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Page 585 of 1621

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Page 585 of 1621

The Past.

The past is such a curious creature,
To look her in the face
A transport may reward us,
Or a disgrace.

Unarmed if any meet her,
I charge him, fly!
Her rusty ammunition
Might yet reply!

Emily Elizabeth Dickinson

The War After The War

I.
Yonder, with eyes that tears, not distance, dim,
With ears the wide world’s thickness cannot daunt,
We see tumultuous miseries that haunt
The night’s dead watches, hear the battle hymn
Of ruin shrieking through the music grim,
Where the red spectre straddles, long and gaunt,
Spitting across the seas his hideous taunt
At those who nurse at home the unwounded limb.

What shall we say, who, drawing indolent breath,
Mark the quick pant of those who, full of hate,
Drive home the steel or loose the shrieking shell,
Heroes or Huns, who smite the grin of death
And laugh or curse beneath the blows of fate,
Swept madly to the thudding heart of hell?



II.
O peace, be still! Let no drear whirlwind sweep
Our souls about the vault, that groans ...

John Le Gay Brereton

Study

Somewhere the long mellow note of the blackbird
Quickens the unclasping hands of hazel,
Somewhere the wind-flowers fling their heads back,
Stirred by an impetuous wind. Some ways'll
All be sweet with white and blue violet.
(Hush now, hush. Where am I? - Biuret - )

On the green wood's edge a shy girl hovers
From out of the hazel-screen on to the grass,
Where wheeling and screaming the petulant plovers
Wave frighted. Who comes? A labourer, alas!
Oh the sunset swims in her eyes' swift pool.
(Work, work, you fool - !)

Somewhere the lamp hanging low from the ceiling
Lights the soft hair of a girl as she reads,
And the red firelight steadily wheeling
Weaves the hard hands of my friend in sleep.
And the white dog snuffs the warmth, appealing...

David Herbert Richards Lawrence

Faces In The Street

They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street,
Drifting past, drifting past,
To the beat of weary feet,
While I sorrow for the owners of those faces in the street.

And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street,
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.

In hours before the dawning dims the starlight in the sky
The wan and weary ...

Henry Lawson

The Conundrum Of The Workshops

When the flush of a new-born sun fell first on Eden's green and gold,
Our father Adam sat under the Tree and scratched with a stick in the mould;
And the first rude sketch that the world had seen was joy to his mighty heart,
Till the Devil whispered behind the leaves, "It's pretty, but is it Art?"

Wherefore he called to his wife, and fled to fashion his work anew,
The first of his race who cared a fig for the first, most dread review;
And he left his lore to the use of his sons, and that was a glorious gain
When the Devil chuckled "Is it Art?" in the ear of the branded Cain.

They builded a tower to shiver the sky and wrench the stars apart,
Till the Devil grunted behind the bricks: "It's striking, but is it Art?"
The stone was dropped at the quarry-side and the idle derrick swu...

Rudyard

Sonnet. About Jesus. VI.

And is not Earth thy living picture, where
Thou utterest beauty, simple and profound,
In the same form by wondrous union bound;
Where one may see the first step of the stair,
And not the next, for brooding vapours there?
And God is well content the starry round
Should wake the infant's inarticulate sound,
Or lofty song from bursting heart of prayer.
And so all men of low or lofty mind,
Who in their hearts hear thy unspoken word,
Have lessons low or lofty, to their kind,
In these thy living shows of beauty, Lord;
While the child's heart that simply childlike is,
Knows that the Father's face looks full in his.

George MacDonald

Come Girl, And Embrace

Come girl, and embrace
And ask no more I wed thee;
Know then you are sweet of face,
Soft-limbed and fashioned lovingly;
Must you go marketing your charms
In cunning woman-like,
And filled with old wives' tales' alarms?

I tell you, girl, come embrace;
What reck we of churchling and priest
With hands on paunch, and chubby face?
Behold, we are life's pitiful least,
And we perish at the first smell
Of death, whither heaves earth
To spurn us cringing into hell.

Come girl, and embrace;
Nay, cry not, poor wretch, nor plead,
But haste, for life strikes a swift pace,
And I burn with envious greed:
Know you not, fool, we are the mock
Of gods, time, clothes, and priests?
But come, there is no time for talk.

Frank James Prewett

The Stars In Their Courses

And now, while the dark vast earth shakes and rocks
In this wild dream-like snare of mortal shocks,
How look (I muse) those cold and solitary stars
On these magnificent, cruel wars?--
Venus, that brushes with her shining lips
(Surely!) the wakeful edge of the world and mocks
With hers its all ungentle wantonness?--
Or the large moon (pricked by the spars of ships
Creeping and creeping in their restlessness),
The moon pouring strange light on things more strange,
Looks she unheedfully on seas and lands
Trembling with change and fear of counterchange?

O, not earth trembles, but the stars, the stars!
The sky is shaken and the cool air is quivering.
I cannot look up to the crowded height
And see the fair stars trembling in their light,
For thinking of the st...

John Frederick Freeman

Dream-Market

A MASQUE PRESENTED AT WILTON HOUSE,

JULY 28, 1909


Scene. A LAWN IN THE COUNTESS OF PEMBROKE'S ARCADIA

Enter FLORA, Lady of Summer, with her maidens, PHYLLIS
and AMARYLLIS. She takes her seat upon a bank,
playing with a basket of freshly gathered flowers, one
of which she presently holds up in her hand.



FLORA. Ah! how I love a rose! But come, my girls,
Here's for your task: to-day you, Amaryllis,
Shall take the white, and, Phyllis, you the red.
Hold out your kirtles for them. White, red, white,
Red, red, and white again. . . .
Wonder you not
How the same sun can breed such different beauties?
[She divides ...

Henry John Newbolt

Sonnet 6

How many paltry, foolish, painted things,
That now in Coaches trouble eu'ry Street,
Shall be forgotten, whom no Poet sings,
Ere they be well wrap'd in their winding Sheet?
Where I to thee Eternitie shall giue,
When nothing else remayneth of these dayes,
And Queenes hereafter shall be glad to liue
Vpon the Almes of thy superfluous prayse;
Virgins and Matrons reading these my Rimes,
Shall be so much delighted with thy story,
That they shall grieve, they liu'd not in these Times,
To haue seene thee, their Sexes onely glory:
So shalt thou flye aboue the vulgar Throng,
Still to suruiue in my immortall Song.

Michael Drayton

Mesopotamia

They shall not return to us, the resolute, the young,
The eager and whole-hearted whom we gave:
But the men who left them thriftily to die in their own dung,
Shall they come with years and honour to the grave?

They shall not return to us; the strong men coldly slain
In sight of help denied from day to day:
But the men who edged their agonies and chid them in their pain,
Are they too strong and wise to put away?

Our dead shall not return to us while Day and Night divide,
Never while the bars of sunset hold.
But the idle-minded overlings who quibbled while they died,
Shall they thrust for high employments as of old?

Shall we only threaten and be angry for an hour:
When the storm is ended shall we find
How softly but how swiftly they have sidled back to p...

Rudyard

Mutability

From low to high doth dissolution climb,
And sink from high to low, along a scale
Of awful notes, whose concord shall not fail;
A musical but melancholy chime,
Which they can hear who meddle not with crime,
Nor avarice, nor over-anxious care.
Truth fails not; but her outward forms that bear
The longest date do melt like frosty rime,
That in the morning whitened hill and plain
And is no more; drop like the tower sublime
Of yesterday, which royally did wear
His crown of weeds, but could not even sustain
Some casual shout that broke the silent air,
Or the unimaginable touch of Time.

William Wordsworth

Visions.

I.

THE NEW RESOLVE.

Last night, as I sat in my study,
And thought o'er my lonely life,
I was seized with a passionate longing
To escape from the weary strife;

To flee far away from my fellows,
And far from the city's roar,
And seek on the boundless prairie
A balm for my burning sore--

The sore of the weary spirit,
The burn of the aching heart
Of him who has known true friendship--
Has known it--but only to part.

And I said in that hour of anguish:
"I will fly from the haunts of men,
And seek, in the bosom of Nature,
Relief from my ceaseless pain."

As lonely I sat, and thus pondered,
A voice seemed to speak in my ear;
And the sound of that voice was like music,
...

Wilfred Skeats

The Dream Of Youth.

In days of yore, while yet the world was new,
And all around was beautiful to view
When spring or summer ruled the happy hours,
And golden fruit hung down mid opening flowers;
When, if you chanced among the woods to stray,
The rosy-footed dryad led the way,
Or if, beside a mountain brook, your path,
You ever caught some naïad at her bath:
'Twas in that golden day, that Damon strayed.
Musing, alone, along a Grecian glade.
Retired the scene, yet in the morning light,
Athens in view, shone glimmering to the sight.
'Twas far away, yet painted on the skies,
It seemed a marble cloud of glorious dyes,
Where yet the rosy morn, with lingering ray,
Loved on the sapphire pediments to play.
But why did Damon heed the _distant_ scene?
For he was young, and all around ...

Samuel Griswold Goodrich

Lines To Mrs. A. Clarke.

Within his cold and cheerless cell,
I heard the sighing Censor tell
That ev'ry charm of life was gone,
That ev'ry noble virtue long
Had ceas'd to wake the Minstrel's song,
And Vice triumphant stood alone.

"Poor gloomy reas'ner! come with me;
Smooth each dark frown, and thou shall see
Thy tale is but a mournful dream;
I'll show thee scenes to yield delight,
I'll show thee forms in Virtue bright,
Illum'd by Heav'n's unclouded beam.

"See Clarke, with ev'ry goodness grac'd,
Her mind the seat of Wit and Taste;
Tho' Wealth invites to Pleasure's bow'r,
See her the haunts of Woe descend;
Of many a friendless wretch the friend,
Pleas'd she exerts sweet Pity's pow'r.

"See her, with parent patriot care,
The infant orphan-mind prepare,

John Carr

To Mrs. ----

I never shall forget thee - 'tis a word
Thou oft must hear, for surely there be none
On whom thy wond'rous eyes have ever shone
But for a moment, or who e'er have heard
Thy voice's deep impassioned melody,
Can lose the memory of that look or tone.
But, not as these, do I say unto thee,
I never shall forget thee: - in thine eyes,
Whose light, like sunshine, makes the world rejoice,
A stream of sad and solemn splendour lies;
And there is sorrow in thy gentle voice.
Thou art not like the scenes in which I found thee,
Thou art not like the beings that surround thee;
To me, thou art a dream of hope and fear;
Yet why of fear? - oh sure! the Power that lent
Such gifts, to make thee fair, and excellent;
Still watches one whom it has deigned to ...

Frances Anne Kemble

A Song

Ask me no more where Jove bestows,
When June is past, the fading rose;
For in your beauty's orient deep
These flowers, as in their causes, sleep.

Ask me no more whither doth stray
The golden atoms of the day;
For in pure love heaven did prepare
Those powders to enrich your hair.

Ask me no more whither doth haste
The nightingale, when May is past;
For in your sweet, dividing throat
She winters, and keeps warm her note.

Ask me no more where those stars light,
That downwards fall in dead of night;
For in your eyes they sit, and there
Fixed become, as in their sphere.

Ask me no more if east or west
The phoenix builds her spicy nest;
For unto you at last she flies,
And in your fragrant bosom dies.

Thomas Carew

The Country Beautiful

I love the little daisies on the lawn
Which contemplate with wide and placid eyes
The blue and white enamel of the skies -
The larks which sing their mattin-song at dawn,
High o'er the earth, and see the new Day born,
All stained with amethyst and amber dyes.
I love the shadowy woodland's hidden prize
Of fragrant violets, which the dewy morn

Doth open gently underneath the trees
To cast elusive perfume on each hour -
The waving clover, full of drowsy bees,
That take their murmurous way from flower to flower.
Who could but think - deep in some sun-flecked glade -
How God must love these things that He has made?

Eastchurch, 1916.

Paul Bewsher

Page 585 of 1621

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Page 585 of 1621