Betrayal

When I am old,
And sadly steal apart,
Into the dark and cold,
Friend of my heart!
Remember, if you can,
Not him who lingers, but that other man,
Who loved and sang, and had a beating heart,--
When I am old!

When I am old,
And all Love's ancient fire
Be tremulous and cold:
My soul's desire!
Remember, if you may,
Nothing of you and me but yesterday,
When heart on heart we bid the years conspire
To make us old.

When I am old,
And every star above
Be pitiless and cold:
My life's one love!
Forbid me not to go:
Remember nought of us but long ago,
And not at last, how love and pity strove
When I grew old!

The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The weed of funeral
That covers praise and blame,
The -isms and the -anities,
Magnificence and shame:-
'O Vanity of Vanities!'

The Fates are subtile girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!

We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, o...

If you could bring her glories back!
You gentle sirs who sift the dust
And burrow in the mould and must
Of Babylon for bric-a-brac;
Who catalogue and pigeon-hole
The faded splendours of her soul
And put her greatness under glass -
If you could bring her past to pass!

If you could bring her dead to life!
The soldier lad; the market wife;
Madam buying fowls from her;
Tip, the butcher's bandy cur;
Workmen carting bricks and clay;
Babel passing to and fro
On the business of a day
Gone three thousand years ago -
That you cannot; then be done,
Put the goblet down again,
Let the broken arch remain,
Leave the dead men's dust alone -

Is it nothing how she lies,
This old mother of you all,
You great cities proud and tall
To...

From the upland hidden,
Where the hill is sunny
Tawny like pure honey
In the August heat,
Memories float unbidden
Where the thicket serries
Fragrant with ripe berries
And the milk-weed sweet.

Like a prayer-mat holy
Are the patterned mosses
Which the twin-flower crosses
With her flowerless vine;
In fragile melancholy
The pallid ghost flowers hover
As if to guard and cover
The shadow of a shrine.

Where the pine-linnet lingered
The pale water searches,
The roots of gleaming birches
Draw silver from the lake;
The ripples, liquid-fingered,
Plucking the root-layers,
Fairy like lute players
Lulling music make.

O to lie here brooding
Where the pine-tree column
Rises dark and solemn
To the airy la...

I.

Sunflowers wither and lilies die,
Poppies are pods of seeds;
The first red leaves on the pathway lie,
Like blood of a heart that bleeds.

Weary alway will it be to-day,
Weary and wan and wet;
Dawn and noon will the clouds hang gray,
And the autumn wind will sigh and say,
"He comes not yet, not yet.
Weary alway, alway!"

II.

Hollyhocks bend all tattered and torn,
Marigolds all are gone;
The last pale rose lies all forlorn,
Like love that is trampled on.

Weary, ah me! to-night will be,
Weary and wild and hoar;
Rain and mist will blow from the sea,
And the wind will sob in the autumn tree,
"He comes no more, no more.
Weary, ah me! ah me!"

"Kill not--for Pity's sake--and lest ye slay
The meanest thing upon its upward way."
Five Rules of Buddha.


I watch you through the garden walks,
I watch you float between
The avenues of dahlia stalks,
And flicker on the green;
You hover round the garden seat,
You mount, you waver. Why,--
Why storm us in our still retreat,
O saffron Butterfly!

Across the room in loops of flight
I watch you wayward go;
Dance down a shaft of glancing light,
Review my books a-row;
Before the bust you flaunt and flit
Of "blind Mæonides"--
Ah, trifler, on his lips there lit
Not butterflies, but bees!

You pause, you poise, you circle up
Among my old Japan;
You find a comrade on a cup,
A friend upon a fan;
You wind anon, a bre...

Bring your beauty, bring your laughter, bring even your fears,
Bring the grief that is, the joy that was in other years,
Bring again the happiness, bring love, bring tears.

There was laughter once, there were grave, happy eyes,
Talk of firm earth, old earth-sweeping mysteries:
There were great silences under clear dark skies.

Now is silence, now is loneliness complete; all is done.
The thrush sings at dawn, too sweet, up creeps the sun:
But all is silent, silent, for all that was is done.

Yet bring beauty and bring laughter, and bring even tears,
And cast them down; strew your happiness and fears,
Then leave them to the darkness of thought and years.

Fears in that darkness die; they have no spring.
Grief in that darkness is a bird that wants wing....<...

AT the last, tenderly,
From the walls of the powerful, fortress'd house,
From the clasp of the knitted locks from the keep of the well-closed doors,
Let me be wafted.

Let me glide noiselessly forth;
With the key of softness unlock the locks with a whisper,
Set ope the doors, O Soul!

Tenderly! be not impatient!
(Strong is your hold, O mortal flesh!
Strong is your hold, O love.)

Roxana, from the Court returning late,
Sigh'd her soft sorrow at St James's gate:
Such heavy thoughts lay brooding in her breast,
Not her own chairmen with more weight oppress'd:
They curse the cruel weight they're doom'd to bear;
She in more gentle sounds express'd her care.

'Was it for this, that I these roses wear?
For this, new-set the jewels for my hair?
Ah, Princess! with what zeal have I pursued!
Almost forgot the duty of a prude.
This king I never could attend too soon;
I miss'd my prayers, to get me dress'd by noon.
For thee, ah! what for thee did I resign?
My passions, pleasures, all that e'er was mine:
I've sacrificed both modesty and ease;
Left operas, and went to filthy plays:
Double-entendres shock'd my tender ear;
Yet even this...

Lilies will languish; violets look ill;
Sickly the primrose; pale the daffodil;
That gallant tulip will hang down his head,
Like to a virgin newly ravished;
Pansies will weep, and marigolds will wither,
And keep a fast and funeral together;
Sappho droop, daisies will open never,
But bid good-night, and close their lids for ever.

Gaze not on thy beauty's pride,
Tender maid, in the false tide
That from lovers' eyes doth slide.

Let thy faithful crystal show
How thy colours come and go:
Beauty takes a foil from woe.

Love, that in those smooth streams lies
Under pity's fair disguise,
Will thy melting heart surprise.

Nets of passion's finest thread,
Snaring poems, will be spread,
All to catch thy maidenhead.

Then beware! for those that cure
Love's disease, themselves endure
For reward a calenture.

Rather let the lover pine,
Than his pale cheek should assign
A perpetual blush to thine.

Now the wheat is in the ear, and the rose is on the brere,
And bluecaps so divinely blue, with poppies of bright scarlet hue,
Maiden, at the close o' eve, wilt thou, dear, thy cottage leave,
And walk with one that loves thee?

When the even's tiny tears bead upon the grassy spears,
And the spider's lace is wet with its pinhead blebs of dew,
Wilt thou lay thy work aside and walk by brooklets dim descried,
Where I delight to love thee?

While thy footfall lightly press'd tramples by the skylark's nest,
And the cockle's streaky eyes mark the snug place where it lies,
Mary, put thy work away, and walk at dewy close o' day
With me to kiss and love thee.

There's something in the time so sweet, when lovers in the evening meet,
The air so still, the sky so mild, like...

Turn from the ways of this Woman! Campaspe we call her by name
She is fairer than flowers of the fire she is brighter than brightness of flame.
As a song that strikes swift to the heart with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe a Woman to look at and shun!

Dost thou know of the cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the raiment the snare in the folds of the hair!
She is fulgent in flashes of pearl, the breeze with her breathing is sweet,
But fly from the face of the girl there is death in the fall of her feet!
Is she maiden or marvel of marble? Oh, rather a tigress at ...

There was a roaring in the wind all night;
The rain came heavily and fell in floods;
But now the sun is rising calm and bright;
The birds are singing in the distant woods;
Over his own sweet voice the Stock-dove broods;
The Jay makes answer as the Magpie chatters;
And all the air is filled with pleasant noise of waters.
All things that love the sun are out of doors;
The sky rejoices in the morning's birth;
The grass is bright with rain-drops; on the moors
The hare is running races in her mirth;
And with her feet she from the plashy earth
Raises a mist, that, glittering in the sun,
Runs with her all the way, wherever she doth run.

I was a Traveller then upon the moor;
I saw the hare that raced about with joy;
I heard the woods and distant waters roar;

Down the white ward with slow, unswerving tread
He came ere break of day -
A cowl was drawn about his down-bent head,
His misty robes were grey.

And no man even knew that he went by,
None saw or heard him pass;
Softly he moved as clouds drift down the sky,
Or shadows cross the grass.

Close to a little bed where one lay low,
At last he took his stand,
And touched the head that tossed in restless woe
With gentle, outstretched hand.

"When bitterness," he said, "is at an end,
And joy grows far and dim,
I am the angel whom the Lord doth send
To lead men on to Him.

"Past the innumerable stars, my friend,
Past all the winds that blow,
We, too, must travel to our journey's end.
Arise! And let us go!"

"Stay! Stay!" the ...

There are here put in juxtaposition three versions in ballad-form of the same story, though fragmentary in the two latter cases, not only because each is good, but to show the possibilities of variation in a popular story. There is yet another ballad, Erlinton, printed by Sir Walter Scott in the Minstrelsy, embodying an almost identical tale. Earl Brand preserves most of the features of a very ancient story with more exactitude than any other traditional ballad. But in this case, as in too many others, we must turn to a Scandinavian ballad for the complete form of the story. A Danish ballad, Ribold and Guldborg, gives the fine tale thus:--

Ribold, a king's son, in love with Guldborg, offers to carry her away 'to a land where death and sorrow come not, where all the birds are cuckoos, where all the gr...

"I was walking, dearest mother,
    This morning, by the brook,
And tired at last I rested me
    Within a shady nook.

"There all was still and lonely,
    And suddenly I heard
A little voice,--a sweeter one
    Than note of any bird.

"I looked above, around me,
    I saw not whence it came;
And yet that tone of music
    Was calling me by name.

"The violet beside me
    Bloomed with its purple cup,
And a tiny face, so lovely,
    Amidst its leaves peeped up.

"Again the silver music,--
    The voice I loved to hear,--
Upon its sweet breath floated,
    And bade me not to fear.

"'I am the elf,' it whispered,
    'Who in the violet dwells,
And every blossom hides one
    Within its fragrant cells.<...

How many paltry, foolish, painted things,
That now in Coaches trouble eu'ry Street,
Shall be forgotten, whom no Poet sings,
Ere they be well wrap'd in their winding Sheet?
Where I to thee Eternitie shall giue,
When nothing else remayneth of these dayes,
And Queenes hereafter shall be glad to liue
Vpon the Almes of thy superfluous prayse;
Virgins and Matrons reading these my Rimes,
Shall be so much delighted with thy story,
That they shall grieve, they liu'd not in these Times,
To haue seene thee, their Sexes onely glory:
    So shalt thou flye aboue the vulgar Throng,
    Still to suruiue in my immortall Song.