Death

I want more lives in which to love
    This world so full of beauty,
I want more days to use the ways
    I know of doing duty;
I ask no greater joy than this
    (So much I am life's lover),
When I reach age to turn the page
    And read the story over.
    (O love, stay near!)

O rapturous promise of the Spring!
    O June fulfilling after!
If Autumns sigh, when Summers die,
    'Tis drowned in Winter's laughter.
O maiden dawns, O wifely noons,
    O siren sweet, sweet nights,
I'd want no heaven could earth be given
    Again with its delights
    (If love stayed near).

There are such glories for the eye,
    Such pleasures for the ear,
The senses reel with all they feel
    And see and taste and hear;
There are such ...

When Scotland's great Regent, our warrior most dear,
The debt of his nature did pay,
T' was Edward, the cruel, had reason to fear,
And cause to be struck with dismay.

At the window of Edward the raven did croak,
Though Scotland a widow became;
Each tie of true honor to Wallace he broke
The raven croaked "Sorrow and shame!"

At Eldersie Castle no raven was heard,
But soothings of honor and truth;
His spirit inspired the soul of the bard
To comfort the Love of his youth!

They lighted the tapers at dead of night,
And chanted their holiest hymn;
But her brow and her bosom were all damp with affright,
Her eye was all sleepless and dim!

And the lady of Eldersie wept for her lord,
With a death-watch beat in her lonely room,
When her c...

I waited for the train at Coventry;
I hung with grooms and porters on the bridge,
To match the three tall spires; and there I shaped
The city’s ancient legend into this:—
Not only we, the latest seed of Time,
New men, that in the flying of a wheel
Cry down the past, not only we, that prate
Of rights and wrongs, have loved the people well,
And loathed to see them overtax’d; but she
Did more, and underwent, and overcame,
The woman of a thousand summers back,
Godiva, wife to that grim Earl, who ruled
In Coventry: for when he laid a tax
Upon his town, and all the mothers brought
Their children, clamouring, ‘If we pay, we starve!’
She sought her lord, and found him, where he strode
About the hall, among his dogs, alone,
His beard a foot before him, and his hai...

Great forests you frighten me, like vast cathedrals:
You roar like an organ, and in our condemned souls,
aisles of eternal mourning, where past death-rattles
sound, the echo of your De Profundis rolls.

I hate you, Ocean! My mind, in your tumultuous main,
sees itself: I hear the vast laughter of your seas,
the bitter laughter of defeated men,
filled with the sound of sobs and blasphemies.

How you would please me without your stars, O Night!
I know the language that their light employs!
Since I search for darkness, nakedness, the Void!

But the shadows themselves seem, to my sight
canvases, where thousands of lost beings, alive,
and with a familiar gaze, leap from my eyes.

The cruel Moon hangs out of reach
Up above the shadowy beech.
Her face is stupid, but her eye
Is small and sharp and very sly.
Nurse says the Moon can drive you mad?
No, that's a silly story, lad!
Though she be angry, though she would
Destroy all England if she could,
Yet think, what damage can she do
Hanging there so far from you?
Don't heed what frightened nurses say:
Moons hang much too far away.

When Peter Wanderwide was young
He wandered everywhere he would:
All that he approved was sung,
And most of what he saw was good.

When Peter Wanderwide was thrown
By Death himself beyond Auxerre,
He chanted in heroic tone
To priests and people gathered there:

"If all that I have loved and seen
Be with me on the Judgment Day,
I shall be saved the crowd between
From Satan and his foul array.

"Almighty God will surely cry,
'St. Michael! Who is this that stands
With Ireland in his dubious eye,
And Perigord between his hands,

"'And on his arm the stirrup-thongs,
And in his gait the narrow seas,
And in his mouth Burgundian songs,
But in his heart the Pyrenees?'

"St. Michael then will answer right
(And not withou...

Beautiful landscape! I could look on thee
For hours, unmindful of the storm and strife,
And mingled murmurs of tumultuous life.
Here, all is still as fair; the stream, the tree,
The wood, the sunshine on the bank: no tear,
No thought of Time's swift wing, or closing night,
That comes to steal away the long sweet light
No sighs of sad humanity are here.
Here is no tint of mortal change; the day,
Beneath whose light the dog and peasant-boy
Gambol, with look, and almost bark, of joy,
Still seems, though centuries have passed, to stay.
Then gaze again, that shadowed scenes may teach
Lessons of peace and love, beyond all speech.

The marten flew to the finch's nest,
    Feathers, and moss, and a wisp of hay:
"The arrow it sped to thy brown mate's breast;
    Low in the broom is thy mate to-day."

"Liest thou low, love? low in the broom?
    Feathers and moss, and a wisp of hay,
Warm the white eggs till I learn his doom."
    She beateth her wings, and away, away.

"Ah, my sweet singer, thy days are told
    (Feathers and moss, and a wisp of hay)!
Thine eyes are dim, and the eggs grow cold.
    O mournful morrow! O dark to-day!"

The finch flew back to her cold, cold nest,
    Feathers and moss, and a wisp of hay,
Mine is the trouble that rent her breast,
    And home is silent, and love is clay.

My window is the open sky,
The flower in farthest wood is mine;
I am the heir to all gone by,
The eldest son of all the line.

And when the robbers Time and Death
Athwart my path conspiring stand,
I cheat them with a clod, a breath,
And pass the sword from hand to hand!

They say that I never have written of love,
As a writer of songs should do;
They say that I never could touch the strings
With a touch that is firm and true;
They say I know nothing of women and men
In the fields where Love's roses grow,
And they say I must write with a halting pen
Do you think that I do not know?

When the love-burst came, like an English Spring,
In days when our hair was brown,
And the hem of her skirt was a sacred thing
And her hair was an angel's crown.
The shock when another man touched her arm,
Where the dancers sat round in a row;
The hope and despair, and the false alarm
Do you think that I do not know?

By the arbour lights on the western farms,
You remember the question put,
While you held her warm in your quiveri...

They say to me, thy clear and crystal eyes:
"Why dost thou love me so, strange lover mine?"
Be sweet, be still! My heart and soul despise
All save that antique brute-like faith of thine;

And will not bare the secret of their shame
To thee whose hand soothes me to slumbers long,
Nor their black legend write for thee in flame!
Passion I hate, a spirit does me wrong.

Let us love gently. Love, from his retreat,
Ambushed and shadowy, bends his fatal bow,
And I too well his ancient arrows know:

Crime, horror, folly. O pale marguerite,
Thou art as I, a bright sun fallen low,
O my so white, my so cold Marguerite.

The bloom upon the grape I ask no more,
Nor pampered fragrance of the soft-lipped rose,
I only ask of Him who keeps the Door -
To open it for one who fearless goes
Into the dark, from which, reluctant, came
His innocent heart, a little laughing flame;
I only ask that he who gave me sight,
Who gave me hearing and who gave me breath,
Give me the last gift in His flaming hand -
The holy gift of Death.

The day is dead; and in the west
The slender crescent of the moon
Diana's crystal-kindled crest
Sinks hillward in a silvery swoon.
What is the murmur in the dell?
The stealthy whisper and the drip?
A Dryad with her leaf-light trip?
A Naiad o'er her fountain well?
Who with white fingers for her comb,
Sleeks her blue hair, and from its curls
Showers slim minnows and pale pearls,
And hollow music of the foam.
What is it in the vistaed ways
That leans and springs, and stoops and sways?
The naked limbs of one who flees?
An Oread who hesitates.
Before the Satyr form that waits,
Crouching to leap, that there she sees?
Or under boughs, reclining cool,
A Hamadryad, like a pool.
Of moonlight, palely beautiful?
Or Limnad, with her lilied face,

Let others prate of Greece and Rome,
And towns where they may never be,
The muse should wander nearer home.
My country is enough for me;
Her wooded hills that watch the sea,
Her inland miles of springing corn,
At Macedon or Barrakee,
I love the land where I was born.

On Juliet smile the autumn stars
And windswept plains by Winchelsea,
In summer on their sandy bars
Her rivers loiter languidly.
Where singing waters fall and flee
The gullied ranges dip to Lorne
With musk and gum and myrtle tree,
I love the land where I was born.

The wild things in her tangles move
As blithe as fauns in Sicily,
Where Melbourne rises roof by roof
The tall ships serve her at the quay,
And hers the yoke of liberty
On stalwart shoulders lightly wor...

Time drops in decay,
Like a candle burnt out,
And the mountains and woods
Have their day, have their day;
What one in the rout
Of the fire-born moods,
Has fallen away?

Alone it stands in Poesy's fair land,
    A temple by the muses set apart;
    A perfect structure of consummate art,
By artists builded and by genius planned,
Beyond the reach of the apprentice hand,
    Beyond the ken of the untutored heart,
    Like a fine carving in a common mart,
Only the favoured few will understand.
A chef d'auvre toiled over with great care,
    Yet which the unseeing careless crowd goes by,
A plainly set, but well-cut solitaire,
An ancient bit of pottery, too rare
    To please or hold aught save the special eye,
These only with the sonnet can compare.

He faced his canvas (as a seer whose ken
Pierces the crust of this existence through)
And smiled beyond on that his genius knew
Ere mated with his being. Conscious then
Of his high theme alone, he smiled again
Straight back upon himself in many a hue
And tint, and light and shade, which slowly grew
Enfeatured of a fair girl's face, as when
First time she smiles for love's sake with no fear.
So wrought he, witless that behind him leant
A woman, with old features, dim and sear,
And glamoured eyes that felt the brimming tear,
And with a voice, like some sad instrument,
That sighing said, "I'm dead there; love me here!"

Down the strait vistas where a city street
Fades in pale dust and vaporous distances,
Stained with far fumes the light grows less and less
And the sky reddens round the day's retreat.
Now out of orient chambers, cool and sweet,
Like Nature's pure lustration, Dusk comes down.
Now the lamps brighten and the quickening town
Rings with the trample of returning feet.
And Pleasure, risen from her own warm mould
Sunk all the drowsy and unloved daylight
In layers of odorous softness, Paphian girls
Cover with gauze, with satin, and with pearls,
Crown, and about her spangly vestments fold
The ermine of the empire of the Night.