(E. L. H. H. C. H.)
Since every sound moves memories,
How can I play you
Just as I might if you raised no scene,
By your ivory rows, of a form between
My vision and your time-worn sheen,
As when each day you
Answered our fingers with ecstasy?
So it's hushed, hushed, hushed, you are for me!
And as I am doomed to counterchord
Her notes no more
In those old things I used to know,
In a fashion, when we practised so,
"Good-night! Good-bye!" to your pleated show
Of silk, now hoar,
Each nodding hammer, and pedal and key,
For dead, dead, dead, you are to me!
I fain would second her, strike to her stroke,
As when she was by,
Aye, even from the ancient clamorous "Fall
Of Paris," or "Battle of Prague" withal,
To the "Rovin...