Betrayal

Soft o'er the meadow, and murmuring mere,
Falleth a shadow, near and more near;
Day like a white dove floats down the sky,
Cometh the night, love, darkness is nigh;
    So dies the happiest day.

Slow in thy dark eye riseth a tear,
Hear I thy sad sigh, Sorrow is near;
Hope smiling bright, love, dies on my breast,
As day like a white dove flies down the west;
    So dies the happiest day.

Hearken, O passers, what thing
Fortuned in Hellas. A maid,
Lissom and white as the roe,
Lived recess'd in a glade.
Clytié, Hamadryad,
She was called that I sing--
Flower so fair, so frail, that to bring her a woe,
Surely a pitiful thing!

A wild bright creature of trees,
Brooks, and the sun among leaves,
Clytié, grown to be maid:
Ah, she had eyes like the sea's
Iris of green and blue!
White as sea-foam her brows,
And her hair reedy and gold:
So she grew and waxt supple and fit to be spouse
In a king's palace of old.

All in a kirtle of green,
With her tangle of red-gold hair,
In the live heart of an oak,
Clytié, harbouring there,
Thronéd there as a queen,
Clytié wondering woke:
Ah, child, what set thee too high for ...

        -    - Methought I saw
Life swiftly treading over endless space;
And, at her foot-print, but a bygone pace,
The ocean-past, which, with increasing wave,
Swallow'd her steps like a pursuing grave.

Sad were my thoughts that anchor'd silently
On the dead waters of that passionless sea,
Unstirr'd by any touch of living breath:
Silence hung over it, and drowsy Death,
Like a gorged sea-bird, slept with folded wings
On crowded carcases - sad passive things
That wore the thin gray surface, like a veil
Over the calmness of their features pale.

And there were spring-faced cherubs that did sleep
Like water-lilies on that motionless deep,
How beautiful! with bright unruffled hair
On sleek unfretted brows, and eyes that were
Buried in marble tombs,...

Forgive, illustrious Country! these deep sighs,
Heaved less for thy bright plains and hills bestrown
With monuments decayed or overthrown,
For all that tottering stands or prostrate lies,
Than for like scenes in moral vision shown,
Ruin perceived for keener sympathies;
Faith crushed, yet proud of weeds, her gaudy crown;
Virtues laid low, and mouldering energies.
Yet why prolong this mournful strain? Fallen Power,
Thy fortunes, twice exalted, might provoke
Verse to glad notes prophetic of the hour
When thou, uprisen, shalt break thy double yoke,
And enter, with prompt aid from the Most High,
On the third stage of thy great destiny.

I.
Why wail you, pretty plover? and what is it that you fear?
Is he sick your mate like mine? have you lost him, is he fled?
And there—the heron rises from his watch beside the mere,
And flies above the leper’s hut, where lives the living-dead.

II.
Come back, nor let me know it! would he live and die alone?
And has he not forgiven me yet, his over-jealous bride,
Who am, and was, and will be his, his own and only own,
To share his living death with him, die with him side by side?

III.
Is that the leper’s hut on the solitary moor,
Where noble Ulric dwells forlorn, and wears the leper’s weed?
The door is open. He! is he standing at the door,
My soldier of the Cross? it is he and he indeed!

IV.
My roses—will he take them now—mine, his—from off th...

She. Yet womanhood you reverence,
So you profess!

He. With heart and soul.

She. Of which fact this is evidence!
To help Art-study, for some dole
Of certain wretched shillings, you
Induce a woman, virgin too
To strip and stand stark-naked?

He. True.

She. Nor feel you so degrade her?

He. What
(Excuse the interruption), clings
Half-savage-like around your hat?

She. Ah, do they please you? Wild-bird-wings!
Next season, Paris-prints assert,
We must go feathered to the skirt:
My modiste keeps on the alert.
Owls, hawks, jays, swallows most approve.

He. Dare I speak plainly?

She. Oh, I trust!

He. Then, Lady Blanche, it less wo...

In the year's early nonage, when the sun
Tempers his tresses in Aquarius' urn,
And now towards equal day the nights recede,
When as the rime upon the earth puts on
Her dazzling sister's image, but not long
Her milder sway endures, then riseth up
The village hind, whom fails his wintry store,
And looking out beholds the plain around
All whiten'd, whence impatiently he smites
His thighs, and to his hut returning in,
There paces to and fro, wailing his lot,
As a discomfited and helpless man;
Then comes he forth again, and feels new hope
Spring in his bosom, finding e'en thus soon
The world hath chang'd its count'nance, grasps his crook,
And forth to pasture drives his little flock:
So me my guide dishearten'd when I saw
His troubled forehead, and so speedily...

    Breaking up -
    as in the cloissoné jar you dropped. . .
    little regard,
    a few brittle pieces scattered about the floor.
    Let's call it "shedding feelings". Expensive?
    There's always another humidor tucked away in
    the cranny of another antique shop; after all,
    a woman is only a woman
    although a fine, Cuban import
    is a worthy smoke.

    "What this country needs is a good 5¢ cigar".
    Panatellas?
    He might have added tight-fitting, long lasting.

    Nooks & crannies.
    Little things, your ways. Fruit fly (perhaps damsel wing)
    as symbol of perishability. My emblematic coat of arms.
    No season of regrets, rather
    snatch of minutes, the oasis span of a single candle.

    Who knows?...

I

In paris all look’d hot and like to fade.
Brown in the garden of the Tuileries,
Brown with September, droop’d the chestnut-trees.
’Twas dawn; a brougham roll’d through the streets, and made

Halt at the white and silent colonnade
Of the French Theatre. Worn with disease,
Rachel, with eyes no gazing can appease,
Sate in the brougham, and those blank walls survey’d.

She follows the gay world, whose swarms have fled
To Switzerland, to Baden, to the Rhine;
Why stops she by this empty play-house drear?

Ah, where the spirit its highest life hath led,
All spots, match’d with that spot, are less divine;
And Rachel’s Switzerland, her Rhine, is here!

II

Unto a lonely villa in a dell
Above the fragrant warm Provencal shore
T...

The twilight's inner flame grows blue and deep,
And in my Lesbos, over leagues of sea,
The temples glimmer moon-wise in the trees.
Twilight has veiled the little flower-face
Here on my heart, but still the night is kind
And leaves her warm sweet weight against my breast.
Am I that Sappho who would run at dusk
Along the surges creeping up the shore
When tides came in to ease the hungry beach,
And running, running till the night was black,
Would fall forespent upon the chilly sand
And quiver with the winds from off the sea?
Ah quietly the shingle waits the tides
Whose waves are stinging kisses, but to me
Love brought no peace, nor darkness any rest.
I crept and touched the foam with fevered hands
And cried to love, from whom the sea is sweet,
From whom the ...

Autumn comes laden with her ripened load
Of fruitage and so scatters them abroad
That each fern-smothered heath and mole-hill waste
Are black with bramble berries--where in haste
The chubby urchins from the village hie
To feast them there, stained with the purple dye;
While painted woods around my rambles be
In draperies worthy of eternity.
Yet will the leaves soon patter on the ground,
And death's deaf voice awake at every sound:
One drops--then others--and the last that fell
Rings for those left behind their passing bell.
Thus memory every where her tidings brings
How sad death robs us of life's dearest things.

    O, gentle shade of quiet woods,
        Where nature dwells in leafy halls,
        I love the sacred voice that falls
    In music o'er thy solitudes!
    Within thine arms the weary heart
        Is hidden from the toils of men,
    And pleasure makes ambition start
        Into a nobler life again.

    Among the fragrant shadows throng
        With all the riches of their truth,
        Glad echoes from the days of youth
    And mingle into laughing song;
    While angel fingers touch the keys
        That slumber in the silent breast,
    Till mem'ry wakes her lullabies
        And childhood fancies rock to rest.

    Again the hours of early joy
        Upon the aged years intrude,
        And dance amid the summer wood
    T...

The weary, weary days gang by,
    The weary nichts they fa',
I mauna rest, I canna lie
    Since my ain bairn's awa'.

The soughing o' the springtide breeze
    Abune her heid blaws sweet,
There's nests amang the kirkyaird trees
    And gowans at her feet.

She gae'd awa' when winds were hie,
    When the deein' year was cauld,
An noo the young year seems to me
    A waur ane nor the auld.

And, bedded, 'twixt the nicht an' day,
    Yest're'en, I couldna bide
For thinkin', thinkin' as I lay
    O' the wean that lies outside.

O, mickle licht to me was gie'n
    To reach my bairn's abode,
But heaven micht blast a mither's een
    And her feet wad find the road.

The kirkyaird loan alang the brae
    Was choked ...

"O day! he cannot die
When thou so fair art shining!
O Sun, in such a glorious sky,
So tranquilly declining;

He cannot leave thee now,
While fresh west winds are blowing,
And all around his youthful brow
Thy cheerful light is glowing!

Edward, awake, awake,
The golden evening gleams
Warm and bright on Arden's lake,
Arouse thee from thy dreams!

Beside thee, on my knee,
My dearest friend, I pray
That thou, to cross the eternal sea,
Wouldst yet one hour delay:

I hear its billows roar,
I see them foaming high;
But no glimpse of a further shore
Has blest my straining eye.

Believe not what they urge
Of Eden isles beyond;
Turn back, from that tempestuous surge,
To thy own native land.

It is no...

CONNAL,    CRIMORA,

CRIMORA.

Who cometh from the hill, like
a cloud tinged with the beam
of the west? Whose voice is that, loud
as the wind, but pleasant as the harp of
Carryl? It is my love in the light of
steel; but sad is his darkened brow.
Live the mighty race of Fingal? or
what disturbs my Connal?

CONNAL.

They live. I saw them return from
the chace, like a stream of light. The
sun was on their shields: In a line they
descended the hill. Loud is the voice of
the youth; the war, my love, is near.
To-morrow the enormous Dargo comes
to try the force of our race. The race of
Fingal he defies; the race of battle and
wounds.

CRIMORA.
Connal, I saw his sails like grey mist
on the sable wave. They came to...

(For Kenton)



An iron hand has stilled the throats
    That throbbed with loud and rhythmic glee
And dammed the flood of silver notes
    That drenched the world in melody.
The blosmy apple boughs are yearning
For their wild choristers' returning,
    But no swift wings flash through the tree.

Ye that were glad and fleet and strong,
    Shall Silence take you in her net?
And shall Death quell that radiant song
    Whose echo thrills the meadow yet?
Burst the frail web about you clinging
And charm Death's cruel heart with singing
    Till with strange tears his eyes are wet.

The scented morning of the year
    Is old and stale now ye are gone.
No friendly songs the children hear
    Among the bushes on the lawn.
When ...

Spring's sweets they are not fled, though Summer's blossom
Has met its blight of sadness, drooping low;
Still flowers gone by find beds in memory's bosom,
Life's nursling buds among the weeds of woe.
Each pleasing token of Spring's early morning
Warms with the pleasures which we once did know;
Each little stem the leafy bank adorning,
Reminds of joys from infancy that flow.
Spring's early heralds on the winter smiling,
That often on their errands meet their doom,
Primrose and daisy, dreary hours beguiling,
Smile o'er my pleasures past whene'er they come;
And the speckt throstle never wakes his song,
But Life's past Spring seems melting from his tongue.

    Just the airiest, fairiest slip of a thing,
    With a Gainsborough hat, like a butterfly's wing,
    Tilted up at one side with the jauntiest air,
    And a knot of red roses sown in under there
        Where the shadows are lost in her hair.

    Then a cameo face, carven in on a ground
    Of that shadowy hair where the roses are wound;
    And the gleam of a smile O as fair and as faint
    And as sweet as the masters of old used to paint
        Round the lips of their favorite saint!

    And that lace at her throat - and the fluttering hands
    Snowing there, with a grace that no art understands,
    The flakes of their touches - first fluttering at
    The bow - then the roses - the hair - and then that
        Little tilt of the Gainsborough hat....