Betrayal

    Some lives have themes.
    Goldfish that stubbornly die;
    compatability only with distant lovers
    - flowers (but no sweet-breads)
    that wilt to the touch.

    Waiting. Charcoal-grey cat
    agreeably on a green linoleum table
    with light basking in....
    a tad playful,
    paws up,
    (classic boxer stance)
    but no one notices.
    Others oblique in their transparency,
    are unmindful of even the empty closet
    and greeting cards that smile hello.

    In the dark
    this room shimmers below
    life-raft status;
    chairs are buoys
    bobbing under waves
    of congealed fright.
    In the morning
    the first pigeons
    rifle over rooftops,
    mad flutterings like your eyes

Love, Cupid, Gallantry, whate'er
We call that elf, seen every where,
Half frolicsome, half ennuyeuse,
Had chanced a country walk to choose;
When sudden, sweet and bright as May,
Young Beauty tripp'd across his way.--

"Upon my word," exclaims the boy,
"A lucky hit! this pretty toy
To pass an hour, with vapours haunted,
Is quite the thing I wish'd and wanted;
I do not so far condescend
As serious mischief to intend,
But just to show my powers of pleasing
In flattery, badinage, and teasing;
But should she, for young girls, poor things!
Are tender as yon insect's wings--
Should she mistake me, and grow fond,
Why, I'll grow serious--and abscond."

First, not abruptly to confound her,
With glance and smile he hovers round her:...

Know, that I would accounted be
True brother of a company
That sang, to sweeten Ireland's wrong,
Ballad and story, rann and song;
Nor be I any less of them,
Because the red-rose-bordered hem
Of her, whose history began
Before God made the angelic clan,
Trails all about the written page.
When Time began to rant and rage
The measure of her flying feet
Made Ireland's heart begin to beat;
And Time bade all his candles flare
To light a measure here and there;
And may the thoughts of Ireland brood
Upon a measured quietude.
Nor may I less be counted one
With Davis, Mangan, Ferguson,
Because, to him who ponders well,
My rhymes more than their rhyming tell
Of things discovered in the deep,
Where only body's laid asleep.
For the elemental c...

For every one
Beneath the sun,
Where Autumn walks with quiet eyes,
There is a word,
Just overheard
When hill to purple hill replies.

This afternoon,
As warm as June,
With the red apples on the bough,
I set my ear
To hark and hear
The wood-folk talking, you know how.

There comes a "Hush!"
And then a "Tush,"
As tree to scarlet tree responds,
"Babble away!
He'll not betray
The secrets of us vagabonds.

"Are we not all,
Both great and small,
Cousins and kindred in a joy
No school can teach,
No worldling reach,
Nor any wreck of chance destroy?"

And so we are,
However far
We journey ere the journey ends,
One brotherhood
With leaf and bud
And everything that wakes or wends.
<...

There is no woman living who draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed.
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead.
And know not what thing evil I have done
That life should lay such heavy hand on me.

Alas! Love, what is this thou wouldst with me?
What honor shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart...

Where are you going with eyes so dull,
You whose eyes were beautiful,
You whose hair with the light was gay,
And now is thin and harsh and gray?
Is it age alone or age and tears
That has slowly rubbed your beauty away?

Where were you going when your swift eyes
Were like merry birds under May skies?--
In your cheeks the colours fluttering brave
As you danced with the wind and ran with the wave.
From what bright star was your brightness caught?
What to your music the music gave?

Now is your beauty a thing of old,
The fire is sunken, the ashes cold.
But if sweet singing on your ear stray,
Or the praise is uttered of yesterday,
Or of courage and nobleness one word said--
Like a cloud Time's ravage is brushed away.

In this old garden, fair, I walk to-day
Heart-charmed with all the beauty of the scene:
The rich, luxuriant grasses' cooling green,
The wall's environ, ivy-decked and gray,
The waving branches with the wind at play,
The slight and tremulous blooms that show between,
Sweet all: and yet my yearning heart doth lean
Toward Love's Egyptian fleshpots far away.

Beside the wall, the slim Laburnum grows
And flings its golden flow'rs to every breeze.
But e'en among such soothing sights as these,
I pant and nurse my soul-devouring woes.
Of all the longings that our hearts wot of,
There is no hunger like the want of love!

How passing sad!    Listen, it sings again!
    Art thou a spirit, that amongst the boughs,
The livelong day dost chaunt that wond'rous strain
    Making wan Dian stoop her silver brows
Out of the clouds to hear thee?    Who shall say,
Thou lone one! that thy melody is gay,
Let him come listen now to that one note,
    That thou art pouring o'er and o'er again
Through the sweet echoes of thy mellow throat,
    With such a sobbing sound of deep, deep pain,
I prithee cease thy song! for from my heart
Thou hast made memory's bitter waters start,
    And filled my weary eyes with the soul's rain.

Alas! ’tis true, I have gone here and there,
And made my self a motley to the view,
Gor’d mine own thoughts, sold cheap what is most dear,
Made old offences of affections new;
Most true it is, that I have look’d on truth
Askance and strangely; but, by all above,
These blenches gave my heart another youth,
And worse essays prov’d thee my best of love.
Now all is done, save what shall have no end:
Mine appetite I never more will grind
On newer proof, to try an older friend,
A god in love, to whom I am confin’d.
Then give me welcome, next my heaven the best,
Even to thy pure and most most loving breast.

The rain made ruin of the rose and frayed
The lily into tatters: now the Morn
Looks from the hopeless East with eyes forlorn,
As from her attic looks a dull-eyed maid.
The coreopsis drips; the sunflowers fade;
The garden reeks with rain: beneath the thorn
The toadstools crowd their rims where, dim of horn,
The slow snail slimes the grasses gaunt and greyed.
Like some pale nun, in penitential weeds,
Weary with weeping, telling sad her beads,
Her rosary of pods of hollyhocks,
September comes, heavy of heart and head,
While in her path the draggled four-o'-clocks
Droop all their flowers, saying, "Summer's dead."

("Il semblait grelotter.")

[XXXVI., December, 1837.]


He seemed to shiver, for the wind was keen.
'Twas a poor statue underneath a mass
Of leafless branches, with a blackened back
And a green foot - an isolated Faun
In old deserted park, who, bending forward,
Half-merged himself in the entangled boughs,
Half in his marble settings. He was there,
Pensive, and bound to earth; and, as all things
Devoid of movement, he was there - forgotten.

Trees were around him, whipped by icy blasts -
Gigantic chestnuts, without leaf or bird,
And, like himself, grown old in that same place.
Through the dark network of their undergrowth,
Pallid his aspect; and the earth was brown.
Starless and moonless, a rough winter's night
Was letting down h...

Air - "Nancy's to the greenwood gane."


I.

    Farewell, thou stream that winding flows
        Around Eliza's dwelling!
    O mem'ry! spare the cruel throes
        Within my bosom swelling:
    Condemn'd to drag a hopeless chain,
        And yet in secret languish,
    To feel a fire in ev'ry vein,
        Nor dare disclose my anguish.

II.

    Love's veriest wretch, unseen, unknown,
        I fain my griefs would cover;
    The bursting sigh, th' unweeting groan,
        Betray the hapless lover.
    I know thou doom'st me to despair,
        Nor wilt, nor canst relieve me;
    But oh, Eliza, hear one prayer -
        For pity's sake forgive me!

III.

    The music of thy voice I heard,
...

When in dry hollows, hilled with hay,
The vesper-sparrow sings afar;
And, golden gray, dusk dies away
Beneath the amber evening-star:
There, where a warm and shadowy arm
The woodland lays around the farm,
To meet you where we kissed, dear heart,
To kiss you at the tryst, dear heart,
To kiss you at the tryst!

When clover fields smell cool with dew,
And crickets cry, and roads are still;
And faint and few the fire-flies strew
The dark where calls the whippoorwill;
There, in the lane, where sweet again
The petals of the wild-rose rain,
To stroll with head to head, dear heart,
And say the words oft said, dear heart,
And say the words oft said!

Mine was the woman to me, darkling I found her:
Haling her dumb from the camp, held her and bound her.
Hot rose her tribe on our track ere I had proved her;
Hearing her laugh in the gloom, greatly I loved her.

Swift through the forest we ran, none stood to guard us,
Few were my people and far; then the flood barred us,
Him we call Son of the Sea, sullen and swollen.
Panting we waited the death, stealer and stolen.

Yet ere they came to my lance laid for the slaughter,
Lightly she leaped to a log lapped in the water;
Holding on high and apart skins that arrayed her,
Called she the God of the Wind that He should aid her.

Life had the tree at that word (Praise we the Giver!)
Otter-like left he the bank for the full river.
Far fell their axes behind, flashi...

        Accept, my Prince, the moral fable,
        To youth ingenuous, profitable.
        Nobility, like beauty's youth,
        May seldom hear the voice of truth;
        Or mark and learn the fact betimes
        That flattery is the nurse of crimes.
        Friendship, which seldom nears a throne,
        Is by her voice of censure known.
        To one in your exalted station
        A courtier is a dedication;
        But I dare not to dedicate
        My verse e'en unto royal state.
        My muse is sacred, and must teach
        Truths which they slur in courtly speech.
        But I need not to hide the praise,
        Or veil the thoughts, a nation pays;
        We in your youth and virtues trace
        The dawnings of your royal race;

A Ballad of the Fleet

1878

I

At Flores in the Azores Sir Richard Grenville lay,
And a pinnace, like a fluttered bird, came flying from far away:
“Spanish ships of war at sea! we have sighted fifty-three!”
Then sware Lord Thomas Howard: “’Fore God I am no coward;
But I cannot meet them here, for my ships are out of gear,
And the half my men are sick. I must fly, but follow quick.
We are six ships of the line; can we fight with fifty-three?”

II

Then spake Sir Richard Grenville: “I know you are no coward;
You fly them for a moment to fight with them again.
But I’ve ninety men and more that are lying sick ashore.
I should count myself the coward if I left them, my Lord Howard,
To these Inquisition dogs and the devildoms of Spain.”

The pleasant isle of Rugen looks the Baltic water o'er,
To the silver-sanded beaches of the Pomeranian shore;

And in the town of Rambin a little boy and maid
Plucked the meadow-flowers together and in the sea-surf played.

Alike were they in beauty if not in their degree
He was the Amptman's first-born, the miller's child was she.

Now of old the isle of Rugen was full of Dwarfs and Trolls,
The brown-faced little Earth-men, the people without souls;

And for every man and woman in Rugen's island found
Walking in air and sunshine, a Troll was underground.

It chanced the little maiden, one morning, strolled away
Among the haunted Nine Hills, where the elves and goblins play.

That day, in barley-fields below, the harvesters had known
Of evil voi...

Ye too, dim watchfires of some darkling hour,
Whose fame forlorn time saves not nor proclaims
For ever, but forgetfulness defames
And darkness and the shadow of death devour,
Lift up ye too your light, put forth your power,
Let the far twilight feel your soft small flames
And smile, albeit night name not even their names,
Ghost by ghost passing, flower blown down on flower:
That sweet-tongued shadow, like a star’s that passed
Singing, and light was from its darkness cast
To paint the face of Painting fair with praise:1
And that wherein forefigured smiles the pure
Fraternal face of Wordsworth’s Elidure
Between two child-faced masks of merrier days.2