Heartbreak

Play, play, while as yet it is day:
While the sweet sunlight is warm on the brae!
Hark to the lark singing lay upon lay,
While the brown squirrel eats nuts on the spray
And in the apple-leaves chatters the jay!
Play, play, even as they!
What though the cowslips ye pluck will decay,
What though the grass will be presently hay?
What though the noise that ye make should dismay
Old Mrs. Clutterbuck over the way?
Play, play, for your locks will grow gray;
Even the marbles ye sport with are clay.

Play, ay in the crowded highway:
Was it not made for you? Yea, my lad, yea.
True that the babes you were bid to convey
Home may fall out or be stolen or stray;
True that the tip-cat you toss about may
Strike an old gentleman, cause him to sway,
Stumble, and ...

Here's to the floor,
Our best friend of all,
Who sticks to us close
In the time of our fall.
When benches are fickle
And tables betray
And rugs are revolving,
He meets us half-way.
Our stay and support,
When we can't stand alone,
With the floor for a backer,
We'll never be thrown.
Here's to our friend,
In life's every stage!
Dry nurse of infancy,
Wet nurse of age!
A health to our floor!
Supporter and stay;
Though he often be full,
May he never give way!

Thou go'st! I murmur
Go! let me murmur.
Oh, worthy man,
Fly from this land!

Deadly marshes,
Steaming mists of October
Here interweave their currents,
Blending for ever.

Noisome insects
Here are engender'd;
Fatal darkness
Veils their malice.

The fiery-tongued serpent,
Hard by the sedgy bank,
Stretches his pamper'd body,
Caress'd by the sun's bright beams.

Tempt no gentle night-rambles
Under the moon's cold twilight!
Loathsome toads hold their meetings
Yonder at every crossway.

Injuring not,
Fear will they cause thee.
Oh, worthy man,
Fly from this land!

What do they know of youth, who still are young?
They but the singers of a golden song
Who may not guess its worth or wonder--flung
Like largesse to the throng.
We only,--young no longer,--old so long
Before its harmonies, stand marvelling--
Oh! we who listen--never they who sing.

Not for itself is beauty, but for us
Who gaze upon it with all reverent eyes;
And youth which sheds its glory luminous,
Gives ever in this wise:--
Itself the joy it may not realise.
Only we know, who linger overlong
Youth that is made of beauty and of song.

I.

There's a boy that you must know,
Always ragged, dirty too;
Just a wretched sight and show
Worst boy that I ever knew;
Always hitting other boys
Smaller than himself. Annoys
People, too, by throwing stones.
Breaks more windows! that's his game.
Some one ought to break his bones.
Ragamuffin is his name.
Ragamuffin, Ragamuffin!
Some day some one 'll knock the stuffin'
Out of you and then, perhaps,
You won't bully little chaps.

II.

Never goes to school, but plays
Hookey all the time. His hat
Slouched like some old drunken bat
Reeling through the evening haze,
Here he loafs and tries to scare
Little girls; yes, pulls their hair,
While he mouths at them and jeers:
Chews tobacco, too, the same
As these rag...

His silent spirit from the place
Slid forth unseen; amid the throng
Of those whose love outlived disgrace,
Whose fealty to the last was strong.
’Midst homage, ’neath Fate’s adverse reign,
Paid to the star shorn of its rays,
How passed the Exile? Lingering fain,
As never once in prouder days?

The Mother and the Child were there,
Discrowned and disinherited!
No hand henceforth to right the heir;
New griefs to bow the golden head.
How passed Napoleon? Prizing more,
Old fame in camp and council won
Or fearless England’s aegis, o’er
The future of her ally’s son?

Gate of that World we know not yet,
What thou beheld’st who may proclaim!
Were spirit-ranks, in order set,
Haunting thy portals, as he came,
With voices murmuring, “Our life ...

    Whose is that noble dauntless brow?
        And whose that eye of fire?
    And whose that generous princely mien,
        E'en rooted foes admire?
    Stranger! to justly show that brow,
        And mark that eye of fire,
    Would take His hand, whose vernal tints
        His other works inspire.

    Bright as a cloudless summer sun,
        With stately port he moves;
    His guardian seraph eyes with awe
        The noble ward he loves,
    Among th' illustrious Scottish sons
        That chief thou may'st discern;
    Mark Scotia's fond returning eye,
        It dwells upon Glencairn.

I saw far off the dark top of a Pine
Look like a cloud, a slender stem the tie
That bound it to its native earth, poised high
'Mid evening hues, along the horizon line,
Striving in peace each other to outshine.
But when I learned the Tree was living there,
Saved from the sordid axe by Beaumont's care,
Oh, what a gush of tenderness was mine!
The rescued Pine-Tree, with its sky so bright
And cloud-like beauty, rich in thoughts of home,
Death-parted friends, and days too swift in flight,
Supplanted the whole majesty of Rome
(Then first apparent from the Pincian Height)
Crowned with St. Peter's everlasting Dome.

I love my hour of wind and light,
I love men’s faces and their eyes,
I love my spirit’s veering flight
Like swallows under evening skies.

The forest huge of ancient Caledon
Is but a name, no more is Inglewood,
That swept from hill to hill, from flood to flood:
On her last thorn the nightly moon has shone;
Yet still, though unappropriate Wild be none,
Fair parks spread wide where Adam Bell might deign
With Clym o' the Clough, were they alive again,
To kill for merry feast their venison.
Nor wants the holy Abbot's gliding Shade
His church with monumental wreck bestrown;
The feudal Warrior-chief, a Ghost unlaid,
Hath still his castle, though a skeleton,
That he may watch by night, and lessons con
Of power that perishes, and rights that fade.

The lilly cheek, the "purple light of love,"
The liquid lustre of the melting eye,--
Mary! of these the Poet sung, for these
Did Woman triumph! with no angry frown
View this degrading conquest. At that age
No MAID OF ARC had snatch'd from coward man
The heaven-blest sword of Liberty; thy sex
Could boast no female ROLAND'S martyrdom;
No CORDE'S angel and avenging arm
Had sanctified again the Murderer's name
As erst when Caesar perish'd: yet some strains
May even adorn this theme, befitting me
To offer, nor unworthy thy regard.

The sun is low,
The waters flow,
My boat is dancing to and fro.
The eve is still,
Yet from the hill
The killdeer echoes loud and shrill.

The paddles plash,
The wavelets dash,
We see the summer lightning flash;
While now and then,
In marsh and fen
Too muddy for the feet of men,

Where neither bird
Nor beast has stirred,
The spotted bullfrog's croak is heard.
The wind is high,
The grasses sigh,
The sluggish stream goes sobbing by.

And far away
The dying day
Has cast its last effulgent ray;
While on the land
The shadows stand
Proclaiming that the eve's at hand.

GIVE us your hand, Mr. Lawyer: how do you do to-day?

"GIVE US YOUR HAND, MR. LAWYER: HOW DO YOU DO TO-DAY?"

You drew up that paper--I s'pose you want your pay.
Don't cut down your figures; make it an X or a V;
For that 'ere written agreement was just the makin' of me.

Goin' home that evenin' I tell you I was blue,
Thinkin' of all my troubles, and what I was goin' to do;
And if my hosses hadn't been the steadiest team alive,
They'd 've tipped me over, certain, for I couldn't see where to drive.

No--for I was laborin' under a heavy load;
No--for I was travelin' an entirely different road;
For I was a-tracin' over the path of our lives ag'in,
And seein' where we missed the way, and where we might have been.

And many a corner we'd turned that just t...

Too young for love?
Ah, say not so!
Tell reddening rose-buds not to blow
Wait not for spring to pass away, -
Love's summer months begin with May!
Too young for love?
Ah, say not so!
Too young? Too young?
Ah, no! no! no!

Too young for love?
Ah, say not so,
To practise all love learned in May.
June soon will come with lengthened day
While daisies bloom and tulips glow!

Too young for love?
Ah, say not so!
Too young? Too young?
Ah, no! no! no!

Text.--From the Jamieson-Brown MS. Jamieson, in printing this ballad, enlarged and rewrote much of it, making the burden part of the dialogue throughout.

The Story is much the same as that of Little Musgrave and Lady Barnard; but the ballad as a whole is worthy of comparison with the longer English ballad for the sake of its lyrical setting.


THE BONNY BIRDY

    1.
    There was a knight, in a summer's night,
        Was riding o'er the lee, (diddle)
    An' there he saw a bonny birdy,
        Was singing upon a tree. (diddle)

            O wow for day! (diddle)
            An' dear gin it were day! (diddle)
            Gin it were day, an' gin I were away,
            For I ha' na lang time to stay. (diddle)
...

Farewell, farewell, to my mother's own daughter.
The child that she wet-nursed is lapp'd in the wave;
The Mussulman, coming to fish in this water,
Adds a tear to the flood that weeps over her grave.

This sack is her coffin, this water's her bier,
This grayish bath cloak is her funeral pall;
And, stranger, O stranger! this song that you hear
Is her epitaph, elegy, dirges, and all!
Farewell, farewell, to the child of Al Hassan,
My mother's own daughter - the last of her race -
She's a corpse, the poor body! and lies in this basin,
And sleeps in the water that washes her face.

They were men of many nations, they were men of many stations,
They were men in many places, and of high and low degree;
Men of many types and faces, but, alike in all the races,
They were men I met in trouble, and the men who stuck to me.

Some were friends, but most were strangers; some were weary world-wide rangers;
Some in freedom were in prison, and in prison some were free,
Oh, I have a vivid vision of the men I met in prison,
In the craving for tobacco they were men who stuck to me.

Some I never met and never knew their great but vain endeavour,
For my sake! And some were old mates whom I never more may see;
Never heard me, some I talked with; never saw me, some I walked with;
Blind and deaf, and dumb and foreign were the men who stuck to me.

“Yes, I’ll st...

O Lord, if on the wind, at cool of day,
    I heard one whispered word of mighty grace;
If through the darkness, as in bed I lay,
    But once had come a hand upon my face;

If but one sign that might not be mistook
    Had ever been, since first thy face I sought,
I should not now be doubting o'er a book,
    But serving thee with burning heart and thought.

So dreams that heart. But to my heart I say,
    Turning my face to front the dark and wind:
Such signs had only barred anew his way
    Into thee, longing heart, thee, wildered mind.

They asked the very Way, where lies the way?
    The very Son, where is the Father's face?
How he could show himself, if not in clay,
    Who was the lord of spirit, form, and space!

My being, Lord, wil...