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Page 413 of 1217

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Page 413 of 1217

Regardant.

As I lay at your feet that afternoon,
Little we spoke, - you sat and mused,
Humming a sweet old-fashioned tune,

And I worshipped you, with a sense confused
Of the good time gone and the bad on the way,
While my hungry eyes your face perused,

To catch and brand on my soul for aye
The subtle smile which had grown my doom.
Drinking sweet poison hushed I lay

Till the sunset shimmered athwart the room.
I rose to go. You stood so fair
And dim in the dead day's tender gloom:

All at once, or ever I was aware,
Flashed from you on me a warm strong wave
Of passion and power; in the silence there

I fell on my knees, like a lover, or slave,
With my wild hands clasping your slender waist;
And my lips, with a sudden frenzy brave,

John Hay

Pathos

You don't love me...    I have never appealed to you...
Was never your type...
And my hard eyes annoy you, my darling...
I'm too dark for you. And too coarse -
And my white teeth have such a brutal shine
And my bloody lips are so terribly like sickles.
Ah, what you say -
Yes you are really right. I set you... free.
... And early in the morning I am going to an ocean
That is blue and eternal...
And lie on the beach...
And play with a smile on my face, until a death grabs me,
With sand and sun and with a white
Slender bitch.

Alfred Lichtenstein

From Far Dakota's Canons

From far Dakota's cañons,
Lands of the wild ravine, the dusky Sioux, the lonesome stretch, the silence,
Haply to-day a mournful wail, haply a trumpet-note for heroes.

The battle-bulletin,
The Indian ambuscade, the craft, the fatal environment,
The cavalry companies fighting to the last in sternest heroism,
In the midst of their little circle, with their slaughter'd horses for breastworks,
The fall of Custer and all his officers and men.

Continues yet the old, old legend of our race,
The loftiest of life upheld by death,
The ancient banner perfectly maintain'd,
O lesson opportune, O how I welcome thee!
As sitting in dark days,
Lone, sulky, through the time's thick murk looking in vain for light, for hope,
From unsuspected parts a fierce and momentary proof,

Walt Whitman

Simon Lee: The Old Huntsman

With an incident in which he was concerned
In the sweet shire of Cardigan,
Not far from pleasant Ivor-hall,
An old Man dwells, a little man,
'Tis said he once was tall.
For five-and-thirty years he lived
A running huntsman merry;
And still the centre of his cheek
Is red as a ripe cherry.
No man like him the horn could sound,
And hill and valley rang with glee
When Echo bandied, round and round
The halloo of Simon Lee.
In those proud days, he little cared
For husbandry or tillage;
To blither tasks did Simon rouse
The sleepers of the village.

He all the country could outrun,
Could leave both man and horse behind;
And often, ere the chase was done,
He reeled, and was stone-blind.
And still there's something in the world
At whic...

William Wordsworth

Far West Emigrant.

I.

Mine eye is weary of the plains
Of verdure vast and wide
That stretch around me - lovely, calm,
From morn till even-tide;
And I recall with aching heart
My childhood's village home;
Its cottage roofs and garden plots,
Its brooks of silver foam.


II.

True glowing verdure smiles around,
And this rich virgin soil
Gives stores of wealth in quick return
For hours of careless toil;
But oh! the reaper's joyous song
Ne'er mounts to Heaven's dome,
For unknown is the mirth and joy
Of the merry "Harvest Home."


III.

The solemn trackless woods are fair,
And bright their summer dress;
But their still hush - their whisprings vague,
My heart seem to oppress;
...

Rosanna Eleanor Leprohon

Nostalgia

The waning moon looks upward; this grey night
Slopes round the heavens in one smooth curve
Of easy sailing; odd red wicks serve
To show where the ships at sea move out of sight.

The place is palpable me, for here I was born
Of this self-same darkness. Yet the shadowy house below
Is out of bounds, and only the old ghosts know
I have come, I feel them whimper in welcome, and mourn.

My father suddenly died in the harvesting corn
And the place is no longer ours. Watching, I hear
No sound from the strangers, the place is dark, and fear
Opens my eyes till the roots of my vision seems torn.

Can I go no nearer, never towards the door?
The ghosts and I we mourn together, and shrink
In the shadow of the cart-shed. Must we hover on the brink
Forever, and nev...

David Herbert Richards Lawrence

Lines On The Expected Invasion, 1803

Come ye who, if (which Heaven avert!) the Land
Were with herself at strife, would take your stand,
Like gallant Falkland, by the Monarch's side,
And, like Montrose, make Loyalty your pride
Come ye who, not less zealous, might display
Banners at enmity with regal sway,
And, like the Pyms and Miltons of that day,
Think that a State would live in sounder health
If Kingship bowed its head to Commonwealth
Ye too whom no discreditable fear
Would keep, perhaps with many a fruitless tear,
Uncertain what to choose and how to steer
And ye who might mistake for sober sense
And wise reserve the plea of indolence
Come ye whate'er your creed, O waken all,
Whate'er your temper, at your Country's call;
Resolving (this a free-born Nation can)
To have one Soul, and perish ...

William Wordsworth

In The Forest

Out of the mid-wood's twilight
Into the meadow's dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!

He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!

O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!

Oscar Fingal O'Flahertie Wills Wilde

Solitude, Or Lucy Gray

Oft I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see at break of day
The solitary child.

No mate, no comrade Lucy knew;
She dwelt on a wide moor,
The sweetest thing that ever grew
Beside a human door!

You yet may spy the fawn at play,
The hare upon the green;
But the sweet face of Lucy Gray
Will never more be seen.

"To-night will be a stormy night
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow."

"That, Father! will I gladly do:
'Tis scarcely afternoon
The minster-clock has just struck two,
And yonder is the moon!"

At this the Father raised his hook,
And snapped a faggot-band;
He plied his work; and Lucy took
The lantern in her han...

William Wordsworth

Introduction and Conclusion of a Long Poem

I have gone sometimes by the gates of Death
And stood beside the cavern through whose doors
Enter the voyagers into the unseen.
From that dread threshold only, gazing back,
Have eyes in swift illumination seen
Life utterly revealed, and guessed therein
What things were vital and what things were vain.
Know then, like a vast ocean from my feet
Spreading away into the morning sky,
I saw unrolled my vanished days, and, lo,
Oblivion like a morning mist obscured
Toils, trials, ambitions, agitations, ease,
And like green isles, sun-kissed, with sweet perfume
Loading the airs blown back from that dim gulf,
Gleamed only through the all-involving haze
The hours when we have loved and been beloved.

Therefore, sweet friends, as often as by Love
You rise absorb...

Alan Seeger

The Memory Of Burns

How sweetly come the holy psalms
From saints and martyrs down,
The waving of triumphal palms
Above the thorny crown
The choral praise, the chanted prayers
From harps by angels strung,
The hunted Cameron's mountain airs,
The hymns that Luther sung!

Yet, jarring not the heavenly notes,
The sounds of earth are heard,
As through the open minster floats
The song of breeze and bird
Not less the wonder of the sky
That daisies bloom below;
The brook sings on, though loud and high
The cloudy organs blow!

And, if the tender ear be jarred
That, haply, hears by turns
The saintly harp of Olney's bard,
The pastoral pipe of Burns,
No discord mars His perfect plan
Who gave them both a tongue;
For he who sings the love of man
The ...

John Greenleaf Whittier

The Girl Of Otaheite.

("O! dis-moi, tu veux fuir?")

[Bk. IV, vii., Jan. 31, 1821.]


Forget? Can I forget the scented breath
Of breezes, sighing of thee, in mine ear;
The strange awaking from a dream of death,
The sudden thrill to find thee coming near?
Our huts were desolate, and far away
I heard thee calling me throughout the day,
No one had seen thee pass,
Trembling I came. Alas!
Can I forget?

Once I was beautiful; my maiden charms
Died with the grief that from my bosom fell.
Ah! weary traveller! rest in my loving arms!
Let there be no regrets and no farewell!
Here of thy mother sweet, where waters flow,
Here of thy fatherland we whispered low;
Here, music, praise, and prayer
Filled the glad summer air.
Can I forget?

Victor-Marie Hugo

Hexameters

Italic sentences below are Samuel Taylor Coleridge's.


William, my teacher, my friend! dear William and dear Dorothea!
Smooth out the folds of my letter, and place it on desk or on table;
Place it on table or desk; and your right hands loosely half-closing,
Gently sustain them in air, and extending the digit didactic,
Rest it a moment on each of the forks of the five-forkéd left hand,
Twice on the breadth of the thumb, and once on the tip of each finger;
Read with a nod of the head in a humouring recitativo;
And, as I live, you will see my hexameters hopping before you.
This is a galloping measure; a hop, and a trot, and a gallop!

All my hexameters fly, like stags pursued by the staghounds,
Breathless and panting, and ready to drop, yet flying still on...

Samuel Taylor Coleridge

On Tasso In Prison (Eugène Delacroix’s painting)

The poet in his cell, unkempt and sick,
who crushes underfoot a manuscript,
measures, with a gaze that horror has inflamed,
the stair of madness where his soul was maimed.

The intoxicating laughter that fills his prison
with the absurd and the strange, swamps his reason.
Doubt surrounds him, and ridiculous fear,
hideous and multiform, circles near.

That genius pent up in a foul sty,
those spectres, those grimaces, the cries,
whirling, in a swarm, about his hair,

that dreamer, whom his lodging’s terrors bare,
such are your emblems, Soul, singer of songs obscure,
whom Reality suffocates behind four walls!

Charles Baudelaire

The Garden Plot

When Naboth's vineyard[1] look'd so fine,
The king cried out, "Would this were mine!"
And yet no reason could prevail
To bring the owner to a sale.
Jezebel saw, with haughty pride,
How Ahab grieved to be denied;
And thus accosted him with scorn:
"Shall Naboth make a monarch mourn?
A king, and weep! The ground's your own;
I'll vest the garden in the crown."
With that she hatch'd a plot, and made
Poor Naboth answer with his head;
And when his harmless blood was spilt,
The ground became his forfeit guilt.

Jonathan Swift

A Ramble In St. James's Park

Much wine had passed, with grave discourse
Of who f*cks who, and who does worse
(Such as you usually do hear
From those that diet at the Bear),
When I, who still take care to see
Drunkenness relieved by lechery,
Went out into St. James's Park
To cool my head and fire my heart.
But though St. James has th' honor on 't,
'Tis consecrate to prick and c*nt.
There, by a most incestuous birth,
Strange woods spring from the teeming earth;
For they relate how heretofore,
When ancient Pict began to whore,
Deluded of his assignation
(Jilting, it seems, was then in fashion),
Poor pensive lover, in this place
Would frig upon his mother's face;
Whence rows of mandrakes tall did rise
Whose lewd tops f*cked the very skies.
Each imitative branch does twine<...

John Wilmot

And Doth Not A Meeting Like This.

And doth not a meeting like this make amends,
For all the long years I've been wandering away--
To see thus around me my youth's early friends,
As smiling and kind as in that happy day?
Tho' haply o'er some of your brows, as o'er mine,
The snow-fall of time may be stealing--what then?
Like Alps in the sunset, thus lighted by wine,
We'll wear the gay tinge of youth's roses again.

What softened remembrances come o'er the heart,
In gazing on those we've been lost to so long!
The sorrows, the joys, of which once they were part,
Still round them, like visions of yesterday, throng,
As letters some hand hath invisibly traced,
When held to the flame will steal out on the sight,
So many a feeling, that long seemed effaced,
The warmth of...

Thomas Moore

To The Young. Translations. After Heine.

Let your feet not falter, your course not alter
By golden apples, till victory's won!
The sword's sharp clangour, the dart's shrill anger,
Swerve not the hero thundering on.

A bold beginning is half the winning,
An Alexander makes worlds his fee.
No long debating! The Queens are waiting
In his pavilion on beaded knee.

Thus swift pursuing his wars and wooing,
He mounts old Darius' bed and throne.
O glorious ruin! O blithe undoing!
O drunk death-triumph in Babylon!

John Hay

Page 413 of 1217

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Page 413 of 1217