Family

King Eochaid came at sundown to a wood
Westward of Tara. Hurrying to his queen
He had out-ridden his war-wasted men
That with empounded cattle trod the mire;
And where beech trees had mixed a pale the green light
With the ground-ivy’s blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse’s flank. King Eochaid reeled
Then drew his sword to hold its levelled point
Against the stag. When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
...

See how the rose leaves fall
The rose leaves fall and fade:
And by the wall, in dusk funereal,
How leaf on leaf is laid,
Withered and soiled and frayed.

How red the rose leaves fall
And in the ancient trees,
That stretch their twisted arms about the hall,
Burdened with mysteries,
How sadly sighs the breeze.

How soft the rose leaves fall
The rose leaves drift and lie:
And over them dull slugs and beetles crawl,
And, palely glimmering by,
The glow-worm trails its eye.

How thick the rose leaves fall
And strew the garden way,
For snails to slime and spotted toads to sprawl,
And, plodding past each day,
Coarse feet to tread in clay.

How fast they fall and fall
Where Beauty, carved in stone,
With broken hands vei...

The wind begun to rock the grass
With threatening tunes and low, --
He flung a menace at the earth,
A menace at the sky.

The leaves unhooked themselves from trees
And started all abroad;
The dust did scoop itself like hands
And throw away the road.

The wagons quickened on the streets,
The thunder hurried slow;
The lightning showed a yellow beak,
And then a livid claw.

The birds put up the bars to nests,
The cattle fled to barns;
There came one drop of giant rain,
And then, as if the hands

That held the dams had parted hold,
The waters wrecked the sky,
But overlooked my father's house,
Just quartering a tree.

This is the place where they all were bred;
Some of the rafters are standing still;
Now they are scattered and lost and dead,
Every one from the old nest fled,
Out of the shadow of Kiley's Hill.

Better it is that they ne'er came back,
Changes and chances are quickly rung;
Now the old homestead is gone to rack,
Green is the grass on the well-worn track
Down by the gate where the roses clung.

Gone is the garden they kept with care;
Left to decay at its own sweet will,
Fruit trees and flower-beds eaten bare,
Cattle and sheep where the roses were,
Under the shadow of Kiley's Hill.

Where are the children that strove and grew
In the old homestead in days gone by?
One is away on the far Barcoo
Watching his cattle the long year through,

I wish I were as in the years of old
While yet the blessed daylight made itself
Ruddy thro’ both the roofs of sight, and woke
These eyes, now dull, but then so keen to seek
The meanings ambush’d under all they saw,
The flight of birds, the flame of sacrifice,
What omens may foreshadow fate to man
And woman, and the secret of the Gods.
My son, the Gods, despite of human prayer,
Are slower to forgive than human kings.
The great God, Arês, burns in anger still
Against the guiltless heirs of him from Tyre
Our Cadmus, out of whom thou art, who found
Beside the springs of Dircê, smote, and still’d
Thro’ all its folds the multitudinous beast
The dragon, which our trembling fathers call’d
The God’s own son.
A tale, that told to me,
When but thine age, by age...

Old Loves and old dreams,--
"Requiescant in pace."
How strange now it seems,--
"Old" Loves and "old" dreams!
Yet we once wrote you reams
Maude, Alice, and Gracie!
Old Loves and old dreams,--
"Requiescant in pace."


When I called at the "Hollies" to-day,
In the room with the cedar-wood presses,
Aunt Deb. was just folding away
What she calls her "memorial dresses."

She'd the frock that she wore at fifteen,--
Short-waisted, of course--my abhorrence;
She'd "the loveliest"--something in "een"
That she wears in her portrait by Lawrence;

She'd the "jelick" she used--"as a Greek," (!)
She'd the habit she got her bad fall in;
She had e'en the blue moiré antique
That she opened Squire Grasshopper's ball in:--

New and old ...

DAKRTSI DIOISO POTMON 'APOTMON.

Oh! there are spirits of the air,
And genii of the evening breeze,
And gentle ghosts, with eyes as fair
As star-beams among twilight trees: -
Such lovely ministers to meet
Oft hast thou turned from men thy lonely feet.

With mountain winds, and babbling springs,
And moonlight seas, that are the voice
Of these inexplicable things,
Thou didst hold commune, and rejoice
When they did answer thee; but they
Cast, like a worthless boon, thy love away.

And thou hast sought in starry eyes
Beams that were never meant for thine,
Another's wealth: - tame sacrifice
To a fond faith! still dost thou pine?
Still dost thou hope that greeting hands,
Voice, looks, or lips, may answer thy demands?

Ah! wherefore...

I walked with Maisie long years back
The streets of Camden Town,
I splendid in my suit of black,
And she divine in brown.

Hers was a proud and noble face,
A secret heart, and eyes
Like water in a lonely place
Beneath unclouded skies.

A bed, a chest, a faded mat,
And broken chairs a few,
Were all we had to grace our flat
In Hazel Avenue.

But I could walk to Hampstead Heath,
And crown her head with daisies,
And watch the streaming world beneath,
And men with other Maisies.

When I was ill and she was pale
And empty stood our store,
She left the latchkey on its nail,
And saw me nevermore.

Perhaps she cast herself away
Lest both of us should drown:
Perhaps she feared to die, as they
Who die in Camden ...

How young I am!    Ah! heaven, this curse of youth
    Doth mock me from my mirror with great eyes,
And pulsing veins repeat the unwelcome truth,
    That I must live, though hope within me dies.

So young, and yet I have had all of life.
    Why, men have lived to see a hundred years,
Who have not known the rapture, joy, and strife
    Of my brief youth, its passion and its tears.

Oh! what are years?    A ripe three score and ten
    Hold often less of life, in its best sense,
Than just a twelvemonth lived by other men,
    Whose high-strung souls are ardent and intense.

But having seen all depths and scaled all heights,
    Having a heart love thrilled, and sorrow wrung,
Knowing all pains, all pleasures, all delights,
    Now I would die -but can...

"Never shall a young man,
Thrown into despair
By those great honey-coloured
Ramparts at your ear,
Love you for yourself alone
And not your yellow hair.'
"But I can get a hair-dye
And set such colour there,
Brown, or black, or carrot,
That young men in despair
May love me for myself alone
And not my yellow hair.'
"I heard an old religious man
But yesternight declare
That he had found a text to prove
That only God, my dear,
Could love you for yourself alone
And not your yellow hair."

What sight so lured him thro’ the fields he knew
As where earth’s green stole into heaven’s own hue,

Far–far–away?

What sound was dearest in his native dells?
The mellow lin-lan-lone of evening bells

Far–far–away.

What vague world-whisper, mystic pain or joy,
Thro’ those three words would haunt him when a boy,

Far–far–away?

A whisper from his dawn of life? a breath
From some fair dawn beyond the doors of death

Far–far–away?

Far, far, how far? from o’er the gates of Birth,
The faint horizons, all the bounds of earth,

Far–far–away?

What charm in words, a charm no words could give?
O dying words, can Music make you live

Far–far–away?

O mother-my-love, if you'll give me your hand,
And go where I ask you to wander,
I will lead you away to a beautiful land,--
The Dreamland that's waiting out yonder.
We'll walk in a sweet posie-garden out there,
Where moonlight and starlight are streaming,
And the flowers and the birds are filling the air
With the fragrance and music of dreaming.

There'll be no little tired-out boy to undress,
No questions or cares to perplex you,
There'll be no little bruises or bumps to caress,
Nor patching of stockings to vex you;
For I'll rock you away on a silver-dew stream
And sing you asleep when you're weary,
And no one shall know of our beautiful dream
But you and your own little dearie.

And when I am tired I'll nestle my head
In the bosom that's soot...

Not a breath of air
Ruffles the bosom of this leafy glen.
From the brook's margin, wide around, the trees
Are steadfast as the rocks; the brook itself,
Old as the hills that feed it from afar,
Doth rather deepen than disturb the calm
Where all things else are still and motionless.
And yet, even now, a little breeze, perchance
Escaped from boisterous winds that rage without,
Has entered, by the sturdy oaks unfelt,
But to its gentle touch how sensitive
Is the light ash! that, pendent from the brow
Of yon dim cave, in seeming silence makes
A soft eye-music of slow-waving boughs,
Powerful almost as vocal harmony
To stay the wanderer's steps and soothe his thoughts.

In the first rare spring of song,
In my heart's young hours,
In my youth 't was thus I sang,
Choosing 'mid the flowers: - 

"Fair the Dandelion is,
But for me too lowly;
And the winsome Violet
Is, forsooth, too holy.
'But the Touchmenot?' Go to!
What! a face that's speckled
Like a common milking-maid's,
Whom the sun hath freckled.
Then the Wild-Rose is a flirt;
And the trillium Lily,
In her spotless gown, 's a prude,
Sanctified and silly.
By her cap the Columbine,
To my mind, 's too merry;
Gossips, I would sooner wed
Some plebeian Berry.
And the shy Anemone -
Well, her face shows sorrow;
Pale, goodsooth! alive to-day,
Dead and gone to-morrow.
Then that bold-eyed, buxom wench,
Big and blond and lazy, -<...