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Page 94 of 1392

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Page 94 of 1392

A Summer Day By The Sea

The sun is set; and in his latest beams
Yon little cloud of ashen gray and gold,
Slowly upon the amber air unrolled,
The falling mantle of the Prophet seems.
From the dim headlands many a lighthouse gleams,
The street-lamps of the ocean; and behold,
O'erhead the banners of the night unfold;
The day hath passed into the land of dreams.
O summer day beside the joyous sea!
O summer day so wonderful and white,
So full of gladness and so full of pain!
Forever and forever shalt thou be
To some the gravestone of a dead delight,
To some the landmark of a new domain.

Henry Wadsworth Longfellow

With The Lark

Night is for sorrow and dawn is for joy,
Chasing the troubles that fret and annoy;
Darkness for sighing and daylight for song,--
Cheery and chaste the strain, heartfelt and strong.
All the night through, though I moan in the dark,
I wake in the morning to sing with the lark.

Deep in the midnight the rain whips the leaves,
Softly and sadly the wood-spirit grieves.
But when the first hue of dawn tints the sky,
I shall shake out my wings like the birds and be dry;
And though, like the rain-drops, I grieved through the dark,
I shall wake in the morning to sing with the lark.

On the high hills of heaven, some morning to be,
Where the rain shall not grieve thro' the leaves of the tree,
There my heart will be glad for the pain I have known,
For my hand will be...

Paul Laurence Dunbar

Wood Myths

Sylvan, they say, and nymph are gone;
And yet I saw the two last night,
When overhead the moon sailed white,
And through the mists, her light made wan,
Each bush and tree doffed its disguise,
And stood revealed to mortal eyes.

The hollow, rimmed with rocks and trees,
And massed with ferns and matted vines,
Seemed an arena mid the pines,
A theatre of mysteries,
Where oread and satyr met,
And all the myths that men forget.

The rain and frost had carved the rocks
With faces that were wild and strange,
Which Protean fancy seemed to change
Each moment in the granite blocks,
That seemed slow dreaming into form
The gods grotesque of wind and storm.

Then suddenly Diana stood,
Slim as a shaft of moonlight, there,
Immortalizing eart...

Madison Julius Cawein

Lines Composed A Few Miles Above Tintern Abbey

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur., Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, i...

William Wordsworth

Cicely

Cicely says you’re a poet; maybe, I ain’t much on rhyme:
I reckon you’d give me a hundred, and beat me every time.
Poetry! that’s the way some chaps puts up an idee,
But I takes mine “straight without sugar,” and that’s what’s the matter with me.

Poetry! just look round you, alkali, rock, and sage;
Sage-brush, rock, and alkali; ain’t it a pretty page!
Sun in the east at mornin’, sun in the west at night,
And the shadow of this ’yer station the on’y thing moves in sight.

Poetry! Well now Polly! Polly, run to your mam;
Run right away, my pooty! By-by! Ain’t she a lamb?
Poetry! that reminds me o’ suthin’ right in that suit:
Jest shet that door thar, will yer? for Cicely’s ears is cute.

Ye noticed Polly, the baby? A month afore she was born,
Cicely my old woman...

Bret Harte

Proud Music Of The Storm

Proud music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature's rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry!
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber Why have you seiz'd me?

Come forward, O my Soul, and let the rest retire;
Listen lose not it is t...

Walt Whitman

Freedom.

Out of the heart of the city begotten
Of the labour of men and their manifold hands,
Whose souls, that were sprung from the earth in her morning,
No longer regard or remember her warning,
Whose hearts in the furnace of care have forgotten
Forever the scent and the hue of her lands;

Out of the heat of the usurer's hold,
From the horrible crash of the strong man's feet;
Out of the shadow where pity is dying;
Out of the clamour where beauty is lying,
Dead in the depth of the struggle for gold;
Out of the din and the glare of the street;

Into the arms of our mother we come,
Our broad strong mother, the innocent earth,
Mother of all things beautiful, blameless,
Mother of hopes that her strength makes tameless,
Where the voices of grief and of battle are...

Archibald Lampman

Sleep Is Supposed To Be,

Sleep is supposed to be,
By souls of sanity,
The shutting of the eye.

Sleep is the station grand
Down which on either hand
The hosts of witness stand!

Morn is supposed to be,
By people of degree,
The breaking of the day.

Morning has not occurred!
That shall aurora be
East of eternity;

One with the banner gay,
One in the red array, --
That is the break of day.

Emily Elizabeth Dickinson

Tschatir Dagh (The Pilgrim)

Below me half a world I see outspread;
Above, blue heaven; around, peaks of snow;
And yet the happy pulse of life is slow,
I dream of distant places, pleasures dead.
The woods of Lithuania I would tread
Where happy-throated birds sing songs I know;
Above the trembling marshland I would go
Where chill-winged curlews dip and call o'er head.

A tragic, lonely terror grips my heart,
A longing for some peaceful, gentle place,
And memories of youthful love I trace.
Unto my childhood home I long to start,
And yet if all the leaves my name could cry
She would not pause nor heed as she passed by.

Adam Bernard Mickiewicz

The Djinns.

("Murs, ville et port.")

[XXVIII., Aug. 28, 1828.]


Town, tower,
Shore, deep,
Where lower
Cliff's steep;
Waves gray,
Where play
Winds gay,
All sleep.

Hark! a sound,
Far and slight,
Breathes around
On the night
High and higher,
Nigh and nigher,
Like a fire,
Roaring, bright.

Now, on 'tis sweeping
With rattling beat,
Like dwarf imp leaping
In gallop fleet
He flies, he prances,
In frolic fancies,
On wave-crest dances
With pattering feet.

Hark, the rising swell,
With each new burst!
Like the tolling bell
Of a convent curst;
Like the billowy roar
On a storm-lashed shore, -

Victor-Marie Hugo

Young Love

I

I cannot heed the words they say,
The lights grow far away and dim,
Amid the laughing men and maids
My eyes unbidden seek for him.

I hope that when he smiles at me
He does not guess my joy and pain,
For if he did, he is too kind
To ever look my way again.

II

I have a secret in my heart
No ears have ever heard,
And still it sings there day by day
Most like a caged bird.

And when it beats against the bars,
I do not set it free,
For I am happier to know
It only sings for me.

III

I wrote his name along the beach,
I love the letters so.
Far up it seemed and out of reach,
For still the tide was low.

But oh, the sea came creeping up,
And washed the name away,
And on the san...

Sara Teasdale

The World-Soul

Thanks to the morning light,
Thanks to the foaming sea,
To the uplands of New Hampshire,
To the green-haired forest free;
Thanks to each man of courage,
To the maids of holy mind,
To the boy with his games undaunted
Who never looks behind.

Cities of proud hotels,
Houses of rich and great,
Vice nestles in your chambers,
Beneath your roofs of slate.
It cannot conquer folly,--
Time-and-space-conquering steam,--
And the light-outspeeding telegraph
Bears nothing on its beam.

The politics are base;
The letters do not cheer;
And 'tis far in the deeps of history,
The voice that speaketh clear.
Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.

Ralph Waldo Emerson

Early Spring

Quick through the gates of Fairyland
The South Wind forced his way.
'Twas his to make the Earth forget
Her grief of yesterday.
"'Tis mine," cried he, "to bring her joy!"
And on his lightsome feet
In haste he slung the snowdrop bells,
Pushed past the Fairy sentinels,
And out with laughter sweet.

Clear flames of Crocus glimmered on
The shining way he went.
He whispered to the trees strange tales
Of wondrous sweet intent,
When, suddenly, his witching voice
With timbre rich and rare,
Rang through the woodlands till it cleft
Earth's silent solitudes, and left
A Dream of Roses there!

Fay Inchfawn

Karlene.

Word of a little one born in the West,--
How like a sea-bird it comes from the sea,
Out of the league-weary waters' unrest
Blown with white wings, for a token, to me!

Blown with a skriel and a flurry of plumes
(Sea-spray and flight-rapture whirled in a gleam!)
Here for a sign of the comrade that looms
Large in the mist of my love as I dream.

He with the heart of an old violin,
Vibrant at every least stir in the place,
Lyric of woods where the thrushes begin,
Wave-questing wanderer, still for a space,--

What will the child of his be (so I muse),
Wood-flower, sea-flower, star-flower rare?
Worlds here to choose from, and which will she choose,
She whose first world is an armsweep of air?

Baby Karlene, you are wondering now
Why you can...

Bliss Carman

The Realms Of Gold

(Written after hearing a line of Keats repeated by a passing stranger under the palms of Southern California.)


Under the palms of San Diego
Where gold-skinned Mexicans loll at ease,
And the red half-moons of their black-pipped melons
Drop from their hands in the sunset seas,
And an incense, out of the old brown missions,
Blows through the orange trees;

I wished that a poet who died in Europe
Had found his way to this rose-red West;
That Keats had walked by the wide Pacific
And cradled his head on its healing breast,
And made new songs of the sun-burned sea-folk,
New poems, perhaps his best.

I thought of him, under the ripe pomegranates
At the desert's edge, where the grape-vines grow,
In a sun-kissed ranch between...

Alfred Noyes

Moonlight.

Oh, what so subtle as the spell
The silvery moonlight weaves?
Oh, what so sad and what so glad,
And what so soon deceives.

A vision of the long ago--
Long years of pain between;
A mocking dream of happier days--
A veil of silver sheen.

A passing gleam of falling stars--
An idle summer's dream;
The sudden waking of a heart--
Things are not as they seem.

Oh, silver moon, indeed you hold
The secrets of the heart;
And none can know and none can guess
The mystery of thy art.

A silver length of rippling waves,
A glance from happy eyes;
A strain of music low and sweet--
The heart in rapture lies.

Yet, ah, how faithless are the vows
Made 'neath the summer moon;
As c...

Fannie Isabelle Sherrick

Pride: Fate.

Lullaby on the wing
Of my song, O my own!
Soft airs of evening
Join my song's murmuring tone.

Lullaby, O my love!
Close your eyes, lake-like clear;
Lullaby, while above
Wake the stars, with heaven near.

Lullaby, sweet, so still
In arms of death; I alone
Sing lullaby, like a rill,
To your form, cold as a stone.

Lullaby, O my heart!
Sleep in peace, all alone;
Night has come, and your part
For loving is wholly done!

Rose Hawthorne Lathrop

Antinomies On A Railway Station

    As I stand waiting in the rain
For the foggy hoot of the London train,
Gazing at silent wall and lamp
And post and rail and platform damp,
What is this power that comes to my sight
That I see a night without the night,
That I see them clear, yet look them through,
The silvery things and the darkly blue,
That the solid wall seems soft as death,
A wavering and unanchored wraith,
And rails that shine and stones that stream
Unsubstantial as a dream?
What sudden door has opened so,
What hand has passed, that I should know
This moving vision not a trance
That melts the globe of circumstance,
This sight that marks not least or most
And makes a stone a passing ghost?
Is it that a yea...

John Collings Squire, Sir

Page 94 of 1392

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Page 94 of 1392