Heartbreak

Here where the season turns the land to gold,
Among the fields our feet have known of old,
When we were children who would laugh and run,
Glad little playmates of the wind and sun,
Before came toil and care and years went ill,
And one forgot and one remembered still;
Heart of my heart, among the old fields here,
Give me your hands and let me draw you near,
Heart of my heart.

Stars are not truer than your soul is true
What need I more of heaven then than you?
Flowers are not sweeter than your face is sweet
What need I more to make my world complete?
O woman nature, love that still endures,
What strength has ours that is not born of yours?
Heart of my heart, to you, whatever come,
To you the lead, whose love hath led me home.
Heart of my heart.

        Only a simple rhyme of love and sorrow,
    Where "blisses" rhymed with "kisses," "heart," with "dart:"
        Yet, reading it, new strength I seemed to borrow,
    To live on bravely and to do my part.

        A little rhyme about a heart that's bleeding -
    Of lonely hours and sorrow's unrelief:
        I smiled at first; but there came with the reading
    A sense of sweet companionship in grief.

        The selfishness of my own woe forsaking,
    I thought about the singer of that song.
        Some other breast felt this same weary aching;
    Another found the summer days too long.

        The few sad lines, my sorrow so expressing,
    I read, and on the singer, all unknown,
        I breathed a fervent though a silent blessing,

'A poet'! He hath put his heart to school,
Nor dares to move unpropped upon the staff
Which Art hath lodged within his hand must laugh
By precept only, and shed tears by rule.
Thy Art be Nature; the live current quaff,
And let the groveler sip his stagnant pool,
In fear that else, when Critics grave and cool
Have killed him, Scorn should write his epitaph.
How does the Meadow-flower its bloom unfold?
Because the lovely little flower is free
Down to its root, and, in that freedom, bold;
And so the grandeur of the Forest-tree
Comes not by casting in a formal mould,
But from its 'own' divine vitality.

ARGUMENT. i(Baile and Aillinn were lovers, but Aengus, the)
i(Master of Love, wishing them to he happy in his own land)
i(among the dead, told to each a story of the other's death, so)
i(that their hearts were broken and they died.)

I HARDLY i(hear the curlew cry,)

On the heir of Uladh, Buan's son,
Baile, who had the honey mouth;
And that mild woman of the south,
Aillinn, who was King Lugaidh's heir.
Their love was never drowned in care
Of this or that thing, nor grew cold
Because their hodies had grown old.
Being forbid to marry on earth,
They blossomed to immortal mirth.>1
About the time when Christ was born,
When the long wars for the White Horn
And the Brown Bull had not yet come,
Young Baile Honey Mouth, whom some
Called rather Ba...

Some may have blamed you that you took away
The verses that could move them on the day
When, the ears being deafened, the sight of the eyes blind
With lightning you went from me, and I could find
Nothing to make a song about but kings,
Helmets, and swords, and half-forgotten things
That were like memories of you, but now
We’ll out, for the world lives as long ago;
And while we’re in our laughing, weeping fit,
Hurl helmets, crowns, and swords into the pit.
But, dear, cling close to me; since you were gone,
My barren thoughts have chilled me to the bone.

If thus we needs must goe,
What shall our one Heart doe,
This One made of our Two?

Madame, two Hearts we brake,
And from them both did take
The best, one Heart to make.

Halfe this is of your Heart,
Mine in the other part,
Ioyn'd by our equall Art.

Were it cymented, or sowne,
By Shreds or Pieces knowne,
We each might find our owne.

But 'tis dissolu'd, and fix'd,
And with such cunning mix'd,
No diffrence that betwixt.

But how shall we agree,
By whom it kept shall be,
Whether by you, or me?

It cannot two Brests fill,
One must be heartlesse still,
Vntill the other will.

It came to me one day,
When I will'd it to say,
With whether it would stay?

It told me, in your Brest,
W...

Me thinks this heart should rest awhile
So stilly round the evening falls
The veiled sun sheds no parting smile
Nor mirth nor music wakes my Halls

I have sat lonely all the day
Watching the drizzly mist descend
And first conceal the hills in grey
And then along the valleys wend

And I have sat and watched the trees
And the sad flowers how drear they blow
Those flowers were formed to feel the breeze
Wave their light leaves in summer's glow

Yet their lives passed in gloomy woe
And hopeless comes its dark decline
And I lament because I know
That cold departure pictures mine

Gooid bye, lass, aw dunnot blame,
Tho' mi loss is hard to bide!
For it wod ha' been a shame,
Had tha ivver been the bride
Of a workin chap like me;
One 'ats nowt but love to gie.

Hard hoof'd neives like thease o' mine.
Surely ne'er wor made to press
Hands so lily-white as thine;
Nor should arms like thease caress
One so slender, fair, an' pure,
'Twor unlikely, lass, aw'm sure.

But thease tears aw cannot stay, -
Drops o' sorrow fallin fast,
Hopes once held aw've put away
As a dream, an think its past;
But mi poor heart loves thi still,
An' wol life is mine it will.

When aw'm seated, lone and sad,
Wi mi scanty, hard won meal,
One thowt still shall mak me glad,
Thankful that alone aw feel
What it is to tew an' striv...

‘BEAT, little heart—I give you this and this’
Who are you? What! the Lady Hamilton?
Good, I am never weary painting you.
To sit once more? Cassandra, Hebe, Joan,
Or spinning at your wheel beside the vine—
Bacchante, what you will; and if I fail
To conjure and concentrate into form
And colour all you are, the fault is less
In me than Art. What Artist ever yet
Could make pure light live on the canvas? Art!
Why should I so disrelish that short word?
Where am I? snow on all the hills! so hot,
So fever’d! never colt would more delight
To roll himself in meadow grass than I
To wallow in that winter of the hills.
Nurse, were you hired? or came of your own will
To wait on one so broken, so forlorn?
Have I not met you somewhere long ago?
I am all but sure I h...

    The room is full of you!--As I came in
    And closed the door behind me, all at once
    A something in the air, intangible,
    Yet stiff with meaning, struck my senses sick!--

    Sharp, unfamiliar odors have destroyed
    Each other room's dear personality.
    The heavy scent of damp, funereal flowers,--
    The very essence, hush-distilled, of Death--
    Has strangled that habitual breath of home
    Whose expiration leaves all houses dead;
    And wheresoe'er I look is hideous change.
    Save here.    Here 'twas as if a weed-choked gate
    Had opened at my touch, and I had stepped
    Into some long-forgot, enchanted, strange,
    Sweet garden of a thousand years ago
    And suddenly thought, "I have been here before!"

    You are not...

All things uncomely and broken, all things worn out
and old,
The cry of a child by the roadway, the creak of a lum-
bering cart,
The heavy steps of the ploughman, splashing the
wintry mould,
Are wronging your image that blossoms a rose in the
deeps of my heart.
The wrong of unshapely things is a wrong too great
to be told;
I hunger to build them anew and sit on a green knoll
apart,
With the earth and the sky and the water, re-made, like
a casket of gold
For my dreams of your image that blossoms a rose in
the deeps of my heart.

My dear mistress has a heart
Soft as those kind looks she gave me,
When with love's resistless art,
And her eyes, she did enslave me;
But her constancy's so weak,
She's so wild and apt to wander,
That my jealous heart would break
Should we live one day asunder.

Melting joys about her move,
Killing pleasures, wounding blisses;
She can dress her eyes in love,
And her lips can arm with kisses;
Angels listen when she speaks,
She's my delight, all mankind's wonder;
But my jealous heart would break
Should we live one day asunder.

She left me at the silent time
When the moon had ceased to climb
The azure path of Heaven's steep,
And like an albatross asleep,
Balanced on her wings of light,
Hovered in the purple night,
Ere she sought her ocean nest
In the chambers of the West.
She left me, and I stayed alone
Thinking over every tone
Which, though silent to the ear,
The enchanted heart could hear,
Like notes which die when born, but still
Haunt the echoes of the hill;
And feeling ever - oh, too much! -
The soft vibration of her touch,
As if her gentle hand, even now,
Lightly trembled on my brow;
And thus, although she absent were,
Memory gave me all of her
That even Fancy dares to claim: -
Her presence had made weak and tame
All passions, and I lived alone

He wor a poor hard workin lad,
An shoo a workin lass,
An hard they tew'd throo day to day,
For varry little brass.
An oft they tawk'd o'th' weddin day,
An lang'd for th' happy time,
When poverty noa moor should part,
Two lovers i' ther prime.

But wark wor scarce, an wages low,
An mait an drink wor dear,
They did ther best to struggle on,
As year crept after year.
But they wor little better off,
Nor what they'd been befoor;
It tuk 'em all ther time to keep
Grim Want aghtside o'th' door.

Soa things went on, wol Hope at last,
Gave place to dark despair;
They felt they'd nowt but lovin hearts,
An want an toil to share.
At length he screw'd his courage up
To leeav his native shore;
An goa where wealth wor worshipped less,

A scene, which 'wildered fancy viewed
In the soul's coldest solitude,
With that same scene when peaceful love
Flings rapture's colour o'er the grove,
When mountain, meadow, wood and stream
With unalloying glory gleam,
And to the spirit's ear and eye
Are unison and harmony.
The moonlight was my dearer day;
Then would I wander far away,
And, lingering on the wild brook's shore
To hear its unremitting roar,
Would lose in the ideal flow
All sense of overwhelming woe;
Or at the noiseless noon of night
Would climb some heathy mountain's height,
And listen to the mystic sound
That stole in fitful gasps around.
I joyed to see the streaks of day
Above the purple peaks decay,
And watch the latest line of light
Just mingling with the shades of ni...

MUSE.
Give me a kiss, my poet, take thy lyre;
The buds are bursting on the wild sweet-briar.
To-night the Spring is born - the breeze takes fire.
Expectant of the dawn behold the thrush,
Perched on the fresh branch of the first green bush;
Give me a kiss, my poet, take thy lyre.


POET.
How black it looks within the vale!
I thought a muffled form did sail
Above the tree-tops, through the air.
It seemed from yonder field to pass,
Its foot just grazed the tender grass;
A vision strange and fair it was.
It melts and is no longer there.


MUSE.
My poet, take thy lyre; upon the lawn
Night rocks the zephyr on her veiled, soft breast.
The rose, still virgin, holds herself withdrawn
From the winged, irised wasp with love possessed.

Who will hear me? Whom shall I lament to?
Who would pity me that heard my sorrows?
Ah, the lip that erst so many raptures
Used to taste, and used to give responsive,
Now is cloven, and it pains me sorely;
And it is not thus severely wounded
By my mistress having caught me fiercely,
And then gently bitten me, intending
To secure her friend more firmly to her:
No, my tender lip is crack'd thus, only
By the winds, o'er rime and frost proceeding,
Pointed, sharp, unloving, having met me.
Now the noble grape's bright juice commingled
With the bee's sweet juice, upon the fire
Of my hearth, shall ease me of my torment.
Ah, what use will all this be, if with it
Love adds not a drop of his own balsam?

I thought, my Heart, that you had healed
Of those sore smartings of the past,
And that the summers had oversealed
All mark of them at last.
But closely scanning in the night
I saw them standing crimson-bright
Just as she made them:
Nothing could fade them;
Yea, I can swear
That there they were -
They still were there!

Then the Vision of her who cut them came,
And looking over my shoulder said,
"I am sure you deal me all the blame
For those sharp smarts and red;
But meet me, dearest, to-morrow night,
In the churchyard at the moon's half-height,
And so strange a kiss
Shall be mine, I wis,
That you'll cease to know
If the wounds you show
Be there or no!"