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Page 255 of 1791

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Page 255 of 1791

In Memory - James T. Fields

As a guest who may not stay
Long and sad farewells to say
Glides with smiling face away,

Of the sweetness and the zest
Of thy happy life possessed
Thou hast left us at thy best.

Warm of heart and clear of brain,
Of thy sun-bright spirit's wane
Thou hast spared us all the pain.

Now that thou hast gone away,
What is left of one to say
Who was open as the day?

What is there to gloss or shun?
Save with kindly voices none
Speak thy name beneath the sun.

Safe thou art on every side,
Friendship nothing finds to hide,
Love's demand is satisfied.

Over manly strength and worth,
At thy desk of toil, or hearth,
Played the lambent light of mirth,

Mirth that lit, but never burned;
All thy blame to pity ...

John Greenleaf Whittier

Art Colours

On must we go: we search dead leaves,
We chase the sunset's saddest flames,
The nameless hues that o'er and o'er
In lawless wedding lost their names.

God of the daybreak! Better be
Black savages; and grin to gird
Our limbs in gaudy rags of red,
The laughing-stock of brute and bird;

And feel again the fierce old feast,
Blue for seven heavens that had sufficed,
A gold like shining hoards, a red
Like roses from the blood of Christ.

Gilbert Keith Chesterton

Stanzas To A Lady, With The Poems Of Camoens. [1]

1.

This votive pledge of fond esteem,
Perhaps, dear girl! for me thou'lt prize;
It sings of Love's enchanting dream,
A theme we never can despise.


2.

Who blames it but the envious fool,
The old and disappointed maid?
Or pupil of the prudish school,
In single sorrow doom'd to fade?


3.

Then read, dear Girl! with feeling read,
For thou wilt ne'er be one of those;
To thee, in vain, I shall not plead
In pity for the Poet's woes.


4.

He was, in sooth, a genuine Bard;
His was no faint, fictitious flame:
Like his, may Love be thy reward,
But not thy hapless fate the same.

George Gordon Byron

Mont Blanc. Lines Written In The Vale Of Chamouni.

1.
The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark - now glittering - now reflecting gloom -
Now lending splendour, where from secret springs
The source of human thought its tribute brings
Of waters, - with a sound but half its own,
Such as a feeble brook will oft assume
In the wild woods, among the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.

2.
Thus thou, Ravine of Arve - dark, deep Ravine -
Thou many-coloured, many-voiced vale,
Over whose pines, and crags, and caverns sail
Fast cloud-shadows and sunbeams: awful scene,
Where Power in likeness of the Arve comes down
From the ice-gulfs that gir...

Percy Bysshe Shelley

Had I The Choice

Had I the choice to tally greatest bards,
To limn their portraits, stately, beautiful, and emulate at will,
Homer with all his wars and warriors, Hector, Achilles, Ajax,
Or Shakspere's woe-entangled Hamlet, Lear, Othello, Tennyson's fair ladies,
Metre or wit the best, or choice conceit to wield in perfect rhyme, delight of singers;
These, these, O sea, all these I'd gladly barter,
Would you the undulation of one wave, its trick to me transfer,
Or breathe one breath of yours upon my verse,
And leave its odor there.

Walt Whitman

As You Go Through Life

Don't look for the flaws as you go through life;
And even when you find them,
It is wise and kind to be somewhat blind,
And look for the virtue behind them;
For the cloudiest night has a hint of light
Somewhere in its shadows hiding;
It's better by far to hunt for a star,
Than the spots on the sun abiding.

The current of life runs ever away
To the bosom of God's great ocean.
Don't set your force 'gainst the river's course,
And think to alter its motion.
Don't waste a curse on the universe,
Remember, it lived before you;
Don't butt at the storm with your puny form,
But bend and let it go o'er you.

The world will never adjust itself
To suit your whims to the letter,
Some things must go wrong your whole li...

Ella Wheeler Wilcox

Flowers On The Top Of The Pillars At The Entrance Of The Cave

Hope smiled when your nativity was cast,
Children of Summer! Ye fresh Flowers that brave
What Summer here escapes not, the fierce wave,
And whole artillery of the western blast,
Battering the Temple's front, its long-drawn nave
Smiting, as if each moment were their last.
But ye, bright Flowers on frieze and architrave
Survive, and once again the Pile stands fast:
Calm as the Universe, from specular towers
Of heaven contemplated by Spirits pure
With mute astonishment, it stands sustained
Through every part in symmetry, to endure,
Unhurt, the assault of Time with all his hours,
As the supreme Artificer ordained.

William Wordsworth

On The Tower

(A play in one act.)

The Knight.
The Lady.

Voices of men and women on the ground at the foot of the tower.
The voice of the Knight’s Page.



The top of a high battlemented tower of a castle. A stone ledge,
which serves as a seat, extends part way around the parapet.
Small clouds float by in the blue sky, and occasionally a swallow passes.
Entrance R. from an unseen stairway which is supposed to extend around
the outside of the tower.

The Lady (unseen).
Oh do not climb so fast, for I am faint
With looking down the tower to where the earth
Lies dreaming in the sun.I fear to fall.

The Knight (unseen).
Lean on me, love, my love, and look not down.

L.
Call me not “love”, call me your conquere...

Sara Teasdale

Ulster

The dark eleventh hour
Draws on and sees us sold
To every evil power
We fought against of old.
Rebellion, rapine hate
Oppression, wrong and greed
Are loosed to rule our fate,
By England's act and deed.

The Faith in which we stand,
The laws we made and guard,
Our honour, lives, and land
Are given for reward
To Murder done by night,
To Treason taught by day,
To folly, sloth, and spite,
And we are thrust away.

The blood our fathers spilt,
Our love, our toils, our pains,
Are counted us for guilt,
And only bind our chains.
Before an Empire's eyes
The traitor claims his price.
What need of further lies?
We are the sacrifice.

We asked no more than leave
To reap where we had sown,
Through good and ill...

Rudyard

The Two Painters.

In Art some hold Themselves content
If they but compass what they meant;
Others prefer, their Purpose gained,
Still to find Something unattained--
Something whereto they vaguely grope
With no more Aid than that of Hope.
Which are the Wiser? Who shall say!
The prudent Follower of GAY
Declines to speak for either View,
But sets his Fable 'twixt the two.

Once--'twas in good Queen ANNA'S Time--
While yet in this benighted Clime
The GENIUS of the ARTS (now known
On mouldy Pediments alone)
Protected all the Men of Mark,
Two Painters met Her in the Park.
Whether She wore the Robe of Air
Portrayed by VERRIO and LAGUERRE;
Or, like BELINDA, trod this Earth,
Equipped with Hoop of monstrous Girth,
And armed at every Point for Slaughter
With ...

Henry Austin Dobson

Adjustment

The tree of Faith its bare, dry boughs must shed
That nearer heaven the living ones may climb;
The false must fail, though from our shores of time
The old lament be heard, "Great Pan is dead!"
That wail is Error's, from his high place hurled;
This sharp recoil is Evil undertrod;
Our time's unrest, an angel sent of God
Troubling with life the waters of the world.
Even as they list the winds of the Spirit blow
To turn or break our century-rusted vanes;
Sands shift and waste; the rock alone remains
Where, led of Heaven, the strong tides come and go,
And storm-clouds, rent by thunderbolt and wind,
Leave, free of mist, the permanent stars behind.

Therefore I trust, although to outward sense
Both true and false seem shaken; I will hold
With newer light my reve...

John Greenleaf Whittier

To The Garden The World

To the garden, the world, anew ascending,
Potent mates, daughters, sons, preluding,
The love, the life of their bodies, meaning and being,
Curious, here behold my resurrection, after slumber;
The revolving cycles, in their wide sweep, have brought me again,
Amorous, mature all beautiful to me all wondrous;
My limbs, and the quivering fire that ever plays through them, for reasons, most wondrous;
Existing, I peer and penetrate still,
Content with the present content with the past,
By my side, or back of me, Eve following,
Or in front, and I following her just the same.

Walt Whitman

A Morning Exercise

Fancy, who leads the pastimes of the glad,
Full oft is pleased a wayward dart to throw;
Sending sad shadows after things not sad,
Peopling the harmless fields with signs of woe:
Beneath her sway, a simple forest cry
Becomes an echo of man's misery.

Blithe ravens croak of death; and when the owl
Tries his two voices for a favourite strain
'Tu-whit, Tu-whoo!' the unsuspecting fowl
Forebodes mishap or seems but to complain;
Fancy, intent to harass and annoy,
Can thus pervert the evidence of joy.

Through border wilds where naked Indians stray,
Myriads of notes attest her subtle skill;
A feathered task-master cries, "Work away!"
And, in thy iteration, "Whip poor will!"
Is heard the spirit of a toil-worn slave,
Lashed out of life, not quiet in the g...

William Wordsworth

Reconciliation

When you are standing at your hero's grave,
Or near some homeless village where he died,
Remember, through your heart's rekindling pride,
The German soldiers who were loyal and brave.

Men fought like brutes; and hideous things were done:
And you have nourished hatred, harsh and blind.
But in that Golgotha perhaps you'll find
The mothers of the men who killed your son.

November, 1918.

Siegfried Sassoon

Summer - The Second Pastoral; or Alexis

A Shepherd's Boy (he seeks no better name)
Led forth his flocks along the silver Thame,
Where dancing sun-beams n the waters play'd,
And verdant alders form'd a quiv'ring shade.
Soft as he mourn'd, the streams forgot to flow,
The flocks around a dumb compassion show,
The Naiads wept in ev'ry wat'ry bow'r,
And Jove consented in a silent show'r.
Accept, O Garth, the Muse's early lays,
That adds this wreath of Ivy to thy Bays;
Hear what from Love unpractis'd hearts endure,
From Love, the sole disease thou canst not cure.
Ye shady beeches, and ye cooling streams,
Defence from Phoebus, not from Cupid's beams,
To you I mourn, nor to the deaf I sing,
The woods shall answer, and their echo ring.
The gills and rocks attend my doleful lay,
Why art thou prouder and ...

Alexander Pope

Death

The winds and waters are in his command,
Held as a courser in the rider's hand.
He lets them loose, they triumph at his will:
He checks their course and all is calm and still.
Life's hopes waste all to nothingness away
As showers at night wash out the steps of day.

* * * * *

The tyrant, in his lawless power deterred,
Bows before death, tame as a broken sword.
One dyeth in his strength and, torn from ease,
Groans in death pangs like tempests in the trees.
Another from the bitterness of clay
Falls calm as storms drop on an autumn day,
With noiseless speed as swift as summer light
Death slays and keeps her weapons out of sight.

The tyrants that do act the God in clay
And for earth's glories throw the heavens away,
Whose breath i...

John Clare

Dionysia

The day is dead; and in the west
The slender crescent of the moon
Diana's crystal-kindled crest
Sinks hillward in a silvery swoon.
What is the murmur in the dell?
The stealthy whisper and the drip?
A Dryad with her leaf-light trip?
A Naiad o'er her fountain well?
Who with white fingers for her comb,
Sleeks her blue hair, and from its curls
Showers slim minnows and pale pearls,
And hollow music of the foam.
What is it in the vistaed ways
That leans and springs, and stoops and sways?
The naked limbs of one who flees?
An Oread who hesitates.
Before the Satyr form that waits,
Crouching to leap, that there she sees?
Or under boughs, reclining cool,
A Hamadryad, like a pool.
Of moonlight, palely beautiful?
Or Limnad, with her lilied face,

Madison Julius Cawein

The Divine Comedy by Dante: The Vision Of Paradise: Canto XIII

Let him, who would conceive what now I saw,
Imagine (and retain the image firm,
As mountain rock, the whilst he hears me speak),
Of stars fifteen, from midst the ethereal host
Selected, that, with lively ray serene,
O'ercome the massiest air: thereto imagine
The wain, that, in the bosom of our sky,
Spins ever on its axle night and day,
With the bright summit of that horn which swells
Due from the pole, round which the first wheel rolls,
T' have rang'd themselves in fashion of two signs
In heav'n, such as Ariadne made,
When death's chill seized her; and that one of them
Did compass in the other's beam; and both
In such sort whirl around, that each should tend
With opposite motion and, conceiving thus,
Of that true constellation, and the dance
Twofold, that...

Dante Alighieri

Page 255 of 1791

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Page 255 of 1791