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Page 224 of 1621

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Page 224 of 1621

The Pass Across The Abyss In The Tschufut-Kale

(Mirza)

Pray! Pray! Let loose the bridle. Look not down!
The humble horse alone has wisdom here.
He knows where blackest the abysses leer
And where the path in safety leads us down.
Pray, and look upward to the mountain's crown!
The deep below is endless where you peer;
Stretch not the hand out as you pass, for fear
The added weight of that might plunge you down.

And check your thoughts' free flight, too, while you go;
Let all of Fancy's fluttering sails be furled
Here where Death watches o'er the riven world.

(Pilgrim)

I lived to cross the bridge of ancient snow!
But what I saw my tongue no more can tell,
The angels only could rehearse that well.


(MIRZA...

Adam Bernard Mickiewicz

Onomatopoeia

    One thing about this type of education, it certainly taught an individual to be philosophical about death.

He could ruminate conversably on the ultimate fate of a Greek shade or the Mesopotamian interpretation of the underworld.
Even contemplate figuratively what Achilles felt was his true funeral abode.

Shoel. The grave. Romantic poetry might have little practical application but it was great conversational stuff.

A book or two by obscure authors sure broke the ice at parties, was unbeatable verbal jousting.

Too bad the joke was on him for majoring in it.

Few people really cared what onomatopoeia was or that Presquile was in Maine. Worse, they acted like you were nuts for studying the Aeneid. The Aeneid! It did, too, have importance. Literature, that ...

Paul Cameron Brown

The Gay Goshawk

The Text is from the Jamieson-Brown MS., on which version Scott drew partly for his ballad in the Minstrelsy. Mrs. Brown recited the ballad again to William Tytler in 1783, but the result is now lost, with most of the other Tytler-Brown versions.

The Story.--One point, the maid's feint of death to escape from her father to her lover, is the subject of a ballad very popular in France; a version entitled Belle Isambourg is printed in a collection called Airs de Cour, 1607. Feigning death to escape various threats is a common feature in many European ballads.

It is perhaps needless to remark that no goshawk sings sweetly, much less talks. In Buchan's version (of forty-nine stanzas) the goshawk is exchanged for a parrot.


THE GAY GOSHAWK

1.
'O well's me o' my g...

Frank Sidgwick

A Madrigal

Dream days of fond delight and hours
As rosy-hued as dawn, are mine.
Love's drowsy wine,
Brewed from the heart of Passion flowers,
Flows softly o'er my lips
And save thee, all the world is in eclipse.

There were no light if thou wert not;
The sun would be too sad to shine,
And all the line
Of hours from dawn would be a blot;
And Night would haunt the skies,
An unlaid ghost with staring dark-ringed eyes.

Oh, love, if thou wert not my love,
And I perchance not thine--what then?
Could gift of men
Or favor of the God above,
Plant aught in this bare heart
Or teach this tongue the singer's soulful art?

Ah, no! 'Tis love, and love alone
That spurs my soul so surely on;
Turns night to dawn,
And thorns to roses fairest blown;<...

Paul Laurence Dunbar

The Cities Of The Plain

"Get ye up from the wrath of God's terrible day!
Ungirded, unsandalled, arise and away!
'T is the vintage of blood, 't is the fulness of time,
And vengeance shall gather the harvest of crime!"

The warning was spoken, the righteous had gone,
And the proud ones of Sodom were feasting alone;
All gay was the banquet, the revel was long,
With the pouring of wine and the breathing of song.

'T was an evening of beauty; the air was perfume,
The earth was all greenness, the trees were all bloom;
And softly the delicate viol was heard,
Like the murmur of love or the notes of a bird.

And beautiful maidens moved down in the dance,
With the magic of motion and sunshine of glance
And white arms wreathed lightly, and tresses fell free
As the plumage of birds in ...

John Greenleaf Whittier

Easter Sunday, 1916

The sun shone white and fair,
This Eastertide,
Yet all its sweetness seemed but to deride
Our souls' despair;
For stricken hearts, and loss and pain,
Were everywhere.
We sang our Alleluias,--
We said, "The Christ is risen!
From this His earthly prison,
The Christ indeed is risen.
He is gone up on high,
To the perfect peace of heaven."

Then, with a sigh,
We wondered...
Our minds evolved grim hordes of huns,
Our bruised hearts sank beneath the guns,
On our very souls they thundered.
Can you wonder?--Can you wonder,
That we wondered,
As we heard the huns' guns thunder?
That we looked in one another's eyes
And wondered,--

"Is Christ indeed then risen from the ...

William Arthur Dunkerley (John Oxenham)

Lines

1.

Unfelt unheard, unseen,
I've left my little queen,
Her languid arms in silver slumber lying:
Ah! through their nestling touch,
Who, who could tell how much
There is for madness, cruel, or complying?

2.

Those faery lids how sleek!
Those lips how moist! they speak,
In ripest quiet, shadows of sweet sounds:
Into my fancy's ear
Melting a burden dear,
How "Love doth know no fullness, nor no bounds."

3.

True, tender monitors!
I bend unto your laws:
This sweetest day for dalliance was born!
So, without more ado,
I'll feel my heaven anew,
For all the blushing of the hasty morn.

John Keats

The Harvest Moon

I


Globed in Heav'n's tree of azure, golden mellow
As some round apple hung
High in hesperian boughs, thou hangest yellow
The branch-like mists among:
Within thy light a sunburnt youth, named Health,
Rests 'mid the tasseled shocks, the tawny stubble;
And by his side, clad on with rustic wealth
Of field and farm, beneath thy amber bubble,
A nut-brown maid, Content, sits smiling still:
While through the quiet trees,
The mossy rocks, the grassy hill,
Thy silvery spirit glides to yonder mill,
Around whose wheel the breeze
And shimmering ripples of the water play,
As, by their mother, little children may.


II


Sweet spirit of the moon, who walkest,--lifting
Exhaustless on thy arm,
A pearly vase of fire,--through the s...

Madison Julius Cawein

The Pause.

There is a pause in nature, ere the storm
Rushes resistless in its awful might;
There is a softening twilight, ere the morn
Expands her wings of glory into light.

There is a sudden stillness in the heart,
Ere yet the tears of wounded feeling flow;
A speechless expectation, ere the dart
Of sorrow lays our fondest wishes low.

There is a dreamy silence in the mind,
Ere yet it wakes to energy of thought;
A breathless pause of feeling, undefined,
Ere the bright image is from fancy caught.

There is a pause more holy still,
When Faith a brighter hope has given,
And, soaring over earthly ill,
The soul looks up to heaven!

Susanna Moodie

Sonnet XXXII.

S' amore o morte non dà qualche stroppio.

HE ASKS FROM A FRIEND THE LOAN OF THE WORKS OF ST. AUGUSTIN.


If Love or Death no obstacle entwine
With the new web which here my fingers fold,
And if I 'scape from beauty's tyrant hold
While natural truth with truth reveal'd I join,
Perchance a work so double will be mine
Between our modern style and language old,
That (timidly I speak, with hope though bold)
Even to Rome its growing fame may shine:
But, since, our labour to perfèct at last
Some of the blessed threads are absent yet
Which our dear father plentifully met,
Wherefore to me thy hands so close and fast
Against their use? Be prompt of aid and free,
And rich our harvest of fair things shall be.

MACGREGOR.

Francesco Petrarca

A Retrospect.

Life wanes, and the bright sunlight of our youth
Sets o'er the mountain-tops, where once Hope stood.
Oh, Innocence! oh, Trustfulness! oh, Truth!
Where are ye all, white-handed sisterhood,
Who with me on my way did walk along,
Singing sweet scraps of that immortal song
That's hymn'd in Heaven, but hath no echo here?
Are ye departing, fellows bright and clear,
Of the young spirit, when it first alights
Upon this earth of darkness and dismay?
Farewell! fair children of th' eternal day,
Blossoms of that far land where fall no blights,
Sweet kindred of my exiled soul, farewell!
Here I must wander, here ye may not dwell;
Back to your home beyond the founts of light
I see ye fly, and I am wrapt in night!

Frances Anne Kemble

Ode To Superstition.[1]

I. 1.

Hence, to the realms of Night, dire Demon, hence!
Thy chain of adamant can bind
That little world, the human mind,
And sink its noblest powers to impotence.
Wake the lion's loudest roar,
Clot his shaggy mane with gore,
With flashing fury bid his eye-balls shine;
Meek is his savage, sullen soul, to thine!
Thy touch, thy deadening touch has steel'd the breast, [Footnote 2]
Whence, thro' her April-shower, soft Pity smil'd;
Has clos'd the heart each godlike virtue bless'd,
To all the silent pleadings of his child.
At thy command he plants the dagger deep,
At thy command exults, tho' Nature bids him weep!

I. 2.

When, with a frown that froze the peopled earth, [Footnote 3]
Thou dartedst thy...

Samuel Rogers

Moon Song

A child saw in the morning skies
The dissipated-looking moon,
And opened wide her big blue eyes,
And cried: "Look, look, my lost balloon!"
And clapped her rosy hands with glee:
"Quick, mother! Bring it back to me."

A poet in a lilied pond
Espied the moon's reflected charms,
And ravished by that beauty blonde,
Leapt out to clasp her in his arms.
And as he'd never learnt to swim,
Poor fool! that was the end of him.

A rustic glimpsed amid the trees
The bluff moon caught as in a snare.
"They say it do be made of cheese,"
Said Giles, "and that a chap bides there. . . .
That Blue Boar ale be strong, I vow -
The lad's a-winkin' at me now."

Two lovers watched the new moon hold
The old moon in her bright embrace.
Said she: "There's...

Robert William Service

Numpholeptos

Still you stand, still you listen, still you smile!
Still melts your moonbeam through me, white awhile,
Softening, sweetening, till sweet. and soft
Increase so round this heart of mine, that oft
I could believe your moonbeam-smile has past
The pallid limit, lies, transformed at last
To sunlight and salvation, warms the soul
It sweets, softens! Would you pass that goal,
Gain love’s birth at the limit’s happier verge.
And, where an iridescence lurks, but urge
The hesitating pallor on to prime
Of dawn! true blood-streaked, sun-warmth, action-time,
By heart-pulse ripened to a ruddy glow
Of gold above my clay, I scarce should know
From gold’s self, thus suffused! For gold means love.
What means the sad slow silver smile above
My clay but pity, pardon? at the best,<...

Robert Browning

The Valley Of The Shadow Of Death.

My soul is sad, and much dismay’d,
See, Lord, what legions of my foes,
With fierce Apollyon at their head,
My heavenly pilgrimage oppose!


See, from the ever-burning lake
How like a smoky cloud they rise!
With horrid blasts my soul they shake,
With storms of blasphemies and lies.


Their fiery arrows reach the mark,[1]
My throbbing heart with anguish tear;
Each lights upon a kindred spark,
And finds abundant fuel there.


I hate the thought that wrongs the Lord;
Oh! I would drive it from my breast,
With thy own sharp two-edged sword,
Far as the east is from the west.


Come, then, and chase the cruel host,
Heal the deep wounds I have received!
Nor let the powers of darkness boast,
That I am foi...

William Cowper

Mourning.

("Charle! ô mon fils!")

[March, 1871.]


Charles, Charles, my son! hast thou, then, quitted me?
Must all fade, naught endure?
Hast vanished in that radiance, clear for thee,
But still for us obscure?

My sunset lingers, boy, thy morn declines!
Sweet mutual love we've known;
For man, alas! plans, dreams, and smiling twines
With others' souls his own.

He cries, "This has no end!" pursues his way:
He soon is downward bound:
He lives, he suffers; in his grasp one day
Mere dust and ashes found.

I've wandered twenty years, in distant lands,
With sore heart forced to stay:
Why fell the blow Fate only understands!
God took my home away.

To-day one daughter and one son remain
Of all my goodly show:
Welln...

Victor-Marie Hugo

Dusk

Corn-colored clouds upon a sky of gold,
And 'mid their sheaves, where, like a daisy-bloom
Left by the reapers to the gathering gloom,
The star of twilight glows, as Ruth, 'tis told,
Dreamed homesick 'mid the harvest fields of old,
The Dusk goes gleaning color and perfume
From Bible slopes of heaven, that illume
Her pensive beauty deep in shadows stoled.
Hushed is the forest; and blue vale and hill
Are still, save for the brooklet, sleepily
Stumbling the stone with one foam-fluttering foot:
Save for the note of one far whippoorwill,
And in my heart her name, like some sweet bee
Within a rose, blowing a faery flute.

Madison Julius Cawein

Weeds

        White with daisies and red with sorrel
And empty, empty under the sky!--
Life is a quest and love a quarrel--
Here is a place for me to lie.

Daisies spring from damned seeds,
And this red fire that here I see
Is a worthless crop of crimson weeds,
Cursed by farmers thriftily.

But here, unhated for an hour,
The sorrel runs in ragged flame,
The daisy stands, a bastard flower,
Like flowers that bear an honest name.

And here a while, where no wind brings
The baying of a pack athirst,
May sleep the sleep of blessed things,
The blood too bright, the brow accurst.

Edna St. Vincent Millay

Page 224 of 1621

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Page 224 of 1621