Identity

Lucilla, wedded to Lucretius, found
Her master cold; for when the morning flush
Of passion and the first embrace had died
Between them, tho' he loved her none the less,
Yet often when the woman heard his foot
Return from pacings in the field, and ran
To greet him with a kiss, the master took
Small notice, or austerely, for his mind
Half buried in some weightier argument,
Or fancy-borne perhaps upon the rise
And long roll of the hexameter -- he past
To turn and ponder those three hundred scrolls
Left by the Teacher, whom he held divine.
She brook'd it not, but wrathful, petulant
Dreaming some rival, sought and found a witch
Who brew'd the philtre which had power, they said
To lead an errant passion home again.
And this, at times, she mingled with his drink...

I am a river flowing round your hill,
Holding your image in my lingering water,
With imaged white clouds rising round your head;
And I am happy to bear your image still.
Though a loud ruffling wind may break and scatter
That happiness, I know it is not fled.

But when the wind is gone or gentled so
That only the least quivering quivers on,
Your image recomposes in my breast
With those high clouds, quiet and white as snow--
Spiritual company; and when day's gone
And those white clouds have stepped into the west;

And the dark blue filling the heavens deep
Is bright with stars that sing above your head,
Their light lies in the deep of my dark eyes
With your dark shape, a shadow of your sleep ...
I am happy still, watching the bright stars tread
Ar...

Nor happiness, nor majesty, nor fame,
Nor peace, nor strength, nor skill in arms or arts,
Shepherd those herds whom tyranny makes tame;
Verse echoes not one beating of their hearts,
History is but the shadow of their shame,
Art veils her glass, or from the pageant starts
As to oblivion their blind millions fleet,
Staining that Heaven with obscene imagery
Of their own likeness. What are numbers knit
By force or custom? Man who man would be,
Must rule the empire of himself; in it
Must be supreme, establishing his throne
On vanquished will, quelling the anarchy
Of hopes and fears, being himself alone.

(In Memory of Henry Kendall)


Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.

For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.

Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledg...

You say, as I have often given tongue
In praise of what another’s said or sung,
’Twere politic to do the like by these;
But have you known a dog to praise his fleas?

        The home of love is her blue eyes,
        Wherein all joy, all beauty lies,
        More sweet than hopes of paradise,
                She being young.

        Speak of her with a miser's praise;
        She craves no golden speech; her ways
        Wind through charmed nights and magic days,
                She being young.

        She is so far from pain and death,
        So warm her cheek, so sweet her breath
        Glad words are all the words she saith,
                She being young.

        Seeing her face, it seems not far
        To Troy's heroic field of war,
        To Troy and all great things that are,
                She being young.

When I behold a forest spread
With silken trees upon thy head;
And when I see that other dress
Of flowers set in comeliness;
When I behold another grace
In the ascent of curious lace,
Which, like a pinnacle, doth shew
The top, and the top-gallant too;
Then, when I see thy tresses bound
Into an oval, square, or round,
And knit in knots far more than I.
Can tell by tongue, or True-love tie;
Next, when those lawny films I see
Play with a wild civility;
And all those airy silks to flow,
Alluring me, and tempting so,
I must confess, mine eye and heart
Dotes less on nature than on art.

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.

Through the black, rushing smoke-bursts,
Thick breaks the red flame;
All Etna heaves fiercely
Her forest-clothed frame.
Not here, O Apollo!
Are haunts meet for thee.
But, where Helicon breaks down
In cliff to the sea,
Where the moon-silver'd inlets
Send far their light voice
Up the still vale of Thisbe,
O speed, and rejoice!
On the sward at the cliff-top
Lie strewn the white flocks,
On the cliff-side the pigeons
Roost deep in the rocks.
In the moonlight the shepherds,
Soft lull'd by the rills,
Lie wrapped in their blankets
Asleep on the hills.
What forms are these coming
So white through the gloom?
What garments out-glistening
The gold-flower'd broom?
What sweet-breathing presence
Out-perfumes the thyme?
What v...

I.

Who is she, like the spring, who comes down
From the hills to the smoke-huddled town?
With her peach-petal face
And her wildflower grace,
Bringing sunshine and gladness to each sorry place?
Her cheeks are twin buds o' the brier,
Mixed fervors of snow and of fire;
Her lips are the red
Of a rose that is wed
To dew and aroma when dawn is o'erhead:
Her eyes are twin bits o' the skies,
Blue glimpses of Paradise;
The strands of her hair
Are sunlight and air
Herself is the argument that she is fair,
This girl with the dawn in her eyes.

II.

If Herrick had looked on her face
His lyrics had learned a new grace:
Her face is a book
Where each laugh and each look,
Each smile is a lyric, more sweet than a brook:
Her wo...

We have worshipped two gods from our earliest youth,
Soul of my soul and heart of me!
Young forever and true as truth
The gods of Beauty and Poesy.

Sweet to us are their tyrannies,
Sweet their chains that have held us long,
For God's own self is a part of these,
Part of our gods of Beauty and Song.

What to us if the world revile!
What to us if its heart rejects!
It may scorn our gods, or curse with a smile,
The gods we worship, that it neglects:

Nothing to us is its blessing or curse;
Less than nothing its hate and wrong:
For Love smiles down through the universe,
Smiles on our gods of Beauty and Song.

We go our ways: and the dreams we dream
People our path and cheer us on;
And ever before is the golden gleam,
The star we...

I

The Sphinx

The spires of sand spring up at every gust
That bids them dance and scatter and lays them low:
He sits impassive, as the ages flow
And bear superbly the mirage of lust.
The moonbright steel he has witnessed redden and rust,
He has seen storm-proud deep-rooted empires grow,
And watched victorious gods flash forth and go;
And still before him spins the aspiring dust.
What has he seen in that hoar-centuried land
More strange and dreadful in its long delight
Of vain hope-haunted ever-starting quest
Than I can follow across this burning sand
Wherefrom the dizzying phantoms take their flight
Within the compass of a wanderer’s breast?


II

Nicholson Museum: Exhibit 32

The curious look and pass, be...

Hew hard the marble from the mountain’s heart
Where hardest night holds fast in iron gloom
Gems brighter than an April dawn in bloom,
That his Memnoniah likeness thence may start
Revealed, whose hand with high funereal art
Carved night, and chiselled shadow: be the tomb
That speaks him famous graven with signs of doom
Intrenched inevitably in lines athwart,
As on some thunder-blasted Titan’s brow
His record of rebellion. Not the day
Shall strike forth music from so stern a chord,
Touching this marble: darkness, none knows how,
And stars impenetrable of midnight, may.
So locms the likeness of thy soul, John Ford.

A village Chorus is supposed to be assembled, and about to commence its festive procession.


CHORUS.

THE festal day hail ye

With garlands of pleasure,

And dances' soft measure,
With rapture commingled
And sweet choral song.

DAMON.

Oh, how I yearn from out the crowd to flee!
What joy a secret glade would give to me!
Amid the throng, the turmoil here,
Confined the plain, the breezes e'en appear.

CHORUS.

Now order it truly,
That ev'ry one duly
May roam and may wander,
Now here, and now yonder,

The meadows along.

[The Chorus retreats gradually, and the song becomes fainter and fainter, till it dies away in the distance.]

DAMON.

In vain ye call, in vain would lure me on...

If you're anxious for to shine in the high aesthetic line, as a man of culture rare,
You must get up all the germs of the transcendental terms, and plant them everywhere.
You must lie upon the daisies and discourse in novel phrases of your complicated state of mind
(The meaning doesn't matter if it's only idle chatter of a transcendental kind).
And every one will say,
As you walk your mystic way,
"If this young man expresses himself in terms too deep for ME,
Why, what a very singularly deep young man this deep young man must be!"

Be eloquent in praise of the very dull old days which have long since passed away,
And convince 'em, if you can, that the reign of good QUEEN ANNE was Culture's palmiest day.
Of course you will pooh-pooh whatever's fresh and new, and declare it's crude and m...

I went in the fields with the leisure I got,
The stranger might smile but I heeded him not,
The hovel was ready to screen from a shower,
And the book in my pocket was read in an hour.

The bird came for shelter, but soon flew away;
The horse came to look, and seemed happy to stay;
He stood up in quiet, and hung down his head,
And seemed to be hearing the poem I read.

The ploughman would turn from his plough in the day
And wonder what being had come in his way,
To lie on a molehill and read the day long
And laugh out aloud when he'd finished his song.

The pewit turned over and stooped oer my head
Where the raven croaked loud like the ploughman ill-bred,
But the lark high above charmed me all the day long,
So I sat down and joined in the chorus of so...

[C. K. loquitur.]



I dreamed I was in fair Niphon.
Amid tea-fields I journeyed on,
Reclined in my jinrikishaw;
Across the rolling plains I saw
The lordly Fusi-yama rise,
His blue cone lost in bluer skies.

At last I bade my bearers stop
Before what seemed a china-shop.
I roused myself and entered in.
A fearful joy, like some sweet sin,
Pierced through my bosom as I gazed,
Entranced, transported, and amazed.

For all the house was but one room,
And in its clear and grateful gloom,
Filled with all odours strange and strong
That to the wondrous East belong,
I saw above, around, below,
A sight to make the warm heart glow,
And leave the eager soul no lack, -
An endless wealth of bric-a-brac.

I saw bronze sta...

I.
Mystery of mysteries,
Faintly smiling Adeline,
Scarce of earth nor all divine,
Nor unhappy, nor at rest,
But beyond expression fair
With thy floating flaxen hair;
Thy rose-lips and full blue eyes
Take the heart from out my breast.
Wherefore those dim looks of thine,
Shadowy, dreaming Adeline?

II.
Whence that aery bloom of thine,
Like a lily which the sun
Looks thro’ in his sad decline,
And a rose-bush leans upon,
Thou that faintly smilest still,
As a Naiad in a well,
Looking at the set of day,
Or a phantom two hours old
Of a maiden passed away,
Ere the placid lips be cold?
Wherefore those faint smiles of thine,
Spiritual Adeline?

III.
What hope or fear or joy is thine?
Who talketh with thee, Adel...