Betrayal

Our nights have cruel eyes
And have cast us about too thinly,
Fallen upon us,
Divested the attention of the wind.

Night comes to develop us,
Will polish our minds with
A precision lasting 'til daybreak.
Its damp coolness peaks with wretched effect.

Autumnal decay
Whereby the slow process of vegetation
Displeases the nostril,
Is but a preamble to greater violence
Leading tepid legislation in an orchestra
Toward greater effect.

The thin harmony of our lives
Positions no alarms whereby
We might use them.

The fabric mixture of existence, nothing but investiture,
Props to heighten necessary lies,
Strains at extinction,
The volcanic instrument life itself.

Goals are these same vehicles
To operate weak desir...

Nothing to say to all those marriages!
She had made three herself to three of his.
The score was even for them, three to three.
But come to die she found she cared so much:
She thought of children in a burial row;
Three children in a burial row were sad.
One man’s three women in a burial row
Somehow made her impatient with the man.
And so she said to Laban, “You have done
A good deal right; don’t do the last thing wrong.
Don’t make me lie with those two other women.”

Laban said, No, he would not make her lie
With anyone but that she had a mind to,
If that was how she felt, of course, he said.
She went her way. But Laban having caught
This glimpse of lingering person in Eliza,
And anxious to make all he could of it
With something he remembered in him...

Here is the freedom men die for,--die for but never know;
Here is the peace they pray for shrined in eternal snow;
Down on the plain the city moans with a human cry,
But here there is naught but silence,--peace, and the wide, wide sky.

Here are the dawn's first footfalls, and the twilight's last farewell,
The benediction of starlight, and the moon's sweet canticle;
Here is one spot as God made it, far from the plainsman's range,
Or the march of the cycling seasons with their everlasting change.

Down on the plain the city moans with a human cry,
And the man-gnomes delve and burrow for gold till they drop and die;
But here there is naught for conquest and the spoiler stands at bay,
For God still keeps one playground where He and His whirlwinds play.

To range, deep-wrapt, along a heavenly height,
O'erseeing all that man but undersees;
To loiter down lone alleys of delight,
And hear the beating of the hearts of trees,
And think the thoughts that lilies speak in white
By greenwood pools and pleasant passages;

With healthy dreams a-dream in flesh and soul,
To pace, in mighty meditations drawn,
From out the forest to the open knoll
Where much thyme is, whence blissful leagues of lawn
Betwixt the fringing woods to southward roll
By tender inclinations; mad with dawn,

Ablaze with fires that flame in silver dew
When each small globe doth glass the morning-star,
Long ere the sun, sweet-smitten through and through
With dappled revelations read afar,
Suffused with saintly ecstasies of blue
As all th...

Tornami al tempo.


Bring back the time when glad desire ran free
        With bit and rein too loose to curb his flight,
        The tears and flames that in one breast unite,
        If thou art fain once more to conquer me!
Bring back those journeys ta'en so toilsomely,
        So toilsome-slow to him whose hairs are white!
        Give back the buried face once angel-bright,
        That taxed all Nature's art and industry.
O Love! an old man finds it hard to chase
        Thy flying pinions! Thou hast left thy nest;
        Nor is my heart as light as heretofore.
Put thy gold arrows to the string once more:
        Then if Death hear my prayer and grant me grace,
        My grief I shall forget, again made blest.

Who say my hea't ain't true to you?
Dey bettah heish dey mouf.
I knows I loves you thoo an' thoo
In watah time er drouf.
I wush dese people 'd stop dey talkin',
Don't mean no mo' dan chicken's squawkin':
I guess I knows which way I's walkin',
I knows de norf f'om souf.

I does not love Elizy Brown,
I guess I knows my min'.
You allus try to tek me down
Wid evaht'ing you fin'.
Ef dese hyeah folks will keep on fillin'
Yo' haid wid nonsense, an' you's willin'
I bet some day dey 'll be a killin'
Somewhaih along de line.

O' cose I buys de gal ice-cream,
Whut else I gwine to do?
I knows jes' how de t'ing 'u'd seem
Ef I 'd be sho't wid you.
On Sunday, you's at chu'ch a-shoutin',
Den all de week you go 'roun' poutin'--
I's might...

A poor owd man wi' tott'ring gait,
Wi' body bent, an snowy pate,
Aw met one day; -
An daan o'th' rooad side grassy banks
He sat to rest his weary shanks;
An aw, to while away mi time,
O'th' neighbourin hillock did recline,
An bade "gooid day."

Said aw, "Owd friend, pray tell me true,
If in your heart yo nivver rue
Th' time 'at's past?
Does envy nivver fill yor breast
When passin fowk wi' riches blest?
An do yo nivver think it wrang
At yo should have to trudge along,
Soa poor to th' last?"

"Young man," he sed, "aw envy nooan;
But ther are times aw pity some,
Wi' all mi heart;
To see what trubbl'd lives they spend,
What cares upon their hands depend;
Then aw in thowtfulness declare
'At 'little cattle little care'
Is...

I know an aged Man constrained to dwell
In a large house of public charity,
Where he abides, as in a Prisoner's cell,
With numbers near, alas! no company.

When he could creep about, at will, though poor
And forced to live on alms, this old Man fed
A Redbreast, one that to his cottage door
Came not, but in a lane partook his bread.

There, at the root of one particular tree,
An easy seat this worn-out Labourer found
While Robin pecked the crumbs upon his knee
Laid one by one, or scattered on the ground.

Dear intercourse was theirs, day after day;
What signs of mutual gladness when they met!
Think of their common peace, their simple play,
The parting moment and its fond regret.

Months passed in love that failed not to fulfil,
In spite...

Winter is past; the heart of Nature warms
Beneath the wrecks of unresisted storms;
Doubtful at first, suspected more than seen,
The southern slopes are fringed with tender green;
On sheltered banks, beneath the dripping eaves,
Spring's earliest nurslings spread their glowing leaves,
Bright with the hues from wider pictures won,
White, azure, golden, - drift, or sky, or sun, -
The snowdrop, bearing on her patient breast
The frozen trophy torn from Winter's crest;
The violet, gazing on the arch of blue
Till her own iris wears its deepened hue;
The spendthrift crocus, bursting through the mould
Naked and shivering with his cup of gold.
Swelled with new life, the darkening elm on high
Prints her thick buds against the spotted sky
On all her boughs the stately ches...

1.

LESBIA! since far from you I've rang'd,
Our souls with fond affection glow not;
You say, 'tis I, not you, have chang'd,
I'd tell you why, -but yet I know not.


2.

Your polish'd brow no cares have crost;
And Lesbia! we are not much older,
Since, trembling, first my heart I lost,
Or told my love, with hope grown bolder.


3.

Sixteen was then our utmost age,
Two years have lingering pass'd away, love!
And now new thoughts our minds engage,
At least, I feel disposed to stray, love!


4.

"Tis I that am alone to blame,
I, that am guilty of love's treason;
Since your sweet breast is still the same,
Caprice must be my only reason.


5.

I do not, love! suspect your truth,...

To sing of Wars, of Captains, and of Kings,
Of Cities founded, Common-wealths begun,
For my mean pen are too superior things:
Or how they all, or each their dates have run
Let Poets and Historians set these forth,
My obscure Lines shall not so dim their worth.

But when my wondring eyes and envious heart
Great Bartas sugar'd lines, do but read o're
Fool I do grudge the Muses did not part
'Twixt him and me that overfluent store,
A Bartas can, do what a Bartas will
But simple I according to my skill.

From school-boyes tongue no rhet'rick we expect
Nor yet a sweet Consort from broken strings,
Nor perfect beauty, where's a main defect:
My foolish, broken blemish'd Muse so sings
And this to mend, alas, no Art is able,
'Cause nature, made it so irrep...

Come, take thy harp--'tis vain to muse
    Upon the gathering ills we see;
Oh! take thy harp and let me lose
    All thoughts of ill in hearing thee.

Sing to me, love!--Though death were near,
    Thy song could make my soul forget--
Nay, nay, in pity, dry that tear,
    All may be well, be happy yet.

Let me but see that snowy arm
    Once more upon the dear harp lie,
And I will cease to dream of harm,
    Will smile at fate, while thou art nigh.

Give me that strain of mournful touch
    We used to love long, long ago,
Before our hearts had known as much
    As now, alas! they bleed to know.

Sweet notes! they tell of former peace,
    Of all that looked so smiling then,
Now vanished, lost--oh, pray thee cease,
    I canno...

    You've seen a pair of faithful lovers die:
    And much you care; for most of you will cry,
    'Twas a just judgment on their constancy.
    For, heaven be thank'd, we live in such an age,
    When no man dies for love, but on the stage:
    And even those martyrs are but rare in plays;
    A cursed sign how much true faith decays.
    Love is no more a violent desire;
    'Tis a mere metaphor, a painted fire.
    In all our sex, the name examined well,
    Tis pride to gain, and vanity to tell.
    In woman, 'tis of subtle interest made:
    Curse on the punk that made it first a trade!
    She first did wit's prerogative remove,
    And made a fool presume to prate of love.
    Let honour and preferment go for gold;
    But glorious beauty is not to be ...

In the rosy light of my day's fair morning,
    Ere ever a storm cloud darkened the west,
Ere even a shadow of night gave warning
    When life seemed only a pleasure quest,
Why then all humour and comedy scorning -
    I liked high tragedy best.

I liked the challenge, the fierce fought duel,
    With a death or a parting in every act.
I liked the villain to be more cruel
    Than the basest villain could be in fact:
For it fed the fires of my mind with the fuel
    Of the things that my life lacked.

But as time passed on, and I met real sorrow,
    And she played at night on the stage -my heart,
I found I could not forget on the morrow
    The pain I had felt in her tragic part.
For alas! no longer I needed to borrow
    My grief from the act...

I've paid thee what I promis'd; that's not all;
Besides I give thee here a verse that shall
(When hence thy circummortal part is gone),
Arch-like, hold up thy name's inscription.
Brave men can't die, whose candid actions are
Writ in the poet's endless calendar:
Whose vellum and whose volume is the sky,
And the pure stars the praising poetry.
Farewell

Mary, I love to sing
About the flowers of Spring,
For they resemble thee.
In the earliest of the year
Thy beauties will appear,
And youthful modesty.

Here's the daisy's silver rim,
With gold eye never dim,
Spring's earliest flower so fair.
Here the pilewort's golden rays
Set the cow green in a blaze,
Like the sunshine in thy hair.

Here's forget-me-not so blue;
Is there any flower so true?
Can it speak my happy lot?
When we courted in disguise
This flower I used to prize,
For it said "Forget-me-not."

Speedwell! And when we meet
In the meadow paths so sweet,
Where the flowers I gave to thee
All grew beneath the sun,
May thy gentle heart be won,
And I be blest with thee.

The last light fails - that shallow pool of day!
The coursers of the dark stamp down to drink,
Arch their wild necks, lift their wild heads and neigh;
Their drivers, gathering at the water-brink,
With eyes ashine from out their clustering hair,
Utter their hollow speech, or gaze afar,
Rapt in irradiant reverie, to where
Languishes, lost in light, the evening star.

Come the wood-nymphs to dance within the glooms,
Calling these charioteers with timbrels' din;
Ashen with twilight the dark forest looms
O'er the nocturnal beasts that prowl within
"O glory of beauty which the world makes fair!"
Pant they their serenading on the air.

Sound the loud hooves, and all abroad the sky
The lusty charioteers their stations take;
Planet to planet do the sweet Love...

        [The following lines, slightly altered, occur in a little black-letter book by W. Wagner, printed about the year 1561; entitled, 'A very mery and pythie commedie, called, the longer thou livest, the more foole thou art.' See also a whole song, ending with these lines, in Ritson's 'North Country Chorister,' 8vo, Durham, 1802, p. 1.]

    Bryan O'Lin, and his wife, and wife's mother,
    They all went over a bridge together:
    The bridge was broken, and they all fell in,
    The deuce go with all! quoth Bryan O'Lin.