Heartbreak

There is a wind where the rose was;
Cold rain where sweet grass was;
And clouds like sheep
Stream o'er the steep
Grey skies where the lark was.

Nought gold where your hair was;
Nought warm where your hand was;
But phantom, forlorn,
Beneath the thorn,
Your ghost where your face was.

Sad winds where your voice was;
Tears, tears where my heart was;
And ever with me,
Child, ever with me,
Silence where hope was.

We, O Nature, depart:
Thou survivest us: this,
This, I know, is the law.
Yes, but more than this,
Thou who seest us die
Seest us change while we live;
Seest our dreams one by one,
Seest our errors depart:
Watchest us, Nature, throughout,
Mild and inscrutably calm.

Well for us that we change!
Well for us that the Power
Which in our morning prime
Saw the mistakes of our youth,
Sweet, and forgiving, and good,
Sees the contrition of age!

Behold, O Nature, this pair!
See them to-night where they stand,
Not with the halo of youth
Crowning their brows with its light,
Not with the sunshine of hope,
Not with the rapture of spring,
Which they had of old, when they stood
Years ago at my side
In this self same garden, an...

My sweetheart was naked, knowing my desire,
she wore only her tinkling jewellery,
whose splendour yields her the rich conquering fire
of Moorish slave-girls in the days of their beauty.

When, dancing, it gives out its sharp sound of mockery,
that glistening world of metal and stone,
I am ravished by ecstasy, love like fury
those things where light mingles with sound.

So she lay there, let herself be loved,
and, from the tall bed, she smiled with delight
on my love deep and sweet as the sea is moved,
rising to her as toward a cliff’s height.

Like a tamed tigress, her eyes fixed on me
with a vague dreamy air, she tried out her poses,
so wantonly and so innocently,
it gave a new charm to her metamorphoses:

and her arm and her leg, and her ...

No more summer for Molly and me;
There is snow on the tree,
And the blackbirds plump large as the rooks are, almost,
And the water is hard
Where they used to dip bills at the dawn ere her figure was lost
To these coasts, now my prison close-barred.

No more planting by Molly and me
Where the beds used to be
Of sweet-william; no training the clambering rose
By the framework of fir
Now bowering the pathway, whereon it swings gaily and blows
As if calling commendment from her.

No more jauntings by Molly and me
To the town by the sea,
Or along over Whitesheet to Wynyard's green Gap,
Catching Montacute Crest
To the right against Sedgmoor, and Corton-Hill's far-distant cap,
And Pilsdon and Lewsdon to west.

No more singing by Molly to me

Ubens, oblivious garden of indolence,
Pillow of cool flesh where no man dreams of love,
Where life flows forth in troubled opulence,
As airs in heaven and seas in ocean move.

Leonard Da Vinci, sombre and fathomless glass,
Where lovely angels with calm lips that smile,
Heavy with mystery, in the shadow pass,
Among the ice and pines that guard some isle.

Rembrandt, sad hospital that a murmuring fills,
Where one tall crucifix hangs on the walls,
Where every tear-drowned prayer some woe distils,
And one cold, wintry ray obliquely falls.

Strong Michelangelo, a vague far place
Where mingle Christs with pagan Hercules;
Thin phantoms of the great through twilight pace,
And tear their shroud with clenched hands void of ease.

The fighter's anger,...

Sweet summer is gone; they have laid her away -
The last sad hours that were touched with her grace -
In the hush where the ghosts of the dead flowers play;
The sleep that is sweet of her slumbering space
Let not a sight or a sound erase
Of the woe that hath fallen on all the lands:
Gather ye, dreams, to her sunny face,
Shadow her head with your golden hands.

The woods that are golden and red for a day
Girdle the hills in a jewelled case,
Like a girl's strange mirth, ere the quick death slay
The beautiful life that he hath in chase.
Darker and darker the shadows pace
Out of the north to the southern sands,
Ushers bearing the winter's mace:
Keep them away with your woven hands.

The yellow light lies on the wide wastes gray,
More bitter and cold...

Cover him over with daisies white
And eke with the poppies red,
Sit with me here by his couch to-night,
For the First-Born, Love, is dead.

Poor little fellow, he seemed so fair
As he lay in my jealous arms;
Silent and cold he is lying there
Stripped of his darling charms.

Lusty and strong he had grown forsooth,
Sweet with an infinite grace,
Proud in the force of his conquering youth,
Laughter alight in his face.

Oh, but the blast, it was cruel and keen,
And ah, but the chill it was rare;
The look of the winter-kissed flow'r you've seen
When meadows and fields were bare.

Can you not wake from this white, cold sleep
And speak to me once again?
True that your slumber is deep, so deep,
But deeper by far is my pain.

By the road, near her father’s dwelling,
There groweth a hawthorn tree:
Its blossoms are fair and fragrant
As the love that I cast from me.

It is all a-bloom this morning
In the sunny silentness,
And grows by the roadside, radiant
As a bride in her bridal dress.

But ah me! at sight of its blossoms
No pleasant memories start:
I see but the thorns beneath them,
And the thorns they pierce my heart.

Some people hang portraits up
In a room where they dine or sup:
And the wife clinks tea-things under,
And her cousin, he stirs his cup,
Asks “Who was the lady, I wonder?”
“’T is a daub John bought at a sale,”
Quoth the wife, looks black as thunder:
“What a shade beneath her nose!
“Snuff-taking, I suppose,”
Adds the cousin, while John’s corns ail.

Or else, there ’s no wife in the case,
But the portrait ’s queen of the place,
Alone mid the other spoils
Of youth, masks, gloves and foils,
And pipe-sticks, rose, cherry-tree, jasmine,
And the long whip, the tandem-lasher,
And the cast from a fist (“not, alas! mine,
“But my master’s, the Tipton Slasher”),
And the cards where pistol-balls mark ace,
And a satin shoe used for cigar-case,
And th...

So, I shall see her in three days
And just one night, but nights are short,
Then two long hours, and that is morn.
See how I come, unchanged, unworn
Feel, where my life broke off from thine,
How fresh the splinters keep and fine,
Only a touch and we combine!


Too long, this time of year, the days!
But nights at least the nights are short.
As night shows where her one moon is,
A hand’s-breadth of pure light and bliss,
So life’s night gives my lady birth
And my eyes hold her! What is worth
The rest of heaven, the rest of earth?


O loaded curls, release your store
Of warmth and scent, as once before
The tingling hair did, lights and darks
Out-breaking into fairy sparks,
When under curl and curl I pried
After the warmth and sce...

In paths untrodden,
In the growth by margins of pond-waters,
Escaped from the life that exhibits itself,
From all the standards hitherto publish'd - from the pleasures, profits, eruditions, conformities,
Which too long I was offering to feed my soul;
Clear to me, now, standards not yet publish'd - clear to me that my Soul,
That the Soul of the man I speak for, feeds, rejoices most in comrades;
Here, by myself, away from the clank of the world,
Tallying and talk'd to here by tongues aromatic,
No longer abash'd - for in this secluded spot I can respond as I would not dare elsewhere,
Strong upon me the life that does not exhibit itself, yet contains all the rest,
Resolv'd to sing no songs to-day but those of manly attachment,
Projecting them along that substantial life,
Bequeat...

'Tis not when we look on the dreamless dead,
And feel that the spirit forever has fled;
'Tis not when we're called to the voiceless tomb
By the loved who were culled in their brightest bloom;
'Tis not when the grave's last rite is o'er,
And we know they are gone to return no more;
But, oh! 'tis when Time with oblivious wing
A balm to all other hearts may bring;
When the dark, dark hours of grief are o'er,
And we join the world we can love no more,
That world whose grief for the absent one
Passed like a cloud from an April sun;
When, amid the mirth that salutes the ear,
One tone is gone we had used to hear,
One form is missed in that happy train,
That will never exult in its sports again;
We feel that death has indeed passed o'er,
And a blank...

It rained last night,
But fair weather has come back
This morning.

The green clusters of the palm-trees
Open and begin to throw shadows.

But sorrow drifts slowly down about me.

I come and go in my room,
Heart-heavy with memories.

The neighbour green casts shadows of green
On my blind;
The moss, soaked in dew,
Takes the least print
Like delicate velvet.

I see again a gauze tunic of oranged rose
With shadowy underclothes of grenade red.

How things still live again.

I go and sit by the day balustrade

And do nothing

Except count the plains
And the mountains
And the valleys
And the rivers
That separate from my Spring.

From the Chinese (early nineteenth century).

Flourish greener, as ye clamber,
Oh ye leaves, to seek my chamber,

Up the trellis'd vine on high!
May ye swell, twin-berries tender,
Juicier far, and with more splendour

Ripen, and more speedily!
O'er ye broods the sun at even
As he sinks to rest, and heaven

Softly breathes into your ear
All its fertilising fullness,
While the moon's refreshing coolness,

Magic-laden, hovers near;
And, alas! ye're watered ever

By a stream of tears that rill
From mine eyes tears ceasing never,

Tears of love that nought can still!

Earnest and sad the solemn tale
    That the sighing winds give back,
Scatt'ring the leaves with mournful wail
    O'er the forest's faded track;
Gay summer birds have left us now
    For a warmer, brighter clime,
Where no leaden sky or leafless bough
    Tell of change and winter-time.

Reapers have gathered golden store
    Of maize and ripened grain,
And they'll seek the lonely fields no more
    Till the springtide comes again.
But around the homestead's blazing hearth
    Will they find sweet rest from toil,
And many an hour of harmless mirth
    While the snow-storm piles the soil.

Then, why should we grieve for summer skies -
    For its shady trees - its flowers,
Or the thousand light and pleasant ties
    That endeared the su...

What dost thou meane to Cheate me of my Heart,
To take all Mine, and giue me none againe?
Or haue thine Eyes such Magike, or that Art,
That what They get, They euer doe retaine?
Play not the Tyrant, but take some Remorse,
Rebate thy Spleene, if but for Pitties sake;
Or Cruell, if thou can'st not; let vs scorse,
And for one Piece of Thine, my whole heart take.
But what of Pitty doe I speake to Thee,
Whose Brest is proofe against Complaint or Prayer?
Or can I thinke what my Reward shall be
From that proud Beauty, which was my betrayer?
    What talke I of a Heart, when thou hast none?
    Or if thou hast, it is a flinty one.

I am burning, I am crumbled into powder,
I stand to the lips in a tossing sea of tears.

Like a stone falling in Hamun lake I vanish;
I return no more, I am counted among the dead.

I am consumed like yellow straw on red flames;
You have drawn a poisoned sword along my throat to-day.

People have come to see me from far towns,
Great and small, arriving with bare heads,
For I have become one of the great historical lovers.

In the desire of your red lips
My heart has become a red kiln, like a terrace of roses.
It is because she does not trouble about the bee on the rose
That my heart is taken.

"I have blackened my eyes to kill you, Sayyid Kamal.
I kill you with my eyelids; I am Natarsa, the Panjabie, the pitiless."

From the ...