Family

Not squirrels in the park alone
His love and winter-kindness own.
When Literary Fledglings try
Their wings, in first attempt to fly,
They flutter down to Franklin Square,
Where Howells in his "Easy Chair"
Like good Saint Francis scatters crumbs
Of Hope, to each small bird that comes.
And since Bread, cast upon the main,
Must to the giver come again,
I tender now, long overtime,
This humble Crumb of grateful rhyme.

Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.

O Love’s lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,
Three singing mouths that mourn now underbreath,
Three lovers, each one evil spoken of;
O smitten lips wherethrough this voice of mine
Came softer with her praise;
Abide a little for our lady’s love.
The kisses of her mouth were more than win...

I.

There's a story no one knows,
But myself, about a rose
And a fairy and a star
Where the Toyland people are.
Once when I had gone to bed,
Mother said it was a dream,
From a rose above my head,
Growing by the window-beam,
Out there popped a fairy's head.

II.

And he nodded at me: smiled:
Said, "You're fond of stories, eh?
Well, I know a star each child
Ought to know. It's far away
Foryour kind, but not for me.
I will take you to that star,
Where you'll hear new stories; see?
Close your eyes. It is n't far
That is, 't is n't far for me."

III.

And he'd hardly spoken when
From the rose there came a moth;
And before you'd counted ten
We were on it, and were both
Flying to that star that mad...

        I.

Now Lucifer ignites her taper bright
    To greet the wild-flowered Dawn,
Who leads the tasseled Summer draped with light
    Down heaven's gilded lawn.
Hark to the minstrels of the woods,
Tuning glad harps in haunted solitudes!
    List to the rillet's music soft,
        The tree's hushed song:
    Flushed from her star aloft
Comes blue-eyed Summer stepping meek along.


        II.

And as the lusty lover leads her in,
    Clad in soft blushes red,
With breezy lips her love he tries to win,
    Doth many a tear-drop shed:
While airy sighs, dyed in his heart,
Like Cupid's arrows, flame-tipped o'er her dart,
    He bends his yellow head and craves
        The timid maid
    For one sweet kiss, and laves

As I sat smoking, alone, yesterday,
And lazily leaning back in my chair,
Enjoying myself in a general way -
Allowing my thoughts a holiday
From weariness, toil and care, -
My fancies - doubtless, for ventilation -
Left ajar the gates of my mind, -
And Memory, seeing the situation,
Slipped out in street of "Auld Lang Syne."

Wandering ever with tireless feet
Through scenes of silence, and jubilee
Of long-hushed voices; and faces sweet
Were thronging the shadowy side of the street
As far as the eye could see;
Dreaming again, in anticipation,
The same old dreams of our boyhood's days
That never come true, from the vague sensation
Of walking asleep in the world's strange ways.

Away to the house where I was born!
And there was the selfsame...

Oh she tripped over Ocknell plain,
    And down by Bradley Water;
And the fairest maid on the forest side
    Was Jane, the keeper's daughter.

She went and went through the broad gray lawns
    As down the red sun sank,
And chill as the scent of a new-made grave
    The mist smelt cold and dank.

'A token, a token!' that fair maid cried,
    'A token that bodes me sorrow;
For they that smell the grave by night
    Will see the corpse to-morrow.

'My own true love in Burley Walk
    Does hunt to-night, I fear;
And if he meet my father stern,
    His game may cost him dear.

'Ah, here's a curse on hare and grouse,
    A curse on hart and hind;
And a health to the squire in all England,
    Leaves never a head behind.'

    It was a high and holy sight,
    When Baldwin[2] and his train,
    With cross and crosier gleaming bright,
    Came chanting slow the solemn rite,
    To Gwentland's[3] pleasant plain.

    High waved before, in crimson pride,
    The banner of the Cross;
    The silver rood was then descried,
    While deacon youths, from side to side,
    The fuming censer toss.

    The monks went two and two along,
    And winding through the glade,
    Sang, as they passed, a holy song,
    And harps and citterns, 'mid the throng,
    A mingled music made.

    They ceased; when lifting high his hand,
    The white-robed prelate cried:
    Arise, arise, at Christ's command,
    To fight for his name in the Holy Land,

Oh happy time! - Art's early days!
When o'er each deed, with sweet self-praise,
Narcissus-like I hung!
When great Rembrandt but little seemed,
And such Old Masters all were deemed
As nothing to the young!

Some scratchy strokes - abrupt and few,
So easily and swift I drew,
Sufficed for my design;
My sketchy, superficial hand
Drew solids at a dash - and spanned
A surface with a line.

Not long my eye was thus content,
But grew more critical - my bent
Essayed a higher walk;
I copied leaden eyes in lead -
Rheumatic hands in white and red,
And gouty feet - in chalk.

Anon my studious art for days
Kept making faces - happy phrase,
For faces such as mine!
Accomplished in the details then,
I left the minor parts of men,

Two and thirty is the ploughman.
He's a man of gallant inches,
And his hair is close and curly,
And his beard;
But his face is wan and sunken,
And his eyes are large and brilliant,
And his shoulder-blades are sharp,
And his knees.

He is weak of wits, religious,
Full of sentiment and yearning,
Gentle, faded - with a cough
And a snore.
When his wife (who was a widow,
And is many years his elder)
Fails to write, and that is always,
He desponds.

Let his melancholy wander,
And he'll tell you pretty stories
Of the women that have wooed him
Long ago;
Or he'll sing of bonnie lasses
Keeping sheep among the heather,
With a crackling, hackling click
In his voice.

I.

My food is but spare,
And humble my cot,
Yet Jesus dwells there
And blesses my lot:
Though thinly I'm clad,
And tempests oft roll,
He's raiment, and bread,
And drink to my soul.

II.

His presence is wealth,
His grace is a treasure,
His promise is health
And joy out of measure.
His word is my rest,
His spirit my guide:
In Him I am blest
Whatever betide.

III.

Since Jesus is mine,
Adieu to all sorrow;
I ne'er shall repine,
Nor think of to-morrow:
The lily so fair,
And raven so black,
He nurses with care,
Then how shall I lack?

IV.

Each promise is sure,
That shines in His word,
And tells me, though poor,
I'm rich in my Lord.
Hence!    Sorrow ...

Thou art to all lost love the best,
The only true plant found,
Wherewith young men and maids distrest
And left of love, are crown'd.

When once the lover's rose is dead
Or laid aside forlorn,
Then willow-garlands, 'bout the head,
Bedew'd with tears, are worn.

When with neglect, the lover's bane,
Poor maids rewarded be,
For their love lost their only gain
Is but a wreath from thee.

And underneath thy cooling shade,
When weary of the light,
The love-spent youth, and love-sick maid,
Come to weep out the night.

It is the Harvest Moon!    On gilded vanes
    And roofs of villages, on woodland crests
    And their aerial neighborhoods of nests
    Deserted, on the curtained window-panes
Of rooms where children sleep, on country lanes
    And harvest-fields, its mystic splendor rests!
    Gone are the birds that were our summer guests,
    With the last sheaves return the laboring wains!
All things are symbols: the external shows
    Of Nature have their image in the mind,
    As flowers and fruits and falling of the leaves;
The song-birds leave us at the summer's close,
    Only the empty nests are left behind,
    And pipings of the quail among the sheaves.

I told her when I left one day
That whatsoever weight of care
Might strain our love, Time's mere assault
Would work no changes there.
And in the night she came to me,
Toothless, and wan, and old,
With leaden concaves round her eyes,
And wrinkles manifold.

I tremblingly exclaimed to her,
"O wherefore do you ghost me thus!
I have said that dull defacing Time
Will bring no dreads to us."
"And is that true of YOU?" she cried
In voice of troubled tune.
I faltered: "Well . . . I did not think
You would test me quite so soon!"

She vanished with a curious smile,
Which told me, plainlier than by word,
That my staunch pledge could scarce beguile
The fear she had averred.
Her doubts then wrought their shape in me,
And when next day I ...

You were a red rose then, I know,
    Red as her wine--yea, redder still,--
Say rather her blood; and ages ago
    (You know how destiny hath its will)
I placed you deep in her gorgeous hair,
And left you to wither there.

Wine and blood and a red, red rose,--
    Feast and song and a long, long sleep;--
And which of us dreamed at the drama's close
    That the unforgetful years would keep
Our sin and their vengeance laid away
As a gift to this bitter day?

Now you are white as the mountain snow,
    White as the hand that I fold you in,
And none but the angels of God may know
    That either has once been stained with sin;
It was blood and wine in the old, old years,
But now it is only tears.

And so at the end of our several ways

On the green leaf mine eyes were fix'd, like his
Who throws away his days in idle chase
Of the diminutive, when thus I heard
The more than father warn me: "Son! our time
Asks thriftier using. Linger not: away."

Thereat my face and steps at once I turn'd
Toward the sages, by whose converse cheer'd
I journey'd on, and felt no toil: and lo!
A sound of weeping and a song: "My lips,
O Lord!" and these so mingled, it gave birth
To pleasure and to pain. "O Sire, belov'd!
Say what is this I hear?" Thus I inquir'd.

"Spirits," said he, "who as they go, perchance,
Their debt of duty pay." As on their road
The thoughtful pilgrims, overtaking some
Not known unto them, turn to them, and look,
But stay not; thus, approaching from behind
With speedier motion,...

i.

Vouchsafe, my Lady! by the passion-flower,
    And by the glamour of a moonlit hour,
And by the cries and sighs of all the birds
That sing o'nights, to heed again the words
Of my poor pleading! For I swear to thee
My love is deeper than the bounding sea,
    And more conclusive than a wedding-bell,
And freer-voiced than winds upon the lea.

[Footnote 1: This Litany was introduced in the Author's "Gladys the Singer," published by Messrs. Reeves & Turner, London, 1887.]


ii.

In all the world, from east unto the west,
    There is no vantage-ground, and little rest,
And no content for me from dawn to dark,
From set of sun to song-time of the lark,
And yet, withal, there is no man alive
Who for a goodly cause to make it thrive,

At Bethlehem upon the hill,
The day was done, the night was nigh,
The dusk was deep and had its will,
The stars were very small and still,
Like unblown tapers, faint and high.

The noises had begun to fall,
And quiet stole upon the place,
The howl of dogs along the wall,
Voices that from the houstops call
And answer, and the grace

Of some low breath of even-song
Grew faint apace: between the rocks
In misty pastures, and along
The dim hillside with crook and thong
The lonely shepherds watched their flocks.

The Inn-master within the Inn
Called loudly out after this sort,
"Draw no more water, cease the din,
Pile the loose fodder, and begin
To turn the mules out of the court.

The time has come to shut the gate,
Make ...

Dorset! whose early steps with mine have stray'd,
Exploring every path of Ida's glade;
Whom, still, affection taught me to defend,
And made me less a tyrant than a friend,
Though the harsh custom of our youthful band
Bade thee obey, and gave me to command; [2]
Thee, on whose head a few short years will shower
The gift of riches, and the pride of power;
E'en now a name illustrious is thine own,
Renown'd in rank, not far beneath the throne.
Yet, Dorset, let not this seduce thy soul
To shun fair science, or evade controul;
Though passive tutors, [3] fearful to dispraise
The titled child, whose future breath may raise,
View ducal errors with indulgent eyes,
And wink at faults they tremble to chastise.
When youthful parasites, who bend the kne...