Betrayal

An old, mad, blind, despised, and dying king, -
Princes, the dregs of their dull race, who flow
Through public scorn, - mud from a muddy spring, -
Rulers who neither see, nor feel, nor know,
But leech-like to their fainting country cling,
Till they drop, blind in blood, without a blow, -
A people starved and stabbed in the untilled field, -
An army, which liberticide and prey
Makes as a two-edged sword to all who wield, -
Golden and sanguine laws which tempt and slay;
Religion Christless, Godless - a book sealed;
A Senate, - Time's worst statute, unrepealed, -
Are graves from which a glorious Phantom may
Burst, to illumine our tempestuous day.

Running water has a charm all its own; it proffers companionship of which one never tires; it adapts itself to moods; it is the guardian of secrets. It has cool draughts for the thirsty soul as well as for drooping flowers; and they who wander in the garden of God with listening ears learn of its many voices.

When the strain of a working day has left me weary, perhaps troubled and perplexed, I find my way to the river. I step into a boat and pull up stream until the exertion has refreshed me; and then I make fast to the old alder-stump where last year the reed- piper nested, and lie back in the stern and think.

The water laps against the keel as the boat rocks gently in the current; the river flows past, strong and quiet. There are side eddies, of course, and little disturbing whirlpools near the big stones, but they...

Now by a secret pathway we proceed,
Between the walls, that hem the region round,
And the tormented souls: my master first,
I close behind his steps. "Virtue supreme!"
I thus began; "who through these ample orbs
In circuit lead'st me, even as thou will'st,
Speak thou, and satisfy my wish. May those,
Who lie within these sepulchres, be seen?
Already all the lids are rais'd, and none
O'er them keeps watch." He thus in answer spake
"They shall be closed all, what-time they here
From Josaphat return'd shall come, and bring
Their bodies, which above they now have left.
The cemetery on this part obtain
With Epicurus all his followers,
Who with the body make the spirit die.
Here therefore satisfaction shall be soon
Both to the question ask'd, and to the wish,

Wizened the wood is, and wan is the way through it;
White as a corpse is the face of the fen;
Only blue adders abide in and stray through it
Adders and venom and horrors to men.
Here is the “ghost of a garden” whose minister
Fosters strange blossoms that startle and scare.
Red as man’s blood is the sun that, with sinister
Flame, is a menace of hell in the air.
Wrinkled and haggard the hills are the jags of them
Gape like to living and ominous things:
Storm and dry thunder cry out in the crags of them
Fire, and the wind with a woe in its wings.

Never a moon without clammy-cold shroud on it
Hitherward comes, or a flower-like star!
Only the hiss of the tempest is loud on it
Hiss, and the moan of a bitter sea bar.
Here on this waste, and to left and to right...

Why, my heart, do we love her so?
(Geraldine, Geraldine!)
Why does the great sea ebb and flow?
Why does the round world spin?
Geraldine, Geraldine,
Bid me my life renew,
What is it worth unless I win,
Love, love and you?

Why, my heart, when we speak her name
(Geraldine, Geraldine!),
Throbs the word like a flinging flame?
Why does the spring begin?
Geraldine, Geraldine,
Bid me indeed to be,
Open your heart and take us in,
Love, love and me.

    There is a quiet in my heart
    Like one who rests from days of pain.
    Outside, the sparrows on the roof
    Are chirping in the dripping rain.

    Rain in my heart; rain on the roof;
    And memory sleeps beneath the gray
    And windless sky and brings no dreams
    Of any well remembered day.

    I would not have the heavens fair,
    Nor golden clouds, nor breezes mild,
    But days like this, until my heart
    To loss of you is reconciled.

    I would not see you. Every hope
    To know you as you were has ranged.
    I, who am altered, would not find
    The face I loved so greatly changed.

I was reading a letter of yours to-day,
The date - O a thousand years ago!
The postmark is there - the month was May:
How, in God's name, did I let you go?
What wonderful things for a girl to say!
And to think that I hadn't the sense to know -
What wonderful things for a man to hear!
O still beloved, O still most dear.

"Duty" I called it, and hugged the word
Close to my side, like a shirt of hair;
You laughed, I remember, laughed like a bird,
And somehow I thought that you didn't care.
Duty! - and Love, with her bosom bare!
No wonder you laughed, as we parted there -
Then your letter came with this last good-by -
And I sat splendidly down to die.

Nor Duty, nor Death, would have aught of me:
"He is Love's," they said, "he cannot be ours;"
...

I know a garden where the lilies gleam,
And one who lingers in the sunshine there;
She is than white-stoled lily far more fair,
And oh, her eyes are heaven-lit with dream.

I know a garret, cold and dark and drear,
And one who toils and toils with tireless pen,
Until his brave, sad eyes grow weary - then
He seeks the stars, pale, silent as a seer.

And ah, it's strange, for desolate and dim
Between these two there rolls an ocean wide;
Yet he is in the garden by her side,
And she is in the garret there with him.

Long through the night hours sorrow was my guest
And would not let my fainting body rest,
Till just ere dawn from out its slow dominions
Flew sleep to wrap me in its dear dusk pinions.
And then it was my mother did appear
Before mine eyes in vision doubly dear;
For in her arms she held my darling one,
My Ursula, just as she used to run
To me at dawn to say her morning prayer,
In her white nightgown, with her curling hair
Framing her rosy face, her eyes about
To laugh, like flowers only halfway out.
        "Art thou still sorrowing, my son?" Thus spoke
My mother. Sighing bitterly, I woke,
Or seemed to wake, and heard her say once more:
        "It is thy weeping brings me to this shore:
Thy lamentations, long uncomforted,
Have reached the hidden chambers ...

ACT IV. SCENE 5.

SONG OF THE FATES.

Ye children of mortals
The deities dread!
The mastery hold they
In hands all-eternal,
And use them, unquestioned,
What manner they like.

Let him fear them doubly,
Whom they have uplifted!
On cliffs and on clouds, oh,
Round tables all-golden,
he seats are made ready.

When rises contention,
The guests are humid downwards
With shame and dishonor
To deep depths of midnight,
And vainly await they,
Bound fast in the darkness,
A just condemnation.

But they remain ever
In firmness unshaken
Round tables all-golden.
On stride they from mountain
To mountain far distant:
From out the abysses'
Dark jaws, the breath rises
Of torment-choked Titans
Up ...

High the vanes of Shrewsbury gleam
Islanded in Severn stream;
The bridges from the steepled crest
Cross the water east and west.

The flag of morn in conqueror's state
Enters at the English gate:
The vanquished eve, as night prevails,
Bleeds upon the road to Wales.

Ages since the vanquished bled
Round my mother's marriage-bed;
There the ravens feasted far
About the open house of war:

When Severn down to Buildwas ran
Coloured with the death of man,
Couched upon her brother's grave
The Saxon got me on the slave.

The sound of fight is silent long
That began the ancient wrong;
Long the voice of tears is still
That wept of old the endless ill.

In my heart it has not died,
The war that sleeps on Severn side;

Tossed on the glittering air they soar and skim,
Whose voices make the emptiness of light
A windy palace. Quavering from the brim
Of dawn, and bold with song at edge of night,
They clutch their leafy pinnacles and sing
Scornful of man, and from his toils aloof
Whose heart's a haunted woodland whispering;
Whose thoughts return on tempest-baffled wing;
Who hears the cry of God in everything,
And storms the gate of nothingness for proof.

SPOKEN BY MR BETTERTON, REPRESENTING THE GHOST OF SHAKSPEARE.


    See, my loved Britons, see your Shakspeare rise,
    An awful ghost, confess'd, to human eyes!
    Unnamed, methinks, distinguish'd I had been
    From other shades, by this eternal green,
    About whose wreaths the vulgar poets strive,
    And with a touch their wither'd bays revive.
    Untaught, unpractised in a barbarous age,
    I found not, but created first the stage.
    And, if I drain'd no Greek or Latin store,
    'Twas that my own abundance gave me more.
    On foreign trade I needed not rely,
    Like fruitful Britain, rich without supply.
    In this my rough-drawn play you shall behold
    Some master strokes, so manly and so bold,
    That he who meant to alter, found 'em...

Hush'd be the camps to-day;
And, soldiers, let us drape our war-worn weapons;
And each with musing soul retire, to celebrate,
Our dear commander's death.

No more for him life's stormy conflicts;
Nor victory, nor defeat--no more time's dark events,
Charging like ceaseless clouds across the sky.

But sing, poet, in our name;
Sing of the love we bore him--because you, dweller in camps, know it truly.

As they invault the coffin there;
Sing--as they close the doors of earth upon him--one verse,
For the heavy hearts of soldiers.

The Text is formed by a collation of six broadsides printed between 1672 and 1700: they do not, however, present many variations. Here, if anywhere, one would demand licence to make alterations and improvements. In stanza 12 the rhymes are almost certainly misplaced; and the last stanza is quite superfluous. It would be much more in keeping with ballad-style to end with the twelfth, and many of the variants now sung conclude thus. This ballad is still extremely popular, and not only has it been included in many selections and song-books, but it is also still in oral tradition.


The Story is simple and pre-eminently in the popular vein. Counterparts exist elsewhere in the languages derived from Latin, and in Romaic.


THE BAILIFF'S DAUGHTER OF ISLINGTON

    1.
    There was a youth, and a well...

When haughty expectations prostrate lie,
And grandeur crouches like a guilty thing,
Oft shall the lowly weak, till nature bring
Mature release, in fair society
Survive, and Fortune's utmost anger try;
Like these frail snowdrops that together cling,
And nod their helmets, smitten by the wing
Of many a furious whirl-blast sweeping by.
Observe the faithful flowers! if small to great
May lead the thoughts, thus struggling used to stand
The Emathian phalanx, nobly obstinate;
And so the bright immortal Theban band,
Whom onset, fiercely urged at Jove's command,
Might overwhelm, but could not separate!

Regret with streaming eyes doth seem alway
A maiden widowed on her wedding day.

While dark Remorse, with eyes too sad for tears,
A crushed, desponding Magdalene appears.

One, with a hungering heart unsatisfied,
Mourns for imagined joys that were denied.

The other, pierced by recollected sin,
Broods o'er the scars of pleasures that have been.

I cannot change as others do,
Though you unjustly scorn;
Since that poor swain that sighs for you
For you alone was born.
No, Phillis, no; your heart to move
A surer way I’ll try;
And, to revenge my slighted love,
Will still love on and die.

When kill’d with grief Amyntas lies,
And you to mind shall call
The sighs that now unpitied rise,
The tears that vainly fall,
That welcome hour, that ends this smart,
Will then begin your pain;
For such a faithful tender heart
Can never break in vain.