Heartbreak

Why do you spurt and sprottle
like that, bunny?
Why should I want to throttle
you, bunny?

Yes, bunch yourself between
my knees and lie still.
Lie on me with a hot, plumb, live weight,
heavy as a stone, passive,
yet hot, waiting.

What are you waiting for?
What are you waiting for?
What is the hot, plumb weight of your desire on me?
You have a hot, unthinkable desire of me, bunny.

What is that spark
glittering at me on the unutterable darkness
of your eye, bunny?
The finest splinter of a spark
that you throw off, straight on the tinder of my nerves!

It sets up a strange fire,
a soft, most unwarrantable burning
a bale-fire mounting, mounting up in me.

'Tis not of me, bunny.
It was you engendered it,

Upon December's windy portico
The Old Year stood, and looked out where the sun
Went wading down the West, through drifting clouds.
'I, too, shall sink full soon to rest,' he sighed,
'And follow where my children's feet have trod;
Brave January, beauteous May and June,
My lovely daughters, and my valiant sons,
All, all save one, have left me for that bourne
Men call the Past.    It seems but yesterday
I saw fair August, laughing with the Sea,
Snaring the Earth with her seductive wiles,
And making conquest, even of the Sun.
Yet has she gone, and left me here to mourn.'
Then spake December, from an open door:
'Father, the night grows cold; come in and rest.
Sit with me here beside this glowing grate;
I have not left thee; thou art not alone;
My house is thin...

Her pretty feet
Like snails did creep
A little out, and then,
As if they played at Bo-peep,
Did soon draw in again.

A Mother's breast:
Safe refuge from her childish fears,
From childish troubles, childish tears,
Mists that enshroud her dawning years!
see how in sleep she seems to sing
A voiceless psalm, an offering
Raised, to the glory of her King
In Love: for Love is Rest.


A Darling's kiss:
Dearest of all the signs that fleet
From lips that lovingly repeat
Again, again, the message sweet!
Full to the brim with girlish glee,
A child, a very child is she,
Whose dream of heaven is still to be
At Home: for Home is Bliss.

There's cadence
a real movement
to the worlds
the gaze inside
a flicker of
your eyes.

Our hopes are wild imaginings,
Our schemes are airy castles,
Yet these, on earth, are lords and kings,
And we their slaves and vassals;
Your dream, forsooth, of buoyant youth,
Most ready to deceive is;
But age will own the bitter truth,
“Ars longa, vita brevis.”

The hill of life with eager feet
We climbed in merry morning,
But on the downward track we meet
The shades of twilight warning;
The shadows gaunt they fall aslant,
And those who scaled Ben Nevis,
Against the mole-hills toil and pant,
“Ars longa, vita brevis.”

The obstacles that barr’d our path
We seldom quail’d to dash on
In youth, for youth one motto hath,
“The will, the way must fashion.”
Those words, I wot, blood thick and hot,
Too ready to believe is,
But t...

    Cease, ye prudes, your envious railings,
        Lovely Burns has charms, confess:
    True it is, she had one failing,
        Had a woman ever less?

The night-wind's shriek is pitiless and hollow,
The boding bat flits by on sullen wing,
And I sit desolate, like that "one swallow"
Who found (with horror) that he'd not brought spring:
Lonely as he who erst with venturous thumb
Drew from its pie-y lair the solitary plum.

And to my gaze the phantoms of the Past,
The cherished fictions of my boyhood, rise:
I see Red Ridinghood observe, aghast,
The fixed expression of her grandam's eyes;
I hear the fiendish chattering and chuckling
Which those misguided fowls raised at the Ugly Duckling.

The House that Jack built - and the Malt that lay
Within the House - the Rat that ate the Malt -
The Cat, that in that sanguinary way
Punished the poor thing for its venial fault -
The Worrier-Dog - the Cow with Crum...

Thou child of NIGHT, and SILENCE, balmy SLEEP,
    Shed thy soft poppies on my aching brow!
    And charm to rest the thoughts of whence, or how
    Vanish'd that priz'd AFFECTION, wont to keep
Each grief of mine from rankling into woe.
    Then stern Misfortune from her bended bow
    Loos'd the dire strings; - and Care, and anxious Dread
    From my cheer'd heart, on sullen pinion, fled.
But now, the spell dissolv'd, th' Enchantress gone,
    Ceaseless those cruel Fiends infest my day,
    And sunny hours but light them to their prey.
Then welcome Midnight shades, when thy wish'd boon
    May in oblivious dews my eye-lids steep,
    THOU CHILD OF NIGHT, AND SILENCE, BALMY SLEEP!

July 1773.

What's the use o' folks a-frownin'
When the way's a little rough?
Frowns lay out the road fur smilin'
You'll be wrinkled soon enough.
What's the use?

What's the use o' folks a-sighin'?
It's an awful waste o' breath,
An' a body can't stand wastin'
What he needs so bad in death.
What's the use?

What's the use o' even weepin'?
Might as well go long an' smile.
Life, our longest, strongest arrow,
Only lasts a little while.
What's the use?

O thou fayre siluer Thames: O cleerest chrystall flood,
Beta alone the Phenix is, of all thy watery brood,
        The Queene of Virgins onely she:
        And thou the Queene of floods shalt be:
Let all thy Nymphes be ioyfull then to see this happy day,
Thy Beta now alone shalbe the subiect of my laye.

With daintie and delightsome straines of sweetest virelayes:
Come louely shepheards sit we down and chant our Betas prayse:
        And let vs sing so rare a verse,
        Our Betas prayses to rehearse,
That little Birds shall silent be, to heare poore shepheards sing,
And riuers backward bend their course, and flow vnto the spring.

Range all thy swannes faire Thames together on a rancke,
And place them duely one by one, vpon thy stately banck,
        Then ...

In London I never know what I'd be at,
Enraptured with this, and enchanted with that;
I'm wild with the sweets of variety's plan,
And life seems a blessing too happy for man.

But the country, Lord help me! sets all matters right,
So calm and composing from morning to night;
Oh, it settles the spirits when nothing is seen
But an ass on a common, a goose on a green!

In town, if it rain, why it damps not our hope,
The eye has her choice, and the fancy her scope;
What harm though it pour whole nights or whole days?
It spoils not our prospects, or stops not our ways.

In the country, what bliss, when it rains in the fields,
To live on the transports that shuttlecock yields;
Or go crawling from window to window, to see
A pig on a dunghill or crow on a tr...

All night long the sea out yonder all night long the wailful sea,
Vext of winds and many thunders, seeketh rest unceasingly!
Seeketh rest in dens of tempest, where, like one distraught with pain,
Shouts the wild-eyed sprite, Confusion seeketh rest, and moans in vain:
Ah! but you should hear it calling, calling when the haggard sky
Takes the darks and damps of Winter with the mournful marsh-fowl’s cry;
Even while the strong, swift torrents from the rainy ridges come
Leaping down and breaking backwards million-coloured shapes of foam!
Then, and then, the sea out yonder chiefly looketh for the boon
Portioned to the pleasant valleys and the grave sweet summer moon:
Boon of Peace, the still, the saintly spirit of the dew-dells deep
Yellow dells and hollows haunted by the soft, dim dreams o...

The firm house lingers, though averse to square
With the new city street it has to wear A number in.
But what about the brook
That held the house as in an elbow-crook?
I ask as one who knew the brook, its strength
And impulse, having dipped a finger length
And made it leap my knuckle, having tossed
A flower to try its currents where they crossed.
The meadow grass could be cemented down

The eyes of the portraits on the wall
Look at me, follow me,
Stare incessantly:
I take it their glance means nothing at all?
- Clearly, oh clearly! Nothing at all ...

Out in the gardens by the lake
The sleeping peacocks suddenly wake;
Out in the gardens, moonlit and forlorn,
Each of them sounds his mournful horn:
Shrill peals that waver and crack and break.
What can have made the peacocks wake?

“Nec propter vitam vivendi perdere causas.”

Though the pitcher that goes to the sparkling rill
Too oft gets broken at last,
There are scores of others its place to fill
When its earth to the earth is cast;
Keep that pitcher at home, let it never roam,
But lie like a useless clod,
Yet sooner or later the hour will come
When its chips are thrown to the sod.

Is it wise, then, say, in the waning day,
When the vessel is crack’d and old,
To cherish the battered potters’ clay,
As though it were virgin gold?
Take care of yourself, dull, boorish elf,
Though prudent and safe you seem,
Your pitcher will break on the musty shelf,
And mine by the dazzling stream.

Come, dear old comrade, you and I
Will steal an hour from days gone by,
The shining days when life was new,
And all was bright with morning dew,
The lusty days of long ago,
When you were Bill and I was Joe.

Your name may flaunt a titled trail
Proud as a cockerel's rainbow tail,
And mine as brief appendix wear
As Tam O'Shanter's luckless mare;
To-day, old friend, remember still
That I am Joe and you are Bill.

You've won the great world's envied prize,
And grand you look in people's eyes,
With H O N. and L L. D.
In big brave letters, fair to see, -
Your fist, old fellow! off they go! -
How are you, Bill? How are you, Joe?

You've worn the judge's ermined robe;
You 've taught your name to half the globe;
You've sung mankind a ...

Who said, 'Peacock Pie?'
    The old King to the sparrow:
Who said, 'Crops are ripe?'
    Rust to the harrow:
Who said, 'Where sleeps she now?'
    Where rests she now her head,
Bathed in eve's loveliness'? - -
    That's what I said.

Who said, 'Ay, mum's the word'?
    Sexton to willow:
Who said, 'Green duck for dreams,
    Moss for a pillow'?

Who said, 'All Time's delight
    Hath she for narrow bed;
Life's troubled bubble broken'? - -
    That's what I said.