Betrayal

I.

Here’s the garden she walked across,
Arm in my arm, such a short while since:
Hark, now I push its wicket, the moss
Hinders the hinges and makes them wince!
She must have reached this shrub ere she turned,
As back with that murmur the wicket swung;
For she laid the poor snail, my chance foot spurned,
To feed and forget it the leaves among.

II.

Down this side ofthe gravel-walk
She went while her robe’s edge brushed the box:
And here she paused in her gracious talk
To point me a moth on the milk-white flox.
Roses, ranged in valiant row,
I will never think that she passed you by!
She loves you noble roses, I know;
But yonder, see, where the rock-plants lie!

III.

This flower she stopped at, finger on lip,
Stoope...

Even the beauteous must die! This vanquishes men and immortals;
But of the Stygian god moves not the bosom of steel.
Once and once only could love prevail on the ruler of shadows,
And on the threshold, e'en then, sternly his gift he recalled.
Venus could never heal the wounds of the beauteous stripling,
That the terrible boar made in his delicate skin;
Nor could his mother immortal preserve the hero so godlike,
When at the west gate of Troy, falling, his fate he fulfilled.
But she arose from the ocean with all the daughters of Nereus,
And o'er her glorified son raised the loud accents of woe.
See! where all the gods and goddesses yonder are weeping,
That the beauteous must fade, and that the perfect must die.
Even a woe-song to be in the mouth of the loved ones is glorious,
...

    I come, like Oblivion, to sweep away
The scattered beams from the car of day:
The gems which the evening has lavishly strown
Light up the lamps round my ebon throne.
Slowly I float through the realms of space,
Casting my mantle o'er Nature's face,
Weaving the stars in my raven hair,
As I sail through the shadowy fields of air.
All the wild fancies that thought can bring
Lie hid in the folds of my sable wing:
Terror is mine with his phrensied crew,
Fear with her cheek of marble hue,
And sorrow, that shuns the eye of day,
Pours out to me her plaintive lay.
I am the type of that awful gloom
Which involves the cradle and wraps the tomb;
Chilling the soul with its mystical sway;
Chasing the day-dreams of beauty away;
Till man views the banner by me un...

He bent above: so still her breath
What air she breathed he could not say,
Whether in worlds of life or death:
So softly ebbed away, away
The life that had been light to him,
So fled her beauty leaving dim
The emptying chambers of his heart
Thrilled only by the pang and smart,
The dull and throbbing agony
That suffers still, yet knows not why.
Love's immortality so blind
Dreams that all things with it conjoined
Must share with it immortal day:
But not of this--but not of this--
The touch, the eyes, the laugh, the kiss,
Fall from it and it goes its way.
So blind he wept above her clay,
'I did not think that you could die.
Only some veil would cover you
Our loving eyes could still pierce through;
And see through dusky shadows still
Move ...

Let this rough fragment lend its mossy seat;
Let Contemplation hail this lone retreat:
Come, meek-eyed goddess, through the midnight gloom,
Born of the silent awe which robes the tomb!
This gothic front, this antiquated pile,
The bleak wind howling through each mazy aisle;
Its high gray towers, faint peeping through the shade,
Shall hail thy presence, consecrated maid!
Whether beneath some vaulted abbey's dome,
Where ev'ry footstep sounds in every tomb;
Where Superstition, from the marble stone,
Gives every sound, a pilgrim-spirit's groan:
Pensive thou readest by the moon's full glare
The sculptured children of Affection's tear;
Or in the church-yard lone thou sitt'st to weep
O'er some sad wreck, beneath the tufty heap--
Perchance some victim to Seduction's sp...

Still linger in our noon of time
And on our Saxon tongue
The echoes of the home-born hymns
The Aryan mothers sung.

And childhood had its litanies
In every age and clime;
The earliest cradles of the race
Were rocked to poet's rhyme.

Nor sky, nor wave, nor tree, nor flower,
Nor green earth's virgin sod,
So moved the singer's heart of old
As these small ones of God.

The mystery of unfolding life
Was more than dawning morn,
Than opening flower or crescent moon
The human soul new-born.

And still to childhood's sweet appeal
The heart of genius turns,
And more than all the sages teach
From lisping voices learns,

The voices loved of him who sang,
Where Tweed and Teviot glide,
That sound to-day on all the wind...

Your trail runs to the westward,
And mine to my own place;
There is water between our lodges,
And I have not seen your face.

But since I have read your verses
'Tis easy to guess the rest,
Because in the hearts of the children
There is neither East nor West.

Born to a thousand fortunes
Of good or evil hap,
Once they were kings together,
Throned in a mother's lap.

Surely they know that secret,
Yellow and black and white,
When they meet as kings together
In innocent dreams at night.

By a moon they all can play with,
Grubby and grimed and unshod,
Very happy together,
And very near to God.

Your trail runs to the westward,
And mine to my own place:
There is water between our lodges,
And you cannot see ...

The Hired Man's supper, which he sat before,
In near reach of the wood-box, the stove-door
And one leaf of the kitchen-table, was
Somewhat belated, and in lifted pause
His dextrous knife was balancing a bit
Of fried mush near the port awaiting it.

At the glad children's advent - gladder still
To find him there - "Jest tickled fit to kill
To see ye all!" he said, with unctious cheer. -
"I'm tryin'-like to he'p Floretty here
To git things cleared away and give ye room
Accordin' to yer stren'th. But I p'sume
It's a pore boarder, as the poet says,
That quarrels with his victuals, so I guess
I'll take another wedge o' that-air cake,
Florett', that you're a-learnin' how to bake."
He winked and feigned to swallow painfully. -

"Jest 'for...

Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The fire-fly wakens: waken thou with me.
Now droops the milk-white peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the earth all Danaë to the stars,
And all thy heart lies open unto me.
Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.

Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.

I

Time gathers to my name;
Along the ways wheredown my feet have passed
I see the years with little triumph crowned,
Exulting not for perils dared, downcast
And weary-eyed and desolate for shame
Of having been unstirred of all the sound
Of the deep music of the men that move
Through the world's days in suffering and love.

Poor barren years that brooded over-much
On your own burden, pale and stricken years,
Go down to your oblivion, we part
With no reproach or ceremonial tears.
Henceforth my hands are lifted to the touch
Of hands that labour with me, and my heart
Hereafter to the world's heart shall be set
And its own pain forget.
Time gathers to my name,
Days dead are dark; the days to be, a flame
Of wonder and of promise, and great ...

I never lost as much but twice,
And that was in the sod;
Twice have I stood a beggar
Before the door of God!

Angels, twice descending,
Reimbursed my store.
Burglar, banker, father,
I am poor once more!

The nymph must lose her female friend,
If more admired than she—
But where will fierce contention end,
If flowers can disagree?


Within the garden’s peaceful scene
Appear’d two lovely foes,
Aspiring to the rank of queen,
The Lily and the Rose.


The Rose soon redden’d into rage,
And, swelling with disdain,
Appeal’d to many a poet’s page
To prove her right to reign.


The Lily’s height bespoke command,
A fair imperial flower;
She seem’d design’d for Flora’s hand,
The sceptre of her power.


This civil bickering and debate
The goddess chanced to hear,
And flew to save, ere yet too late,
The pride of the parterre.


Yours is, she said, the nobler hue,
And yours the statelier mien;
An...

The blast skims
over the string
of takeoff lights
and
relinquishing
place and time
lofts to
separation:
the plume, rose
sliver, grows
across the
high-lit evening
sky: by this
Mays Landing creek
shot pinecones,
skinned huckleberry
bush, laurel
swaths define
an unbelievably
particular stop.

Sweet little warbler! art thou dead?
And must I hear thy notes no more?
Then will I make thy funeral bed;
Then shall the Muse thy loss deplore.

Beneath the turf in yonder bower,
Where oft I've listened to thy lay,
Forgetting care, while many an hour
In music sweetly stole away;

There will I bid thy relics rest;
Then sadly sigh my last farewell;
But long, oh! long within my breast
Thy memory, poor bird! shall dwell.

Still to that spot, now more endear'd,
Shall thy fond mistress oft return,
And haply feel her sorrows cheer'd,
To deck with verse thy simple urn.

'Here lies a bird, once famed to be
Peerless in plumage and in lay;
This was the soul of melody,
And that the golden blush of day.'

'Soon as the Morn began...

You're not alone when you are still alone;
O God! from you that I could private be!
Since you one were, I never since was one;
Since you in me, myself since out of me.
    Transported from myself into your being,
Though either distant, present yet to either;
Senseless with too much joy, each other seeing;
And only absent when we are together.
    Give me my self, and take your self again!
Devise some means but how I may forsake you!
So much is mine that doth with you remain,
That taking what is mine, with me I take you.
    You do bewitch me! O that I could fly
    From my self you, or from your own self I!

She sings by her wheel at that low cottage door,
Which the long evening shadow is stretching before;
With a music as sweet as the music which seems
Breathed softly and faintly in the ear of our dreams!

How brilliant and mirthful the light of her eye,
Like a star glancing out from the blue of the sky!
And lightly and freely her dark tresses play
O'er a brow and a bosom as lovely as they!

Who comes in his pride to that low cottage door
The haughty and rich to the humble and poor?
'Tis the great Southern planter the master who waves
His whip of dominion o'er hundreds of slaves.

"Nay, Ellen, for shame! Let those Yankee fools spin,
Who would pass for our slaves with a change of their skin;
Let them toil as they will at the loom or the wheel
Too stupid ...

Thou art as tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know’st to my dear doting heart
Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold,
Thy face hath not the power to make love groan;
To say they err I dare not be so bold,
Although I swear it to myself alone.
And to be sure that is not false I swear,
A thousand groans, but thinking on thy face,
One on another’s neck, do witness bear
Thy black is fairest in my judgment’s place.
In nothing art thou black save in thy deeds,
And thence this slander, as I think, proceeds.

Where the city's ceaseless crowd moves on, the live-long day,
Withdrawn, I join a group of children watching I pause aside with them.

By the curb, toward the edge of the flagging,
A knife-grinder works at his wheel, sharpening a great knife;
Bending over, he carefully holds it to the stone by foot and knee,
With measur'd tread, he turns rapidly As he presses with light but firm hand,
Forth issue, then, in copious golden jets,
Sparkles from the wheel.

The scene, and all its belongings how they seize and affect me!
The sad, sharp-chinn'd old man, with worn clothes, and broad shoulder-band of leather;
Myself, effusing and fluid a phantom curiously floating now here absorb'd and arrested;

The group, (an unminded point, set in a vast surrounding;)
The attentive, quie...