Betrayal

I can write no stately proem
As a prelude to my lay;
From a poet to a poem
I would dare to say.

For if of these fallen petals
One to you seem fair,
Love will waft it till it settles
On your hair.

And when wind and winter harden
All the loveless land,
It will whisper of the garden,
You will understand.

When all is done, and my last word is said,
And ye who loved me murmur, "He is dead,"
Let no one weep, for fear that I should know,
And sorrow too that ye should sorrow so.

When all is done and in the oozing clay,
Ye lay this cast-off hull of mine away,
Pray not for me, for, after long despair,
The quiet of the grave will be a prayer.

For I have suffered loss and grievous pain,
The hurts of hatred and the world's disdain,
And wounds so deep that love, well-tried and pure,
Had not the pow'r to ease them or to cure.

When all is done, say not my day is o'er,
And that thro' night I seek a dimmer shore:
Say rather that my morn has just begun,--
I greet the dawn and not a setting sun,
    When all is done.

Often, beneath a street lamp's reddish light,
Where wind torments the glass and flame by night,
Where mankind swarms in stormy turbulence
Within a suburb's muddy labyrinth,

One comes upon a shaking ragman, who
Staggers against the walls, as poets do,
And disregardful of policemen's spies,
Pours from his heart some glorious enterprise.

Swearing his oaths, he dictates laws he's made
To vanquish evil, bring the victims aid,
And there beneath the sky, a canopy,
Grows drunk upon his own sublimity.

Yes, and these men harassed by household strife,
Tortured by age, bruised by the blows of life,
Under their heaps of rubbish burdened down,
The dregs, the vomit of this teeming town,

Appear again, redolent of the jar,
With their companions, bl...

He lay within a warm, soft world
Of motion. Colors bloomed and fled,
Maroon and turquoise, saffron, red,
Wave upon wave that broke and whirled
To vanish in the grey-green gloom,
Perspectiveless and shadowy.
A bulging world that had no walls,
A flowing world, most like the sea,
Compassing all infinity
Within a shapeless, ebbing room,
An endless tide that swells and falls...
He slept and woke and slept again.
As a veil drops Time dropped away;
Space grew a toy for children's play,
Sleep bolted fast the gates of Sense --
He lay in naked impotence;
Like a drenched moth that creeps and crawls
Heavily up brown, light-baked walls,
To fall in wreck, her task undone,
Yet somehow striving toward the sun.
So, as he slept, his hands clenched tighter,

All has been plunder'd from me but my wit:
Fortune herself can lay no claim to it.

TO THEODORE WATTS



I.

The heavenly bay, ringed round with cliffs and moors,
Storm-stained ravines, and crags that lawns inlay,
Soothes as with love the rocks whose guard secures
The heavenly bay.

O friend, shall time take ever this away,
This blessing given of beauty that endures,
This glory shown us, not to pass but stay?

Though sight be changed for memory, love ensures
What memory, changed by love to sight, would say -
The word that seals for ever mine and yours
The heavenly bay.

II.

My mother sea, my fostress, what new strand,
What new delight of waters, may this be,
The fairest found since time's first breezes fanned
My mother sea?

Once more I give me body and soul to thee,
Who hast...

The Text.--From the Jamieson-Brown MS. All the other variants agree as to the main outline of the ballad.

The Story.--Lady Maisry, refusing the young lords of the north country, and saying that her love is given to an English lord, is suspected by her father's kitchy-boy, who goes to tell her brother. He charges her with her fault, reviles her for 'drawing up with an English lord,' and commands her to renounce him. She refuses, and is condemned to be burned. A bonny boy bears news of her plight to Lord William, who leaps to boot and saddle; but he arrives too late to save her, though he vows vengeance on all her kin, and promises to burn himself last of all.

Burning was the penalty usually allotted in the romances to a girl convicted of unchastity.


LADY MAISRY

    1.
    The young lor...

Just above the boxes and where the high lights fall
Looketh down a carven face from out the gilded wall.

Van Dyke beard and broidered ruff silently confess
That he lived - and loved perchance - in days of Good Queen Bess.
(Laces fine and linen sheer, curled and perfumed hair
Well became those gentlemen of gay, insouciant air.)

See! He gazeth evermore at the stage below;
Noteth well the players as they quickly come and go;
Queens and kings and maidens fair, motley fools and friars,
Lords and ladies, stately dames, mounted knights and squires.

Well he knoweth all of them, all the grave and gay,
These are they he dreamt of in the far and far away;
Saints and sinners, see they come down the bygone years,
And the world still shares with them its laughter and its...

There's a thing that grows by the fainting flower,
And springs in the shade of the lady's bower;
The lily shrinks, and the rose turns pale,
When they feel its breath in the summer gale,
And the tulip curls its leaves in pride,
And the blue-eyed violet starts aside;
But the lily may flaunt, and the tulip stare,
For what does the honest toadstool care?
She does not glow in a painted vest,
And she never blooms on the maiden's breast;
But she comes, as the saintly sisters do,
In a modest suit of a Quaker hue.
And, when the stars in the evening skies
Are weeping dew from their gentle eyes,
The toad comes out from his hermit cell,
The tale of his faithful love to tell.

Oh, there is light in her lover's glance,
That flies to her heart like a silver lance;<...

All along the valley, stream that flashest white,
Deepening thy voice with the deepening of the night,
All along the valley, where thy waters flow,
I walk'd with one I loved two and thirty years ago.
All along the valley, while I walk'd to-day,
The two and thirty years were a mist that rolls away;
For all along the valley, down thy rocky bed,
Thy living voice to me was as the voice of the dead,
And all along the valley, by rock and cave and tree,
The voice of the dead was a living voice to me.

Dusk its ash-grey blossoms sheds on violet skies,
Over twilight mountains where the heart songs rise,
Rise and fall and fade away from earth to air.
Earth renews the music sweeter. Oh, come there.
Come, acushla, come, as in ancient times
Rings aloud the underland with faery chimes.
Down the unseen ways as strays each tinkling fleece
Winding ever onward to a fold of peace,
So my dreams go straying in a land more fair;
Half I tread the dew-wet grasses, half wander there.
Fade your glimmering eyes in a world grown cold;
Come, acushla, with me to the mountains old.
There the bright ones call us waving to and fro--
Come, my children, with me to the ancient go.

I slept, 'twas midnight, in my bosom woke,

As though 'twere day, my love-o'erflowing heart;
To me it seemed like night, when day first broke;

What is't to me, whate'er it may impart?

She was away; the world's unceasing strife

For her alone I suffer'd through the heat
Of sultry day; oh, what refreshing life

At cooling eve! my guerdon was complete.

The sun now set, and wand'ring hand in hand,

His last and blissful look we greeted then;
While spake our eyes, as they each other scann'd:

"From the far east, let's trust, he'll come again!"

At midnight! the bright stars, in vision blest,

Guide to the threshold where she slumbers calm:
Oh be it mine, there too at length to rest,

Yet howsoe'er this prove, lif...

“So say the foolish!” Say the foolish so, Love?
“Flower she is, my rose” or else, “My very swan is she”
Or perhaps, “Yon maid-moon, blessing earth below, Love,
That art thou!” to them, belike: no such vain words from me.

“Hush, rose, blush! no balm like breath,” I chide it:
“Bend thy neck its best, swan, hers the whiter curve!”
Be the moon the moon: my Love I place beside it:
What is she? Her human self, no lower word will serve.

Where a battle is supposed to be given behind the scenes, with drums, trumpets, and military shouts and excursions; after which, the Britons, expressing their joy for the victory, sing this song of triumph.


I.

    Come, if you dare, our trumpets sound;
    Come, if you dare, the foes rebound:
    We come, we come, we come, we come,
    Says the double, double, double beat of the thundering drum.
        Now they charge on amain,
        Now they rally again:
    The gods from above the mad labour behold,
    And pity mankind, that will perish for gold.
    The fainting Saxons quit their ground,
    Their trumpets languish in the sound:
    They fly, they fly, they fly, they fly;
    Victoria, Victoria, the bold Britons cry.
        Now the victory's wo...

The splendour falls on castle walls
And snowy summits old in story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.
O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.

O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

When she came out, that white little Russian dancer,
With her bright hair, and her eyes, so young, so young,
He suddenly lost his leader, and all the players,
And only heard an immortal music sung,
Of dryads flashing in the green woods of April,
On cobwebs trembing over the deep, wet grass:
Fleeing their shadows with laughter, with hands uplifted,
Through the whirled sinister sun he saw them pass,
Lovely immortals gone, yet existing somewhere,
Still somewhere laughing in woods of immortal green,
Young he had lived among fires, or dreamed of living,
Lovers in youth once seen, or dreamed he had seen. . .
And watched her knees flash up, and her young hands beckon,
And the hair that streamed behind, and the taunting eyes.
He felt this place dissolving in living darkness,

I.

Gim me back my stone-bruised heel,
    And them tow-linen pants,
An' that old pole an' line an' reel,
    An' all them boyhood ha'nts,
An' that old hat I used to wear,
    That didn't hav' no crown,
An' that same crop uv yeller hair--
    Sun-burnt on top ter brown--
An' them playmates I used ter know,
    An' loved like very brothers--
An' you kin let the old world go
    An' giv' its wealth ter others!


II.

Gim me back one gallus, too,
    That buttoned with a peg,
An' them blamed ticks that burrowed through
    The skin uv either leg,
An' that old single-barrel gun,
    As crooked as a rail,
An' that same dog that used ter run
    The molly cotton-tail,
An' lem me hav' the tops I spun--
    The ki...

I made a bitter song
When I was a boy,
About a girl
With hot earth-coloured hair,
Who lived with me
And left me.

I made a sour song
On her marriage-day,
That ever his kisses
Would be ghosts of mine,
And ever the measure
Of his halting love
Flow to my music.

It was a silly song,
Dear wife with cool black hair,
And yet when I recall
(At night with you asleep)
That once you gave yourself
Before we met,
I do not quite well know
What song to make.

From the Burmese (nineteenth century) (¿ by Asmapur).