people brings;
But in spite of all my travelling an' of all I think I know,
I 've got one notion in my head, that I can't git to go;
An' it is that the folks I meet in any other spot
Ain't half so good as them I knowed back home in Possum Trot.

I know you 've never heerd the name, it ain't a famous place,
An' I reckon ef you 'd search the map you could n't find a trace
Of any sich locality as this I 've named to you;
But never mind, I know the place, an' I love it dearly too.
It don't make no pretensions to bein' great or fine,
The circuses don't come that way, they ain't no railroad line.
It ain't no great big city, where the schemers plan an' plot,
But je...

Another day awakes. And who -
    Changing the world - is this?
He comes at whiles, the Winter through,
    West Wind! I would not miss
His sudden tryst: the long, the new
    Surprises of his kiss.

Vigilant, I make haste to close
    With him who comes my way.
I go to meet him as he goes;
    I know his note, his lay,
His colour and his morning rose;
    And I confess his day.

My window waits; at dawn I hark
    His call; at morn I meet
His haste around the tossing park
    And down the softened street;
The gentler light is his; the dark,
    The grey - he turns it sweet.

So too, so too, do I confess
    My poet when he sings.
He rushes on my mortal guess
    With his immortal things.
I feel, I know him. On I pr...

    The ghosts are marmalade
    thin as rinds across toast
    or the Weeping Willow, whose
    green beard leans,
    crane-like, into a child's
    backyard.

    A Morning Cloak butterfly,
    maroon wet with the paint
    of morning, cat paws
    thin filament leaves
    astride a larder
    of memories.

    Dalliance with the past,
    smoke grey these architects
    of memory
    the privet hedge,
    lone pine tree,
    jet black caterpillar
    poised about a green
    carrot top trigger
    laced in emperor's gold
    like fathoms of the sea
    held ... in quiet repose.

(To P. A. G.)


Here they trysted, here they strayed,
In the leafage dewy and boon,
Many a man and many a maid,
And the morn was merry June:
'Death is fleet, Life is sweet,'
Sang the blackbird in the may;
And the hour with flying feet
While they dreamed was yesterday.

Many a maid and many a man
Found the leafage close and boon;
Many a destiny began,
O the morn was merry June.
Dead and gone, dead and gone,
(Hark the blackbird in the may!),
Life and Death went hurrying on,
Cheek on cheek, and where were they?

Dust in dust engendering dust
In the leafage fresh and boon,
Man and maid fulfil their trust,
Still the morn turns merry June.
Mother Life, Father Death
(O the blackbird in the may!),
Each the other's...

O take this world away from me;
Its strife I cannot bear to see,
Its very praises hurt me more
Than een its coldness did before,
Its hollow ways torment me now
And start a cold sweat on my brow,
Its noise I cannot bear to hear,
Its joy is trouble to my ear,
Its ways I cannot bear to see,
Its crowds are solitudes to me.
O, how I long to be agen
That poor and independent man,
With labour's lot from morn to night
And books to read at candle light;
That followed labour in the field
From light to dark when toil could yield
Real happiness with little gain,
Rich thoughtless health unknown to pain:
Though, leaning on my spade to rest,
I've thought how richer folks were blest
And knew not quiet was the best.

Go with your tauntings, go;

Clove-spicy pinks and phlox that fill the sense
With drowsy indolence;
And in the evening skies
Interior splendor, pregnant with surprise,
As if in some new wise
The full moon soon would rise.

Hung with the crimson aigrets of its seeds
The purple monkshood bleeds;
The dewy crickets chirr,
And everywhere are lights of lavender;
And scents of musk and myrrh
To guide the foot of her.

She passes like a misty glimmer on
To where the rose blooms wan,
A twilight moth in flight,
As in the west its streak of chrysolite
The dusk erases quite,
And ushers in the night.

And now another shadow passes slow,
With firefly light a-glow:
The scent of a cigar,
And two who kiss beneath the evening-star,
Where, in a moonbeam bar,

        The scholar, of his learning vain,
        Beholds the fop with deep disdain:
        The fop, with spirit as discerning,
        Looks down upon the man of learning.
        The Spanish Don - a solemn strutter -
        Despises Gallic airs and flutter:
        Whilst the Gaul ridicules the Don,
        And John Bull looks with like disdain
        On manners both of France and Spain:
        They hold, indeed, a deed tripartite
        To see each other in a tart light.
        'Tis thus the bard is scorned by those
        Who only deal in learned prose:
        Whilst bards of quick imagination
        Are hipped by the dull prose oration.
        Men scoff at apes: apes scoff at them;
        And all - except themselves - contemn.

     ...

FROM THE BANKS OF THE ST. LAWRENCE.


Not many months have now been dreamed away
Since yonder sun, beneath whose evening ray
Our boat glides swiftly past these wooded shores,
Saw me where Trent his mazy current pours,
And Donington's old oaks, to every breeze,
Whisper the tale of by-gone centuries;--
Those oaks, to me as sacred as the groves,
Beneath whose shade the pious Persian roves,
And hears the spirit-voice of sire, or chief,
Or loved mistress, sigh in every leaf.
There, oft, dear Lady, while thy lip hath sung
My own unpolished lays, how proud I've hung
On every tuneful accent! proud to feel.
That notes like mine should have the fate to steal,
As o'er thy hallowing lip they sighed along.
Such breath of passion and such soul of song.
Yes,--...

He wore, I think, a chasuble, the day when first we met;
A stole and snowy alb likewise, I recollect it yet.
He called me “daughter,” as he raised his jeweled hand to bless;
And then, in thrilling undertones, he asked, “Would I confess?”

O mother dear! blame not your child, if then on bended knees
I dropped, and thought of Abelard, and also Eloise;
Or when, beside the altar high, he bowed before the pyx,
I envied that seraphic kiss he gave the crucifix.

The cruel world may think it wrong, perhaps may deem me weak,
And, speaking of that sainted man, may call his conduct “cheek;”
And, like that wicked barrister whom Cousin Harry quotes,
May term his mixed chalice “grog,” his vestments “petticoats;”

But, whatsoe’er they do or say, I’ll build a Christian’s hope